Country Comforts

It’s easy to indulge my love of the bucolic and pastoral when I live where I do in north Texas. This county is full, as it has been for generations, of farms and ranches of all sorts that intermingle freely with the towns, cities and suburbs of the area. Whenever we take a drive or go running errands, we’re just as likely to see fields full of sorghum or corn, red or black Angus cattle, or sleek tobiano horses as we are shops and schools and natural gas pumping derricks.photo montagePlenty of relics and remnants still stand that tell me it’s been this way for a very, very long time. The little bronze school bell and windmill that remain standing right next to the old Ponder schoolhouse’s clapboard walls seem perfectly ready to go back to work (with just a tiny bit of functional renovation first, of course)–or to transport me instantly backward into the nineteenth century. A small private herd of longhorns spends its days in a cozy paddock that sits directly next door to a modern brick housing development, and on the other side of it is a stretch of fields full of wildflowers and prickly pear, punctuated by the occasional gas well and electrical tower, the latter often populated by small flocks of turkey vultures.photoAll of this makes an atmosphere highly conducive to my happiness: the conveniences and riches of contemporary urban existence, conveniently interspersed with spirit-soothing farmland or ranch and historic pleasures. If I play it right, I can feel like I’m on vacation no matter which world I happen to be in at the moment.

Foodie Tuesday: Wine, Dark & Light

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Close observation magnifies everything, both the good and the bad.

One day in the wine aisle of the local store I had occasion to observe a striking study in contrasts.

As I drifted along in search of a couple of bottles for an upcoming dinner party, I couldn’t avoid overhearing two twenty-something guys as one told the other quite volubly that he was hoping he could fine a lawyer good enough to negotiate him out of Resisting Arrest charges if he pleaded guilty to the Driving Under the Influence charge. There were a whole slew of reasons I was horrified to hear this conversation. First of all, it was yet another example of the loss of social inhibition that saddens and frustrates me these days; how is it acceptable to discuss personal, legal, private matters in normal tones and in great detail in a public place like a grocery store?

I was privy, however unwillingly, to details like the confessor’s noting his level of drunkenness as having been so profound that three hours later when he was having blood tests in the hospital he was still unable to speak clearly, and his friend’s commiseration for apparently having had a similar experience. What I did not overhear, not once, was any indication of regret, remorse or contrition. This was all discussed pretty much in the same manner as they might have recounted a tedious everyday hassle at the office. No sense anywhere in this that the guys themselves could’ve been killed or maimed, or property been damaged or destroyed, let alone that they had opted to put everyone in their proximity at the same risks by choosing to get behind the wheel.

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Of course, when seen so clearly, some things, and people, turn out to be just a bunch of drips.

Talk about, no pun intended, a sobering time.

But I drink alcohol, too. It’s just that I find the idea of drinking past where it’s for taste into where the drink starts making my decisions for me repugnant. I drink specifically to taste.

So it was a startling, and rather refreshing, change of pace when the offending fools finally vacated the aisle and I was approached by a very gracious young woman who asked me politely for advice to a neophyte on choosing red wines. Her adorable toddler daughter sat cheerily and peaceably in the shopping cart throughout what turned into a fairly lengthy conversation, because of course I was suddenly acutely aware of all sorts of questions I’d not considered in a long time. It seems that this lady had a companion who was encouraging her to broaden her horizons and join him in his enjoyment of red wines, and she was accustomed only to cocktail liquor. That’s admittedly a pretty big leap for a palate, whether you’re used to straight vodka or mixed drinks with it as an ingredient.

What could I say that would be of any use to her at all?

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Wine choosing is so hard to learn. Is it *true* that eggs and wine are *always* terrible companions?

Start, yes, with the idea that wines have enormous range in terms of flavors, intensities and affinities–there can be something for nearly every taste and occasion. This, coupled with the personality of wine being perhaps even more of an acquired taste than fruity, herbal or spicy cocktails even when those are made high-octane with something like vodka, is hugely intimidating. Wine snobs do nothing to dispel the fears, with their wacky vernacular of nose and legs, drinkable cement and tar and leather, and huffiness toward anyone drinking anything not Serious or trendy enough.

Finally I did think to tell her that the only really useful and non-terrifying way I’ve learned about red wines other than over a long, long time is to turn to that friendlier set of ‘experts’, those who have an interest in selling you wines. I rarely think of salespeople as my first choice for information resources, but in the (pun intended, this time) case of wine merchants, their vested interest in selling their wares and further, in making them appealing and accessible to a wide audience, makes them a bit more willing and artful educators on the subject than experts who have only themselves to please.

