Category Archives: Art

Noirish

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Here Lies a Haunted Man

First thing in the morning a perfect blue sky,

with a few sheepish clouds and a breeze,

gives no indication of what, when or why

we believe we must hide in the trees,

to disguise from what enemy, storm, or what foe,

or to vanish from sight for which reason;

we know none of that, but we certainly know

we have entered a paranoid season.digital artwork

Dreamscape

Out of the leaves of a banana tree

A mysterious Eye is staring at me;

I have some magnetic pull, it seems,

For the kind of stuff that makes up dreams.

Ten past midnight, and all is well

Except that I’m under the nightly spell

That thrusts me onto those strange savannahs

Where pursuers send me stark bananas.

Crazed Weasels and Other Objects of Affection

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The Georgian era gave us, along with a whole raft of other creative gifts for sweethearts and mementos of important occasions, the piece of portraiture-cum-jewelry known as the Lover’s Eye. Something of an oddity, to those of us in the modern day who don’t happen to be of that individualistic bent that swallows capsules of a late wife’s ashes with daily vitamins, wears vials of a lover’s blood as a pendant or keeps the deceased boss’s body as a nice piece of taxidermy so that he continues to sit in on board meetings in perpetuity. Yes, all realities for some folk. Not so much for Average-Joan. Portraiture is generally so very much more socially acceptable.digital collageA portrait of a lover’s eye, even if it happens to be shown without reference to and other, presumably equally adorable, parts of said person, isn’t quite so unsettling and freaky then. Of course, that assumes that one’s dearest has eyes, at least one eye, that is pretty attractive in its way. I got to thinking about this whole little question when I had the allergic attack recently that made my eyes so distinctively disgusting. However, I was reminded by that very episode that love is genuinely, in its way, blind. My darling husband didn’t cease to treat me with the usual kindness and affection and sweet intimacy, and while I know there was for both of us an underlying hope, nay, assumption that this was a temporary appearance for me, the possibility of permanence existed as well.digital collageWhat did this prove? Nothing in and of itself, really. It did, though, remind me ultimately of the age-old truth that love makes us see the objects of our affections as good, desirable, as beautiful. That beauty is in the eye of the beholder. My spouse saw the Me he loved, without necessary reference to how I looked at the moment. And he does, after all, love me either despite knowing I’m a little bit weird and kooky, albeit (I hope) pleasantly so or, weirder and kookier yet, because I’m that way. Probably not especially hankering to wear around any new jewelry, my beloved. Least of all, jewelry with a little picture of my eye staring at him all of the time, as if my gawping at him in person, however admiringly, isn’t enough to send him up the wall. I’m not absolutely certain that a prettified version of my healthy eye would be markedly better than a silly and outrageous portrait of my eye in its bizarrely bloodshot wackiness, as jewelry goes. But my guy, he looks pretty fabulous no matter what he’s wearing. So there’s that. Wink, wink.

A Pearl Dropping into a Well

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graphite drawingWhen the singing is sublime, it’s as though everything else stops. The air ceases to move. Thought stills. Time ripples ever more slowly and delicately, and only beauty exists.

When a singer’s voice takes hold and sways me, I imagine a pearl dropping into a deep, deep well. Its subtly rich sheen and its smooth look of perfection rolls at speed through the air yet seems to flow through it with an attenuated grace as though purity and love buoyed it up delicately and cradled it gently downward. At last, reaching the depths, the note, the pearl, begins its plunge–the fulness of the water embraces its fall–the ear draws in the note and pulls it soul-ward.

When the choir breathes out in flawless song, I am lost in the jeweled depths. Gorgeous and welcoming, the magnificent impossibility of such beautiful sound carries me, too, in its cradling care. And I fall–in darkness, in love, in joy.

Mother & Child

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graphite drawing + digital colorLullaby for Spring

Sleep, my sweet, my lovely one,

From dusk until the rising sun

Paints morning roses blushed with dew;

Let comfort bless the night, and you,

Awaking, bless with joy the ray

That, opalescent, breaks this day.digital image

Tough Neighborhood

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Watch Out for those Kids

We were playing at boules and pétanque

In a park not so far from the Seine

But the children we played were so bloodthirsty there

That we vowed not to play them againdigital collage

Good Conduct Medal

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graphite sketchesEvery season of music has its marvels, masters and moments. In my life of following a conductor and his fellow artists around, I am privileged to be on hand for more such fine pleasures than most, and I never forget that this is a great bit of good fortune indeed.

Still, not every instant is guaranteed to be a glowing example of the highest and best of the musical arts. After all, there is all of the practice that must come first, and to be fair, no amount of practice can assure us of perfection. Mistakes happen; if  we’re lucky, learning happens as a result. But the distance between first-try and performance may be a long one indeed, and sometimes the distance isn’t quite long enough.

