Chinatown is Everywhere

It was true when the world was much younger, but all the more so in this age of easy travel and speedy communication: the globe shrinks, cultures meet and intermingle, and there’s less and less difference between one city and another. A minuscule part of me is sadder each time I see English plastered across the signs and storefronts of a foreign country that used to seem more exotic and culturally distant from where I grew up and lived my life. Intermingling can easily lead to homogeneity, and that can be mighty boring.
Photo montage: Chinatown is Everywhere

But then I am reminded that even when travel was arduous and communication as slow as molasses in a meat locker, cultures met, mixed and mated, and gradually produced new and fantastic variants of themselves. Where would we be if languages had never borrowed and stolen terms from each other, evolved and changed over time? If nobody had ever crossed a border, learned about another culture, married a foreigner, or learned the way a more advanced or inventive group could accomplish tasks more efficiently and elegantly, would humans even still be around to do that stuff anymore?

My attitude is changing. Now, I really do still greatly appreciate that there are recognizable ethnic neighborhoods in nearly every city, every country. They’re wonderful microcosms of the nations and peoples that immigrated and founded them. But I also love that there’s a regular hurricane of linguistic mash-ups, cultural blending and reinvention of characteristics that comes from our happy meetings on new shores. It’s how we got here; it’s how we’ll move forward and continue to thrive.

Meanwhile, as long as there are those fantastic ethnic-enclave neighborhoods still in action, I’ll know I can follow the locals and find the best jiaozi and sticky rice in town when I get hungry.

It Speaks to Me

What attracts us to certain artworks? Whether book or stage production, painting or photograph, dancing or theatre, singing or instrumental music, there has to be something with which we can connect for the work to have any meaning for us as individuals.Photo: Book of Languages

Some of those connections are obvious: an author with whose philosophy or politics I tend to agree is more likely to produce a book or script I enjoy than one whose beliefs are wildly different from mine; if I favor a specific style or period or medium, I’ll probably always find the works within them resonating in my heart more often than those from unfamiliar or less loved types.Photo: Familiar Passages

Other attractions might be more tenuous or less overt. I read a whole lot online nowadays, both factual and fictional, but I still enjoy reading magazines and books, and there is no digital substitute quite yet for the fine roughness of antique paper pages in my hands and the musty scent of old books.

If the Muse Should Come to Visit

Our summer road trip afforded me a few good opportunities for one of my favorite activities: listening during great music rehearsals while drawing and writing. Part of me is fully engaged in the music-making, wanting not to miss a single note or nuance even when it’s truly a working bash through sort of session for the musicians. I learn so much about the pieces in hand, their histories, contexts, technical challenges and all that sort of thing as well as what to expect and what might happen in performance that I always enjoy concerts more deeply after hearing them being developed for the performances. At the same time, if the work in hand is sans text or in a language so unknown to me that I can’t get wrapped up in that aspect beyond whether the ensembles’ vowels and consonants, attacks and diminuendos and cutoffs are, well, ensemble, then I can focus my language centers on writing, sometimes blog post essays and sometimes poetry.

When the text is too enthralling or at least too present in my attentions, I can still indulge in drawing. Either way, it’s not so much dividing my attention as letting one kind of artistry inspire and guide another one. One enriches the other. Especially when the music rolling around me is as rich as, say, that being prepared for performances at the Vancouver Early Music Festival in August. I only wish that the products of my sessions were always as inspired as the music undergirding their inception. But my only chance of getting any better is to keep practicing, isn’t it. And I’m lucky that I like the process more and more as I go along, and yes, the better the music is, the more I enjoy my learning curve. That’s inspiring enough.graphite drawing