Nervous Nellies and their Little Mysteries

digital drawingHyde and Seek

In my youth my friends and I,

When we were of a mind,

Played little games, amused ourselves,

Were seekers of a kind,

But then grew old and cynical,

Unable to unwind

The fright of not just how or when,

But whom, we feared to find.digital drawing

Things of which one ought to be scairt

The fretful Porpentine, I hear,

Grows scarier from year to year,

No less than Jabberwocks and ghouls

That frighten us and make us fools,

And like Godzilla and his ilk,

Make desperate for hugs, warm milk

And night-lights, all us children who

Are scaredy-cats, like me. And you?

Rodents on the Run

graphite drawing + textgraphite drawing

O Death, Where is Thy Sting?

As long as I can crack jokes about it, there can’t be anything gruesome or terrifying or unnerving at all about dying. I hope. (She said, winking and smiling slyly.)digital painting from a photograph

Pretty Little Graveyard

Pretty little graveyard,

How all your headstones gleam!

How delicate and marvelous

Your mausoleums seem!

It’s sweet and quaint and dainty,

The peaceful way you lie

Filled up with rotten corpses,

Under the sunny sky.digital collage

Funeral Arrangements

The way the flowers grew in shade,

I knew at once that one fine day

They’d make a funeral bouquet

All prearranged, as though pre-made

By funeral mutes in plumed top hats

And wearing bombazine black sashes,

Their pearly skin as pale as ashes,

Accompanied by coal-black cats

Between the funeral-wreathed front doors,

Their carriage drawn by sleek black steeds,

With passengers in widows’ weeds

As fitting as the hellebores’.

Whether Discomposed or Decomposing

mixed media + digital imagePardon My Snoring

My lead-lined eyelids will insist it’s time to go to sleep,

So don’t be too insulted if I leave to count some sheep;

I find you fascinating and quite scintillating too,

So please don’t take it wrong if I should conk right out on you.

Your dazzling personality and brilliance are so bright

It pains me to, but go I must, and bid a fond Good-Night!

Pay no attention to the way I’m backing out the door,

And know your super-excellence could never be a bore.

I sigh, I yawn! But, for all that, it can’t be you that tires:

I’m sure it seldom happens that your audience expires!oil pastel on paper

Little Mysteries and Big Adventures

graphite on paperIt’s kind of odd, when you think about it, that we readers and writers and storytellers and listeners have such an affinity for mystery and adventure stories. Life itself is so full of both that it could be argued there’s no need to entertain or challenge, frighten or amuse ourselves by inventing yet more. But besides the obvious pleasant aspect of fiction that it remains under our control in ways that real life cannot, there is much more reason that the appeal remains just as strong as it has for ages.

For starters, it gives us a forum for posing questions and answers that can’t always be simplified enough to solve any real-world conundrum puzzling us. It’s both potentially a problem-solving process and a bit of creative play that can lead to greater flexibility and insight when we do get around to solving the problems with which we’re faced. If I can metaphorically bump off the villain that has been making my life such a trial, perhaps the metaphor can be extended to show how I can cope with him or her in actuality in a more legal and humane manner. If not, at the very least (assuming the real person behind the fictional stiff is fully enough disguised so that s/he cannot sue the socks off of me and make my life miserable in new and legal ways) I got the satisfaction of offing said offender in effigy. On paper I can exert all of the cruelty my heart secretly harbors, without ever lifting a physical finger, even that uniquely expressive one, against anyone at all.graphite on paperMostly, in the fictional world it allows a vicarious thrill for both creator and reader or listener that few of us dare or have the wherewithal to experience in three dimensions. Being a very ordinary person, I have little to no likelihood of the kinds of outsized adventures and brilliant insights that would make for a good, cracking read, but I’ll happily devour such stories and envision myself in their midst when it suits me. In fiction, I can do all sorts of athletic and impressive things that there isn’t the remotest chance of my accomplishing with my feeble skills and lethargic attitude, but there’s something rather bracing in even the imagined high-speed sculling through the black waters of a swift river, the steeplechase saddled up on a magnificent pedigreed mare, or the vaulting over crevasses with rime in my eyelashes and ice axe gripped in my gloved hand, when they’re well written.graphite on paperIn fiction, I can commit the perfect crime–or solve it. I can be the heroine of the story or an innocent bystander. I can follow all of the clues, absorb all of the details of the characters’ lives and loves, interests and actions, and guess what comes next or just roll along for the ride and see where it takes me. Sometimes, admittedly, I don’t have complete mastery of the fictional world because a tale becomes so gripping that I can’t put down the book and go to sleep, turn off the television and leave the room, or avoid re-reading parts just to see if I missed any exciting details. I should note that I am also often driven to this latter end by my dyslexic reading and the way it requires frequent repetitions of phrases and paragraphs to ascertain that I’ve kept true to the thread of meaning, so perhaps it’s not exactly a universal approach to reading! That is, as you would guess, a part of my reading process that makes me very slow to finish a book or article, even if in practice I am a reasonably fast reader. A bonus of dyslexia, conversely, is that things I have read before become new to me again almost immediately because the arrangement of words and elements of the tale might become slightly different each time through.graphite on paperWhich, in turn, is a good reminder of one of the other joys of reading: each of us brings filters, viewpoints, experiences, beliefs and interests that flavor each reading, for good or ill. We are so distinct in this that the best of friends and the most like-minded people can easily love or hate quite opposite stories and versions of them. And that makes the mere act of writing or reading a story that much more of a mystery and adventure in and of itself. All the more reason to keep writing and reading and telling . . .

