Sometimes It’s Hard to Tell Who’s Giving the Gift and Who’s the Recipient

I have been taught that it’s polite to accept generosity with good grace: say Thank You, show proper appreciation, and humbly know that even when you think you don’t need or want the gift, it is your turn to show kindness by recognizing its significance to the giver. That doesn’t mean I’m terribly shy about ‘re-gifting,’ or passing the gifts along to someone I think will better appreciate and use them, eventually. It also doesn’t guarantee that I’m entirely alert to when I’m being presented with something valuable and meaningful. Even when I’m fully aware of my undeserving, I’m not exactly a genius at generosity myself, let alone fully attuned to how much I am given and how often.

Take the times when I am being thanked with gifts for doing things that I should have done as a matter of course, and often have done very grudgingly at that. I have always been a poor excuse for a visitor, supporter and caregiver, being intimidated and squeamish and easily unnerved by others’ needs and ailments and trials. I was terrified of visiting my own grandparents when they were old and shut-in, unable to be the people I had known in their healthier and more mobile and cogent days, and could rarely face the strangers that they had become, let alone the alien and frightened person I was myself in their presence.

Long before those times, even, I was both younger and less experienced or brave, if you can imagine anything yet more craven. My parents had always taught me by example that care and compassion, generosity and hospitality and respect, all of these were essential life skills and characteristics that should be nurtured and cultivated through consistent use. And I never got good at any of that.

Once, when Dad was making a hospital call on a parishioner who was dying of cancer, it happened to be when Mom and I needed to be along with him for something later in the day and it wasn’t convenient for anyone to be shuttling back and forth multiple times, so Mom and I rode along. Somewhere on the trip I realized or was persuaded that I should join both of them in visiting this man who was a stranger to me, rather than sitting and waiting in the car on a cold, damp day in the first week of December. I’m quite certain that I was both reluctant and frightened to make this visit, parental support notwithstanding. I’d never seen a person so near to death, and his being unknown to me did nothing to ease my fears; if anything, my perpetual social anxiety probably spiked to all-time highs at the thought of meeting someone new just when he was about to die. I’m quite sure that I wasn’t mature enough to recognize that this was a clear instance of the occasion being ‘about’ him, and not about me at all.

I remember rather little of the actual visit, only little bits. I had met this man’s wife once or twice, so I suppose we exchanged some small talk about that acquaintance. He asked me about my interest in art and shared that, while he’d had some entirely different sort of day job, he’d always had a creative urge and had made many small stained glass pieces as a fond hobby, something I gathered he sold to make a little pocket-money at times. His inquiry about what was happening in my own life just about then eventually revealed that the anniversary of my birth was approaching just as the end of his life was to come.

He was a pale, yellowish creature after cancer had defeated most of his bodily systems and all of his treatments, bloated but in an empty way; an airy husk of the man that had been, now nearly ready to blow away. His hospital room smelled just like hospital rooms have always smelled, overlaid with the added imaginary pall of looming mortality. I wasn’t a baby—I understood well enough that his sort of death wasn’t contagious—but I couldn’t help itching to escape all the same.

When this pallid wraith offered me his dry, cool hand I took it in mine and held it for a while as he and my parents continued to talk softly about more needful things. I did my best to give the appearance of better bravery than I had, if not compassion, and still he showed me more sympathy than I expect I did him. He thanked us all quietly for the visit as we left, and I was too immersed in trying to console myself over the sadness and discomfort of it all to realize that it was he who had done the kindness.

I heard in just a few days of his death and thought with some melancholy of how sorrowful it must have been for him to face it, and for his loved ones to cope with its eventual, if expected, arrival. Only a couple of days later, I thought of him again.

It was my birthday, and among the presents I received was one small package that was not from a family member. My parents told me that my acquaintance had asked his family to see that I be given this gift as a token of his gratitude for my visit. It was a table-top stained glass flower he had crafted sometime back when he still had the strength and skill to make such things. The little blue flower bowed gently on its wire stem, and I was abashed and moved by it.

