Ironclad Alibis

photoYou may think I am obsessed with rusty stuff, and you may well be right about that. I like all sorts of things that look like they have stories behind them, and it doesn’t matter entirely whether they are animate or inanimate. Odd creatures are surely just as likely to have their tales (or tails) worthy of the attention, but all the more probably going to get my imagination geared up if they are in the context of marvelously creaky and rustic and grubby, grimy, weather-beaten, broken-down, scabrous places and things that in themselves invite all manner of assumptions and guesses and fancies.

photoIf I haven’t mentioned or shown you pictures of such wonderfully decrepit and strange objects and oddments in a while, you can be assured that it’s not for lack of interest or for my not having a multitude of such images, visual and verbal, on file and in process. I do try to vary my posts at least a smidgen [Hi, Smidge!] so as to not put myself into a blog-induced coma, let alone every one of you out there who stumbles into my cave of wonders. Then again, the urge rises and I must let some of my pet images out to play.

photo montageDo I get repetitive and predictable anyway? Why yes, of course I do. I can’t help but ramble down favorite paths just as much as anyone, and even when I do have a modicum of willpower in that regard, you can be certain that I’ll give in to my sensationally short attention span and return my focus to its standard grooves soon enough. Most of us do operate that way. I’m not even particularly apologetic about such crass and lazy behavior, as long as no one’s paying me to share what I put up in my little window here in the ether.

photo montageSo if you think it borders on the criminal, the way I manipulate you into thinking I’m veering off into sincerely new and exotic territory at times or the fact that I have such small and narrow interests and opinions and loves, I wonder at your fortitude (or stupidity) for not just trotting off toward greener pastures, at least less rusted ones. And I’ve admitted to this and many other of my faults, so I don’t really think I owe you any further apology or explanation. What you see here is unshakably the real me. Except when it’s straight-up fiction, because I do have a propensity to lie, too.photo

Hot Flash Fiction 1: Pedigreed

I know it’s been around, arguably, for generations, but the extreme short story seems to have undergone quite the revival in recent times, being popularly called in the English-speaking and -writing world Flash Fiction. Me, I’m an old lady and slow to keep up with any sort of trend. Or, to give myself partial credit, I am so old that I was already around the first time half this stuff was popular.

Never mind all of that. In the way of condensed arts, I’ve always been particularly enamored of short forms, miniatures and compact performances that have rich enough content to hold up under speedy scrutiny yet continue to beckon one for a second and third and thirtieth look, or at the very least, to get one’s nose a whole lot closer to the subject before waving farewell. That applies to works by others (short stories, small photos and drawings, children’s books, one-act plays, songs comprising one or two brief movements, and snappy quatrains), and very much to my own productions. Since you lovely people already know full well that I have the attention span of an end-of-season Mayfly, you can easily surmise that this obsession with tiny-tude is merely a natural outgrowth of my laziness and tangential, caroming path through life.

Which is, of course, partly true. But I’ve also been known to commit to larger-scale projects and yes, in real life, honest-to-goodness fact, to complete them, too. Sometimes, I’ll readily admit, this happens at a very, verrrrrrrrrrry slow pace. But though I have made murals twenty feet wide, rebuilt gardens from the bulldozer up, written and/or drawn every single day for years at a time, my heart does retain its deep affection for the minute, yea verily for that minutiae that can happen in a minute. But only if it’s worth the effort. There are still those larger goals to be achieved and metaphorical mountains to be climbed that require my continuing attentions between spurts of compact acting. And it’s the very change from the massive to the mini that makes those idiosyncratic idioms of iota-size such excellent crevice fillers and so appealing as a respite from larger concerns.

So, old though I may be, I’m trailing in the dust of your every trend–unless you’ll allow that I am only lapping myself in circles, having written couplets, sketched 3-second figures and made one-bite desserts since I was hardly bigger than a molecule myself. I like to think that I’m gradually getting better than I was back then, at least. Practice, practice.digital collage

They were justifiably proud of their daughter’s pedigree, but it was precisely this family resemblance that first drew the unkind attentions of those catty girls in the sorority.

Little Mysteries and Big Adventures

graphite on paperIt’s kind of odd, when you think about it, that we readers and writers and storytellers and listeners have such an affinity for mystery and adventure stories. Life itself is so full of both that it could be argued there’s no need to entertain or challenge, frighten or amuse ourselves by inventing yet more. But besides the obvious pleasant aspect of fiction that it remains under our control in ways that real life cannot, there is much more reason that the appeal remains just as strong as it has for ages.

