Sleep, my sweet, my lovely one,
From dusk until the rising sun
Paints morning roses blushed with dew;
Let comfort bless the night, and you,
Awaking, bless with joy the ray
Practice as though Your Life Depended on It
Two singers strolled into a wood, and I
Followed the one less skillful; why?
Starved beasts will flock to an anguished cry,
As they did that day; in the wink of an eye,
I was on the road less traveled by,
And that has made all the difference.
[With sincerest apologies to Robert Frost]
Every season of music has its marvels, masters and moments. In my life of following a conductor and his fellow artists around, I am privileged to be on hand for more such fine pleasures than most, and I never forget that this is a great bit of good fortune indeed.
Still, not every instant is guaranteed to be a glowing example of the highest and best of the musical arts. After all, there is all of the practice that must come first, and to be fair, no amount of practice can assure us of perfection. Mistakes happen; if we’re lucky, learning happens as a result. But the distance between first-try and performance may be a long one indeed, and sometimes the distance isn’t quite long enough.
So I am grateful all the more when I attend a performance and hear something magical and meaningful and magnificent. I know that it took the performers a lot of concerted effort to come from wherever they started the process to this peak, and I am all the happier and richer for it. I know and appreciate, too, that it takes massive amounts of effort and energy and other resources on the part of organizers, managers, fans, logistics handlers, boards, angels, financiers, educators, ushers, ticket dealers, audience members, and all of those other assorted friends of the arts needed to make this work pay off in any way beyond the artists’ own satisfaction in the process, and that’s yet another level, another realm of generosity entirely that makes my little spot in the aural universe fuller.
Most of all I give my fervent thanks to all of the singers, players and conductors who strive to make this miracle happen again and again. Without your dedicated pursuit of the musical muse, there would be no such happy task for all of the friends of music who are not musicians ourselves. And unquestionably, the world would be a far less beautiful place.
Would that I had the blithe wit and urbane persona of a Noël Coward, but alas, I operate on a lower and more plebeian plane. And for those who are keeping score, yes, I am a big chicken, if that’s what you were reading in today’s title. Still and all, I think of myself as being less than hideously fearful when it comes to self-exposure as an artist.
Though the upshot of all this may be that my audiences become unwitting consumers of drivel and bilge at least part of the time, I also remind myself that there is some credible evidence, historically speaking, that the greatest masters of the many forms of art are represented in the present age only by those portions of their respective oeuvres that they or others chose to retain. Long have I wished that I might gain access to, if you will, the Rubbish Bins of the Old Masters to see something more accurately representing the whole of the bodies of work that led to the known and treasured glories. So here I am, letting all and sundry look into the underwear drawer of my art closet, so to speak. After all, I think that I’m merely admitting to what my betters may have left to the imagination.
So I’ll keep showing off process and behind-the-curtain action from time to time, knowing as I do that not only are folk wonderfully gracious and patient with me even when critiquing but also , and more importantly, that I appreciate those of my fellow artists who are willing to share the same access to their gifts with me. We all have our weaknesses. But when it comes to showing off my work, I’m no coward.
Stuff is ephemeral; imagination is what endures.
Real life has enough elements of adventure, romance and mystery to sustain us–indeed, to astonish and entertain quite endlessly–but if we don’t record and celebrate such magic parts of our history they are lost. If we fail to study our chronicles and journals of such marvels, they are but dust.
So the sages among us keep what documents they can and teach us as much as we’re able to learn. What, though, becomes of all this if we are ourselves not so sage? Those of us for whom history is mostly data, steeped and stopped in the past, rely on fantasy to renew in us a sense of the remarkable. The fictional, metaphorical and colorful characters, creatures and cataclysmic events we create in our arts give us vehicles for understanding the true mystical powers in our real lives. Types and archetypes remain because they represent not Things so much as Experiences, not acquisitions but states of being. Through these avatars and our vicarious living of all the extremes that we can imagine, we revisit–and can even revere–the lives that have gone before us.
Through these imaginings, we are best moved to become greater than our small natural selves. In our better selves we have hope of living out lives that might, in turn, outlive us to inspire later generations to dream beyond, to imagine greatness and loveliness not yet known. Dream on, my friends, dream on.
