Getting Singed

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Is it my imagination, or is it a little bit hot in here???

Femme Fatale

Barbara is standing by to cut my scruffy hair:

but, say–doesn’t that look a bit like an electric chair?

Look at that pair of scissors–oh, boy howdy, are they sharp!

Will my coiffure just leave me playing sad songs on the harp?

I’d say it’s mighty hot in here–a preview glimpse of Hell,

Or maybe just a purgatory-hint, that hairspray smell–

I’m not so absolutely sure that something here is wrong;

and yet, what’s so darned horrible in leaving hair this long?

Is it sheer paranoia and delusion of myself–

Hey! What’s that creepy science stuff in tubes up on the shelf?

I’m getting awfully shaggy, yes, it’s true–but not a Nut!

(I merely hope it’s nothing but my hair that will get cut!)

Oh, Barbara, I am nervous, so please, kindly, Dear, refrain

from trimming quite so near my throbbing jugular, poor vein.

And if you have to croak me (does this happen very often?),

at least make sure I’m wearing stylish hair there in my coffin.

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One way or another, I’ll be a hot number when I come out of here.

Final Residing Place

graphite drawingResidential Issues

The beaver builds a dam-fine house,

The mouse, a hole-in-one,

The moose and goose, while on the loose,

Take shelter in the sun;

The pigeon curls up in her nest;

Raccoon believes his den is best.

It seems that every one abroad

Creates his ideal home,

Yet every head at last, when dead,

Will end up in the loam.

Therefore, I say, enjoy your port,

Your burrow, hovel, cubby, fort,

And be advised that what you’ve prized

Won’t be your utter last resort,

But rather you’ll take company

With all the beasts moved on

To their reward under the sward,

And to the dirt begone!graphite drawing

Dear Me! What was I Thinking When I Wrote That Thing?

graphite drawingHere Lies a Loon

Once upon a tombstone

I read an epitaph

whose sentiments ridiculous

were prone to make me laugh;

the information set thereon

gave me to ridicule

the marker and the makings of

some great exquisite fool;

now lest you think me callous and

a soulless Frankenstein,

you ought to know the coup de grâce:

the epitaph was mine.

Dangerous Desires

My little retelling of the story of Hansel and GretelYes, I prefer a slightly less virulent interpretation of the tale than the early versions focusing on the stereotype of the ‘Wicked Stepmother’ and a father cruel enough to go along with her determination to abandon the children. After all, there’s still plenty of blame to go around when ordinary and seemingly decent people do thoughtless and stupid and even horrible things without considering the ultimate consequences, and even a fairly charitable interpretation of the story seems to me to illustrate that quite handily. And, lest I be accused of excessive softening of what is, after all, a pretty grim [!] tale, I left off the traditional cozy ending, to keep the pointy parts more firmly entrenched in any conscience that will allow them. Wink, wink.

graphite drawingLaw of Unforeseen Consequences

Late, when the children want to play, When chores are a burden at end of day, Why, what harm can come of it, anyway?

Who would begrudge their choice, this chance To lay down the work and pick up a dance? Who would look on this sweet play askance?

What if their Schottische, when lightning flashed, Upset the pitcher and milk was splashed? Ah, suddenly, their mother’s lashed

At them with her anger in surprise At such wild waste of the poor folk’s prize, And tears are smarting in all their eyes!

The rich folk scarcely would give a fig At spilling milk over one swift jig, But their consequence never did loom so big.

No innocent children ever guess That a tiny slip and a modest mess Will afford their mother such deep distress,

Nor mother foresee that her sorrowed scold Will send, heavy-hearted, into the cold Her little ones, lost to the family fold.

And how could their father know what would fall If they failed to answer his panicked call And foraged instead far from safety’s wall?

Too distant from hearth and garden run, Could the children know that their crimeless fun Would lead to endangering anyone?

