Beware the One-th of the Month

skull drawing and Hitchcock portrait

Even when you expect the worst, something worser may lie ahead . . .

Alfred Hitchcock was known to tell a certain little story that subsequently stuck (ouch!) in my mind. This is my recollected version of it:

Wilfred’s wife Muriel had been missing for some time and the incessant rain had abated when the search party finally found what might be a sign of her in a ditch beside the winding and desolate country road. At first, it did look like Muriel’s shoe, and Wilfred was distraught. He clutched at the shoe–which, it turned out, had a foot still in it.

“Oh, I hope nothing terrible has happened!” he cried, “Muriel never takes her favorite shoes off when she’s out of the house!”

A little farther along the lane there was a torn macintosh sleeve that, when he rushed to pick it up, had an arm in it showing Wilfred a hand with familiar jewelry. He was beside himself with worry.

“Gracious! Muriel hates to be late for anything, but she would at least pause to take off her mac when the rain stopped–it’s much too warm to wear in this fusty weather. Surely she would take a moment to get more comfortable.”

The search party progressed slowly, finding bits and pieces of what had surely once comprised most of Wilfred’s missing wife. Wilfred grew more and more frightened at what might have happened to his dear Muriel, but he dared not let himself think the worst. Finally they came to a weir where, caught in its grate, there was a familiar looking head. Wilfred leaned forward to address it:

“MU-riel! Are you all right?”

*********************************

Funny, isn’t it, how we tend to assume the worst and still somehow be so surprised that things turn out to be as bleak as they are. The first of the month (any month) looms large as the archetype of a Bad Day for many people. It’s the day when most of the bills are due, accounting must be made at work for one’s actions–or inaction–during the previous thirty days, filters must be replaced in the machinery, timers reset, and all manner of drudgery and doom are assumed to lie in wait. “I can’t believe it’s already September! Where did August go?” The month begins with a day of dread.

But I’ve found too that there’s a palpable truth to the old idea that while pessimism feeds on its own energy and dark expectations tend to be fulfilled with dark results, optimism and positive expectations can be equally self-fulfilling. Of course it makes sense to be prepared for and know how to survive and rise above disaster. But doesn’t it make great sense to get beyond that and, if necessary, work and will good things into existence instead? If I’m going to spend energy on thinking about the future, I hope it will be with the belief and intent that the future should be filled with good stuff of every kind.

Alfred Hitchcock, it seems, may have been a slightly shady character himself; perhaps it fed his genius for black humor and suspenseful psychodrama, but the tension between his deep-dyed wit and the truly grim storyline with which he would present us was necessary both to leaven the tale and to remind audiences of a better possible outcome. Without the contrast of an occasional flash of light, darkness becomes meaningless and incomprehensible.

Never mind the Fear of the First. Begone, nagging soothsayers of the End Times. I’m not afraid of the cursed Ides of March. Superstition and despondency, get thee behind me.

I prefer to keep my moments of fright to those contained in good scary fiction, and dwell, myself, in a much sunnier place where I expect pleasure and prettiness and plush pillows and poached pears and perfection. At least when I curl up with the likes of Edgar Allan Poe or Stephen King in that place I can be assured that they’re only tall tales I’m reading and the bogeys will all go away again when I turn on the lights and tell them to go. Then the terror is finite and fictional and even fun, but finally, it’s also conquered.

  • Edgar Allan Poe portraitRepeat after me: It’s only a story, it’s only a story . . .

Raised by Dogs

 

graphite drawing

Who’s looking after whom?

Some people might say I was Raised by Wolves. Insiders say, in a cheerier tone, that I was Raised by Wolds. The strange truth is that, though I have lived my entire life thus far without having “owned” a pet since my late lamented goldfish, I have been nurtured throughout my years by various cats and dogs.

