If You’re Not Growing, You’re Disintegrating

Decrepit Like Everybody Else

I ought to get my rear in gear; encroaching entropy

Challenges my mere existence, yes, the being-ness of me—

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Why, I’ll be disappearing soon, with chaos on the rise—

Order is losing ground to it, and much to my surprise,

Growth falls to dissolution at a speed I comprehend

Is likely to outlast me, too, as I fade to my end—
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And now I am unraveling, unwinding, getting old

And obsolete, for that’s the end of every tale that’s told.

Goodbye to all you younger things: relish your hour of youth—

You’ll all join me, and soon enough, and that’s the simple truth.

Portals

Photo montage: Portals 1Every doorway, every window, every gate is a portal to adventure. It may well be that those  portals are locked when I approach. More often than not, I find that it’s I who locked them up, who put impediments in my own way. That is the price of fear, of laziness, and of self-doubt. What holds me back or shuts me out is rarely an insurmountable obstacle; it’s me, often and only me. If I want to grow and change, learn and progress, it’s up to me to find the openings I most want to explore, and challenge the barriers with all my might. If I can’t find the key, I should make one. And frankly, if I can’t do that, I should probably make some adventures of my own and not bother waiting for the right portal to appear. Knock, knock! Life calling!Photo montage: Portals 2

Leave It that Way

How irksome that constant tension between the urge to grow, move and change and the undoubtedly more natural desire for stasis! Isn’t good-enough good enough? Can’t the ol’ universe cut me a break a little more often? I like it when I get something done, especially something I’ve really wanted or needed to finish, and most especially when it turns out well. But I can’t say I’m crazy about the long slog from here to there. Most of the time it’s just work. Drudgery. Laborious, effortful, tiresome and irritating, endless to-do lists of work.digital illustrationThat, as you know, is the unwarranted whingeing of a privileged, well padded and wilfully late-sleeping creature. I am the human equivalent of a Slow Loris, desiring fervently that the world would slow down to my own pace and let me seem to catch up with it—that is, if anyone as lacking in will and momentum as I am could be called fervent. But like the Loris, I am masking with my ever-so-slow progress through life a fair quantity of deliberation, because I do indeed have wishes and plans. They tend to be so vague and changeable that it’s useful to move at the slowest possible pace in order that my ideas will catch up with my motion before I need to act or make any significant alterations in my trajectory.digital illustrationThat’s how a person with seemingly no ambition or energy or intention of doing anything whatsoever that is not forced upon me can have, in quiet reserve, a fair treasury of plots and plans, ideas and inspirations all waiting for the right moment when I decide to take them up in the public view. Like seeds and bulbs, these unfold into leaf and then, as leaves, transform from season to season. Like artworks, they begin as the meeting of a barely formed thought with a pencil mark or two and gradually evolve into drawings that in their turn can change to other kinds of drawings or paintings or parts of collages. That’s how a little book that took about a decade to get from the slightest inkling at its inception to publication can have in its wake another ten books or so that will seem to spring fully formed from the printing press in relatively short shrift because they too were being built and tended, ever so stealthily and quietly and ever so slowly, all the while I’ve been creeping and plodding along.

It may not look like anything’s happening yet, but don’t worry; unless I’ve stopped breathing, I’m still moving imperceptibly and you can safely leave it that way for now.

If the Muse Should Come to Visit

Our summer road trip afforded me a few good opportunities for one of my favorite activities: listening during great music rehearsals while drawing and writing. Part of me is fully engaged in the music-making, wanting not to miss a single note or nuance even when it’s truly a working bash through sort of session for the musicians. I learn so much about the pieces in hand, their histories, contexts, technical challenges and all that sort of thing as well as what to expect and what might happen in performance that I always enjoy concerts more deeply after hearing them being developed for the performances. At the same time, if the work in hand is sans text or in a language so unknown to me that I can’t get wrapped up in that aspect beyond whether the ensembles’ vowels and consonants, attacks and diminuendos and cutoffs are, well, ensemble, then I can focus my language centers on writing, sometimes blog post essays and sometimes poetry.

When the text is too enthralling or at least too present in my attentions, I can still indulge in drawing. Either way, it’s not so much dividing my attention as letting one kind of artistry inspire and guide another one. One enriches the other. Especially when the music rolling around me is as rich as, say, that being prepared for performances at the Vancouver Early Music Festival in August. I only wish that the products of my sessions were always as inspired as the music undergirding their inception. But my only chance of getting any better is to keep practicing, isn’t it. And I’m lucky that I like the process more and more as I go along, and yes, the better the music is, the more I enjoy my learning curve. That’s inspiring enough.graphite drawing