So off to the forest’s gloom, replete With wild strawberries, so good to eat, They skip unconcerned, when a wilder sweet

Appears before their young, hungry eyes In the most appealingly false disguise Of a gingerbread palace, whose luring lies

Present irresistibly tempting charms To lead them directly into the arms Of the wicked witch whose most horrid harm’s

The deceptive sweetness her cottage seems To hold in its sugary halls of dreams–What covers in icing the children’s screams!

(How could these tender young cherubs guess That under the sparkling prettiness Was a ravening monster intent to fress On their flesh and bones in a gory mess!)

But the most nefarious in the tale Was also most ignorant that such frail And tender tidbits might possibly fail

To end up feeding her heart’s desire, Instead being fueled by fear and ire To shove her into her own oven’s fire!

The story is old, that in unformed youth We may lack the wisdom to see in truth, That apparent delights may be foul, forsooth

But we still hold on to our foolish ways Of dreaming and hoping in wishful haze And never considering that this daze

Can blind us to sanity–in its mire, Can lead to such unexpected, dire Results–unintentionally, Desire Makes us leap from the frying pan into the fire.

Better Off as Compost

 

digital image from a photoSnaking Suspicions
Bartholomew’s bones are now buried
In a bag in a box in a berm,
And when he has fully recycled,
He’ll become a new breed of a worm.
In life he was lousy and lurid,
Licentious and lickerish he;
Bartholomew Bogle was wicked
As one creepy creature could be.
So down in the dirt he is digging
New depths better suited his sin,
Alive, quite the snake, let us make no mistake,
Now interred, he’s the same in new skin.
Let Bartholomew go to the devil,
Worming down to the deep for his due,
And at least we can bless in our hearts the good lesson:
I won’t be a Bogle–will you?digital artwork from a photo

Pretty Beautiful

Of course I’m vain. I would love to be thought of as a great beauty. Not that many people on earth could probably say with full honesty that they wouldn’t like to be thought attractive and compelling and engaging in the slick social way, no matter how sincerely they live the principles of much deeper character. But, that confession aside, I can also say that I am not so exclusively vain that I mind having others be indifferent to, or even dislike, me. Let’s just be realistic enough to say that that would be beyond impossible.

digital artwork from photos

Take a good look at MEEEE!

So I really can’t have too many qualms about making fun of myself and exaggerating my own failings and shortcomings and even pasting on ones I don’t think I actually own, if it buys me any artistic pleasure. After all, there’s a bunch of fun to be had in clowning and playing characters and being someone or something new and weird and ridiculous. There are reasons we still have art and theatre and fiction all around us. It’s amusing to make the stuff and amusing to see what others have made.

digital artwork from photos

I’m pretty fabulous no matter what you see!

I guess that makes me a cheap sort of witch or magician, maybe, when I’m making up my fictions in visual and verbal imagery. Kind of a fun vocation, when I get to play at it. Abracadabra, here I am for your amusement. Poof! Now it’s your turn.

Depends on Whom You Ask

What’s happening in any given scene? Everyone who answers the question is sure to have his own answer. Point of view is colored and skewed every which way by one’s position at the moment, by the context of experience, by taste and beliefs. Is this a drama? A comedy? Every actor in the event might well give you a different answer.

The other day when I was hearing a delightfully humorous arrangement of the old western song ‘Blood on the Saddle’ (arranged by Trent Worthington) I couldn’t resist adding a silly illustration of my own to the music. In my sketch, the horse whose saddle has presumably been bloodied stands still enough now to act as a comfortable perch for a vulture that stopped by to survey the fallen cowboy as a potential buffet–though as the vulture has just landed he’s more interested in a short rest first. The horse, now riderless and not forced to buck, has no particular remaining interest in the fellow who until recently expected him to lug around the cowpoke‘s weight and kick his heels in the rodeo arena for a living. The cowboy, now just a flat stain in the dust of the ring, is of no more interest to the horse and little yet to the buzzard (not ripe enough yet, presumably). In fact, when I cropped the cowboy out of the picture altogether, it struck me that the horse and bird looked pretty peacefully contented just lounging around together.graphite drawingSo, whose point of view matters here? The cowboy’s, not so much. Having croaked, he’s now short on both opinions and feelings, so we’ll leave him out of the equation. The bronc, of course, has got to be somewhat relieved at the current situation; while he did participate in the squashing of the aforementioned rider, it’s a pretty safe bet that having the guy pile on his back and goad him to buck was hardly the horse’s idea in the first place, so he can hardly be blamed for, well, bucking the buckaroo off into the dirt. Falling over the fallen fellow, I feel it’s safe to say, wasn’t the horse’s idea either, but just a natural consequence of being thrashed around unwillingly in a dirt arena for someone else’s amusement. Fictional or not, this poor horse deserves a break after all he’s been through.

