Litanies

I have a gift for complaining. I’m known to bemoan the unsatisfactory in any element of life that irks me at the moment, and seldom run out of topics. Why, I’ve been heard to complain about other people who complain too much.

One might almost assume I didn’t have a really excellent life. One would be wrong in that. I’m just curmudgeonly sometimes.

Digital illustration from a photo: The Fabric of My Life

You might think I’d carry my umbrella every single day, the way I can gripe about how imperfect life is, but when I leave my bumbershoot half-folded like this to dry after a real rain, I’m reminded that things are often better than they seem…

I like to think I’m not framing my dissatisfaction as criticism and fault-finding, believing myself too pious and generous for such finger-pointing when I know I’m imperfect myself, but of course, any notion of imperfection implies fault or blame at some level. Therein lies evidence of my fault in this insidious pastime.

So I’m working on letting my Pollyanna side dominate better. I can play my own version of her Glad Game and attempt to divine the positives in the situation and keep my attentions there instead of on the downside. I don’t think it healthy, overall, to put too Panglossian a gloss on things and lose touch with reality, but whatever their relative literary merits I suspect young Pollyanna is the more practical of my fictional companions. Instead of pretending that rotten stuff is good, she exhorts us to see what is good and use that to enlighten and change the rest.

Being grateful for what is fine and admirable and sweet is an invitation to imitate it and to use the power of such goodness to defeat the rest. Time spent in recitation and recognition of joys and strengths is never wasted.

Photo: A Tip of the Hat

…It’s much better to give a tip of the hat to what is actually fine and dandy in life, and be glad of it!

Show Me the Pony!

There is a lady who is the Ring-mistress, though she claims to be a “domesticated clown”, in her family’s circus of life, the lovely Belle of the Carnival. While busy juggling the necessities of family life artfully, she is also a graceful philosopher-provocateuse, posing and dilating upon and otherwise exploring questions of interest ranging from the when-why-how of developing creativity to her 4 January post asking whether ‘grass is greener syndrome’ is not still a very common problem among us. I, for one, can raise a hand affirming my vulnerability to that ailment.

It’s not exactly news that I’m always peering over fences and into shop windows with an acquisitive eye. My magpie lust for all things shiny, fabulous, mysterious, arcane or otherwise alluring is hardly a surprise to anyone, and I am certainly not above wishing myself as brainy, as desirable, as clever, as witty or as talented as another person. If not more so, she said sheepishly, for who doesn’t like the idea of being the best at something once in a blue moon? I thrive on the drive for what’s rich and beautiful and compelling.

colored pencil on paper

Mr. Congeniality

That’s when I look in the mirror and see someone who looks like Rasputin, and I mean the after-assassination version, when he’s been poisoned and shot and stabbed and clubbed and drowned and dismembered (!) and whatever else the Keystone Killers ultimately tried to bump him off. (This, because no matter how charismatic he was to some–and he really must’ve been charismatic to have the influence and power he gained, because let’s face it, he wasn’t exactly a Hollywood hottie and I’ve read that his personal hygiene, if any, was apparently ineffectual–there were those, including his assassins obviously, who found him wonderfully repellent.) So there I am, mirror gazing and seeing this unpleasant creature gawping back at me, and I think, Self, you need to switch out those nasty green glasses of envy for something a whole lot more rosy-toned. To which my inner self responds that clearly I am smarter than I look at the moment.

And I know it’s time to haul my inner Pollyanna back out of the cupboard. I need to be so optimistic as to not only see myself as perhaps worthy of a little envy myself but also to be surrounded by stupendous and spectacularly fine people, things and circumstances. Then I remember that I really am ‘all that’. Where others may be looking at life as a massive mound of manure and seeing only the steaming heap, I’m the village Natural who says, Well, if there’s all of this fine compost, why there must be a pony in here somewhere!

colored pencil on paper

Quit horsing around and show me the pony!