There was that one goldfish, true: Patrick Richard. What, you don’t think that’s the most obvious and logical name for a goldfish evah?? Suffice it to say that the fish was simply named after the school friend who bestowed it on me. I’m pretty sure I must have had a crush on him, the boy I mean, to have named a fish such a thing, but then I was never the most conventional of children. Perhaps the whole goldfish episode was simply precursor to my much later fish-and-pencils phase of artworks. In any event, Patrick Richard had a rather short career as my pet and might be presumed to have expired of overindulgence, since if I recall correctly he grew quite large quite quickly until the day when I came home from school and his ample orange belly was topside-up. I gave him a simple and dignified burial out behind the house that evening, the funeral if any somewhat truncated by my bare foot landing on a slug out there in the dusk, prompting a quick dash back into the house. I don’t think I went back out and erected a monument or anything.

The companion animals that played larger (and generally longer) roles in my life belonged, then, to others. It mayn’t have prevented me from forming attachments, but I suppose I don’t have the same deeply familial link with them that I would have had I taken full responsibility for the animals’ well being.

When I was still in the midst of grade school, it was the semi-rural setting where we lived that provided the most constant access to “pets” of this sort. There were always pastures within a quick walk from home, where I could linger at the fence and feed grass or fallen apples to the horses and cows that would come over for a friendly trade of nuzzling and scratching. Some pastures were particularly close: when we moved back to western Washington from Illinois and I was about twelve, we lived for a while in an old parsonage that sat between the older chapel and a modest and uneven pasture where a shaggy little pony kept company with a handful of grazing cattle. One morning when Dad was getting ready to head over to work, he came into the kitchen and there on the back stoop, gazing in the window curiously, was the enormous bull, who had escaped from next door. Apparently he thought a cup of coffee and a bowl of cereal would be preferable to puddle water and a salad of pasture greens.

All of this was good company, and very pastoral indeed.

Cats around there were primarily those accustomed to keeping down the rodent population and reminding the dogs of their place in the hierarchy of the universe. Dogs, those were decidedly the most individualistic and interactive of the beasts around my neighborhood(s) as I grew.

The first dog of importance in my little life was undoubtedly my cousin’s funny little cockapoo Raskal. He was among the first in what would become a designer-dog race, very possibly because his sire and dam had no clue about pedigrees and just did what comes naturally to any self-respecting dog. But since Raskal arrived before anyone had ever heard of the phrase “puppy mill” or worried much about the genetic time-bombs in designer breeds, I think he was designed by Mother Nature strictly to be a truly fun play companion and to think of life as one big exciting adventure after another. When he wasn’t too busy being passed around from one admirer to another for his extreme cuteness and friendliness, he was very willing to work hard at attempting to “dig out” any kid that happened to be trapped in the impenetrable prison of a closed sleeping bag, or to romp off on all sorts of mini-adventures, his body trembling with happiness and his curly blond coat rippling like he was on fire. His was a short tenure on earth: driven by his (aptly named) rambunctious energy, one day he dashed up over a blind hill and right under a car when we kids were once again all on an outing being led with aimless and artless abandon by his lightning-bolt zipping. But in that too-short life he still managed to imprint himself and his boundless good cheer and infinite thirst for play on all of us. He was surely a better teacher and good influence than a whole lot of sober grownups can be!

Another in my pantheon of Great Dogs was the next-door neighbors’ Dutchess (their spelling, not mine–is there a theme of distinctive spellings among my dog friends?). She did indeed have a certain regal aloofness. As a half-coyote mix (again with the pioneering hybrids), she expressed her royalty with either disdainful avoidance or, more likely, with a couple of sharp barks and a good growl or two, when anyone approached the property. I was traditionally rather over-cautious around dogs myself, having been knocked over and winded when small by a not-so-small farm dog that seemed to be considering whether I would be tasty or not when my parents retrieved me. So when I met Dutchess, and for some time thereafter, I took my time about getting very close. But I think she appreciated my deference, because after I babysat at her house (for her young human charges) a time or two she seemed to decide that I was acceptable and even became rather kindly toward me and a little bit protective of me if I happened to come by with anybody else in sight. It wouldn’t by any measure be considered a close and cuddly and playful relationship, but the fact that this rather fierce and solitary little creature treated me as accepted and respected company and even let me stroke her thick coyote fur collar meant a great deal to the person I was at that age, another somewhat solitary soul.

