Anybody can Dance, Even Those Who Do It Weirdly

Midhun Antony claims anybody can dance. I have always thought of myself as living proof that even if every single other living creature on the planet can do it, there’s still One Who Can’t. It’s not a point of pride with me; just what I think of as an uninspiring factoid.

But he’s right. It’s unfair, despite my belief I’m being honest in claiming to be a fairly awful dancer, to say that I can’t. Even if my goal is to impress anyone, rather than merely to enjoy the activity for itself, or to express joy—surely among the highest and best reasons to dance, really—can I truthfully claim that a bad dancer is no dancer? How many times have I enjoyed, along with my much-better-dancing friends, the vision of an uninhibited exhibition of movement-to-music by a truly unskilled practitioner? The littlest of children, even those not yet able to stand without support, dance and fearlessly. That is the point! It’s not about skill and coordination or style points, or ballroom etiquette, the vast majority of the time; it’s about happiness and commitment.

A little bonus exercise is not to be sniffed at, either, I should be the first to confess.

If I’m truly so self-absorbed as to think that my dancing should be of any interest to anyone in the room but me or—given the right circumstances—any other person I am dancing to please, at the very least I should keep in mind that letting down my guard so others can have a good healthy laugh at my expense would be a tremendous gift. Some of the best moments ever recorded on film are not only those shared by the Nicholas Brothers or Rogers and Astaire, Alvin Ailey or Mikhail Baryshnikov or Judith Jamison, but also the high and low comedic gifts of attempted dance we also remember with intense fondness. Elaine Benes, I salute you! Chris Farley and Patrick Swayze, I curtsey in awe. I fall down while curtseying, of course, but I do admire your work. In fact, I’ll hazard a little wiggle of sheer glee right now, just because you all make me so happy.Digital illo: Nerdy Dancing

Toddler Etymology

Digital illo: Just Swissin'Ever wonder where little children get their surprisingly sophisticated or apropos neologisms from when they pop up with those odd comments seemingly out of the blue? I know I do. I’ve spent enough time pondering the verbal magicks of the offspring sprung from sisters, friends, and relatives, to think that there is something more than mere chance at work some of the time…but, what? Sheer serendipity seems inadequate to explain how logical or fitting or uniquely unlike what one ought to expect from these kids such prodigious pronouncements can be. From what ineffable sources does infant etymology spring?

There’s one goofy expression long used in my family that makes a fine example, I think; I hadn’t even thought about the oddity of the word and concept in ever so long, but when it came to mind as suited to an occasion arising just the other day, I pondered yet again how such things can arise. The story behind the word/idea is that my youngest uncle, at the time still sleeping in a crib but definitely speaking—as the youngest of six children in a not-very-wealthy household, I can imagine this was a useful space-saving device as much as anything else—was heard to be stirring one morning but hadn’t clambered out of the crib. So his mama, my grandmother, made her way in to see whether her boy was actually up and about or had merely made a sound in his sleep.

It seems he was in an intermediate state, still not fully ready to get up and attack the day, but not deep in dreams anymore either. When asked what he was doing, his response was that he was “just Swissin’.” That seemed to require a bit of clarification. “What?” His response: “I’m not asleep and I’m not awake; I’m just Swissin’.” For the longest time, I thought of this invention as being the equivalent of behaving like the Swiss—existing at neither extreme but in a neutral space between the two. But later, it seemed to me that if he’d had the slightest contact with a real Swiss person, he could well have had a different reason for coining the word. In German, the similar-sounding word “zwischen” means “between,” and what could possibly be a better way to describe the state in which one is neither waking nor sleeping, but in that suspended animation reaching from one state toward the other?

The problem with this delightful theory’s seeming perfection is that if that little boy who became my uncle was hearing anything other than English spoken around him in his American home, it was most likely Norwegian spoken between his parents or other older relatives and friends, given their roots. So how did he invent and name that neat little idea of his? I can’t begin to fathom. But after having made that unexpected connection myself, long after the fact, I relish all the more our continued family use of the word Swissin’, and I thoroughly enjoy knowing that it is even better suited to the status of being neither-here-nor-there than any other single word I can recall. Is it the work of a brilliant linguist or the most excellent of accidents in speech? Neither; it’s just Swissin’.

