Bibelots and the Backwoods

What’s considered high or low culture—or utterly lacking in it—is, like so many of the constructs we imbue with value, determined by our own experiences and beliefs and preferences. We’re all so ready to tout the stuff we do and we like as the world’s best, and to condemn as inferior, ugly, stupid, reprehensible, or outright evil whatever is unfamiliar or not to our taste. A raffish bunch of spray-painting ruffians bring street art to the masses and it expands upward and outward to legitimize graffiti as fine art. Nameless folk art masters labor for decades in their continued anonymity, carving and building pieces out of recycled materials, ragtag odds and ends, and found objects, and some eventually are “discovered” by high-end curators of Outsider Art and get gallery representation, some dying still unknown while their work changes hands until it’s decorating some rich collector’s mansion. Much never comes to light at all. Meanwhile, other artists make millions in a few short, meteoric years despite making works that not every critic respects or every art-lover craves.

Digital illo: Abstract Thinking

Abstract thinking allows us to each see and experience all potential cultural riches in our own ways. Thankfully.

Do we admire and praise a song, a dance, a play, or a novel because it is inherently Good and meaningful, life-affirming, unique, intellectually challenging, or universally considered beautiful? Certainly, there are people who feel that definition applies to one that they prefer themselves, but there is no circumstance in which I could possibly imagine a large sector of any given population agreeing fully on such a thing, let alone the whole world. Our loves must inevitably be seen as provincial or peculiar to those who don’t have an identical context for them. Which is nearly everybody, by nature. I may come from a small farming town in an area with a still vital native American population, set in a highly varied natural landscape and a relatively liberal-leaning political region, and you may come from an urban center where classical and jazz music rule the scene, big business drives the economy, and the artistic trend is funded and heavily influenced by the conservative suburbs where the business moguls’ next underlings and their families live.

Educated or not, religious or secular, youthful or antiquated; every iteration of society and the individuals in it tends to affect the view of what culture is, and what within it is valued. I will admit to being provincial enough myself that I wish everybody on earth generally had the tasteful idea that my creative output is the highest form of written, drawn, sculpted, photographed, invented, designed, and painted culture ever, anywhere. But even I am not delusional and foolish enough to think that the remotest possibility, and short of it, I’d far rather delight in the great range of possibilities that exist in our unbelievably different wishes and tastes and expectations, instead.

Little Alvin Grows Up

Just having a little fun with digital drawing tools again. It’s nice to have art toys, isn’t it. I know that my latest little dragon friend wouldn’t have been hatched, let alone gone through his spotty youth and prime and grown into a fully fledged friendly monster, if I hadn’t had access to such enjoyable and versatile playthings. Little Alvin here is happy to meet all of you.Digital illo: Little Alvin 1 Digital illo: Little Alvin 2

Alvin the Artful

From the day that he was born, he has been drawn to things

That make him want to skip and jump and stretch his wavy wings;

His destiny is in the works and he’s a tool of fate

Designed to entertain, amuse, and if it’s not too late,

To educate his artist friend in how to make him change

From skinny little squiggle lines to something rich and strange,

And older dragon, more mature, more layered, nuanced, wild,

And her, the artist, to more skilled—but happy as a child.Digital illo: Little Alvin 3 Digital illo: Little Alvin 4

Foodie Tuesday: Keeping Up Appearances

Haphazard cook that I am, I feel compelled at intervals to assess whether the cookery itself is laggardly or it’s only that the presentation needs to be spiffed up a touch. I can’t be an impartial judge of the former, since besides being nearly omnivorous I’m also just lazy and frugal enough to eat almost anything I throw together, and I certainly haven’t the refined or experienced palate of a genuine culinary sophisticate, let alone a food critic. But I’ll allow myself the status of having enough visual experience and training to justify my evaluations of what the stuff I eat looks like and how it’s presented.Photo: Eggs & Rice

So when I get into one of my momentary fits of attempted good posture, whether it’s as a maker of ostensibly edible things or as the artiste plating them and arranging them on the table, I do at least attempt to pay better attention. The other day’s breakfast of broth-and-cheddar rice topped with eggs was, as planned, satisfying, filling, and comfortable, but I’ll admit that it would win no prizes for glamor. It’s not that I believe serving breakfast out of a vintage Hermès handbag would improve either the food or my spiritual character—never mind that I’d have to sell my car and a couple of major appliances to afford it—however, a tiny thing like adding a ribbon of sriracha or a sprig of fresh dill and a few capers would not only boost the actual flavor of the rice-cheese-egg combination to far greater heights but get me halfway there before I took the first bite, thanks to improved appearance and, then, scent. The aphorism about ‘eating with our eyes‘ is true, even if it gives me a case of the comedic creeps in my visually-literalist imagination.Photo: Concombres à la Japonaise