On the other side of our house were the neighbors whose dog Tar was the polar opposite of Dutchess, the local extrovert, the neighborhood captain of entertainment. He was still clearly not a pampered and sheltered purebred, either in looks or personality. I would guess at this great remove of years that he probably had a bit of long-haired German Shepherd in his multifarious lineage. He was really a very beautiful dog, a bit smaller than a typical shepherd and slightly more compact, less lanky. But just the right size for hugging, and covered with a long, thick, gorgeous tar-black coat.

Tar was easy to anthropomorphize. He seemed to have just as much the mischievous and play-hungry attitudes as all of the neighborhood kids had, and an egalitarian willingness to embark on any expedition with any of us, whether with him in the lead or being allowed to trail alongside. He couldn’t resist hunting, and was mostly welcome to do so around there, where at the time the street was only half built-up, still checkered with weedy, tall-grassy empty lots, and dead-ended by a beautiful little woodland of Douglas firs and salal and ferns. Tar didn’t know the difference, of course, between a mole and a small kitten, but he could hardly be faulted for that; so as long as the folk around kept the kitties indoors, we were at the same time kept mercifully molehill-free. Being as inquisitive as any dog, Tar did have a few run-ins, not least of all with the toad he caught that left him running around foaming like a punctured beer can for a short while.

His worst run-in, though, could be said to be with his otherwise kind owners and the annual summer haircut to which they subjected him (known to us as the “lawnmower” haircut) that left him looking like a black sheep clipped by a woefully inebriated shearer. We felt deeply sorry for him; he was painfully aware of being stripped of his accustomed handsomeness and would immediately set to work to deliberately do some forbidden thing right in front of anyone so that they would scold and banish him and he could go hide and nurse his shame in private for a little while. After a short period of growing out the offending haircut, however, he would return to his sanguine equanimity and rejoin the forces of the street’s youthful denizens at play.

Tar was an able guard dog when we were fort-building in the woods, keeping unwanted squirrels and crows at bay. He was a great exercise coach, leading us on loping, leaping bounces through the waist-high grasses in the vacant lots–and also our watcher lest any of us come unexpectedly upon one of those Timmy’s-in-the-well-sized holes dug in them to test water table levels before a build. Pity any of the kids that came along too late in the neighborhood development process to watch Tar pronking his way across a vacant lot with exuberant abandon. He was truly the very picture of living fully in the moment.

I still enjoy the company of a well-behaved and friendly dog so much that if my life weren’t so overfilled with other enjoyable company and activity I would undoubtedly succumb to canine charm and adopt such a companion after all. I am grateful to have a number of friends with sufficiently delightful beastly members of the household–dog, cat and otherwise–to keep me from mourning the vacuum (or more likely, the need to vacuum much more frequently) occasioned by lack of a dog or cat or small wildebeest keeping us company in our house. After all, it’s through others that I’ve always had the pleasure of meeting and being befriended by great animal companions.

Makes me wag my tail with happiness.

graphite drawing

One should have as many Best Friends as possible in life . . .

Another Kind of Safety

tree hollow + text

. . . always lurking . . .

It’s not only in the comforting arms of cute-and-cuddliness that I feel secure. While yesterday’s post can hold no shocking revelations for anyone who knows the least bit about me, today’s will have no greater surprises when I say that I am also in love with the dark. Not just literal, opposite-to-light dark as in nighttime and dense drawings made with compressed charcoal and velvety mezzotints. Meta-darkness. Scary stories and crumbling skeletons, underside of reality, unsolvable mystery, doom and despair darkness. Never fear, I am still Miss Goody Two-Shoes and hate the danger and pain that all of those sorts of darkness represent in their actuality.