Full Speed Ahead—Facing Backwards?

Digital illo: Backward-ForwardJittery Janus

A slight, but real, absurdity is troubling my mind:

If something is in back of me, it’s fronting my behind—

Or is it backing up my front? It’s weakening my pride

That heads or tails I can’t make out, so coin flips must decide

Whether what’s aft is yet before, ahead or what’s astern,

Or I’m too turned around and backward-brained to ever learn

If what’s before my very eyes affronts my front or back;

Please, someone, sort it, or I think I’ll have a heart attack,

For hid behind this placid front, behind the back of me,

Yet also forward of my back, where, sadly, I can’t see,

This sad conundrum irritates and pesters me, alack,

For I’ve no way to know what’s going on behind my back.

Creeping Up Appearances

Image

Photo + text: Appearances can be Deceptive

What Went on in the Foundry on Founder’s Day

But none of the coppers on the scene would yell, “FREEZE!”

Drawing + text: Found Art

Body Dysmorphia Dolly vs. Me, Unvarnished

I am not beautiful by worldly standards. I have all of the requisite parts to meet the various averages and norms, am reasonably symmetrical and moderately well proportioned, and have no extreme [visible, wink-wink: happy weirdness doesn’t count here] anomalies that draw attention to themselves or, worse, make other people start in sudden horror and look away with a shudder. I am ordinary, reasonably well ‘put-together’ in terms of neatness, cleanliness, clothing, and so forth, and I have an in-house hairdresser who gets consistently good reviews not just from me, his wife, but from others who marvel that a person as musically, academically, and otherwise gifted as he has yet another impressive and artful skill. But I am not, nor have I ever been, what the rest of the world would consider distinctively beautiful.

My partner considers me beautiful, and I not only revel in that because I know it’s true that he loves me inside and out, but I also feel beautiful in knowing it. That still doesn’t make me the universal Ideal. I am just incredibly fortunate to know that I’m “beautiful” in the ways that matter to me. I’m also human enough to have plenty of little things I’d happily ‘upgrade’ if able: from the mole right in the middle of my face to the jiggly bits around my upper arms and midriff and right on down to my not very glamorous stubby fingers and toes, I can imagine all sorts of ways I could be more like at least my own ideal image of me. While I am working, very gradually, on better exercise and (gasp!!!) eating habits to improve the tone and fitness parts of the equation, I am not so troubled by most of the other perceived imperfections that I feel compelled to fiddle with them. This is just me, sitting here and typing at my desk. Me.

Photo: Me, Unvarnished

Me, unvarnished. Not bad, for all that—silly selfie smile and all!

Nowadays, granted, I hear nearly as much chatter about body dysmorphia and low self-esteem and the evils of the societal pressures, particularly those coming through the commercial and mass media, that feed them, but I still see a remarkable amount of obsession among people of all ages with perfecting appearance in whatever ways each considers ideal. It still frightens me most of all when anyone goes to extremes to meet others’ ideals, for I hope obvious reasons. So I’m none too thrilled to see that the mutant-looking dolls long favored by the young, or at least those who buy for them, are still prevalent and imitated to such an extent by so many.

I can’t help but wonder what would happen if there were a counterbalance of, or even a momentary appearance on the market of, Truth in Labeling/Advertising consciousness when it comes to these beauties. I imagine a Beautiful Bobbye doll and [her] many lovely iterations stopping people in their tracks in the toy aisle for new reasons: picture the same “perfect” dolls now packaged honestly as Defective Breast Implant Bobbye, Collagen Overload Bobbye, Botox Paralysis Bobbye, Internal Organ Displacement Bobbye, Heroin-Chic Turned Addict Bobbye, and of course the ever-popular Acid Reflux Sufferer, Early Denture Wearer, & Coronary Infarct Death as Consequences of Bulimia Bobbye.