Silence is both elusive and therefore, golden in this life. Even when we can escape the ambient clamor of our everyday existence it’s rather rare to achieve the sort of true silence that’s found in deep contemplation, deeper meditation or deepest sleep. Our own brains make an immense quantity of distracting and sometimes just plain disconcerting noise so much of the time that it’s rather remarkable we even know what silence is or can be.
It’s almost ironic, then, that what makes inner calm and silence possible for me is often music. The way that music can clear my mind of mess and detritus, allow me to empty myself of unproductive or unpleasant things and focus on things of grace and beauty until my mind opens up so wide that it can embrace genuine calm, peace, contentment and meaningful introspection, achieve a kind of silence that transcends nothingness and surpasses quietude. Music makes me whole.
No matter what the language, no matter the land, if one is purposeful, hopeful, loving and a little bit lucky, life is full of dreamlike beauty. My recent wanderings on holiday reminded me of it in the larger sense of being with beloved people and going to marvelous places, having plenteous desirable free time (and deeply-loved sleep), delicious food, and delightful small adventures. I was also reminded of it in the more intimately tiny sense of prettiness all around me and well-being inside of me. So I give you a selection of small, visible tokens of those joys and remind you that whether you say it ‘Que Lindo Sueño‘ or you row your boat around singing that Life is but a dream, whether you’re in Russia or Morocco or Iceland or Texas, the astonishing and lovely is all around you for the looking, listening, tasting, and holding. Sometimes all it takes is to be aware; to pay attention. I wish you a year full of beauty!









Defying Gravity
Once upon a leafy glade, a pretty perch in sun and shade,
Where callas leapt into the day from darker places and made play
Of turning winter into spring full suddenly, the single thing
That was most lovely in that place, that clearing full of sweetness, grace
And peaceful calm, was that the birds alighting there, beyond all words
And dreams of nature, sat quite still and quiet, and a subtle thrill
Of magic held the place in thrall–as if amid a concert hall
The orchestra fell silent, yet their silver melodies still set
The air a-quiver, pulsing, live with such wild music as to thrive
Beyond its moment and to sing whether the birds sat or took wing–
The butterflies that came around this glade of gladness also found
It fit to sit rather than fly and flit about the gleaming sky,
And set their wings to capture sun rather than race about and run,
Their painted beauty neatly limned as though tall ships in port had trimmed
Their sails to rest and find surcease in this most gracious bay of peace–
And yet, the clearing’s finest gift was that no butterfly would lift
A wing disturbing stillness there, nor bird stir up the hovering air,
Nor even angel choose to float aloft, disturbing the remote
And pleasant sense of such remove as was existent in that grove–
All this to say, though all could rise and wing their way about the skies,
Each visitor the clearing drew found on arriving that she knew
It was a place whose joy and mirth might make her leap up from the earth,
Yet with serenity so blessed she chose instead to lie at rest,
By flight’s exertions not be led, but letting souls fly high instead.
This melody that lilts, lifts us to light
Like incense rising, or like hope aloft,
Like spring’s sweet perfume and like down-soft
New blooms, the lovely song eclipses night–
Brings sun and starlight and a shining flame
To paint the darkness into blazing day,
To chase all sorrow and all gloom away
Or give them luster as the marks of Fame–
The singing sinuous and smooth as glass,
As stillest water or a spotless sky,
And yet the singer never stops to sigh
Except when breathing lets a moment pass–
Because the music brings such passion, clear
Expressive, infinite and full of grace,
Poured out in rivulets and with a trace
Of magic only those with love can hear–
One aria can change the flow of time
Becoming Gypsies
Freedom’s a romantic notion we imbue with pretty joys,
Dreamed escape from life’s commotion and the race’s worldly noise,
Endless travel, music, dancing, and the heat of thrumming hearts,
But though sweet, the dream’s entrancing magic’s only where it starts–
Gypsy life is what we make it, rich as fantasy can be,
Only when we reach and take it: yes, it’s up to you and me
To create this liberation and its joys for which we long–
Life becomes a celebration when we fully join the song