What I love is the frisson of flirting with darkness through art, at a safe arm’s-length remove, and especially so when I am the puppeteer controlling all of the fun. It might be handled with flat-out gleeful ghoulishness or it might be with a much more lighthearted and jocund approach, depending on my mood, but I’ve long been a known prowler in the territory of haunted houses and haunted hearts.

digital painting

I can sleepwalk these halls or crawl them with wakeful deliberation, but one way or another I always revisit . . .

So whether you diagnose me as a creepy would-be villain or see me as I tend to see myself, a collector of peculiarities and curiosities and the dark inner well in all of us that incubates such things, invents such things–and finds some catharsis in the vicarious observation and manipulation of them. That shallow wading in them and climbing over and out of them unscathed, therein lies entertainment, perhaps–but certainly catharsis and yes, another kind of safety.

night in the park + text

. . . and as she sidled out the door at last, she said in a very soft voice, "Good night" . . .

For Overgrown Children Everywhere

fish photo

Not to be two koi about it . . .

As there’s a remote possibility you have been otherwise occupied with counting the holes in the ceiling tiles while I was previously presenting you with irrefutable mountains of evidence (not that I have ANY knowledge of such off-topic pursuits myself), I will just state plainly and without prejudice and for the record that I am a little kid in semi-adult clothing. If you have a problem with that, I certainly don’t know what you’re doing here, of all places. But I suspect that the majority of us over-twenties simply come to terms with a similar internal détente at some point after realizing that (a) being grown up is highly overrated and (2) as long as we can at least put on the guise of behaving in an appropriately adult manner when absolutely necessary, it is in fact quite pleasant, if not desirable, to indulge the inner infant as much as we’re able.

That’s why so much of my art and writing are full of lowbrow hijinks and saturated in silliness. So today, I give you a brief picture-book with a storyline that can pander to those too deeply entrenched in their maturity to admit to liking such things (but only, perhaps, having a reasonably stretchy imagination that can drag this tale into meta-meaning-infested waters) but is really designed simply to attract with pictures of fun creatures and a caption-fed miniature narrative. I leave it to you to fill in the blanks with enough buttercream icing and expanding lightweight spackle to suit your particular tastes or needs. Without being too coy about it, I hope.

crappie photo

. . . but I've had a crappie day . . .

insect photo

. . . so don't bug me about it, okay?

bug exoskeleton photos

Death and disintegration will come to all of us eventually . . .

chicken photo + mixed media. . . so I guess there’s no point in being a big chicken about it.

lambs photo

Yes! Cheer up, my lambs, and quit your woolgathering . . .

moth and maple seed photos

. . . something new and exciting will come along soon enough!

Just This

poem text

Ah, true love never dies . . .

a ReSounding ValeNtine to eXuBerant advocates

Digital collage of two handmade collages

What are we searching for?

What need have I of inspirations of my own when I’m being diligently hand fed meaningful resources by those around me?

In response to my musing on the Muse, or substitutions for one in absentia (https://kiwsparks.wordpress.com/2011/08/06/titles-without-tales/), XB writes and asks what moved me to begin blogging in the first place. Short answer: XB.

The longer and more precise answer is that those kind souls comprising my Support Group–loved ones, fellow artists and writers, and those standing ready with the occasionally required kick in the hindquarters–made me do it. There are those who will say that that’s a typically long-winded way of saying the Devil Made Me Do It, but I like to think their motives were altruistic, regardless of what anyone thinks of my output. After all, there was the now-famous critique of a gallery installation of mine, and I quote, If I had stuff like that, I’d burn it. Since that came from my very own Gramps, and I knew that he had zero sense of irony but that, well, he loved me, I feel certain that there was no hidden agenda in the remark. Purely observational. In point of fact, my grandfather would have burned the lot of it without a second thought, but luckily for me he didn’t have his hands on the stuff. Turns out, it simply made me consider more seriously my audience, if any. Granny, viewing the photos of the installation from the other side of the table, loved it. Bless her soul.