It’s too much to ask, of course, even to have anything like a balance of dolls with aught besides pink plastic skin and long, straight or wavy hair, never mind the idea of having great ones with visibly not-so-average qualities—like, say, a prosthetic leg, ears that stick out, albinism, asymmetry, flippers rather than arms, a mole in the middle of the face, club foot, or overbite—that are simply part of their good old normal selves just as they can be in real life. Wonder what that might do?

All I can say for certain in my own experience is that it’s wonderful to have a doll of a partner who finds me the right kind of Beautiful for his taste and, best of all, to feel quite fine about myself whether I’m looking in a mirror or not. I might decide to fool around with a hair coloring experiment, because I have silver hair envy and given my genetics, won’t ever get much more than the sprinklings of grey I’ve sprouted here and there among the mousy browns for nearly thirty years. I do bother to put on a little streak of eyeliner on the rare special occasion. I wear high heels sometimes to enjoy being taller and pretend I’m longer legged if I feel like it, and I sport earrings almost always because in my much younger days, lots of people thought anyone with really short hair and a fairly flat chest was male, so I got in the habit to avoid the confusion.

Now, of course, males, females, and others wear their hair any length, embrace jewelry from their ears to their toes, or none, wear kilts and sarongs and skirts and pants at will, and indulge in eyeliner or guyliner, tattoos, showy stockings, platform shoes, hats and updos and shaved heads, all while being as masculine, feminine, or other as desired. And I don’t any longer care in the least whether anyone knows me as one or the other, myself, any more than I really care whether they find me beautiful on the outside or entirely different from their taste.

I would far prefer to be thought worthwhile as I am, however I happen to be, as a person. Maybe I can thank my childhood environment where I was free to design and build little houses in the bookshelves and out of empty boxes instead of playing with uninteresting (to me) dolls inside them, and then graduate to building forts in the woods with real, flawed, beautiful playmates populating them. Maybe I did benefit, after all, from exposure to that artificial kind of beauty popularized and supported by plastic dolls and the people who emulate them, youthfully testing their sanity and happiness or lack thereof and shrinking from it. I have my faults, but they can’t stop me from feeling beautiful if I don’t let them.

Foodie Tuesday: When Baking Gives You Lemons…

You should find it dazzlingly obvious by now, if you’ve been visiting here for more than a week, that I am not a Baker. Exactitude is a form of patience that I lack, so much so that following a recipe to the letter—an important characteristic of baking’s central processes, whereby the necessary chemical and physical elements are able to perform their required duties and make the food do the particular tricks it’s supposed to do—is impossible for me, or close enough to it. As a consequence, I have made many, many baked goods that were not entirely, well…good. So many dishes that should have been light and fluffy come out more suited to supporting a truck while a mechanic fiddles about underneath it. What could and should have been moist and dense is instead frequently crumbly and dry and better designed in texture to use as kitty litter than as dessert, despite pleasant enough flavors. [Disclaimer: if you think this is an admission that I have eaten actual kitty litter, you have either greater faith in my scientific daring or even less in my common sense than I deserve.] Disappointing, these results, but enlightening, if I pay enough attention. Sometimes even remediable. There may be hope for me yet.

Maybe that’s why I don’t stop meddling with what should be fairly straightforward recipes. I trust that, at least some of the time, what doesn’t turn out best on first effort might be rescued by a further experiment or two.

This winter I was given a gorgeous, huge, tree-ripened lemon. My friend hand-carried it from her mother’s garden a couple thousand miles from here, and it was so big and juicy and magic-laden and perfect that I wouldn’t dream of letting it go to waste as a mere additional squeeze on dinner’s salad or a piece of fish. I sliced it thinly; not very evenly, because as I have surely mentioned before, my knife skills are less than impressive, but I gave it a go, and I did slice it fairly thinly. Then I layered those slices with cane sugar in a tight-fitting jar and filled all of the remaining space with plain, high-octane white alcohol (vodka, probably) and let it sit for a couple of months, just giving it a shake or tip once in a while to get the sugar to melt in and absorb and the lemon flavor to be intensified. When I opened the jar last week: Elysium! A rush of deeply floral, lightly sweet and highly lemony perfume bursting from the jar with the reassembled fruit in it. A whiff made for fainting over, if one breathed it in long enough. A liqueur not to be spent lightly, either.

