Pardon Me While I Gather Some Wool

I’ve already admitted to what I’m certain can have come as no surprise to you: that I was frequently in trouble during my school days for spending my attentions on observing things outside the window, counting the holes in the acoustic ceiling tiles, or mentally redesigning the architecture of the building rather than focusing on the requisite elements of discussion (I was too shy to speak up anyway, so what was I going to contribute there?) or question-answering (when I didn’t already have the entire assignment complete to my satisfaction I was the last one willing to offer a participatory guess anyhow), or perhaps at least getting some more study and writing done. That last was, of course, what I thought I was doing quite efficiently while I was apparently staring off into the ether, but the parallel actions I performed of contemplating Other Things were clearly not obvious ways of meeting class requirements, at least to my teachers and fellow students.

All I can say in response to this is that (a) I have managed to live a remarkably happy life and get a few useful things done along the way despite these obvious shortcomings of mine and (b) conformity is highly overrated. Oh, and (c): thanks to my wilfulness, I did get to grow up (relatively speaking, anyway) and follow a ‘career’ path that takes full advantage of–even encourages–such Frivolity as woolgathering, lollygagging and other highly refined forms of daydreaming. I’m an artist, y’all. So you will just have to sit by and suck it up when I choose to so use and/or abuse my time on a continuing basis. I take the liberty of assuming that if you’ve shown up here, and especially, if you’ve come by and still bother to return after seeing what I’m doing (or not doing), then you evidently either condone or at least tolerate such shenanigans on my part.

In that spirit, I’ll hand over, if not my actual homework for the day, a doodle of some other fanciful daydreamer, and we’ll call it good. Or good enough! And I wish you all, in turn, the freedom and ample opportunities to live in your own little fantasy worlds too, and if it suits you, to produce nothing more pertinent than whatever odd little items appear as evidence of these flighty fun activities of yours. Because I’m here to tell you, it’s a mighty fine way to have a life, even if it doesn’t make you a living.

Cheers!graphite drawing

More Fun with Drawing Toys

Not much needs to be said here. I’m on another of my tangential rambles with my art practice, and what pleases me a great deal about crawling my way into the digital era is that not only can I document my work better than I used to do, I can retain it in numerous, widely varied states and play with it without nearly so much difficulty in changing my mind and erasing or altering things as I like. Talk about a bonus for a mercurial goof-off like me.graphite drawing

digital artwork from a drawing

The Race Well Run

digital illustration from a graphite drawingAthletic prowess of any sort is a mystery and source of amazement to me. One doesn’t have to be an Olympian, by a long stretch, to appear nearly godlike to my unskilled and uninformed eye. While I have had moments of physical fitness in my life, they never amounted to anything notable beyond getting me from Here to There and back again.

I think my attention span tends to favor short bursts of intense action rather than sustained practice, just as my brain has always rebelled against both study and studio time over lengthy stretches. When I’m doing a renovation project, it reflects my past days of art gallery installation, which more often than not veered away from the sensible approach of using a full week for the job in favor of three 18 hour days in a row. When I’d end up at 2 a.m. leaning off the twelve-foot ladder to aim the last few lights properly at the artworks, it’s likely no wonder I avoided spending longer periods acting sensible and instead ended up doing everything in a crazy cram-course style.

I know perfectly well that this approach may be inappropriate for these pursuits and is definitely wrong for athletic pursuits, just as well as I know that attempting to draw only in 18-hour sessions for three days straight and then take a nice six-week holiday before coming back, literally, to the drawing board would be ridiculous. So, considering that I have such a direly miniscule attention span for anything but what I love the most, it’s no shock that something I’m truly lousy at and ill-equipped with the strength, speed or grace to perfect has rarely been (and is unlikely to become) a long-term pursuit of mine.

