Tag Archives: Sun

Rare Beasts & Royalty

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Sunset over the Serengeti & a Slight Belch from the King of the Beastsgraphite drawing

It happens sometimes on the plains, where Splendid Starlings and the strains

Tok-tokkie knocks create a song that’s just as rhythmic as it’s long,

Where Shongololo rolls and runs ‘tween rise and setting of the suns,

Where the hyenas sing their tunes betwixt midnight and morning’s moons:

It’s there the leopard’s race was lost–surprise–at noon, and at great cost,

To one old lion whose good luck dovetailed with leopards run amok,

To the degree that one loud crunch announced the end of it at lunch.

Matters of Perspective

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photo

Stormy skies can bring destruction . . . or the rains of growth and promise . . .

I’ve said before, and in ever so many ways, I’m a firm believer that we all live our lives wearing our own very distinctive glasses. By that I’m not referring to the glass-half-full vs. glass-half-empty attitude–but that’s indeed part of the whole idea. It’s about how we see the world through our individual filters.

In a fairly concrete fashion, that means that the quality of my actual eyesight–my acuity, ability to detect and distinguish colors, textures, shapes, depth of field aided by stereo vision, and all of that sort of thing does, in fact, have a profound effect on my world view and how I experience my passage through it in life. As a longtime visual artist, I am dependent upon all of this stuff for my very sense of self.

But I’m also convinced that each of us has a life history that includes our adventures from birth to the present, our nurturing or lack thereof, our environment and resources and social contacts and political influences and educational progression, and that whole reality is so distinctive for each of us, right down to a cellular level, that I can’t quite imagine how even the closest of kin could possibly have identical points of view.

I’ve been reminded of this in the last few days as I’ve been reading the latest Oliver Sacks book on which I’ve laid hands: The Mind’s Eye. Every book of his that I’ve read thus far is, since he’s a neurologist, a humane and humorous thinker, a deeply curious scientist, and a citizen of the world with wide-ranging interests, bound to be an adventure. Given the visual theme of this particular collection of case-studies (including his own discovery of and treatment for an ocular tumor), it is indeed a confirmation of my sense that such complex inventions as human bodies, multiplied by the almost infinite variants those influences I mentioned above can infuse, create and incubate an incredible range of possible ways to see and experience life in this world and whatever we can conceive of beyond it.

Yes, I am enjoying this latest Sacks book as immensely as I have all of his thus far. It’s been rather striking, too, to add to the layers of my own filters, many of which I’ve only come to recognize rather more recently in my life. I have sussed out and confirmed to my own wildly non-medical satisfaction that I am very probably distinctly dyslexic or cognitively ‘different’ in a whole bunch of ways, and having looked at this good doctor’s descriptions of face-blindness, or prosopagnosia, I’ve a feeling that my realization sometime not long past that I might have a degree of face-blindness might well be accurate. I’m certainly no less inclined to believe it since immediately before the book arrived on scene at the local library, I was working in our front yard when a car pulled up and the nice driver called me by name and conversed with me pleasantly until I could identify by her voice, questions and comments that she is the neighbor who lives directly across the street from me. Sigh. Sometimes the ol’ filters do get a little blurry.

More importantly, though, I’m convinced that how we respond to our life experiences and our histories–the choices we make and what we do with what we’re given and who we are within it–those are the truly telling filters. They’re the things by which we’ll be known, be remembered (if we’re remembered), and that offer us ways to define ourselves and our place in the world. So while I’m happy as an artist to play (as you saw in the last couple of posts) with my reality in the artificial world of visual imagery and how I attempt to show others what it’s like to see through my lens, I realize that my moods and attitudes are a part of that process too. Can I get others to understand or accept my point of view? Rarely, if I’m mighty fortunate. Can I help them to see it? More likely, if I work hard. Can I give them happy access to their own filters that might improve their moment or their day? That, I hope, I can do if I am true to the better of my instincts in responding to the world as I know it and expressing, the best that I’m able, with passion and with compassion. With love and joy.

digital painting from a photo

Heavens! What started as a grim and ominous day can become something bright and hopeful . . .

 

‘Work in Progress’ is a Lifetime Commitment

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I think of myself, as many people do I suppose, as a Work in Progress. What started out as a small, wiggly, colicky mass of spittle-covered humanity just over a half century ago is progressing, ever so gradually, into something like Iteration No. 10,000,022 or so, and will (if all goes as hoped) continue in the same unpredictable path until death do me part. I like it like that, if you want to know. I have no idea where I’ll be, what I’ll be doing, who I’ll be, a mere matter of months from now let alone in years yet to come, and that seems perfectly okay with me. Life continues to be a big adventure, and I’ll take it as it happens.