I’d had this fancy, for a while, to try my hand at making some sort of citrus-cornmeal torte. I’ve read recipes for various kinds, particularly olive oil enriched ones from Sicily that sounded uniquely tempting, and decided to give my own version a try. Oranges and/or lemons, olive oil, corn meal. Not too sweet, not too bland. Just honest and refreshing. Sigh. None of the recipes I found was precisely what I thought I was salivating for at the moment, though. I still wanted moist and slightly dense texture, almost a steamed pudding character. What to do, what to do…. Of course: experiment, again. Knowing that baking still requires some commitment to precision, I did as I always do and turned to a tried-and-true basic recipe of somewhat similar character and substituted this for that and these for those. What resulted was not precisely what I’d had in mind, but not too shabby, either.

Photo: Lemon Cornmeal Torte

When I inverted the torte out of the springform pan, I broiled it briefly to finish coloring and caramelizing the lemon slices. If you have one of those dandy little brûlée torches, have fun with it. I don’t recommend an acetylene welder, however, unless you’re baking in your foundry.

Lemon Cornmeal Torte (Take One)

Preheat oven to 450°F/232°C (or whatever approximates those temps in your oven). Mine, as I’ve mentioned numerous times, is old and unreliable, so I must needs watch it like the vultures watch I-35.

I decided to use my springform pan. I lined it, inside and out, with heavy aluminum foil because, given the experimental nature of all of this, I was a little worried about leaks and other non-ingredient surprises. Not to mention that that uppity oven of mine might explode in a fireball or something. Probably wasn’t necessary, in the event, but still. On with the recipe:

I mixed about 3-4 T melted butter with an equal amount of cane sugar and spread it in the bottom of the pan, and then laid the lemon slices out across that syrup base.

Combine dry ingredients with a fork or whisk: 3 cups cornmeal, 1 tsp baking powder, 1 tsp baking soda, 1-1/2 tsp salt, 1-2 tsp ground cardamom, 1 T citrus zest. Since I’d macerated the Queen Lemon, her zest wasn’t fit for the task anymore, so I grated the peel from a couple of the clementines I had on hand.

In a separate bowl, beat together the wet ingredients. [These are where I think I would have done well to go a slightly different path.] I combined about 2-3 Tablespoons’-worth of flavorings from the following: liqueur from the preserved lemon, fresh lemon juice, and ginger syrup. I added enough buttermilk to the flavor mix to equal 2 cups total. [In retrospect, I would have bumped the flavorings’ amount to a full half cup and used 1-1/2 cups of the buttermilk.] Whatever the eventual “design” of the recipe, on this occasion I rounded the wet ingredient list with 1 cup orange juice, 2 large eggs, and 2/3 cup fine extra-virgin olive oil. I suspect I could well have added another egg at the time with good success, too, but I didn’t. We shall see!

Combine the wet ingredients with the dry and stir until mixed. Pour the batter in the pan over the lemon slices, set it in the oven, and bake just until set, the center not quite visibly moving anymore when you bump the pan, somewhere around 35-40 minutes.

Served with a very lightly sweetened whipped cream, it was pleasant and tasted of spring. But it wasn’t quite what I was craving, just yet. I wanted brighter, juicier lemon flavor and yes, this torte was still on the fragile, crumbly side. Onward, I say! The next day was good enough for reevaluating and rethinking. And rebuilding. That night we’d had a table-full of guests, but there was also another cake, so both desserts stretched beyond our needs. That left me, on the next day, with half a torte, or more accurately, a big quart bowl brimming with lemon-ish torte remnants. Make a trifle with the remaining whipped cream? Perhaps. But it wouldn’t fulfill my fancy, still, of that zingy, moist dessert I was imagining. Instead, I made:

Photo: My Pudding ReTorte

Even a tasty steamed pudding is often not so much to thrill the eye, so I served this little dish of mine with a puree of fresh strawberries in orange juice and a sprinkling of black sesame seeds just for the jazz of it. Less elegant looking than the original version, more zingy to eat.