The buzzard, on the other hand, is just a passing freeloader. Of course, that’s what vultures are designed by nature to be and do: the cleanup crew following food-related disasters. Some days, the sacrificial mammals are less human than in this instance, but regardless of the source, nice dead things are made to be Vulture Chow. And the upshot of the dining experience is that the buzzards will leave the scene a much spiffier one than when they arrived on it. Seems to me that this vulture, too, deserves his moment of happy contemplation and repose before hopping down to dine. I’m guessing, then, that his view of the whole scene is rather–if you’ll pardon the expression–sanguine. Unlikely he’d care how the meal arrived at his ‘table’ so long as it arrived. He sits on his equine throne and surveys what, to a carnivorous bird, is a royal feast indeed.

And what of me, the observer and, partly, inventor of this scenario? How am I to respond to it? I bring my own baggage to the occasion. I’m not a lifelong fan of vintage Western songs, having come to appreciate them as a piece of Americana and folk music culture later in life but still from the remove of something like an anthropological observer. This song itself has had a number of covers from the period-traditional to playful takes like Mr. Worthington’s above-mentioned arrangement, and each iteration adds new aspects to the folklore of the story, tingeing it further with tragedy or humor, history or fiction. The story of a cowboy riding a bucking bronco until thrown and crushed by the horse is swiftly told but can grow and change with each retelling. Do I feel sorry for the cowboy? Insofar as I get involved in the lives, loves and losses of fictional characters (and I do), I will admit his story has its sorrows. It’s arguably a tragedy in the classical sense, since it was through his own choices and actions and the consequences thereof–one could even conceivably see his fall as a direct result of hubris–but death of anything other than comfortable old age still strikes most of us humanoids as just plain sad.

I guess you can tell from my earlier remarks that my sympathies lie more with the horse in this equation. He was put into an untenable situation and responded in true horse fashion to the best of his ability. Too bad for the cowboy that horse logic says the correct response to being strapped into bucking gear is to buck, and that, as hard as you possibly can. The horse in this tale got lucky and knocked that unwelcome irritant off his back. Tough luck for the irritant. It really is all about perspective when it comes to assessing the situation. What it boils down to for me is a recognition that being the cowboy may appear more exciting and impressive, but sometimes it’s better to be the horse.digital image from a graphite drawingWho knows? I might even root for being the buzzard: none of the hassle, all of the free booty. Say, I might be a vulture already! And I’m okay with that. Stop by and find an already made idea for a drawing? Why, sure. I am a shameless scavenger. But I prefer the term ‘artist’, if you please. And all you others are free to agree or disagree, just as you wish.

Uniquely Me

graphite drawingBe Not Ill at Ease

Around my sprockets and my spleen lurk what no doctor’s ever seen,

a plethora of arcane ills impossible to treat with pills

or pessaries, with tinctures, teas, or magic potions for disease–

not curable by overhaul of engine, tune-up, electrol-

ysis, electric shock–it’s thought by some I will infect them; not

true, though, for what seems to be feared is not contagious–

I’m just weird.

Tiny Terror

digital artwork from a photoHummingbird Unmasked

My beak’s a single fang I sink in artery or vein

And none suspect me of this drink but clinically insane

And paranoid-type fantasists whom no one else believes

When they accuse the pretty bird that flits in flowers and leaves.