My grandmother, let’s be honest, would have loved my work if it were the closest thing to excrement produced by anything other than a mammalian digestive system, because she so closely associated it with me, whom she also loved. I think she really did get a kick out of the art installation in question, aesthetically speaking, but it was irrelevant in the context of the moment. What I was beginning to figure out was that there are as many filters, as many reasons for liking or disliking what an artist does, as there are electrons in the known universe. And that’s counting the town of Electron, Washington. I was also starting to understand that I was compelled to Make Stuff (pictures, poems, stories, sculptures) without regard for whether anyone else would care or not, would like it or not. This was a very useful realization, as freeing as that period when I discovered that if I made larger quantities of stuff, it wouldn’t matter as much if the same percentage didn’t turn out the way I wanted, I just had more to recycle.

Meanwhile, ambling back to the main question (all roads do lead to me) the concomitant bit of info seeping into my lizard brain was that it did matter to and please others that I made my art and that I shared it. So far I’ve never forced anyone to look at or read my work, unless you count teachers required to evaluate assigned things. Thus, I’ve become more comfortable with the idea that if something I do catches someone’s interest, they will likely come willingly to gaze and, if I’m especially fortunate, to make it a communal experience by responding to it as some of you have here.

Which all loops conveniently back to why I’m blogging. I’ve long been happy to haul out the artwork or haul visitors to where it is, if invited (or if a blank wall is foolishly left near me when I’m on a tear). But my friends, family, and other supporters are far-flung in the physical world and we all have remarkably scheduled lives. So when some of the same gang began to suggest that I consider sharing via a more “portable” and less time-constrained medium, the internet, it started to seem like a good idea. Further, when I began to notice how much more I enjoyed the compulsion to write and draw and whatnot if I actually practiced in a slightly disciplined way, not to mention that I sometimes even got noticeably better at it, then blogging at last appeared to be a logical outlet. I acquiesced. Here I am, forty-some posts into it and scratching my head in wonder.

In another completely unsurprising development of the sort that makes me slap myself in the forehead with an appropriately gobsmacked expression, I got a quick reminder that my attraction to art-making is inextricably intertwined with the urge for storytelling; that storytelling is one of the most basic and universal forms of communication; and that I meet and come to know yet another round of good and encouraging and inspiring people via this medium of ether-wandering. From my Oz correspondent at ‘the wuc’ (http://thewuc.com/) to my longtime friend and artistic supporter Mark who shoots me responsive emails from Edmonton, AB, to this morning’s surprise blog subscription from a high school address in Kathmandu, Nepal, I gain strength and hope and camaraderie and ideas. And this morning, from XB right here in my neck of the woods, I get the impetus for a whole new day’s blog entry.

So thank you, XB, thank you spouse and parents and siblings, Jimmy Dale and VN and my personal Dragonfly, and Candas, and so on ad infinitum. This blog’s for you.

lilac and apple blossom photos

With continued gratitude . . .

Never fear, though, while I do indeed have a soft squishy marshmallow center, I also blog because it’s a socially acceptable place nowadays to whine, vent my spleen with unseemly rants and generally behave like my crusty curmudgeonly exterior wants to do. Just a little caveat, my dears, lest you forget whilst I’m busy drizzling the much-deserved honey on y’all.

Titles without Tales

 

graphite on paper

One of Our Best Operatives is Missing . . .

As both a visual and verbal storyteller, I’m bound to come up against the stubborn blank wall of imagination empty on occasion, if not often. Long ago I began using the trick of “forced randomness” to fill in the blank until something more substantial would either emerge from the resulting prescription or I’d get a welcome brain-wave from another source to rescue me. As I learned, it’s simply making the first mark on the page that’s generally the hardest part: once there’s a mark, whether genuinely random scribble made with the blessed No. 2 pencil or a slightly gibberish-tinged line written in exasperation, I now have something to respond to, to edit, to like or dislike or build upon, in whatever way I’m moved to do. The response may be disgusted continuous pressing of the Delete key or furious “unscribbling” with the big bad eraser (a tool I find I rarely use for actually erasing). If that’s the case, why then, I can work to divine just what was so unsatisfactory to me about the initial move I’d made and then there’s probably fodder in the facts enough to get me started on something more useful, more personally motivated.