Steamed Lemon Pudding (My Re-Torte)

I put the torte crumbles, sliced lemon topping and all, into my food processor with not only the almost-equal amount of leftover whipped cream but also a very hefty splash of lemon juice and three large eggs, and blended everything into a new, thicker batter. I poured it into a greased, covered casserole and steamed it until, again, it was just set. [It could easily steam in your oven or pudding steamer in the traditional way, but with my oven being so recalcitrant, I opted to steam it, covered, in the microwave instead.]

Photo: Rose Explosion

Roses *and* primroses: those pale tissue-pink sweethearts on the lower right are my first real crop of the dainty wildflowers since I seeded them two years ago in my backyard mini-meadow. Yay!

When I let it cool to room temperature, that iteration of lemon-cornmeal dessert proved to be more what I’d had in mind all along. It was just about the texture of a good Christmas pudding, but of course more seasonally fit in both color and flavor for what we did when my visiting friends returned for our afternoon coffee: we sat on the patio and spooned it up while sipping, chatting, gazing at the explosion of roses, and enjoying one of the nicest bits of outdoor-friendly weather we ever get in these parts.

DIY Survivor

Do or Die

The ancient Archaeopteryx had never turned a wing

Or lifted her substantial claws to help with anything;

She wielded her impressive bill, but only to express

Disdain for any task but what advanced her happiness

Exclusively, for she believed herself the focal point

Of all existence on the earth; her nose got out of joint

When anyone would question her supremacy as Queen.

You’ll notice, now, that she’s extinct, and never since been seen.Digital illo: The Archaeopteryx's Mistake

Foodie Tuesday: Zombies, & an Old Lady with Good Bones

Zombies are still surprisingly popular these days, considering their poor (or, at best, wildly over-eager) social skills. The current crop of them was, impressively, a resurrection of many previous generations’ versions of the species, which means that they are not just returned from the dead, but returned from being returned from being dead. Or something like that.

In my kitchen, I am mostly nicer than a zombie-master, intending only good things to happen via my culinary experiments. But no matter how kindly my purposes, sometimes I am an unintentional bringer-of-doom. Many are my fellows, I’m sure, but perhaps fewer are those who will admit to stumbling around the cooktop in their experimental work, lest they be accused of attempted poisoning or any such mean-spirited rubbish. Sometimes I’m even dumb enough to try to revive the dish that had already failed, which I suppose makes me guilty of the same sort of resurrectionist hubris that has brought about many a modern-day pop-cultural scene of zombie-apocalyptic grocery shopping. At least I don’t attempt to feed the second variation of my experiments to anybody else before carefully being my own lab volunteer. But I hate to be wasteful.

Photo: Who's been Messing with My Cooktop?!

*”WHO’S BEEN MESSING WITH MY COOKTOP?!” roared the Giant. There was silence in the wreckage, for the Zombies had eaten the Cook—along with her only semi-successful Spätzle as a side dish, because her tiny brains alone were clearly not filling enough to assuage their ravenous collective hunger.

So when I made that recent jiaozi whose dumpling dough was less than perfect, I couldn’t resist trying to rescue the remaining dough. It was, honestly, closely based on other cooks’ supposedly successful versions of gluten-free pasta doughs, so I figured my inability to achieve a particularly shining success with the same wrapper recipe was more a matter of practice or tiny ingredient tweaks than anything more serious, and sought to revise the dough just enough to make it noodle-worthy. An added egg did, in fact, help it to have much more of the texture and malleability that I’d want in a pasta dough, although it was still just loose enough that unless I added further flour I couldn’t hope to roll it out in thin sheets. So I thought about thicker noodle variants and opted to give this dough a try as Spätzle, since those tiny schwäbische Schätze (southern German gems) aren’t rolled out before cooking. Indeed, the dough went through my grater rather handily (if extremely messily*), cooked at a good speed in my boiling broth, and floated up as light, petite, pale golden dumplings, just as I’d hoped.