As a visual artist, I can say pretty much the same thing. Some works take their own sweet time to develop. Some take their own tangents and I just hang on for dear life and hope I can keep up with where they’re headed. I don’t always know what I intend to make when I begin a project, and I almost never know what I will make, given that art things sometimes cooperate and turn out similar to my imaginings and more often than not, they assuredly don’t. Sometimes the uncooperative piece ends up being much better than I could have conceived of it or even than I thought I could accomplish. A lot of the time, the end result of my artistic machinations ends in my being pretty surprised. Whatever happens in my life and my world, I’m pretty sure I’ll die surprised. Not a bad way to go, eh!

Just as an illustration, I thought I’d share a glimpse of ‘process’ that spans a fair amount of time and a couple of widely separated playtime brainstorms. Thanks to my exceedingly slow-simmering artistic processes, this piece incorporates a color background I scribbled a few days ago in colored pencil on paper and digitally melds it with an organ pipeshade design I did a few years ago (designed for Martin Pasi‘s pipe organ, an instrument made for Winnetka Congregational Church in Illinois, 2007), photographed as it was executed on wood panel in graphite and markers to prepare it for cutting and carving. Bit by bit and frame by frame, two rather disparate art projects merged into one, and that’s how it all went. This time.

colored pencil on paper

A simple abstraction in colored pencil, scanned from the sketch paper.

digital painting from a drawn original

Taking the original colored pencil drawing through a few painterly paces via Photoshop, I got a more cohesive background ‘starter’.

digital painting, new proportions

Rearranging the proportions of the digital artwork makes it a better fit for the mash-up I now have in mind.

graphite and marker on wood panel

The cartoon on wood panel, waiting for cutting and carving, was done in graphite and marker on the raw wood, crisp but not the look I had in mind for this use–more of a pen-and-ink appearance for now.

digitally converted 'pen & ink' look for

Photoshop to the rescue! Now we’ve gone back to black and white version and it looks more inked–almost tattooed, perhaps.

digital artwork from two original drawings, merged

So now, I can smash together the two images–the pipeshade design and the colored backdrop. I think I’m almost there . . .

digital artwork from the original Winnetka panel + colored backdrop

. . . ahhh, that’s better. Now instead of looking like the sun is underwater, I have a sense of sunrise or sunset. Now we’ll see if I can think of a *reason* for this image. Oh, who cares. I just like to Make Stuff when I get in the mood for it. So sue me. But if you can think of any reason for it besides personal entertainment, feel free to enjoy that concept!

 

 

 

 

 

 

Thinking on a Thirsty Thursday

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digital painting from a photoAs another Summer slips toward her torrid latter days, I thirst mostly for a sense of serenity amid the ache and struggle that transforms everyday deeds into Herculean tasks by mere virtue of the sizzling sun. And as I do, and sip the simplest glass of cold clear water, I recall that Summer has a range of beauties all her own. Contemplating them can bring a water-clarity to my heated thoughts and gradually, I find that slipping sense of refuge in the burning day has righted itself again, if only for a moment or two, and that is quite enough.

Here, then, I salute the summer. I salute water, and the wealth that lets me have it in cold clarity almost whenever I should want. And I salute, with deepest peace, the calm that comes in recollecting all that’s good and fair and simple in that harshest place, the burning midst of the high season of the sun itself, knowing it is its own sort of beautiful and will be missed again some other day.photo

campfire photo

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Sunflowers

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It’s too soon to find them in bloom. They’re mostly two feet tall at best, thus far, and not nearly ready to flower. And the sky is overcast today. Quite grey and a little bit dark. Any sunflowers would be hard pressed to find the sun and smile at it.

The thing about sunflowers is, they believe in the sun even when it’s not visible. I do, too.pen & ink

The Sun Always Returns to the Sky

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digitally doctored acrylic painting on canvasThis week that is far from a fatuous statement, even from a happy-go-lucky bit of fluff like me. I am always well aware that my life is, was and (I hope) ever shall be a dance party, a dessert buffet and a self-indulgent lounge-by-the-pool compared to most others’ lives. I am grateful to be such a spoiled, blessed or insulated–depending upon your definition; I would admit to all of them in vast quantities–person and like to think that I would never take such wealth for granted.

There are always sharp reminders for me in the family, friends and friends-of-friends who are doing valiant daily battle just to be alive, and if able, to maintain a modicum of quality and dignity in that life, when they are the unwilling hosts of those unwelcome shadow companions of chronic illness–physical, mental, and/or spiritual. I do wish that there were some magic wand I could wave that would miraculously lift away all of those torments and remove the dense dark clouds of them forever, from all people. That is simply a dream, and I know it. But this week I have particular reminders quite close by, and in many ways, of how fortunate I am, and yet also how resilient and remarkable the people and the world around me are as well.