So I start digging. And I think, yes, I have got it great and I’m not such a slouch myself. Heck, I would trade lives with me if I were someone else! There might be enough little occurrences of peeling paint or math-phobia or hangnails or totaled cars or intestinal indisposition here and there in my oeuvre to keep me from appearing in any way fiction-perfect, but the sum total of my existence is, was and ever shall be (hope, hope) mighty nice indeed. Here I am, rolling on into my second half century with twenty-eight undaunted original teeth, working body parts basically functioning tolerably well, a decent education under my belt (any indecencies having been added by the recipient), living a comfortable and entertaining life with the Love of it (my life), and having a remarkable quantity of chances to meet fascinating and admirable people, to go astounding places, eat as much hypnotically delectable food as I dare (plus a little extra), wear whatever I jolly well want to wear, and not talk on the phone for whole days if I don’t feel like it.

In fact, my life is so good that I can admit to you that yesterday’s post about fantasizing favorite things in life is essentially all stuff I’ve already had the privilege of experiencing, some of it many times in different ways and combinations. Clearly, I don’t even have to be a terribly imaginative person to invent a fantastic life when I’m simply privileged enough to live it, do I. When you’ve seen a field of blue poppies pierced with late afternoon brilliance, you’ve stood in the hollows of the worn stone steps of Canterbury Cathedral watching history sift down in the dusty lamplight, you’ve eaten the exquisitely dainty Toast Skagen in Vaxholm where the shrimp apparently leapt from the sea directly onto your piece of buttery bread, you’ve crossed the Charles bridge over the Vltava in an evening mist so pearly that the statues seem to hover between inanimation and life–you have no need to go far to summon magical thoughts of all sorts into being. When you’ve carried a squalling baby over your arm singing an old nursery song until the colicky tension finally leaves her body in a sigh and she droops asleep, you’ve built forts in the shadowy midst of the tall Douglas-firs just to picnic there, you’ve ridden a train along the flanks of the Italian Alps and you’ve wandered Viejo San Juan to stand on the sandstone overlook and blink in amazement at the surreal turquoise of the crystalline seas, and you’ve had a sweet young calf nuzzle up against you in a grassy spring pasture, well, miracles must seem almost an everyday phenomenon.

It would be crass, given all of that, to sulk over things not had, places not gone. I’ve admitted to the infrequent twinge, more of a tiny zip of static really, but let’s face it, if I were to mope around coveting and envying I would be as big a heap of steaming whatsis as the aforementioned one that might or might not have contained the proverbial pony. So I will simply say that I am never permanently surfeited, what with being a mere mortal and all, and only consider each fresh miracle dropped into my undeserving but avid gift-receptacle lap as so much additional icing on the cake, another sparkler to add to my coronet of childish cheer and delight.

On which note, I must tell you that yet another unreasonably generous person has granted me the Versatile Blogger Award today. Pamela Zimmer, having been a most deserving recipient herself as the writer of the engaging and inspirational blog Stories of a Mom–ostensibly about being a mother (having devoted herself to this admirable and challenging art in trade for her previous profession as an architect)–sets a high standard for versatility herself. Somehow it seems appropriate that her name means “room” since her blog provides a welcoming place for finding like-minded and thoughtful and spirited companionship and insight, one of those homes-in-the-ether that are such a grand find through blog reading and writing. Many thanks to Pamela for this great kindness, and for reminding me indeed of this other boon I’ve been granted in the last year: finding a whole new world to explore and in which to meet, learn, rejoice, ponder, commiserate and laugh. These are among the riches that anyone viewing my life should well find enviable–though I’d love nothing more than that no one had need to envy me but would rather be equally rich and content.VBA logoI wouldn’t mind having a pony, mind you; however, our back patio mightn’t be the ideal digs for one, especially if that bobcat still lives in the greenbelt backing our property, so I’ll gladly accept in its stead the VBA, which I believe requires less hay and currying and de-worming medication. And I say, Thanks again for Everything!