If, on the other hand, I see the seeds of utility and interest in that first foray, I’m often well served by turning the whole process into a good healthy bout of problem solving. That’s what real creativity is to me: my flighty little brain’s attempt to figure out what’s missing from the world, real or not, and fill in the blanks. Blank page, blank canvas, blank silence. Aside from beautiful and meaningful moments of personal zen, I’m driven to fill them with stuff that intrigues and feeds me.

Sometimes I’ll use external means to try to force motivation. I might pick up the first book or magazine I see, crack it open to the first page my fingers find, point to a spot on the page, and tell myself that whatever word or image I land on has to serve as my starting point, the guide for making Mark One. I might look out the window and whatever moves first within my view has to be the source. Any of the old standard repertoire of such tricks will likely do. But perhaps my favorite is to give myself a title or an over-arching concept that could conceivably serve as the framework for a whole series of artworks, chapters, stories. I think of it as my “Mr Booktitles” approach, named years ago in honor of a school of “acting”, sometimes embodied by very famous and very popular actors speaking every line of dialog or soliloquy or narration as though it were a stand-alone title from a very badly written book, a method that still keeps me astonished these particular actors–or the writers and directors that should be forcing them to do better–can get hired and admired. Go figure. But the fatuous title approach has served me reasonably well, so I guess I mustn’t criticize. All I do in the instance is create my title and use either the text or the artwork to try to flesh it out, give it some meaning.

The graphite drawing above came from just such an approach, and ended up being the first in a series of five or six drawings that “illustrated” different parts of the “story” represented by the title, a sort of post-Cold-War spy adventure that never did get written and for which the present artwork illustrated, ultimately, the nonexistent prequel to the never-happened story. Not that I wouldn’t write the actual story at some point, but it wasn’t necessary to have it in hand as impetus to get some work on the page in another format. Who knows, it may be that the illustrations had to exist in order for the story to ‘need to’ happen at some point. If that isn’t convoluted enough, I don’t know what is. But at least it gave me a useful jumping-off point for a series of works that remains something of a favorite among my audiences and yes, with me too.

Be Still and Listen, Thou Big Dope

run-down beauties

It's there, if you use your six senses . . .

Just because I believe that inspiration and the skill to fulfill it are best bought with persistent and focused labor doesn’t mean I don’t think it lies all around for the taking, too. There’s just so much astounding and strange and beautiful and fun stuff in every imaginable cranny of the world that the real charge here must be to keep all senses twitching at all times, not least of all the antennae of intuition. And I also lean toward the ‘it’s all been done already’ theory of creative endeavor, wherein pretty much every grand idea in history has very possibly already been had and it’s our pleasure and somewhat difficult responsibility to somehow recombine the DNA of our arts into something new and wonderful that’s now our own. So I have no hesitation about going shopping amongst all kinds of artworks extant for a better chance of gathering useful inspirations from them to move me toward my own next project.

When I go to an art exhibition I’m not only basking in the inherent attractions of the works hanging on the walls and filling up the galleries but also filing away molecules of inspiring marvels and, not least of all, building up a slight head of steam that makes me antsy to get into the studio again myself. When I attend a concert, dance, play or other performance, I’m absorbing whatever tremendous artistry, craft, skill, design, and magic came together to make the moments possible, and on the side, I’m mentally revising, redesigning, rehashing and reinventing on my terms every aspect I can imagine, making it mine. It need not diminish my admiration for the work in hand, but rather tends to let it bloom in every direction as an expanding universe of potential artistry. Granted, I am no dancer, haven’t acted since high school (unless you count acting competent, or like I’m not scared, when the occasion requires), and I’m certainly no great shakes as a musician of any sort. But I’ve attempted each just enough of each to appreciate the fineness of what I’m seeing when I sit at the feet of masters.