So I am grateful all the more when I attend a performance and hear something magical and meaningful and magnificent. I know that it took the performers a lot of concerted effort to come from wherever they started the process to this peak, and I am all the happier and richer for it. I know and appreciate, too, that it takes massive amounts of effort and energy and other resources on the part of organizers, managers, fans, logistics handlers, boards, angels, financiers, educators, ushers, ticket dealers, audience members, and all of those other assorted friends of the arts needed to make this work pay off in any way beyond the artists’ own satisfaction in the process, and that’s yet another level, another realm of generosity entirely that makes my little spot in the aural universe fuller.graphite sketches

Most of all I give my fervent thanks to all of the singers, players and conductors who strive to make this miracle happen again and again. Without your dedicated pursuit of the musical muse, there would be no such happy task for all of the friends of music who are not musicians ourselves. And unquestionably, the world would be a far less beautiful place.graphite drawing

Cat, Mouse and Everyday Danger

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That little old four-letter word Work has challenged the finest among us to test the limits of endurance, wisdom, hope and courage for as long as there’s been such a thing as a job on this planet. We agonize and weep over our work as though doing unspeakable heroics every single minute, even when we know perfectly well that every living thing has faced challenges of his, her or its own since the first moment there were, well, living things. It didn’t take employers and employees to bring this tension to full expression. If I think I’m sitting on a powder-keg just because I’ve tackled something that pushes me to my limits (or, to be more precise, because it has tackled me), it’s time to step back, take a deep breath, and remember my compatriots of every sort striving and struggling and facing greater odds than I have ever faced, accepting them as the inevitable price of existence.graphite drawingNot that any of this contemplation has the remotest chance of making me stop thinking myself both the greatest martyr and the finest superhero at work on the planet. I only get the smallest momentary glimpses of sanity through the veneer of my regular distorted self-image as the silly person I am, after all. Even though I know that in my own version of ‘cat and mouse’ the tiniest mouse could best me in the flick of a whisker.

Change of Venue for a Change of Seasons

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I lived most of my life in northern climes. My childhood and many subsequent years spent in the Seattle area naturally color my view of nature and my connections with it, so even though I’ve spent the last four years putting roots down into Texan soil my inner imagery of the season of growth is of sprouts and blooms native to alpine, temperate, rainforest and coastal territory. I appreciate and admire the vast and varied beauties of this wildly different terrain that is my new home, and my heart still resonates joyfully when it comes to those northwest marvels of green and gorgeous living things as well. I don’t think I’ll have to tell you which region inspired these two poems.

The drawings, though, could be a bit more nearly universal. Dandelions, in particular–I can’t think of many places I’ve visited so far that didn’t have a substantial contingent of that sunny little weed blossom. I hardly ever see their smiling faces without thinking of the adorable little enthusiast next door who peered over our fence and, seeing my mother pulling dandelions–and perhaps interpreting this as her enthusiasm for cultivating their charms–piped up to boast enthusiastically (much to her own mother’s chagrin): ‘we’ve got a MILLION of ’em!’ graphite drawingIn Return

Willingly as daffodils stretch out of the earth

At the first invitation of the sun,

So I come from the dark when my winter ends,

Turn my face up to the blessing sky,

And sigh at the promise of the spearing green

Arising by my feet, even if the icicles

Have not yet

Melted wholly away.

pen & ink

Avalanche Lilies

Amid the muffling drifts of downy snow

That draw the pearly winter sky down low

To kiss the earth once more in early spring

Are sparkling spears of palest glimmering

Green newness, first to show upon the white

And break the slope of frosted winter light

Uncurling soon to show the youthful face

Of spring’s renewal in this sleeping place

If still surrounded by the icy pale

Wild woolliness bedecking hill and vale—

The snow, though mighty, cannot fully stanch

The burst of springtime’s sparkling avalanche

 

Youth & Beauty, Beauty & Youth

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We never needed to choose. Yet there’s always this foolish compulsion among us to measure attractions and, should we be so lucky, to consider ourselves superior because we successfully assure ourselves that whatever we think the best among the pretties and the old makes us seem more perfect in our own eyes. We’re our own creations in this way, our own versions of excellence, and whether we believe we fit somewhere high in the measure of greatness as beauties or as wise and wonderful elders, we spend an amazing amount of energy on fancying ourselves fantastic.graphite drawingWe expend a large quantity of this fanciful energy, as well, on believing that youth and beauty are irrevocably tied to one another, if not outright synonymous. If one becomes convinced of that construct, then it must follow that becoming old is some sort of process of becoming plainer or uglier or, at greater extremes, less important and worthwhile. As it happens, we are not necessarily all so stupid as I’m making us sound, really. Eventually we mortals do manage to wise up. Perhaps it’s only and logically plain self-preservation that, as we get older, we realize that either we’ve ruled ourselves out of relevance or we might need to adjust our expectations and interpretations to allow that the aged can also be wise or useful or, astonishingly, even beautiful too.graphite drawingSlow as we are to credit our elders with such attractions and advantages, the eventual realization that we are becoming the elders may motivate us to rethink that equation if nothing else can. It’s not that I look in the mirror and see my proliferating wrinkles and expanding crop of grey hairs as evidence that I’ve suddenly or finally become important, improved, impressive. It’s that I see someone, finally, whose value has nothing particular to do with whether those marks of vintage are present or not. I am free to see myself simply and fully as myself, if I’m willing to look, and from this lesson I should–most meaningfully–learn to offer the same courtesy and impartiality to anyone I see, not only myself but anyone. No matter the years or the appearance or how either conforms to the current tastes, every face I see should seem to me the face of worth and dignity. Who knows but what it might be oftener proved true if we allow it to be so.

Final Residing Place

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graphite drawingResidential Issues

The beaver builds a dam-fine house,

The mouse, a hole-in-one,

The moose and goose, while on the loose,

Take shelter in the sun;

The pigeon curls up in her nest;

Raccoon believes his den is best.

It seems that every one abroad

Creates his ideal home,

Yet every head at last, when dead,

Will end up in the loam.

Therefore, I say, enjoy your port,

Your burrow, hovel, cubby, fort,

And be advised that what you’ve prized

Won’t be your utter last resort,

But rather you’ll take company

With all the beasts moved on

To their reward under the sward,

And to the dirt begone!graphite drawing