The Bones of the Beach

I grew up pretty near the Pacific Ocean. It was a matter of a couple of hours to get to its shores from home, and mere minutes’ drive to Puget Sound, and I have always loved any chance to spend time along the water. At home in Texas, it’s not so easy: there are a few man-made lakes within a short drive, with a few public beach spots along the edges of each, most of the time too hot for strolling, and that’s about it. So that recent trip to Puerto Rico was a brief but lovely reminder of what pleasure I find in wandering the beach when I can, absorbing not only a bit of salt water through my happy bare feet and the tangy air through my expanding lungs but also the great sense of history and adventure inherent in all of the findings strewn along the tidal brink.Digital collage: Beachcomber's Trove

Despite being so much a water-baby at heart, I’ve never so much loved open water swimming—after all, my people are the pale, easily fried folk of Norway who transplanted to the familiarly brisk spank of the coastal waters to fish and farm and forest-hunt as they’d done back in the old country. But I’m drawn all the same to explore the tide-pools and comb through the heaps of hidden-and-revealed treasure that line the beach, sucking deep breaths of sea breeze happily right down to my soul. I love to see all of the bits of shell and bone and stone piled up and intermingled with molted feathers, ship detritus and the petrified lace of corals and seaweed. Every tiny piece seems to hold such a storied past that I can stare and sift and dream endlessly.Photos: Beach Bones

What caused that lone shoe to wash up here from unknown shores? Why are those pieces of sea-soaked driftwood burnt but not in the fire pit, rather appearing like a dragon-singed skeleton in a distant heap down the shore? How did so many colors of ghostly and sandblasted beach glass come to bejewel the line of the tide together? Who were the creatures that fished the shore and left bleached fish bones here, a crab shell there? When did the storms kick up such a foment of foam that the inland side of mean high tide has a gloss of it lacquered firmly across the surface of its sand? Where are the children whose sandcastle ruins are still tucked behind the biggest boulders on the beach, waving flags of leaf and kelp from their stunted battlements? And most importantly, when can I return to the beach to stroll and dream of such things again?

The Fantastical & the Fleeting

Stuff is ephemeral; imagination is what endures.graphite drawingReal life has enough elements of adventure, romance and mystery to sustain us–indeed, to astonish and entertain quite endlessly–but if we don’t record and celebrate such magic parts of our history they are lost. If we fail to study our chronicles and journals of such marvels, they are but dust.

So the sages among us keep what documents they can and teach us as much as we’re able to learn. What, though, becomes of all this if we are ourselves not so sage? Those of us for whom history is mostly data, steeped and stopped in the past, rely on fantasy to renew in us a sense of the remarkable. The fictional, metaphorical and colorful characters, creatures and cataclysmic events we create in our arts give us vehicles for understanding the true mystical powers in our real lives. Types and archetypes remain because they represent not Things so much as Experiences, not acquisitions but states of being. Through these avatars and our vicarious living of all the extremes that we can imagine, we revisit–and can even revere–the lives that have gone before us.

Through these imaginings, we are best moved to become greater than our small natural selves. In our better selves we have hope of living out lives that might, in turn, outlive us to inspire later generations to dream beyond, to imagine greatness and loveliness not yet known. Dream on, my friends, dream on.