A Little Autumnal Magic

I can’t help it: autumn brings out the nostalgia in me. Something about the solemnity of nature’s visible procession from summer’s excesses into a more profound state, one clearly aware of death yet always moving through its dormancy toward the revival of spring–it all calls forth recollections of seasons past, of holidays I’ve floated through without being quite conscious of how few of those loved ones around the room and around the table will be there at the next or the next one after that . . . .

photo

The emptying-out that comes with the end of a season is in preparation for newness yet to come . . .

But the loveliness in this is that that knowledge of what lies ahead is not only the foundation, the underpinning, of awareness at the end of the year, it is indeed the purpose of this cooling down, going to ground, this tempering of high spirits. In part, it’s what adds piquancy and sharpens the joys of the winter holidays, whatever they are in one’s culture or part of the world. For us in the northern hemisphere, the descent into winter has begun and brings with it the knowledge of our mortality–but those of us among the truly fortunate know that it’s precisely that gift that leads us to live more vividly in the present. So we sing and dance and feast and laugh a little more wildly, and it brings out the imaginative child in us all.

Thanksgiving has always been a welcome celebration to me. I come from a family that counts its riches and revels in its blessings very readily, and certainly not just on the Official date designated by the state but with perhaps renewed vigor on that day. But sixteen years ago on Thanksgiving weekend I was gifted with a particular reason for deep thanks, and so the whole festivity took on a yet more personal tone. That was when the man who would become my beloved asked me out on our first date.

You all know by now that I am not very quick on the uptake, so I’ll just say right off that I didn’t even know we were going on a date. I just thought this interesting person was being wonderfully collegial. He’d asked me to collaborate on a project at the university; we’d had a meeting or two with other colleagues to begin the planning, and I’d already started work on my part of the process and was only very dimly aware that when he’d check in on my progress his questions were less germane than personal. I was delighted to go along with the plot when he invited me to go with him on Thanksgiving weekend and have dinner and then attend a performance of the Mark Morris Dance Company’s production of ‘Dido and Aeneas‘. What’s not to like! We had a fabulous salmon dinner at a local bastion of Northwest seafood excellence and discussed, among other things, whether either of us intended to have children; you will begin to understand the true depth of my obtuseness when I tell you that I have no idea how that topic arose on a first dinner outing, let alone did I twig to it that it might indicate the dinner as something more than collegial.

So there we were, eating and chattering and–oh yes–almost being late to the performance. For which Mr. Smooth Operator had in fact prepared the pit choir. His choral group was singing along with the orchestra for the program, and I came that-close to making him late. And found out we were sitting in the front row, center, of the sort of theatre where you can not sneak in surreptitiously. I was in a mild panic. I also had no clue at the time that a conductor might prepare the singers but not conduct the performance (as in this case, where the orchestra’s conductor took the helm), so I was both worried and mystified that my companion was calmly clambering over knees right alongside me to the middle of the stage-apron row. But suddenly there was a tiny, sneaking thought that this person was intending to sit with me throughout the performance and therefore might–just possibly–not have invited me strictly out of co-worker friendliness.

Well, I’ll just cut to the chase and end your suspense. Oh, that’s right, I already told you the fairytale ending! Opaque as my love-goggles are, and slow as I am to order my facts and realize the truly obvious, once I got the hang of all of this I wasn’t particularly behindhand in taking advantage of the situation. I may be silly, but I ain’t stupid!

So I got this ethereal dance/concert date under my belt and wandered a little foggily through the Christmas holidays, dodging my fears of the unknown rather handily for such a big scaredy-cat if I do say so myself, and by the beginning of the year was engaged to build a lifetime of ridiculously happy adventure with Mr Sparkly. And I call him that not just because of our shared last name but because, dang it, he brought and brings enormous amounts of sparkle to my every day. I can’t think of anything for which a person could be more thankful, at this or any time of year.

Now, I’ve been all mushy and reminiscent on you, and I owe it to you to say that it’s entirely the fault of the season. HAH! Of course that’s pure nonsense. But I must reiterate my thesis that Fall encourages such things in me. It brings out with its chill and darkening the contrasting warmth and light of home, hearth, holidays, and hope, with all of their spices and sweetness, their inviting doorways and gates to adventure, and all of the beauty that living in a time of Thanksgiving can bring. I wish for you all the same!

digital photocollage

Can't wait to see what newness and graces lie on the other side . . .

A Story in It

Shadowy figure in hallway

Behind what is perceived is What Might Be

My interest in reality is limited, it’s true. What intrigues me about life–my experiences and my thoughts and perceptions about them, the places I go, the things I learn, and the people whose lives intersect mine–is far from merely fascination with the truth of them. It’s just as much about the unseen and unknown, the possibilities inherent in the facts, that inspire me. Every reality seems to me to contain infinite potential storylines for those with open eyes and imaginations. It’s why I seldom make predetermined images in my own artworks, but instead follow where the developmental processes take me, just in case there’s a much more exciting or provocative or ridiculous or even beautiful possibility than in the concept with which I started. Most of the time I don’t even have to start with a concept–there’s so much delightful stuff just waiting out there in the wide world wanting to be discovered that every breath, every corner turned, might lead to the revelation of who that shadowy figure in the hallway ahead is and what lies beyond the light-filled doorway ahead of him. I’m pretty sure it’s going to be worth following him–only telepathically, of course–to find out.