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I mean, sheesh, there are so many red wines; what on earth is my ideal one to drink with a grass-fed skirt steak?

That’s what moved me to tell the nice lady not to risk her hard-earned cash on bottle by bottle experimentation but to seek out the local venues that offer wine tastings. A series of sips, and any amount of snob-sanctioned spitting that it takes to keep sanely sober and free of swallowing swill, is a far quicker way to get a hint of what one actually likes than any other.

Get thee to a wine tasting! My palate is far from sophisticated, but I’ve learned enough over time about what I do and don’t enjoy in wines that I can choose–red or white or any other color, still or bubbly, dry or sweet, or distinct in any other way–with some confidence that I’ll enjoy what I taste. One good glass at a time. Meanwhile, don’t forget to read, too. Not only can articles and even wine labels themselves tell you a lot of useful stuff you might find helpful in your search for deliciousness, as any of you reading this blog would undoubtedly know, being veteran web researchers, there are now a huge number of online resources devoted to oenophilic wisdom.

Most importantly, trust yourself and do what suits you. You might find, after all of the effort and education, that wine is simply Not Your Thing. Why on earth waste time and money (and, potentially, healthy sobriety) on something that doesn’t suit you! You may very well find, if you do like wines that the wines you enjoy most aren’t those that the critics and suave sophisticates admire and tout. If so, feel free to come slumming with me. I’m sure I have a bottle or two in my tiny collection that would make any expert swoon with horror, yet I am more than content to keep sipping at what I like because I like it. And I have been through a few wine tastings, done a bit of reading, and spent plenty of adult years getting the experience that has taught me what I do like, and that it’s perfectly okay to like what wines I like and drink them, no matter what anyone else thinks. Including having a cocktail or beer instead, if that’s my mood.

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Two drink-related things I *am* pretty sure about involve salt: 1, avoid that hideous abomination purporting to be ‘cooking wine’ that is really just cheap vino with salt added to it (as wiser folk have admonished, if it ain’t worth drinking, it ain’t worth cooking with it); 2, salt can, conversely, be quite friendly with tequila or beer if applied properly. See also: Margaritas, Coronitas…

Alienation

The aliens are very disappointed in us. If we wreck all the prettiness of the planet and use up all its treasures, what’ll be left for them to conquer and acquire?

Of course, this might seem like motivation for us pusillanimous pigs to keep trashing the earth–eliminate everything desirable and we’ll never be attacked by aliens who want it.

Except that even in our dullest-witted science fiction, we tend to acknowledge that alien races not only might be light years smarter and more advanced than we are, they probably also have different needs and desires than ours.

So they might just be sad because we haven’t managed to wipe ourselves out quite yet, meaning that they’ll still have cleanup to do when they arrive.

Marauding and usurpation are just as much hassle as ever. Unless we perfect self-annihilation as quickly as our present rate would seem to presage.

Do aliens smile?digital illustration

Light in Dark Places

photoWhat possible purpose can Daylight Savings Time serve in this day and age except perhaps the most mercenary sort? I really dislike the artificial shifting of the daily schedule (time itself being quite independent of our constructs meant to explain and regulate it), with one small but significant exception. That little thing?

Knowledge of the power of the tiniest speck of light against the dark.

When the days become naturally short, night long, because of the turning of the earth on its axis and the change of the seasons, the sense of being trapped in almost-perpetual darkness inevitably begins to creep upon me; add to that the government-mandated spin of the clock to steal yet another hour of sunlight, and I begin to wither and feel a little like sorrow and solemnity, gravity and groaning will also steal my sense of belonging to the day at all. This spell of coldness and heartless eternal night could certainly drive a person mad.

And yet, the smallest spark renews my will and hope. One little star piercing the indigo sky becomes a beacon bright and powerful enough to pull me from the dark and back to day. That winter’s also the season when so many cultures, faiths and kinds of people find new reason to light more than a candle, more than a fire, and call upon the grandest graces of their inner best is no mistake or accident. The contrast with that terrible beauty that is felt and seen in lightless space is something far beyond the sun of day–against the coal mine dark, a pinpoint is all it takes to seem a seam has opened into warmth and goodness once again. And in my little heart, I do believe that any one of us determined enough can learn to be that tiny, so-essential fleck of light.photo

Hey! Over Here!