Sometimes the things I’m preparing to eat, whether they’re main courses or side dishes or garnishes themselves, are simply rather homely ingredients that don’t look especially pretty or inviting as they are, and I think it can be fun to fiddle around with them a little to lift the presentation of the whole. A quick pickle à la japonaise is a refreshing add-on when one wants a bit of salutary salivary stimulation, especially with fried or heavily sauced Asian foods. But if you’ve seen one sliced cucumber, you’ve seen them all. So when I make my side of cucumbers, I may score the cucumber’s peel with fork tines before slicing and chilling it in a very light mixture of plain rice vinegar, toasted sesame oil, black pepper, and sugar. Adding whole sesame seeds (plain, toasted, and/or black), ribbons of sushi gari (pickled ginger, natural or pink), crushed red chile peppers can enhance the flavor in so many ways as well as adding color and texture to the meal. And further possible flavoring additions that work deliciously with this kind of instant ‘pickle’ are also attractive visually: thinly shaved red or white onion or thinly sliced carrot flowers or unpeeled Granny Smith apples. Of course, if you go far enough with all of these companionable treats, you’ve strayed far from the realm of pickle garnish and into a full-blown salad bowl, and that’s perfectly acceptable, too.Photo: Food Not Touching

Salads are, after all, commonly the main entrée in many homes, including ours. An easy way to make them more visually interesting just happens to be a better way to serve them  to a picky eater or a group with widely varied tastes or needs, and that is to either plate the dish mostly as a composition or a deconstructed assemblage. The ingredients shine in their individuality. They don’t touch each other as much. I hear loud huzzahs of approval from my spouse and all his kindred out there, and I know that for many this is still not enough. The offending ingredient, if there is such, can at least be discreetly scooted to the side of your plate nearest to the person you know who loves it, and his or her fork, without the loss of any of the parts you like. And the salad doesn’t fit the snarky description infamous in our house on presentation-failure occasions, “are ya gonna eat that, or didja?”

But in seriousness on this topic, the best is always to let each diner serve his or her own meal, because the food-not-touching is an incredibly, truly sensitive, emotional, and even sometimes, ethical or life-and-death issue for more people than anyone can safely guess. I am not constrained by any such inhibitions, loving sweet and savory together, textural mixes, contrasts, and all kinds of things that others might find appalling combined, but then I do consider ingredients’ compatibility in taste before I do in looks, and therein lies the need for me to step back like this occasionally. In the meantime, I’ll say that I’m sorry that others can’t enjoy a melange of ingredients as the symphonic experience I find in them, and just hope that most at least delight in a good solo when they eat their meals one item on one plate at a time.Photo: The House Coleslaw

As for salads, since you know I make our household’s standard version of coleslaw very regularly, they’re not likely to look wildly different, let alone inspiring or exciting, unless I take the time to alter an ingredient or garnish or two. Or, as I did with our good friends coming for dinner the other day, serve it as a composed salad garnished with the starring variants on top and the dressing on the side. Everybody gets the proportions they like of the different components of the salad, and as much or little dressing as preferred. Yes, I did ask them what they could or would eat beforehand. And I’m far more willing to make my friends and guests do some of the work to make their own best choices than to give them something that only a few at table will like or can eat just as it’s served. Most of our friends end up milling around the living and dining rooms and kitchen with glass or dish in hand at some point anyway, so if they choose what they’re carrying, they’re more likely to want to eat it before it drops on the floor.Photo: Mandarins & Snap Peas on Top

The latter being, of course, not at the top of my list of food presentation styles, but hey, if spilled food is really artfully splashed and smashed, I can always make an exciting photo out of it for later inspiration.

Midnight’s Butterfly

Image

Drwg + text: Night Wing

Colorful Language

Photo: A Constellation of Mysteries

Color is just one of the infinite constellation of mysteries that make up my world, my life. What looks like nothing but the fabric of my black corduroy pants has a surprising amount of what looks like non-black color in it when I look very closely. A bit of digital exaggeration and enhancement to bring out the colors I see either heightens the illusion or tells me, once again, that color is far more than meets the eye!

I’ve been taught that color, or at least our perceptions of it, might be manageable. As an artist, I try my best to take advantage of that possibility. But I know my limitations. Even rather experienced and advanced color theorists in this day and age come up against problems with explaining and understanding precisely what color is and how it acts, despite knowing the differences between additive and subtractive mixing, knowing how the retina and brain perceive and communicate color ideas to us, or knowing how the environment and context of what we see affects our perceptions of color.