For starters, it gives us a forum for posing questions and answers that can’t always be simplified enough to solve any real-world conundrum puzzling us. It’s both potentially a problem-solving process and a bit of creative play that can lead to greater flexibility and insight when we do get around to solving the problems with which we’re faced. If I can metaphorically bump off the villain that has been making my life such a trial, perhaps the metaphor can be extended to show how I can cope with him or her in actuality in a more legal and humane manner. If not, at the very least (assuming the real person behind the fictional stiff is fully enough disguised so that s/he cannot sue the socks off of me and make my life miserable in new and legal ways) I got the satisfaction of offing said offender in effigy. On paper I can exert all of the cruelty my heart secretly harbors, without ever lifting a physical finger, even that uniquely expressive one, against anyone at all.graphite on paperMostly, in the fictional world it allows a vicarious thrill for both creator and reader or listener that few of us dare or have the wherewithal to experience in three dimensions. Being a very ordinary person, I have little to no likelihood of the kinds of outsized adventures and brilliant insights that would make for a good, cracking read, but I’ll happily devour such stories and envision myself in their midst when it suits me. In fiction, I can do all sorts of athletic and impressive things that there isn’t the remotest chance of my accomplishing with my feeble skills and lethargic attitude, but there’s something rather bracing in even the imagined high-speed sculling through the black waters of a swift river, the steeplechase saddled up on a magnificent pedigreed mare, or the vaulting over crevasses with rime in my eyelashes and ice axe gripped in my gloved hand, when they’re well written.graphite on paperIn fiction, I can commit the perfect crime–or solve it. I can be the heroine of the story or an innocent bystander. I can follow all of the clues, absorb all of the details of the characters’ lives and loves, interests and actions, and guess what comes next or just roll along for the ride and see where it takes me. Sometimes, admittedly, I don’t have complete mastery of the fictional world because a tale becomes so gripping that I can’t put down the book and go to sleep, turn off the television and leave the room, or avoid re-reading parts just to see if I missed any exciting details. I should note that I am also often driven to this latter end by my dyslexic reading and the way it requires frequent repetitions of phrases and paragraphs to ascertain that I’ve kept true to the thread of meaning, so perhaps it’s not exactly a universal approach to reading! That is, as you would guess, a part of my reading process that makes me very slow to finish a book or article, even if in practice I am a reasonably fast reader. A bonus of dyslexia, conversely, is that things I have read before become new to me again almost immediately because the arrangement of words and elements of the tale might become slightly different each time through.graphite on paperWhich, in turn, is a good reminder of one of the other joys of reading: each of us brings filters, viewpoints, experiences, beliefs and interests that flavor each reading, for good or ill. We are so distinct in this that the best of friends and the most like-minded people can easily love or hate quite opposite stories and versions of them. And that makes the mere act of writing or reading a story that much more of a mystery and adventure in and of itself. All the more reason to keep writing and reading and telling . . .

Tools and Techniques, Ingredients and Inspirations

ink drawingSometimes the best way to get started with something new is to jump into something old and rethink it. Writing letters–really, reeeeeeally long and extravagantly detailed letters–to my friends and loved ones was a favored pastime for me in my youth, and only transmuted (rather than muted) over time. It’s not necessarily that I had so much to say, nor that it was terribly original, it was simply a pleasant way to keep my sense of the connection between us open and flowing freely. It was Relationship Anticoagulant for me, in its way. Most particularly because I happened to have friends and loved ones who indulged me by writing letters back in my direction.

Yes, the telephone had already been invented when I was young. (I heard that!) My letters weren’t even delivered by Pony Express, let alone chiseled on stone tablets, though those would’ve made nice doorstops, once read. But as I have never liked telephone chitchat overmuch and have always had a slight tendency toward commentary that could perhaps stand a little more editorial restraint, and most of all because I am so defined by my visual experiences, a written, tangible and yes, correctable medium like a letter suited my personality more.

I think it was at least partly that that led to my downhill slide into essays, poems, short stories and the various other Dark Magicks of creative writing. Maybe I thought that developing my fictional skills would make my long letters more entertaining and excuse their verbosity. But of course, when the mystical world of the internet appeared before me, it was inevitable that I should embrace its friendliness towards the mass production of verbiage and the speedy transport thereof unto all and sundry. “All” being my actual known connexions and “sundry” being anybody else who was incidentally caught in the overspray. The latter being people who, if they foolishly responded to my wildly flung words, were likely to get sucked right into the vast vacuum of joining my poor captive audience if I could manage it at all.

ink drawingWhen I figured out how to put visual images along with all of the wordy wonders, then Boy Howdy, I was off on a new tangent. And you’ve all seen just how tangential I can become. Why, just the other day . . . oh, see, there I go again. The additional enhancement of putting pictures with stories need not be examined here. You and I know that the telling of a tale not only frequently requires images for completeness and clarity but sometimes is enhanced and enriched by the presence of visual cues that lead the reader to start thinking about the stories tangentially as well.

I was of course drawn* in immediately by artists’, photographers’, designers’ and other visually rich websites and blogs (*this pun’s for you, yearstricken). Then I felt the magnetic, hypnotic pull of foodie blogs, with their perniciously gorgeous food photography. Glorious gardens and magnificent architectural edifices reached out of the ether to grasp at my ankles as I passed. Tripping, I dropped into the well of travelogues and vehicle- and furniture-restoration sites and aaaaaaaaaaaaaaahhhhhhh! It was the beginning of the end for this visually obsessed fool. Pretty soon I was swapping recipes and anecdotes, recitations and antidotes with all of my new Old Friends. I almost made a Freudian typo there and wrote Fiends, because of course I have been enchanted and enslaved by you all and am now helplessly in thrall, thirsting after the goodies you dangle in front of me on your every post until I succumb and retaliate with posts of my own.

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So here we all are, the relatively new digital tools in hand, cooking up marvelous messes of every sort and, far from being penitent, diving ever deeper into the strange and cheerfully dangerous tangles of what we are collectively wreaking upon the unsuspecting of the world. What began as relatively innocent missives to sisters and schoolmates, great aunts and great mentors has evolved into a different sort of Post that explodes with the weird and whimsical, the frightening or florid or sometimes just plain fishy, and whether factual or fictional, wanders the globe and the magnificent bubble of nonsense surrounding it, and the old urge to write a letter is made new again.

Now, I’ll readily admit that it’s every bit as possible to create fodder for the dustbin as it was all those centuries ago when I began writing my small-world tall tales and detailing them with quaint and creaky little scratches of “art”, and I’m quite certain that there’s no more sense and treasure sneaking in the hidden corners of my productions than there ever was. But I do find that the wider range of correspondents who really do have something to say in return, and the pleasures of the process of learning and using new and different tools for the conversation, immensely entertaining, energizing and inspiring. And I’d say that’s a paint pot of a different color.

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