Even when I dine, the food and its preparation and context can provide a wild cornucopia of not only tasty satisfaction and belly filling sustenance but also another source of artful inspiration of every sensory variety. It might lead to more food (a grand enough goal, to be sure), might lead instead to some seemingly unrelated object’s invention.

Most directly of all, reading stuff that makes me shiver with happiness or shock or reverie or any other sort of appreciation has a strong tendency to get the creative juices flowing–specifically, toward my pen point.

Boston photos + text

Now let me lie between the pages of a fine book . . .

It’s all, and always, research as it happens. Right down to the purposeful hours I spend staring into nebulous space after the fact, looking for that miraculous confluence of thought word and deed that will combine all of my life’s experience into the right synchronous process of art-making to produce my next inspired work. Luck, be thou a true lady . . . tonight, tomorrow, forevermore. Muse, approach.

Rants in My Pants

Yeah, yeah. I get that itch and I just gotta scratch it. Clearly, I’m not much on keeping my feelings to myself. Secretive? Uh-uh. Obviously I’m not paranoid about my privacy. Got nothing worth stealing but the loves of my life, and they are all masters of their own destinies thankyouverymuch. The skeletons, if any, in my closet would likely bore the socks off of any self-respecting archaeologist, and any idiot that puts in the effort to sneak a peek into my nekkidness, physical or spiritual, will get the severe eye-poke he she or it deserves without requiring any action on my part beyond existing in my infinite beauty.

Then again . . .

photo collage of blue/white images + text

The unmapped life is full of wonderful surprises . . .

What I could never have designed for myself or expected as a reward for my humble personal resources is a life history marked by the remarkable and filled with the fabulous. To take inventory of the amazing things I have experienced and the outstanding people whose paths I have been privileged to cross is to stand in awe of my incredible good fortune and all of the odd and pleasing presents it’s tossed in my circuitous life’s wanderings. Here’s a little inventory of some of that funny life o’mine in the form of a list, in no particular order, of things I have or have not done, for good or ill. I guess we all do this sort of self-inventory from time to time because such reflection is an intriguing way of finding out surprising things about each other and, more than that, about ourselves.

Here goes.

Things I Have Done:

*   Been bitten by a pony
*   Exposed a thief by revising a public swimming pool’s accounting system
*   Captured a bird by using a veiled antique hat
*   Canoed the Kickapoo River
*   Designed/sewn a ball gown out of plastic trash bags for a special party
*   Used an arc welder—very briefly and ineptly, to be sure
*   Seen celebrities at airports and discussed tuna sandwiches with one TV star
*   Forgotten very nearly as many things as I’ve learned
*   Grown vegetables
*   Been president of a theatrical organization
*   Helped rebuild an old toilet by custom manufacturing obsolete parts for it
*   Changed tires
*   Been the pianist for a wedding and for a theatrical production
*   Attended a formal banquet in a foreign palace
*   Told lame jokes
*   Been served coffee by a famous symphony conductor
*   Gotten stitches for a hockey injury
*   Drawn pictures
*   Drawn a crowd
*   Drawn butter
*   Drawn a blank
*   Slept with my hairdresser (okay, my husband cuts my hair)
*   Won a Best Actress award
*   Won a safety-orange knit dickey
*   Fallen through a ceiling and hung by my armpits from the joists
*   Rooted plants from cuttings
*   Grilled shark
*   Had an allergic reaction
*   Taught university courses in art, English (writing) and learning strategies
*   Ice skated on a frozen lake
*   Stage-managed a national convention
*   Practiced archery
*   Delivered a homily to a chapel full of theologians and religion professors
*   Darned socks
*   Made dinner for an internationally famous cookbook author-editor
*   Carved alabaster
*   Run lighting for a professional ballet performance
*   Created a computer cataloguing system for a library
*   Disassembled and reassembled an ellipsoidal reflector lamp
*   Played guitar
*   Fried eggs
*   Worked as a temp in a software company
*   Served on a jury
*   Danced onstage at the Opera House
*   Photographed dead flies
*   Shaken hands and exchanged greetings with a reigning King and Queen
*   Driven a shuttle van
*   Attempted Bikram yoga
*   Written and produced a one-act melodrama on commission
*   Taken Chinese calligraphy lessons
*   Slept on a tall ship                                                                                                         *   Glazed a window
*   Been the subject of a midnight police raid on the wrong house
*   Won a baseball trivia contest without knowing a thing about baseball
*   Composed a song about a pony (not the one that bit me)
*   Gone snowshoeing
*   Seen a Blue-crowned Motmot in the wild
*   Fallen in love