I mentioned yesterday’s storms: the tornadoes that shredded roofs, trees, tractor-trailer trucks and neighborhoods as though they were so much tissue paper. The hail that shattered shelters and windows and destroyed crops. The rain that immersed the already open wounds of the storm-beaten regions in additional water damage. And of course the early high temperatures in the area that will contribute to faster decay and more difficult cleanup and repair work to follow. And not one little iota of the damaging aspects of that touched our home or us personally. Even my tiniest dainty garden sprouts are still thrusting their green leaves upward today. In brilliant sun.

As oversized as All Things Texan can be, the moods of the weather at its wildest are for the most part quickly forgotten by the broad Texas sky, which today is intensely blue and dotted with the mildest of cotton-wool clouds and polished with blazing warm sunlight. The trees, following a light pruning by the winds that mainly took off deadwood and weak twigs in our neighborhood, are lifting their green crowns in thirst-quenched pleasure once more. Barring nuclear winter, it seems that the sun in north Texas always tends to return rather quickly after the darkest and angriest of nights.digital painting of acrylic painting on paper

The thunderclap that affected me more directly this week was not from the stormy skies of a tornado system but via a telephone call from ‘home’: Mom’s recovery from her pair of spinal fusion surgeries hit a serious setback. Her pelvis cracked in a stress fracture. What does it mean? Many more weeks of immobility and pain for someone who has already endured years of it. Another surgery–tomorrow–for the installation of yet more hardware to stabilize her fragile frame. Total bed-rest for what must seem an eon to someone who has been a virtual shut-in for a long time, the woman famous for a lifetime of being out and about taking care of all the rest of the world before her stenosis, scoliosis, Parkinson’s, and joint inflammation all combined to beat her into submission. But whose telephone calls have never ceased to be mainly aimed at reassuring those around her that she maintains her love and concern for them—us–and is bracing for whatever the next phase of her fight brings. I hang up from the call and rather than going to pieces in sadness, frustration and anger over the cruelties that her health has dealt her incessantly in these last years, I am weirdly comforted that her doctors are keeping a close eye on her and have a plan for dealing with the current circumstances; that she and my father are, however nervously it may be, committed to seeing through yet another surgery and recovery process; that my sisters and relatives living nearby are keeping a close eye on them and my aunt yet again stepping in willingly to assist with Mom’s care. And that across the world we have a collective host of family and friends who are all cheering them on, willing her well, hoping and supporting in the one way that we can when we are not physically on hand or trained surgeons either one.

In the midst of all of this, the choir-conducting member of my household has the particular and specially challenging time of year that so many western musicians find mighty intense: Holy Week. Never mind that my spouse is in rehearsals for several major upcoming concerts with his and other groups at the university: yesterday afternoon he had rehearsal at 2 pm for next week’s concert with his Collegium Singers (early music choir) that will join them with the university’s Baroque Orchestra, so at the end of that rehearsal he went straight to conduct the orchestra’s rehearsal; when that one finished at 6 pm, he dashed straight over to conduct a rehearsal of the Grand Chorus, which is a combination of his Chamber Choir and Dr. Jerry McCoy’s A Cappella Choir for a major concert on the 25th of this month. Amazingly, he still made it (just) in time to meet me at 8 pm to attend A Cappella’s own concert with Dr. McCoy.

And, oh yes, I was talking about Holy Week. Because of course as my husband is still the interim choirmaster at the Anglican church, he had last weekend’s Palm Sunday services (and Evensong) to conduct, tonight’s Tenebrae service (a ‘service of darkness’ that may have special meaning for many after yesterday’s intense weather slamming the region), tomorrow’s Maundy Thursday evening service, these all interwoven with the usual things musical and administrative continuing at the university; midday and evening services on Good Friday, Easter Vigil to fill with music on Saturday evening, and Sunday morning Easter services. And all the while, day becomes night, night passes, and the sun takes over the Texas sky once more. That’s how it goes.

I merely follow in the wake of all these events and life dramas, taking up the slack in the sails of our little boat as I’m able, and keeping us provisioned with food, clean clothes (keep plenty of black shirts laundered for concerts and services!), and my numerous and sundry checklists of what to do, where to go when, and things we mustn’t forget to bring along. It makes me tired to think of doing what everyone else around me is doing; I’m just glad if I can keep fairly close as I follow them. But I suppose I’m just a little bit like the elephant-following sweeper who is reluctant to ‘leave show-business’, as I wouldn’t trade this Job, however modest it may appear, for anything else on earth. Because the sun, when it shines on me, is so incredibly life-affirming and bright and joyful that I can’t say no to its urgings to come out of the dark and Do things, however small they may be.digital + mixed media

Sunday Sun Day

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Moving past the winter equinox and the ensuing lengthening of daylight’s hours bring with them a subtler grace along with that of the elongated waking time. With the natural increased light can come a lightening of spirit that is a welcome internal forerunner of the earth’s return to Spring. So it is for me, today.

drawing/digital image

Sleepers, Awake!