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My skills of salesmanship are nothing to crow about. If I try to show off too much I’m far more likely to end up eating crow.

Self promotion is a gift. Some people are born wheeling and dealing or have inborn salesmanship, and others are born artists. Okay, that’s an unfair generalization, to be sure, but as an artist myself, and one admittedly devoid of any sort of business acumen or PR skills, I also know a ton of other artists of all stripes who, left to their own devices, would or will forever work, then die, in obscurity. I am glad and relieved that there are people for whom the promotion of others is an interest, skill set and/or gift.

If it weren’t for the practitioners of good business, whether as active promoters of artists’ work or more indirectly as patrons (buyers or spouses, for example), lots of us in the arts would either have to give up our artistic vocations or starve in the legendary garrets of the unsuccessful, regardless of talent or commitment.

There’s no obvious solution to this perennial artists’ dilemma, since being self-promotion-challenged so often includes being confused and intimidated by even knowing how to find and secure an able and supportive agent to carry the weight. What a conundrum.

This post, as you would naturally guess, is not a how-to. If I had the answers, any of them, I probably wouldn’t be here talking to you or even cognizant of this puzzle at all. This is, instead, a note on my own perpetual wrestling with the questions of what to do with my creative impulses besides rambling around with them towing me by the heartstrings. I may forever stand in mystified awe and envy of those who know how to crow.photo

Self-Annihilation

P&I drawingWhat does it mean to repress or suppress others? We humans have found so many awful and horrific ways to abuse and torment each other, to subjugate and enslave, belittle and diminish and depersonalize them, that homicide and genocide seem afterthoughts, if not almost a mercy at times.

What do we demean or demolish when we do so to other people? Community. Diversity. Complexity. All of those things that enrich our own lives. Things, indeed, that make our survival possible. We become trees hacking at our own roots and branches, all the while drinking toxic rain and poisonous streams.

If we lessen or lose one life, the whole tribe hangs in the balance. If we lose one tribe, we risk the loss of all humanity.

Canoeing in the Slough of Despair

pen and inkBeing up the proverbial creek without a paddle is just too common a state for most of us mortals. What’s remarkable is not the frequency of its occurrence, though, but how often we paddled up there our very own selves and even quite willfully pitched out the paddle on arrival. Having gotten ourselves into the trouble in the first place doesn’t make it any more tolerable, let alone palatable, but if we learn to pay better attention, there might be a hope of return from the brink after all.

Retracing my footsteps to find where I went astray, maybe even to undo some of the damage, isn’t always possible even when the place where I’ve gotten myself in dire straits isn’t literally a trackless stream. But if I keep my eyes open and engage my wits and will, I might at least remember the way next time I start to veer in that direction, and learn not to step in that same river twice.

I’m fallible enough, but perhaps not irremediably so. Still, I’ll always welcome a good rescue. Throw me that life jacket, won’t you?

Feed the Birds

I loved the movie Mary Poppins when I was small, and surely will still love it whenever I see it again. The charm of the story combined with such a well-cast ensemble and the magic of cinematic technology are hard to surpass. I loved the sweetness and buoyancy of the tale and its jolly playfulness and the marvelous escapism of it all. Those were surely the characteristics the filmmakers intended to capture children’s hearts and attentions.

But perhaps more than any other thing about that movie, I think, I loved the song Feed the Birds. It seemed such a small thing in the scope and scale of the whole production, but that, in fact, may be precisely what makes it still stand out in my mind. That, of course, must have been part of the grand plan as well. Clearly, it worked on me. As little and secondary as it may have appeared in the grand scheme of the cinematic version of the story, that song’s piquant minor melody and, especially, its very allusion to the importance of the seemingly insignificant stay with me and move me even when little else of the film’s specifics remain in my memory. I’ve read that this was precisely the intent of the piece and its inclusion in the film. Clever, that Mr Disney and his professional storytelling cohort.

Clever, and they weren’t wrong either.

The beggar urging passersby to trade their tuppence for her packets of bird seed, as well as the birds hungering for it in the hardscape of the city are both easily avoided, neglected or despised by the better fed citizens who might rather brush them off than admit to their existence. That little vignette reminds us, and rightly so, just how much those persons, creatures and events we’d often prefer to ignore or deny really mean.