Then there are all of the Things I Haven’t Done (yet, anyway):

*   Won a cash lottery
*   Had a dental cavity
*   Owned a four-legged pet
*   Broken a bone in my body
*   Been to Asia, Australia/NZ, or Antarctica
*   Learned a second language (some will say I’ve not yet mastered a first)
*   Eaten escargot
*   Written a bestseller
*   Visited all of the states in America
*   Cured cancer
*   Gotten skillful at any sport
*   Truffle hunted
*   Been able to understand and/or believe what politicians are talking about
*   Milked a cow
*   Danced gracefully

*   Lived overseas longer than a few weeks at a time
*   Mastered the marketing skills to sell my artwork and writing well
*   Been chased by a badger
*   Looked attractive in yellow or orange clothes
*   Died
*   Played golf
*   Decided to have children
*   Swung on a trapeze
*   Competed willingly
*   Overcome all my fears and anxieties and inhibitions
*   Made glass artworks
*   Had an audience with the Pope
*   Been arrested
*   Successfully raised Himalayan blue poppies for more than one season
*   Figured out how to get square pegs OUT of round holes once in
*   Knitted (except my brow)
*   Gotten irrevocably bored
*   Hybridized a plant
*   Studied marine biology
*   Piloted an aircraft or any boat larger than a rowboat

If I were to do even a tiny portion of the latter list, imagine where the remainder of life will take me. Oh, yeah–you can’t, nor can I. It’s the whole wacky and delightful point, isn’t it. There’s just no way to guess where the next turn in the road will lead. That’s how an ordinary broad like me managed to get to this point in life. Coo-wull.

The Feast that Never Ends

Thanks to our kind friend Joelle, I met fellow blogger XB tonight over dinner. Her blog, ‘In Search of My Moveable Feast’ at http://www.xiaobonestler.com/, is a wonderful melange of food and culture spiced with her delightful wit. I’m also reminded by both blog-mate and the friends around the dinner table tonight–composer hosting, saxophonist and pianist and conductor gathered around the table with me as we all enjoyed the meal and conversation–that shared love of culture and other naturally crazy things is an endless banquet of marvels and wonders.

ratatouille ingredients + blackboard text

To dine is divine, and among friends the conviviality never ends . . .

Is the conversation inspired by the food? The food by the gathering? The gathering by the conversation?

Of course all three happen. In the case of a tableau like tonight’s at table, there can be so many possible tangents to pursue. Avidly swapping bits of life-story over splendid bowls of creamy cool beet soup with yogurt leads to thoughts of yet other meals, stories, and gatherings. Discovering common interests with newly met friends over a glass of wine: how can that not lead to further tales (tall and otherwise) and onward to inspire more the pleasure of dolmas and Greek salad, these then becoming sustenance for other hungers for knowledge and enjoyment?

It is, clearly, an infinite table, this one where strangers sit down to untasted treats and rise up as well-filled and newly minted fellow sojourners. Art is the avenue where all of these fine riches intersect: thought and music and speech and history and language and hope and hilarity and the sharing of ideas in inspiring new ways.

I don’t doubt that the cats, from their respective corners, were moderately bemused by our various enthusiasms, but I for one found in all of it great nourishment.