Forgive Me If I Make Light of This…

I got such a lovely comment on yesterday’s post from the marvelous Marie of My Little Corner of Rhode Island and it echoes something I’ve felt myself for a very very long time:

“As for me – and you,too, I suspect – I choose to shine…”

Indeed I do, my friend; I like to think I’m working to get better at it all the time. It’s a point of reference, a philosophy I can’t imagine living without. My love of the ‘dark side’ with all of my death-doom-and-destruction black humor and the thrillers and horror stories is only fun and safe to explore because it is undergirded with the belief that life in its natural state is meant to be beautiful, joyful and sweet. Yeah, I’m a big ol’ naive goof that way.

photo + textI put this illustration together quite some time ago–can’t even remember exactly what the occasion happened to be–simply because it really does reflect something that’s quite central to my worldview. In my heart I’m pretty convinced the entire world could be saved if enough people got ‘Pollyanna‘s Disease’ and just opted to believe in kindness and goodness and peace and all of that silly, fluffy stuff, let alone to actually get out there and practice it. Life can truly be dirty, ugly, complicated and terrifying in turns (well, sometimes all at once); why on earth would anyone want to keep focused on those parts if there’s an alternative?

I understand. I’ve had it pretty cushy through the majority of my existence, but I do know what it’s like to be knocked down, to hit bottom, too. So why get all tutti-fruity and dance en pointe through the daffodils like a drunken fairy queen with my assertions of a Happy World? Because I’m no crusader–I’ve no taste for starting an actual worldwide political campaign to End Severe Naughtiness and Rotten Mean-itude despite the charm of thinking it would be even remotely possible. It’s too large a job for a person like me. But I’m here to say that besides really believing in all this mushy stuff I cling to it because the belief itself provides a path to joy.

pastel on paperDoes that make me ridiculous? A lightweight? A fool? Why, yes, thank you, it does. In a way that makes me proud. It seems to me that if I’m marginal, an outsider, there are far worse ways to stand out than by being happy. By working at being happy. What a nice way to be a freak. So pardon me if I excuse myself to continuing with my hippity-hopping through the sunshine with cartoon theme songs on my mind and sequins on my soul. Oh, and you’re welcome to tag along if you don’t mind looking a little silly too.

digital photocollage

Everything Old is Nude Again

show poster

Old ideas can still stand naked in the light of a new day

What? Is tradition dead? Are the audiences for all-things-old-school mere cobwebbed shadows of the past? Thanks to a cycle of nature-induced and human-brewed disasters over the last decade or two and the sullen worldwide economy that has followed, every arts org and artist worth any salt has been kvetching and querying endlessly on the questions. At last glance, I haven’t noticed that fiscal fears and convictions of doom have done much more than renew what is, honestly, the eternally pessimistic or at least worried conversation of artists across the galaxy to its current iteration. We’ve always been convinced we were going to Hell in a Kardashian Kollection handbag.

That said, I notice that as ever, those who were operating opportunistically or on a whim are shimmying down the lines and flinging themselves bodily off the stern while the determined and/or stubbornly stupid prefer to let yet another wave of direness smash on by overhead and cling to Happy Thoughts. I share just enough DNA with Pollyanna to blissfully stick with my intended life-as-artist (meanwhile always keeping an eye peeled for safer income sources to support my habit).

The whole idea of dealing with insecurity by dumping the one part of my merely mortal skill set that gives me the most challenge and joy is ridiculous. Similarly, the last thing I’d contemplate is throwing out the foundational tools and techniques that press me to be more able and artful in my work. So while I’m always hoping to put my own spin on things, I’m happy to do so by retooling the classics: still life is–despite its cheery French name–not dead; landscape can be bland or it can open a window into enticing new worlds; and if the time comes when we lose interest in admiring ourselves enough to keep making marvelous artworks featuring the nude figure, I guess I will have to pack up my pencils. And no, despite my fling with “colorizing” myself in grad school, I’ve never lost my love for good old black and white and I’m currently going through a big spree of graphite-only stuff yet again.

This piece is an older one, too, but if you notice that it’s from a poster illustration for a production of ‘Arsenic and Old Lace‘ you’ll see that I chose to apply the old-fashioned approach of a still life to a long-known play’s promotion in what I hoped would be a slightly new and surprising twist. The idea was that people seeing the poster around town and thinking it at first glance a bland image would on approach find it a happily unexpected thing after all. I flatter myself that the number of posters that were subsequently stolen and required replacement before the production opened indicated some success with this surprise element. My life has certainly never lacked for elements of surprise for me, so why not share it with others.