Meeting the New Kid

Did you know that there are creatures you didn’t know you knew? Of course you knew it. After all, there’s the whole race of super-characters, multiple species like the Yeti and the Loch Ness Monster, Dracula and Tinkerbell, Wonder Woman and Wolverine peopling our universe, or at least some parallel ones, so we’re pretty well surrounded by fantastic fellow creatures if we’re willing and able to recognize them.
Digital illustration: Bumblesaurus

I think that perhaps part of the reason I’ve so long loved living so deeply in my imagination is that, having the social anxiety I’ve always dealt with when it comes to human-type people, I find I’m fond of fictional company and its many quirks and quizzical qualities. Not that I would necessarily be more masterful or even less shy in the midst of make-believe characters: I’m perfectly capable of being intimidated by the magnificence of pretend persons or frightened by the nastiness of the wicked ones just as easily as by real folk.

So you’ll forgive me if, despite his appearance of being slow-moving, benign, and perhaps a touch dim-witted yet perfectly friendly, I take my time getting to know the Bumblesaurus. He just wandered into the backyard when I wasn’t looking and made himself at home under a mulberry seedling. Yes, you got that right: he’s four centimeters long. Did I mention that I’m a nervous type? I mean, you only have to be the size of a flea to spread the plague all over Europe and kill off hordes of humans, right? I really do have to remind myself to give everyone, not least of all the Bumblesaurus, the benefit of the doubt. As they probably all do me.

Peter Pan vs. Mother Earth

Maturity is a hard concept to nail down. So few of us would willingly embrace the larger idea of maturity after all: the implication is too much doused with the odor of aging and the loss of innocence, playfulness and joie de vivre.

But if I can move away from those irksome, unflattering aspects of maturation, there is a whole world of better and more admirable traits awaiting me. To refuse to grow up, as so famously done by Peter Pan, one has to reject all of those pleasures and opportunities afforded only to those willing to submit to the passage of time.

I will continue to avoid becoming ensnared in the traps and trials of aging as long as I can get away with it, and probably further. Who wants to become exclusively serious, constantly responsible or particularly predictable? Not I! Age may force me to slow down my physical pace or even make me willing to concede that there is such a thing as a skirt too short or heels too high or a blouse too fitted to be quite seemly for my years, never mind that choosing certain forms of entertainment or places to go or goals to achieve are not particularly well suited for me anymore.

But I am also glad to let down the barriers to other aspects of maturity, and to embrace my aging with a certain relief when it comes to those. I care less and less, for example, about whether I look fashionable or impressive, so the heels and hems can be whatever altitude suits my comfort and mood. I’m happier in my own skin with every year spent getting to know and define and design it.

That, my friends, is the greatest gift of aging: I am freer from the worries, demands and expectations of the world around me and can work at shaping who I am, what I want, and how I feel more deeply and contentedly than when I thought there was a greater need to conform. Youth is not nearly so unfettered as we idealize it as being; so long as more mature people own our territories of home, school, work and even play, they also rule our lives. So long as we concern ourselves with comparison, competition and popularity, we let others have the power as well. When we learn to fit in and find community by being our truest selves, it changes the tune entirely. This is the richness, ripeness and harmony–within and between–conferred by true maturity.digital illustrationAnd while I’m thinking about musical metaphors, I really must give you a link to my husband’s latest YouTube appearance, conducting the beautiful and magical Monteverdi Vespers of 1610 with the Collegium Singers and Baroque Orchestra of the University of North Texas, with some tremendous guest artists singing and playing alongside the artful student and faculty musicians. This production was the premiere performance of the new edition of the Vespers that was developed by UNT professor Hendrik Schulze and ten of his graduate students, and among the instrumentalists playing on marvelous period instruments were some of the greatest players now gracing the halls and stages of the Early Music genre. Enjoy!