This was a delicate token of real grace. It made a fine representation of that goodness, its glass petals and leaves letting light filter through, its slender stem so fine, yet resilient enough to spring back upward when pressed. It was a flower that stubbornly refused to wilt, even when it was a post-mortem gift from a virtual stranger. I don’t know, after all of these years, precisely what happened to it or when and where it disappeared, but I kept it for a very long time indeed and found in its simplicity a constant reminder that the little things even a reluctant and weak person might do in the name of duty or expedience or, however hesitantly and ineptly, for kindness’ sake, might in the end have some power. That this power is not our own matters less than that it can change the course of the moment, or sometimes, perhaps, even make a difference in matters of life and death.Digital illustration: Stained Glass Flower

I’m in the Gifted Program

Photo: Sunset in SilverdaleWhen I think of all the wildly wonderful things I’ve had the privilege of experiencing in my life, I’m more than a little cowed by it all. How does someone with a pedigree made primarily of jolly and kindly, if intelligent, ordinary folk get to rub shoulders and shake hands with nobility, both real and hereditary? The only blue in my family’s bloodstream is that of unusually unmixed Norwegian-ness for Americans, and the only green in its coffers was always the modest, hard-earned kind.

But here I am, flitting around just as if I belonged, in a great company of educated, artistic, skillful, cosmopolitan people and living like nobility myself. It certainly doesn’t derive from any actual grandness on my part any more than from goodness. I simply think myself the living illustration of undeserved largesse and unmerited grace. I might be especially skilled, at least, at being the receptacle for those who pour out all those gifts, and I am not one to deny them the pleasure, either.

[If you happen to be looking for another outlet for your excess generosity, here I am!]

In fairness, I sincerely hope I can learn to be nearly so generous, in turn, as others have always been to me. I know there are plenty of folk with far smaller resources than mine who’ll gladly have even a thousandth of the joy that’s mine, and I’ve also learned along the way that those who have been so outrageously kind to me seem always able to increase their own happiness in the transaction. Giving as gift: now, that’s the way to go.

The Lens of Revelation

Discovery and learning don’t always have to come at the expense of laborious study and practice. Sometimes they are handed to us by the magician-teachers who simply tell us exactly what they have done, lifting the curtain and letting us see what’s behind it and in the works from beginning to end. That, at least, is how the learning starts for many of us. Certainly for me. I have been gifted, over the many years of my life, in which I was, am and will be a student forever, with a number of such generous teachers.

I can only return the favor as far as my skills and wit allow, but I hope I’m at least skilled and sharp-witted enough to make it worth a few other people’s while. Of course, the plain facts don’t complete the education by a long shot–the study and practice parts have to follow to make it stick and create anything useable out of it. What you do with the information, as they say, is what completes the equation. But isn’t it fun to share our little secrets, to let each other peek at what’s behind the facade of polish and confidence and see what we can make of it?

Herewith, another little set of iterations digitally made to convert a black and white graphite drawing into a full-color digital illustration.

graphite drawing

Once again, I begin with a plain graphite drawing, scanned and very lightly cleaned to remove dust specks and make the scan match the original. I wish I had made the ‘lens’ look more curved or somehow indicated its thickness better so that there was a more logical reason for the eye behind it being moved that far from its expected location, but then I remember that this is, after all, an utterly nonsensical and *not* logical creature-person. Next drawing, perhaps. For now, I’ll play with the cards I dealt myself.

graphite drawing + color test

To begin the digital part of the process, I just did my usual small test of whether injecting color into a black and white original might bring out some useful or interesting aspects of the character (both the humanoid one and the character of the drawing).

graphite drawing + digital color painting

Why not. What if I isolate a larger area and keep the illustration black and white but with the lens area being in full color? Hmmm. That could work. I ‘paint’ in the color, layering it bit by bit and erasing bits to add highlights or even out the application of the colors.

graphite drawing + digital color painting

Strangely, I find that having only the lens area colored flattens out the image a little more than I expected. I think this might be in part because the color has reduced the contrast and visible texture of the graphite strokes. Maybe I’ll just add a bit more color over the other parts of the drawing. No, not quite enough, I’d say. So I add a Photoshop filter of ink lines to emphasize the drawn textures and contrast more deeply with the coloring.

digital illustration from a graphite drawing

Well, here I go again. I can’t resist adding color to the whole image. I think it balances the image better. But I’m married to the idea of letting the part seen through the lens be the only richly ‘full color’ part–the True Self, if you will, seen through this lens. So I decided to keep what wasn’t part of the lens itself or seen through it mainly monochromatic; a sepia tone for the face seemed in keeping with the sort of Steampunk creature’s vintage-yet-otherworldly quality. And then, of course, the face was flattened a bit by the color too, so I added the inky filter to that as well. And here we are. A day of tweaking and monkeying around with the drawing that took me a few days to draw, and here we are. On to the next project, my friends. Hope you find something compelling to do, too, even if as with mine, your projects only lead to more projects. Because that’s what happens when we share our ideas: they proliferate. Granted, some of them grow up to be really weird characters all on their own, but they do proliferate. Revealing, as they do, further parts of *our* character through *their* lens.