Thinking on a Thirsty Thursday

digital painting from a photoAs another Summer slips toward her torrid latter days, I thirst mostly for a sense of serenity amid the ache and struggle that transforms everyday deeds into Herculean tasks by mere virtue of the sizzling sun. And as I do, and sip the simplest glass of cold clear water, I recall that Summer has a range of beauties all her own. Contemplating them can bring a water-clarity to my heated thoughts and gradually, I find that slipping sense of refuge in the burning day has righted itself again, if only for a moment or two, and that is quite enough.

Here, then, I salute the summer. I salute water, and the wealth that lets me have it in cold clarity almost whenever I should want. And I salute, with deepest peace, the calm that comes in recollecting all that’s good and fair and simple in that harshest place, the burning midst of the high season of the sun itself, knowing it is its own sort of beautiful and will be missed again some other day.photo

campfire photo

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Her Moment of Respite

graphite/digital illustration

Reading

A heavy braid of brown-black hair

Coiling over her shoulder frames

The mourning dove-brown collarbones

That rise and fall in subtle flight

As she breathes, sitting back there in such quiet repose

As if to lend some grace to that so humble vase of white

Field lilies at her side, and when she turns

The antique pages of that favored book,

She spares a moment’s look to watch the lilies catch

The kitchen windows’ waning light

Just as the late-day sun tips in

Behind those distant trees to

Chase the night

Solace in Silence

Let us look for our peace wherever we can. Let us embrace it and rest in it. And let us always share that peace with whomever, whenever and however we are able, inviting them all into our places of peace so that they and others all around the world, too, can find and disperse the sweetness of true and deep repose.

graphite drawing + text

Invitations to Dance

watercolorDancers I: Bend Sinister

Leaning back into a dire S-curve

And turning, twisting out of grace,

Finding cruel existence takes

Her to a meaner, coarser place,

She rebels against the tide

That pulls her downward, scrapes her soul,

And makes a revolutionary

Spring to leave the great Black Hole

Of wounded spirit, tortured love,

To swim back into something sweet—

This is the mandate of the dance:

To win by keeping on her feet

watercolorDancers II: Conjuror

Under a spell of loveliness

She leans, she curls, expands;

She falls against the strong caress

Of gladness, in the hands

Of magic greater than herself,

And when the spell is done,

There is no darkness, loneliness

Or sorrow; she is one

With every boundary, with joy,

With having been set free

From all constraint; the dance has won

Her to infinity

I Close My Eyes

photoI close my eyes.

Breathe. Breathe, and think nothing–deliberately think nothing: not thoughts about nothingness, but no thinking. Just feel. Feel my breathing. Let it slow and deepen. Sense how my lungs are filling and how cool and soothing the air can be. Feel the inside of my eyelids becoming less dry and harsh, softening with the renewing almost-tears that mark the relief of closing my eyes after too little sleep and too long a day to follow it. Breathe.

I can smell the familiar scent of my freshly washed shirt collar that’s pulled up close to my chin, not because I’m cold but because it’s a favorite and a comfortable, so-soft shirt. All I hear is the gentle whirring of the air through the house, the light flickering of leaves outside the window in the slightest breeze, and a bird not far away, practicing its sweet and simple arias without tiring. The sun’s warmth, coming in the window, is blushing its way through my eyelids but still I keep my eyes lightly closed. I am content to maintain my steady breaths, my slowness, my calm, my emptiness, and simply to feel. My pulse ticks softly, steadily, unhurried.

There is no need to think of anything just now. Nothing I could think would change what is real in my world or better my place in it, at the moment, so it is good to turn off the thinking and just let go of my usual tense grip on it all for a little while. The world will wait for me.

I can visit other worlds if I like. Sometimes, with my eyes closed, I will. I can make such wonderful worlds inside, when I wish.

But for now, what I want most is this silence that I have sorted out from what’s outside of me; these slow and steady and uncomplicated open spaces I am cultivating and embracing on the inside. The warmth of the sun, through glass, caressing my face. The depth of soothing air moving through my lungs in a grateful, peaceful sigh.

