The Hooey Decimal System

Posted on September 28, 2013 by kathryningrid

When I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?

What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.

Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.My many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.In the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.Where people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.

There are, you know, endless stories just waiting to be told.

Stained Glass & Malachite

Posted on June 15, 2013 by kathryningrid

Being beautiful is such an ephemeral thing, to be sure. Making art that is beautiful is possibly even more so–after all, the same piece that appeals to one might hardly appeal equally to all, any more than the attractions of any one person might strike any others in precisely the same way. And our own tastes and interests and circles of friendship and acquaintance change so much over time that it’s a miracle if we even maintain contact, let alone a closeness or deep appreciation of each other and our various works and features over any period of time.Case in point: my playful attempts to learn the use of some digital tools for artwork, combined with the way that I tend to recycle my sketches and drawings, has altered both my perception of what I would keep, revise and/or rethink my own pieces to a pretty radical extent in the last few years. I believe that my overall style or the signature character of my art has remained fairly steady and therefore recognizable since it began to emerge some years back, but the tools and techniques with which it’s expressed have mutated enough to bring out some entirely different aspects of texture, complexity and even subject matter. The eccentric character in today’s illustration, for example, started out as a rather typical (if not stereotypical) caricature of a semi-human man who differed little in form from the sort of goofy fantasy creatures and people I’ve drawn for years just to entertain myself, but suddenly when I was playing with the sketch, coloring it in digitally as though I were a little kid with a digital coloring-book, he started to become something entirely different and new, a creation slightly unlike all that have come before him.

Now, because I am both unscientific and forgetful when I am immersed in amusing myself with art, I will probably never be able to replicate precisely the process that led to his looking like a hybrid of a stone-inlay project and a leaded window made of art glass. And though I like the effect and hope I can do something similar again if I work hard enough–especially if I want to make what in my own estimation is a sufficiently prettier character to warrant such a highfalutin treatment–it will hardly be the end of the world if he ends up being my only-ever stained glass and malachite creation. Being unusual and a little bit strange is just something we’ll have in common.

Romance is Complicated

Posted on February 13, 2013 by kathryningrid

The heart is a tough nut to crack!

Cynics All (Turnabout is Fair Play)
He knew the patter well; he said his lines
Like memorizing store-bought valentines
Meant to purloin a schoolgirl’s stony heart,
But his intent was different from the start,
Because the walls he’d breach were harder stone
Than made by schoolgirl innocence alone,
Were built of granite mortared all with lies
Told earlier by men who’d fantasize
That such a flimsy imitation love
Could be the trinket she’d be greedy of
Accepting, that she’d bend to such poor jewels,
But she’d built fortresses against the fools–
So he, like all his predecessors, fell
Because she knew the patter all too well–
Until at last there came the honest man
Who spoke the truth;
She took his heart and ran.

Wistful Gardening

Posted on September 9, 2012 by kathryningrid

As is usual, I’m learning, at this point in the year here in north Texas, though I do have a tolerably alive outdoor property (thanks to probably over-watering it), it looks a bit tired and stressed. Everything plantlike is wilting gradually before the season-ending genuine drop in temperature will give it a short revival. Assuming everything continues to go as usual.

In the meantime, I will let our mowing crew change their usual routine this week and dig up some of the lawn they ordinarily mow, putting in a stone-lined gravel path from porch to road so that guests don’t have to traipse quite so far out of their way in the dusk when heading from their cars on the street to the dining table on a visit. But I’ll still feel a little bit wistful when I look at my fainting ‘nursery’ of clearance-sale plants, where they huddle in stolen bits of shade and get thirsty for their next watering an hour after the last one because of the continued high temperatures.

So I will cheer myself up with a little imagined wandering through the garden at earlier and cooler times by sharing with you a few vignettes of some of our plants in happier, hardier moments. If I can’t quite ‘stop and smell the roses’ without them or me getting roasted to a crisp, I’ll inhale the memory of their sturdier selves and hope to nurse them back for a smaller second-coming before winter actually arrives.