What does it really mean if I say that Black is a construct that represents the absence of color and White, one representing all colors combined? Or if I tell you that an orange is, well, orange, but in deep shadow it might appear brown or black, or light yellow? Or that humans have white or black or red skin! What gives a single one of these concepts any credence at all? Color, it seems to me, is a matter of faith as much as of science—like so many things we think of as immutable Fact in our little universe. What both science and faith seek to explain, it seems to me, is beyond the scope of human understanding no matter how brilliantly we study and how majestic and divine our inspiration would appear. What is all around us is supremely complex and beautiful and, to my mind, needs no understandable explanation to be so glorious.

No matter what color it is.

What Went on in the Foundry on Founder’s Day

But none of the coppers on the scene would yell, “FREEZE!”

Drawing + text: Found Art

Party Crashing Parson

At some point, romance is the catalyst of many a fall from grace. The higher the starting point, the more spectacular the tumble can be. Of course, some people on this goofy planet are just constitutionally unable to be graceful, no matter what the circumstances. Me, for example. But being sympathetic doesn’t mean I’ll let anyone else off the hook over it. Good material for silly stories don’t grow on trees, you know.Digital illo + text: Slippery Slope

Big Hairy Deal

It’s bad enough to have a monkey on your back, but when it keeps returning, that’s another sort of trouble. I’d call it a Boomerang-utan.Digital illo from a photo: Boomerang-utan

I don’t know how chronically ill people manage to keep their sanity, but I know that many do. I am far too wimpy and impatient and irritable to imagine just how I would do such a thing. Having had something I suspect is like an underlying infection this winter that meant that instead of the typical one-or-none quantity of winter colds I ended up with three or four successively worse ones, ending (I hope!) in the latest one that arose from my strep throat and morphed through a head cold on into intensified allergies that I had not even known I had, I got a teeny, tiny taste of the miniature germ-monster version of chronic disease. Every time I thought I’d knocked the junk out of my system for good, wham! It reemerged.

Unlike more saintly persons’, my reaction was to become just that much more irritable and old-lady-ish and self-absorbed than usual. Yikes. If any good can be said to have arisen from the adventure, it is that I had some quality time to focus (as much as I was able to do any such thing) on some thoughts that have been lurking in my mind quite a bit lately about health, aging, and the health care systems of this country and others as they relate to an ever-growing and ever-aging world population. Far from solving the problems of generations past, we seem to be expanding upon them and adding to them exponentially while not devoting anything like a proportionate quantity of attention to improving our use of limited resources in caring for our selves, let alone for the world community.

It’s nothing to monkey around with, I assure you. But all wise-cracking aside, I will share some few of these thoughts further with you in a near future post or two. Meanwhile, I am virtually swinging from the trees with happiness at having emerged relatively unscathed and, I sincerely hope, freed from the ongoing attentions of any neck-hanging apes of the illness-related kind as I move onward again. May more people the world over have such good fortune.

Does My Big Backside Make My Brain Look Small?

I know, I know. There are those who might suppose that I actually think through my hindmost end. Most of those persons, undoubtedly, have observed my fine work here at the blog. I like to think that I’m a little more versatile than that. Sometimes. I do not take offense at the idea that my thinking is frequently similar to that of personages sometimes known in the vernacular as “ass-hats”—not a reference, mind you, to millinery designed for Equus africanus asinus—my thoughts can be odd at the best of times. But of course, I would consider it indelicate to accuse any donkeys of thinking as weirdly as I do.

What seems objective to one may be objectionable to another, though the object, to both, might be to subvert overt subjectivity.

See that? I did it yet again, didn’t I.

Is there an intersection or interaction between fact and fiction—or is the connection only full of friction? Can’t say.

But goofy or not, my thoughts are here. And so, my silly friends, are You. Now who’s the nutty one, eh?Digital illo: Butt Thinking Makes It So

And Look out for the Piranhas

Digital illo: Mr. Tough Guy

You may call me *Mister* Tough Guy, if Yes, Sir! isn’t satisfactory.

So you’re a big shot, eh! Not everyone is as impressed with your highfalutin pedigree and your cosmopolitan veneer as you might hope.

Small Pond, Small Fry

Some clown came to town from the city

But he didn’t know everything, did he?

The result was so bad

That, alas, the poor lad

Was the first course we had, out of pity.

Digital illo: Uh-oh.

Suddenly I sense there’s another school of thought…