On the morning’s southeast drive, through familiar freeway worlds newly cleansed and made somehow forgivably softer by the recent rains, we were no longer suspended in the grey soup of overcast, mist and downpour but immersed instead in a palely pearly, glowing haze lit by the hot orange disk of a flat new sun. Every shadow seemed gentler and sparkled with morning-flitting birds. The quiet of the early time was both more welcoming and more profoundly silent in its way.

I found these same things filled me up, as well. Inwardly smiling on the world like a lesser peaceful sun, I felt a contentment long dormant begin to cradle my being again, singing subtle comfort and bidding me to a meditative state almost forgotten in recent harried weeks. Perhaps my winter is drawing to a close.

Surely the appearance of washing and nourishing rains and the following benison of the returning sunlight makes it easier to turn a kindly eye to the rest of the world. The peeping pairs of seedling leaves in planter and flowerbed renew my sense of living in a sweetly Possible world. The growing days teach me to be more patient–what must be accomplished, somehow, will.

I know as well: if I choose, I can relearn my inward calm, reclaim my lighter self. I can return to that place of familiarity where I fit in, and welcome others too, and start the long, slow, happy climb from winter’s night into the daylight of my springtime soul. Ever so gently and gradually so. Sun or no sun, the inner light can glow again if I tend it thoughtfully and wait.

digitally doctored drawing

The familiar comfort of inner contented calm can return . . .

It Finally Dawned on Me

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Another completely open secret: I am one of the world’s chief exponents of that special breed known as Not A Morning Person. Everyone who knows me even a little is well aware that it’s my firm belief that I am thoroughly Anti-ante-meridian. And that if the world should happen to come perilously close to its end before noonish wherever I happen to be, I will not be prepared to put on my cape and tights, grab my magic wand and zip off to the rescue. So sorry, y’all.

Yippee Skippy for me, I married a man who, despite being unable himself to hibernate for the long periods I require on a constant basis, is sympathetic to my pathetic plight and leaves me untormented, bedding yanked up around my ears, in my mummified position of contentedly deep sleep when he arises.

Except for emergencies and Sundays.

On Sundays, one of the six days a week that he works long hours, if I sleep my Required Daily Allowance, I’d either better’ve gone to bed by about 8 pm on Saturday–not often convenient for those married to guys who conduct, and whose many colleagues and students conduct, concerts at, say, 8 pm on Saturdays and such–or if I sleep in Sunday morning the next time I’ll see him is, well, Monday. That’s how it works for a church choirmaster, at least one with a can’t-dash-home-between length of commute and Evensong on the docket.

The remaining Sunday option for me is to get over myself. So I haul my carcass off of the oh-so-magnetic mattress in the pre-dawn dark and crawl around until I can find my way to join him in the car for the trek SSE toward the Big City. And guess what: I found out there’s pretty stuff all over the sky at sunrise.photoSometimes it’s just the coloration of the dawn that’s so painterly. Marked at the horizon with the lace edging of silhouetted trees and hedges and power transformers, it stretches violet and rose and salmon and gold as far as the bleary eye can see. Almost always, there are thousands of birds taking to the skies en route to their own day jobs, the egrets flapping like clean sheets on the laundry line as they head out fishing and the grackles peppering the air as they look for actual clean laundry to besmirch, the pigeons heading for delicious night shift dinner garbage for their breakfast and the hawks remaining puffed up in their patrician dignity on lampposts while watching for the first ambulatory happy-meal to scurry by below. Even the traffic, being sparser and lit up with twinkly head- and taillights, looks far less plebeian and grubby.photoI like the scenery next to me, too.

I can look around at all the glories of an awakening sky and be amazed and awed (yes, odd) and impressed and moved by this stuff I’d never see if I stayed abed. But really, I could get all that gushy admiration going by looking at a great sunset, right? Or if it has to be dawn, by ogling some nice Impressionist paintings or a super-duper set of postcards or some dandy cinematographer’s artwork on the big screen, and I’d never have to pry myself out of that come-hither blanket and pillow nest I so admire. Then I look at the scenery next to me again. I really like that scenery.

And it dawns on me. Seeing the sun rise may be all it’s cracked up to be, but so are NASCAR driving and alligator tagging and ice fishing, to those born to love those activities, and who am I to deprive them of their fill? No reason for me to compete for what I do not desire. I’m happy to report that I do, it turns out, appreciate a beautiful sunrise, but I have no particular need to reaffirm my appreciation except when it’s built into my limited opportunities to spend time with the man who, kinder chronographical conditions permitting, doesn’t harass me when I’m sleeping, even if the sun is getting a bit distant over the yardarm. Now, he is a sight for sorely sleepless eyes.photo