Everything that must Happen and Change and Do will have to wait for me while I am so very un-busy just being. That is enough for now; sitting, eyes closed, breathing, silent, open. For now, that is everything.photo

My Heart is Racing

digital painting from a photo

Moving at Speed

Everyone’s obsessed with speed

As though it were a grail,

But give the people what they need—

Not what they want—and they’ll

Discover much to their surprise

Alternative delights

That come in the more subtle guise

Of leisured days and nights

And find at last that racing lacks

The lure of lying low,

Avoiding rampant heart attacks—

Instead, loving the slow,

The thoughtful, easeful lassitude

Of living at snail’s pace,

And savoring those motes of joy

Bypassed by those who race

digital painting from a photoNearly Endless Cycles

We pedal around at a furious rate

Just as though we’d outrun finitude, death and fate

But the truth of the matter, however we flee,

Is we’ll all still die off—that guy there, you, and me.

A New Lens

digital painting of a mixed media original

My world is water-colored . . .

Having spent much of my life near the coast, both at home and abroad, I am less of a swimmer than you might expect, though most of my water time has been spent near northern shores, if that explains anything for you. But I am greatly comforted by being near water without needing to be in it. Rivers, oceans, lakes and ponds, streams and waterfalls, puddles and pools alike all have their appeal and the sight and sound of them soothes my soul like few other things can do. A walk along a riverbank or beach boardwalk, out on the mud flats or wading in the cool fringes of a foaming inbound tide–all have the power to send the complications of life fleeing, if only for a while.

Not so surprising, then, that many of my artworks play with the cool hues of water and the shadowy welcome of its associations. Whether in the impressionistic and abstract styles seen here or in images quite specific to the sea, the hold that water has on my heart must make its appearance often just to comfort me.digital photo-paintingAll the same, as a northerner by birth and years of residence, I have always been wildly fascinated too by the idea of those mythic turquoise tropical waters whose gem-like clarity would surely entice me in, offering the siren-like assurance that I must be utterly safe in them since I can see practically forever in their depths. I know that this is not entirely true, but the appeal of their warmth and seemingly pure glassy transparency has its potent pull on my imagination anyway. So it was a bit of a fait accompli that I should love it when I did at last have my chance to step into the perfectly sheer aquas and blues of the Caribbean for the first time. It was everything I’d hoped, and of course a little something more.mixed media + textSwimming in Warm Water

I:     Skimming along as if in flight Just under the surface of a lake, I can look up and see through its tinted lens A circular and absurdly distorted universe Of inbent trees examining me in kind, Of ship-sized cumulus zeppelin clouds whizzing by, The pillowed prows of ducks plowing past me And convoluted birds careening In zigzag traffic from shore to shore.

II:     Looking down, I see dazzling curtains of kelp Dyeing mottled sunlight as it Cooks the lake like a giant kettle full of fish. Flitting, darting shapes shoot up to nip me Or casually brush by And I exult in floating a subtle touch Toward a parti-colored veil-tailed fish When it fixes me with its dully silver, Unemotional lidless eye.

digital painting made from an oil pastel drawing

Perhaps I shall always be looking for a sea change . . .

Because for all that we know and admire about its clarity and simplicity, and surely for its necessity to life, water is also still a source of great mystery and power and its depths both literally and metaphorically may never be fully plumbed.

White Velvet and 24 Karat Gold

Morning doesn’t always bring peace. Sorrow may linger, grief that is not wiped away by night or sleep or even tears.digitally doctored photo

Beauty, though, can help approximate the sense of peace, help me to recollect a meditative, even if it’s melancholy, calm. This, too, brings some small measure of what I remember as true peace, and lets me know that the capacity remains. In possibility is hope. In hope is rest. In rest, I can let go, if just for now, the troubles of the hour.

A cloudless dawn has its own quiet way of pouring out benevolence that, if not cure, brings respite of a kind and momentarily distracts the heart from its dull void. At the morning’s break, low-lying mist pools, thick and velvety, swirling so slowly in its densely silver gleam, it seems to be a lake–indeed, a mystic lake where it would be no great surprise to see that shimmering arm emerge that bears Excalibur.

Along the horizon creeps that cottony blue, transforming first to palest violet, then rose, then saturated orange, and finally, shooting sun-flares so bright and dazzling they blind when they reflect from glass sky scraper walls, pillars of wholly molten gold blazing beacon-sharp against the now bright-cobalt sky. Silhouetted there, a hawk perches on its lamppost throne, surveying all as if to say, I’m looking out for you. Let go of worry; I will see that all’s as it should be. And with a sweep of his unfolded wings, plunges off the lamp into the broader light of day.digitally doctored photo

It’s Good to be Otherworldly

At times, time should just stop. Hold its breath, keep confidence with every secretive thing because some little happening occurs, a tiny treasured thing appears, as small as dust in air perhaps but so perfect in its lack of discipline as to be solace beyond words, a wonder like a young child’s hair lit by a momentary ray of sunlight to become more beautiful than all the votive flames that ever lit the night, like a killdeer’s evening call fluting out from where it hides in the tall grass.

graphite drawing

. . . an hour in which enforced quiet time in a waiting room is transformed into time for invention in the sketchbook . . .