This–along with the few paltry attempts at athletic activities that I have made over the years–explains quite readily why I both admire great acts of physical prowess and art and find them completely alien, athlete and action alike. Yes, I have pressed a few weights, swum a lap or ten, leapt hurdles, rowed against the current, placekicked the pigskin, arm-wrestled, done pushups and pullups and situps, and run a fair number of miles in my time, among other things. But unless I have to do any of it again to save my life, I’d ever so much rather watch someone who genuinely loves being an Action Figure do all the work, and do it ever so much better than I ever could. After all, though I’m no athlete I am a very skilled and enthusiastic spectator, and all sorts of artists deserve a good audience. That way we all get a chance to rise to the level of our highest potential.

The Lens of Revelation

Discovery and learning don’t always have to come at the expense of laborious study and practice. Sometimes they are handed to us by the magician-teachers who simply tell us exactly what they have done, lifting the curtain and letting us see what’s behind it and in the works from beginning to end. That, at least, is how the learning starts for many of us. Certainly for me. I have been gifted, over the many years of my life, in which I was, am and will be a student forever, with a number of such generous teachers.

I can only return the favor as far as my skills and wit allow, but I hope I’m at least skilled and sharp-witted enough to make it worth a few other people’s while. Of course, the plain facts don’t complete the education by a long shot–the study and practice parts have to follow to make it stick and create anything useable out of it. What you do with the information, as they say, is what completes the equation. But isn’t it fun to share our little secrets, to let each other peek at what’s behind the facade of polish and confidence and see what we can make of it?

Herewith, another little set of iterations digitally made to convert a black and white graphite drawing into a full-color digital illustration.

graphite drawing

Once again, I begin with a plain graphite drawing, scanned and very lightly cleaned to remove dust specks and make the scan match the original. I wish I had made the ‘lens’ look more curved or somehow indicated its thickness better so that there was a more logical reason for the eye behind it being moved that far from its expected location, but then I remember that this is, after all, an utterly nonsensical and *not* logical creature-person. Next drawing, perhaps. For now, I’ll play with the cards I dealt myself.

graphite drawing + color test

To begin the digital part of the process, I just did my usual small test of whether injecting color into a black and white original might bring out some useful or interesting aspects of the character (both the humanoid one and the character of the drawing).

graphite drawing + digital color painting

Why not. What if I isolate a larger area and keep the illustration black and white but with the lens area being in full color? Hmmm. That could work. I ‘paint’ in the color, layering it bit by bit and erasing bits to add highlights or even out the application of the colors.

graphite drawing + digital color painting

Strangely, I find that having only the lens area colored flattens out the image a little more than I expected. I think this might be in part because the color has reduced the contrast and visible texture of the graphite strokes. Maybe I’ll just add a bit more color over the other parts of the drawing. No, not quite enough, I’d say. So I add a Photoshop filter of ink lines to emphasize the drawn textures and contrast more deeply with the coloring.

digital illustration from a graphite drawing

Well, here I go again. I can’t resist adding color to the whole image. I think it balances the image better. But I’m married to the idea of letting the part seen through the lens be the only richly ‘full color’ part–the True Self, if you will, seen through this lens. So I decided to keep what wasn’t part of the lens itself or seen through it mainly monochromatic; a sepia tone for the face seemed in keeping with the sort of Steampunk creature’s vintage-yet-otherworldly quality. And then, of course, the face was flattened a bit by the color too, so I added the inky filter to that as well. And here we are. A day of tweaking and monkeying around with the drawing that took me a few days to draw, and here we are. On to the next project, my friends. Hope you find something compelling to do, too, even if as with mine, your projects only lead to more projects. Because that’s what happens when we share our ideas: they proliferate. Granted, some of them grow up to be really weird characters all on their own, but they do proliferate. Revealing, as they do, further parts of *our* character through *their* lens.