They even tasted quite lovely, straight out of the steaming pot and doused liberally with browned butter and a sprinkling of grated cheese (I used Parmigiano-Reggiano for its added nuttiness). But tasting them ahead of time like this, as well-meant a prophylactic measure as it was, did mean that I would have to reheat the mess yet once more, and alas, even the most gently handled of pastas simply couldn’t survive another round of stasis-and-revivification. Sometimes the dead remain dead. The last reheating left me with buttered paste rather than pasta, and the only effect of adding the egg to the dough was, ultimately, to leave me with egg on my face. Ah, well. Of such mini-disasters are legends, or at least jokes, made. The joke’s on me.

Photo: Tasted Okay at First

Thankfully, the Cook had inadvertently saved the world by cooking dumplings that tasted okay at first but quickly became unpleasantly cement-like in the Zombies’ remaining innards and turned them all into stony statues of their *former* Former Selves. And so the Apocalypse was averted, and simultaneously, a glorious, artful monument in statuary made to commemorate the moment of this, the world’s rescue. You’re welcome.

Don’t get me wrong: being an old enough geezer (“lady” might be a stretch) to want to get the most out of my grocery money and cooking efforts isn’t always a bad thing. I’m ancient and experienced enough, in fact, to know that I should occasionally admit defeat and throw out the last of that failed dough. Chalk it up to been there, tried that wisdom.

Other forms of wisdom are well worth the earning in the kitchen, too. Like, when there’s a fresh batch of bone broth cooking, a really, really fabulous batch made with my usual ingredients plus both chicken feet and beef feet that did indeed come out of the slow cooker as rich, glossy, and jellied as the most beautiful classic aspic of my dreams—but there’s still a pint of the last batch in the fridge, rather than bolt or toss the latter, I simmer it down and get an equally gorgeous reduction for sauce base and soup enhancement. I added some dry sherry before cooking it down. Just for fun. Oh, and a little sweetness. This little tub of wondrous demi-glace is good enough to melt for a beautiful finishing sauce for anything savory that isn’t vegetarian, just as it is.

Photo montage: The Broth Brothers

But another old-lady bit of kitchen witchery that more people should know and respect nowadays is that, while minimal cooking of vegetables can preserve more of their original nutrients, not to mention textures and colors, than boiling them to mush in the fashion of days long past—or as though they’d started cooking back then—softer veg is not nasty. Gentle handling is the difference. Some good Southern cooks in the US have not entirely forgotten and forsworn the low-and-slow glories of vegetables simmered for ages in bacon grease or butter, and any culture that values its stews, dutch-oven artistry, and slow cooker magic, for example, retains something of this truth.Photo: The Softer Side of Vegetables

So for a recent lunch with a couple of friends, I opted to carry on these traditions at both levels, piling up a batch of bite-sized cauliflower, carrots, and celery in my trusty small Pyrex covered dish, put a knob of browned butter and a quarter-cup of said demi-glace, still jellied, on top, and steamed the lot gradually in the microwave into lightly softened submission. For the finish, I stirred the vegetables, topped them with a piquant garnish “salad” I’d made earlier and refrigerated, a mix of preserved and chopped green olives, pimientos, black olives, and mushrooms. I added a generous sprinkle of Parmesan shreds, and let the dish heat one last bit before serving. Old-fashioned vegetable happiness. With a deep undercurrent of old-fashioned cooking from a rather old-fashioned person.Photo: Old Fashioned Covered Dish

Party Crashing Parson

At some point, romance is the catalyst of many a fall from grace. The higher the starting point, the more spectacular the tumble can be. Of course, some people on this goofy planet are just constitutionally unable to be graceful, no matter what the circumstances. Me, for example. But being sympathetic doesn’t mean I’ll let anyone else off the hook over it. Good material for silly stories don’t grow on trees, you know.Digital illo + text: Slippery Slope