Let the treasury of life be honored by our awed obeisance, however brief, as we take our meditative pause to contemplate those little motes of sweetness that make up, in total, something so ethereal and grand–the sharp, resinous perfume rising from a path through piny woods on a sun-baked day; that bright mercurial flash of a school of tiny fry all turning in the shoals at once, glinting; an amorous bird showing off its vocal flashiness from a leafy grove across the way . . .

graphite drawing

. . . a piece of rustic dark bread with butter melting into it . . . .

May we never forget to stop, if only for that little moment, to absorb the pleasurable surprise of living in the midst of millions of small miracles each night and every day, even if they’re often lost to us as too minute to catch our notice. The air we breathe is redolent with them–each step we take can draw us further into that precise great incident of wonder that should startle every heart into eternal admiration.

State of Abstraction

digital image

Foiled again! Or not, if I grab the reins . . .

Yesterday’s post still stands: I am gradually renewing myself in a seasonal fashion of sorts, regaining my typical Spring-like attitudes as I begin what is for me a long and gradual process of Spring Cleaning in home and heart. I never realize I’ve been letting myself get quite so cobwebby until I’m nearly mummified. But I usually recollect my senses eventually, as now, and begin removing all of the crust and crumbs and detritus and down-dragging inhibitors I’ve been collecting over the last while. So, out with the old tinfoil (above) that is best recycled when it’s no longer leak-proof. Out with the burned out porch lights and in with the new (hurray for the companies now making those oddball shapes and sorts in LEDs). Out with my overcast persona and back to my native optimism.

This is not to say that all is perfection and clarity in my little corner of the universe, only that it’s once again slanting toward an upward trajectory as it should be. I also find, in these times of slewing back ’round to my intended direction and sweeping out the junk, that as I begin and jump in, I can get a little confused, overwhelmed or just plain distracted by the plethora of perfectly acceptable but sometimes competing directions I can take or the complexity of attempting to sort and stratify the tasks. But rather than turning into an emotional hoarder and becoming either unwilling and unable to do one single part of the heap of projects and therefore unwilling and unable to begin, let alone attempt the whole–or, worse yet, getting so bogged down in the process that I am entombed in my own attempt–I find it’s reasonably helpful to let my mind wander a bit and pick at bits and pieces. A zone of blurry, abstract thinking is quite all right with me at the moment. It’s the pseudo-zen that allows me to blandly go about picking up a stray button or used cup here and there, set them down as I pass their proper places, and along the route-to-nowhere, discover the manageable task that I can tackle for this few minutes of my time, all the while letting my brain meander until it lights on whatever else it deems necessary for the next bit of progress.

digital image

Slanted and distorted as the point of view may be for the moment, the calm in this unfocused state allows me to safely unbar the windows that had become clogged with cloudy thinking and blocked by barriers of other kinds . . .

So while it may look to anyone else as though an event of Random Nuclear Catastrophe has taken place in the house, I’m actually accomplishing a lot of tiny deeds that had stacked up both on my lists of incipient doings and in unseen corners that evaded such evaluations. I’m pulling out the one straw here or there that opens a peephole through the big haystack that has been surprisingly stealthy in building up, removing one brick of rubble from the demolition that lets a ray of daylight through. And yes, each peephole or ray reveals yet more loose straws and bricks until I feel like a Big Good Wolf about to knock down the piggish house that’s been unnecessarily but inevitably building up in secret, because all of its weaknesses have been revealed bit by bit, button by cup, task by task. All on a sort of hazy autopilot wherein I can let my mind wander, so seemingly relaxed but as it caroms around in slow-motion also more astute than large amounts of frustrated puzzling.

It may look fairly directionless and mildly crazed in mid-process, but strangely it’s quite calming to me and gives me a greater sense of purpose and direction after all. It all begins to take shape, swirling around as it does and gathering speed, and at some point, coalescing into more sensible plans. But until then, I can go along with the current of this abstract flow and while my mind is relatively free from restrictions in it, maybe come up with some surprising new reasons to be content just living in the moment and letting go of my worries.

digital image

The beauty of structure is that it can evolve out of seeming randomness quite naturally--if I let it be so . . .