Though tiny as a bumblebee, I may grow round and bloated;

The nectar of your heart is how I keep my Ruby-Throated

Good looks and family heritage (and, not the least, my name),

My shapely belly and my speed of flying fast as flame.

It’s not that I’m nefarious, invidious or rude,

But merely that I have a taste for human blood as food,

And do not fear: I’d never kill you outright when I dine—

Far rather sip and savor you as vintage claret wine.digital artwork from a photo

 

Owl be Seeing You

I’m fond of the idea of animal companions and the way that various spiritual and philosophical schools of thought have incorporated the concept of human-animal affinities as talismans, symbols, totems and the like–never mind the opportunities presented for animal appreciation in contacts with pets, farm animals, zoo denizens and the serendipity of wild meetings. I simply find animals intriguing and appealing, and the chance to be in friendly contact with any of them pleasing and attractive. When they become boisterous, and especially when they are threatened or threatening, not so much of course, but even in those states they are compelling subjects of interest.

Animals are beautiful, mysterious, sometimes cuddly and affectionate, sometimes regal and dramatic, and always rather miraculous in my view. As I’ve lived much of my life in proximity, one way or another, to interesting animals but never had pets or been a caretaker of animals directly, there’s a tinge of the exotic even in the most common and frequently seen birds, bugs and beasts, fish or fowl, tame or terrifying, that perhaps people having more direct relationships with the creatures would not see. Somehow, despite the frequency with which I may see them sitting on the road-lining fenceposts, dead trees and light standards, hawks become not only the focus of my attention but messengers and comforters and guides that reassure me and inspire me simply by appearing where they do and catching my eye. When the call of a full moon brings out more of the neighborhood creatures to enjoy its bright benefits, I am moved to feel that the presence of more animals (the wild ones from our wooded ravine and even the neighbors’ straying house pets) has some meaning and purpose and must be meant to please me as well.

It’s not surprising, then, that animals appear in so many of my artworks, both in their expected forms as portraits of a kind or characters in my visual stories, and often in more abstract influences on the pieces. As a carnivore myself, I am not averse to eating animals as well, but my appreciation in this regard is enhanced the more when I can make complete use of the animal’s sacrifice, say, in using not only all of the meat but also cooking down the bones for delicious and healthful broths and then still having the beauty of the bones that have not been utterly disintegrated in that process as potential art materials too.mixed media mask

Some marvelous turkey bones, for example, not only supported the original bird that became the crowning glory of a roast-turkey feast (or, more accurately, two or three feasts at the least), but then became soup and sauce base in a long slow cooking and then, as the bones came out of the broth, beautiful and earthy and sculptural objects that in turn made me think not only of the turkey itself but also of all sorts of other creatures whose bones and skeletons and exoskeletons make them so remarkably lovely and strange. That is how a turkey breastbone became, in my mind, first a nose and then a beak, and finally, when the ‘beak’ was matched up with other bones having the right shamanic shapes, combined and decorated and gilt and otherwise conglomerated, the bones became the structure of a different bird altogether. In a turkey I found an owl–a Great Horned Owl, or to be even more precise, the Spirit of a great horned owl–and perhaps that reflects best of all how I see animals.mixed media mask

For I would include the human animal, naturally, in the list of perplexing and amazing and funny and marvelous creatures that capture my imagination and that, in its own way, is a species full of exotic mystery and charm. That makes my own life, presence and bones a collation of possibly only practical and ephemeral and biologically ordinary, yet even in those regards, mythic, parts that fit in their infinitesimal way quite neatly enough into the grand scheme of existence. I suppose it’s a reflection of that, after all, that I see and seek in admiring animals as I do. Perhaps it’s legitimate that I should make shamanic masks and look for meaningful appearances from the many winged and hoofed and spirited beings surrounding me daily and nightly, throughout my life.mixed media mask