Happily Haunted Houses

graphite drawing

Her Monument

In a strange little homestead lit by electric light

is a passing builder’s fancy floating in the neon night;

the spirit of the artisan flits by, nocturnal blue,

and shoots the moon by swooping through the ashes in the flue;

she drifts in starry glimmerings beyond the crooked room

where comet dust is settling on the folly of her tomb. O,

let lie the tools of wisdom where your little homestead rises,

and cry Hurrah! for moonlit nights

and foolish enterprises.

The Fine Art of being Meaningless

When I was teaching, I hated grades and grading. Even more than when I was a student. I understand the desire, even the need, for being able to assess and evaluate and compare and all of that sort of thing, but my idealism would much prefer to believe in a world where people do the very best they can at whatever they are doing and that, all by itself, is grand enough. I know plenty of practical reasons why this fluffy fantasy can’t work 99% of the time in reality but it certainly never affected my intense dislike of the whole quantitative approach, most especially when it had to be applied–as empirically and evenly as possible, of course–by yours truly in some areas that are arguably quite subjective.

So I set up criteria as clearly as I could and identified particulars of skill, technique, fact, synthetic application of knowledge and so forth that I considered worthy of the study, and took what measures I could to insure that all students got equal access to those resources and had the opportunity to learn, incorporate, express and otherwise use them. And I gave out grades. It was my job.

But in that aforementioned reality, my own version of which I quite happily embrace post-teacherhood, I am not bound by any requirement to make or evaluate anything on the basis of comparison with anything remotely real, not even the stuff of other people’s invention and making. And I must say that I do appreciate my freedom. Sometimes there’s simply nothing more satisfying than writing or drawing or otherwise making decidedly unreal, if not impossible, things for the pure fun of it. Maybe it just appeals to the rebellious kid in me. Maybe it tickles my fantastic fancy. Who knows but what a miraculous accident could happen one day and I might invent a magnificently useful Thingummy of some sort.

But that’s not the reason to make these things anyhow, now, is it? What is most pleasing of all about the creation of any object of ridiculous and pointless nothingness is the act itself. It’s a fine thing to make artwork of any kind just because one can, to enjoy the creative process without regard to the outcome’s being anything but entertaining for me, myself and I. Yes, that’s what I like. No grading, no evaluations, no need to worry about whether it’s beautiful or meaningful, let alone realistic, because this is my own reality, my own personal little world.

And you’re welcome in it, as long as you know the only rule is that there are no rules, and the only value assessment I’m after on the occasion is whether I had a good time and got some valuable yet enjoyable practice in the process of creating my little graphite universe or my textual treasury of the moment. Well, there is a second rule: you, too, should feel free to visit my place of creativity without being required to grade anything, including your own experience of the stuff, and free as well to leave without being expected to like or dislike anything. Though I sure do like it when anyone is moved by my selfless acts of ridiculousness and leaving my meaningless soul exposed in public to do the same, without fear of recrimination or evaluation, and with the infinitely happy sense that such silliness is not only permitted but encouraged in this neck of the woods. Have fun, y’all. I am.

graphite drawing

A Machine for Making Nonsense

Fly by Night

graphite drawingBeguiling Moonlight

Every autumn evening, at the end of day,

The moon’s pale eminence sends out a silver-shining ray

A-glinting through the branches and glimmering on leaves

And shimmering on spiderwebs tucked underneath the eaves

And calling all the kitty-cats from shadowed alleys out

To torment all the night-birds still fluttering about,

And drawing from their houses the dogs behind the slats

Of shuttered sleepy windows to torment all the cats,

And pulling on the heart-strings of every sleepy child

To call each one to play out in the moonlight, in the wild,

To dance among the cat-kins and soar among the birds

And leap among the moon-mad dogs and sing the magic words

That cast a spell of loveliness on creatures so, and soon,

We’ll fall asleep, each one of us, under the autumn moon.

Treasure Knows Neither Time nor Place

photo

A memory-driven image by my great-uncle Rolph Bolstad . . .