Their loss or abandonment creates a much more profound emptiness than their seemingly small stature could possibly imply. It’s the barrenness of spirit, of humaneness and hospitality, of compassion and grace in the rest of us, that is the real cost of failing to tend to the weak and small. And it can be the smallest gesture, tiny as a handful of bird seed, that opens the way for healing and humanity and hope.photo

Peter Pan vs. Mother Earth

Maturity is a hard concept to nail down. So few of us would willingly embrace the larger idea of maturity after all: the implication is too much doused with the odor of aging and the loss of innocence, playfulness and joie de vivre.

But if I can move away from those irksome, unflattering aspects of maturation, there is a whole world of better and more admirable traits awaiting me. To refuse to grow up, as so famously done by Peter Pan, one has to reject all of those pleasures and opportunities afforded only to those willing to submit to the passage of time.

I will continue to avoid becoming ensnared in the traps and trials of aging as long as I can get away with it, and probably further. Who wants to become exclusively serious, constantly responsible or particularly predictable? Not I! Age may force me to slow down my physical pace or even make me willing to concede that there is such a thing as a skirt too short or heels too high or a blouse too fitted to be quite seemly for my years, never mind that choosing certain forms of entertainment or places to go or goals to achieve are not particularly well suited for me anymore.

But I am also glad to let down the barriers to other aspects of maturity, and to embrace my aging with a certain relief when it comes to those. I care less and less, for example, about whether I look fashionable or impressive, so the heels and hems can be whatever altitude suits my comfort and mood. I’m happier in my own skin with every year spent getting to know and define and design it.

That, my friends, is the greatest gift of aging: I am freer from the worries, demands and expectations of the world around me and can work at shaping who I am, what I want, and how I feel more deeply and contentedly than when I thought there was a greater need to conform. Youth is not nearly so unfettered as we idealize it as being; so long as more mature people own our territories of home, school, work and even play, they also rule our lives. So long as we concern ourselves with comparison, competition and popularity, we let others have the power as well. When we learn to fit in and find community by being our truest selves, it changes the tune entirely. This is the richness, ripeness and harmony–within and between–conferred by true maturity.digital illustrationAnd while I’m thinking about musical metaphors, I really must give you a link to my husband’s latest YouTube appearance, conducting the beautiful and magical Monteverdi Vespers of 1610 with the Collegium Singers and Baroque Orchestra of the University of North Texas, with some tremendous guest artists singing and playing alongside the artful student and faculty musicians. This production was the premiere performance of the new edition of the Vespers that was developed by UNT professor Hendrik Schulze and ten of his graduate students, and among the instrumentalists playing on marvelous period instruments were some of the greatest players now gracing the halls and stages of the Early Music genre. Enjoy!

A Couple of Rustics

photo montageI’ll readily accede to being flighty in my affections. My short attention span and my determination to avoid playing favorites in dangerous or dullard ways may contribute to this seeming fickleness of mine, but I think life short enough and the list of possible pleasures long enough that it’s probably the extensive gap between that most often keeps me from landing in any one spot for great lengths of time.

My husband, too, is fairly catholic in his tastes, so though we are both creatures of habit and preference in many ways, we’re often pleased to discover any new delight to add to our own inventories of happiness. As a pair of artists, we’re often included in or happy to observe all sorts of cultural events and elements, and a rather common denominator of those is urban life. Cities do tend to have concentrations of resources. We both love the inspiring energy and wonders of The City, whatever the city of the moment happens to be.

But exposure does not guarantee infusion, immersion or exclusion. We can love and revel in our big-city adventures and lashings of high art and culture, but we’re not particularly notable for our own impressiveness in those realms. Simplicity, ease, companionability and comfort trump all of the glossy and glamorous stuff of life, in the end.

And the thrills of the city are always best savored in the context of time well spent in the contrasting marvels of the countryside. Salt to enhance the sweet. Earthiness and roughness to offset the shiny and sleek. And I guess I feel these latter things enough inside, thinking honesty and humility preferable and more natural to my way of being, that I’m more often a country mouse in the city than a city mouse when in the country. Neither my spouse nor I is probably all that complicated, despite the sophisticated milieu in which we may find ourselves at times. We are ordinary, visitors in the land of specialness, rather than the reverse.

A little time spent in the countryside tugs us away from all flash and clamor. Couple of bumpkins, maybe not entirely. But a little rusty and dusty around the edges, yes. A couple of rustics, really.