I have been scanning and digitally restoring a number of photos out of our family’s trove, a heap that resembles the disorganized and neglected stores of many other families. I make a small dent in the stack from time to time, then get distracted by everyday life and often don’t revisit the project for quite a while again. While many of us obsess over parting with beloved memorabilia of any kind, the truth is that the majority of us don’t do much with it when we have it.

All good things are that way, I suppose: love, joy, peace and happiness of both the material and the intangible sorts are seldom given their full respect when we have them, only mourned when we think they’re out of reach. And from what I’ve seen and heard from friends around the globe, this is a foolishness that transcends all sorts of differences and makes us more alike than not–no matter what our location or culture, our beliefs, hopes, and dreams, we all seem to wrestle with this forgetfulness about appreciating what we truly value that we have right in hand, and the minute that we suspect we’re about to lose our grip on those gifts, whether by our own decisions or perforce, we get panicked and become certain that it’s a sign of apocalypse. Surely the end of our own self and sanity, and very possibly, that of the universe as we know it.

I come across that box of yet-to-be-scanned photos from time to time and get a pang: what if I don’t get back to this project before I forget who’s in the photos, where the shots were taken, before the images are too faded or decayed to be rescued at all?

Well, what if?

Honestly, I know full well that it will not be the end of the world. Not even the end of my pleasurable revisiting of those memories–what’s more significant than retaining this flimsy physical repository of memories is whether I use the versions of them in my head and heart while they last (head, heart and memories, all three). Once gone from there, the data held in a picture is only cold, meaningless data after all, and it never contained the warmth and soul of anyone or anything depicted in it. It’s merely a shadow-play version of the husk that is my human form and will no longer be me when I die.

So I’ll keep leafing through these paper and binary mementos of mine as long as it pleases me to do so, remembering mostly that what is seen therein is always more beautifully carried inside me. Change is indeed the only constant, yet in the photograph my great-uncle took, probably in Johannesburg, around sixty years ago there is the ephemeral prototype of the photograph I took in New York less than a decade ago. Fifty years or fifty centuries, it matters little if we learn to respect and rejoice in what remains true and crosses the boundaries of place and time as long as we keep it alive inwardly.

photo

New York City lives in my own memory as much as in a physical place . . . its beauties, like all things loved and valued, lies in me, in others’ hearts, far more than in itself or any image we can conjure of it . . .

Someone to Watch *All* Over Me

[In a Really Creepy & Inappropriate Way]

Thought I was your stalker, violent,

Sneaking on you, ninja-silent,

Pervert peering in your casement,

Clear from attic to the basement,

With my satellite trained on you

All the way from where you’ve gone to

From my distant lair? I’ve got you

Hid from trouble while I watch you–

Baby, you’re not scared now, are you?

I’m just trying to watch out for you;

If I didn’t, who could keep you

Safe and sane, awake, asleep–Who?

I’m your hero, watching closely

So you won’t become morosely

Sad and spooked at all; to

Keep you safe and sound; I call you

In the morning and way later

Just to keep away the hater

That might try to nab your collar,

Take your keys, your watch, your dollar,

Keep you sleepless, full of sorrow–

Sleep tight, Babe! See you tomorrow.

P&I + digital

What, *me* scary???

He Cracked a Wicked Little Smile . . .

 

graphite drawing

. . . as he was hatching his plots . . .

Quack Quack, Etc.

There’s nothing adverse

That I throw in the sauce

As I start to rehearse

The demise of the Boss

But as I descend

To the end of the day

It’s more tough to pretend

To be lightsome and gay

When I feel in my marrow

The building of rages

Brought on by the narrow-

Ness by which he gauges

My quest for perfection

In service to him

Whose extreme predilection

For being quite grim

As you guess is a needle

To nag and annoy

Like the high nasal wheedle

Of a self-centered boy

Until something explodes

In the back of my brain

At some one of his goads

And I go quite insane

So I must kill him gladly

By end of the day

And go off quacking madly

As I’m carted away