What’s Wrong with this Picture?

photoThe answer, if you haven’t already guessed it, is Nothing at All.

Except, that is the problem.

I saw pictures in this week’s newspapers of international leaders meeting in the Tuileries to discuss whether it would be a good idea to attack Syria in response to the country’s use of chemical weapons on its own citizens. The Tuileries, if you don’t already know it, are exquisite, bucolic, gorgeous, peaceful gardens in the City of Light, Paris. A park full of such prettiness and solace as you’d find in any fortunate, war-free spot in the privileged world. Where it wouldn’t seem out of place to have a gathering of polite, well dressed, well-fed people speaking in confident tones of insight and wisdom and deciding what would likely appear to be, if you were out of earshot, where to go for dinner and a nice glass of wine after the opera.photoExcept that this opera happens to be a particularly brutal one, from the chillingly despotic callousness of a leader and his henchmen willing to murder their own countrymen en masse to the remote offices, boardrooms, streets and parks where a multitude of other leaders and citizens of other countries debate whether to kill some more humans in order to redirect the battle. What’s wrong with this picture, from my view, is the frightening sense that unless all of those who think it their business to intervene in such a disastrous situation are willing and able to have these theoretical discussions in, say what was a pretty, bucolic park in Syria and now exists instead in the heart of its darkest hours and gravest danger, they will never likely have a realistic sense of the probable consequences, good or bad, of any choice for the people ‘on the ground’, their fellow humans, and of course, ultimately for themselves.

Until we Americans have something of this literal kind of skin in the game, as it were, I can’t imagine how we can expect to do any right thing in such a situation, and I sense that this same problem might well apply to many other relatively safe, privileged nations and their leaders and citizenry. I would hope that reason and logic and wisdom will prevail no matter what is decided, or how, or by whom. But more than that, I hope that the tide worldwide will turn toward resolutions of all troubles and trials through some more honest, unselfish, patient and wholesome means that leaves all parties with at least the possibility of sitting at peace in any quiet and lovely place, eventually.photo

From Heavy as Lead to Light as a Feather

graphite drawingThere are places I go, whether on foot or by car–whether passing through or staying a while–that are like instant decompression chambers for me. Whatever has been weighing on my heart and mind seems to fade away into the distance with every step taken, every thousand feet traveled by car, bus, ferry or train. Flying used to be in that category too, but post-9-11 security hassles and the resultant grumpiness of the industry and travelers alike has meant that I need some of that other kind of travel just to recover from the flying days anymore. But that other kind, oh, it’s amazing how much it can do to change me.

I’ve had the sort of trip that was more like a descent into the maelstrom as well. The true recognition of my need for therapy and medication for my clinical depression didn’t happen for a long time over the years of sliding downward but rather in the few hours of being driven home from a long weekend getaway in a favorite decompression place to the place where my depression was gathering up a thunderhead over me at work, when I simply started crying and couldn’t stop. It was a dark, grim day for me (not to mention for my poor husband the driver), but it was at least purposeful in bringing out into the open what had been lying hidden in me for ages, and in leading directly to my finally seeking and getting the help I needed. What’s more, thereafter when I or we took off on any of those favorite walks or rides of renewal and anticipation and refreshment, it actually worked again, and the good wasn’t undone by the return lap of the journey.

It’s been a good long time since that ugly, interminable day of rain and tears. My life is inexpressibly happier; even though I had been able to find much happiness to paint over that swinish inner angst and agony, it was still only a pig in lipstick until I could remake myself rather than trying to remake the rest of the world to distract me from my own brokenness. That, in itself, was a journey of letting go of unwanted burdens and lightening my attitude and perspective. And it made me so much the better able to appreciate and regain that wonderful sense of freedom, the shedding of cares and escape from ordinary and tiresome things that comes when I take off on one of these expeditions. Short or long, real or imagined, they let me let go of what small troubles I might have, take a deep, strong breath or ten, hold still in awe and enjoy what is right around me, and then come back to the rest of life with a renewed ability to find beauty in them, too.

The End of Us is Not the End of All Things

photoHer Bones are Glass

Her bones are glass; the diamonds in her eyes

Now shining dust, yet still and otherwise,

Though time says that she must, she still decries

The need, opposes it by effort, will

And awful grief and rage at what would kill

Her body, spirit, mind and heart, until

She mounts the ridges of that final hill,

‘Til battle’s over and the victory won;

So while she harries them, Age sets her sun

A-fade, Time lets her hourglass empty run,

Approach the space where sleep and she are one;

The sands thin silently, passing to less-

Than-empty, right to utter nothingness,

In view but fading, to her pale distress,

Her winding-sheet already worn for dress,

‘Til battle’s over and the victory won;

Comfort she needs, yet I can offer none

‘Til battle’s over and her victory won.photo

Love-Birds of a Feather

I’m as much a sucker for a good bird-brained, glutinous, weepy love story as the next guy. But I only like that stuff in fiction, and only in small doses. It’s not enough for me that a love story should have a meet-cute first act and an upbeat dénouement–it’s the stretch between that ought to be uplifting and exciting. Yes, it’s a rather charming sounding concept, at least on paper perhaps, that love would be perfectly lifelong (a lot riding on how long the lives happen to be) and all-encompassing. Yet aside from the exceedingly rare few seemingly flawless pairs for whom there is no apparent need for a world outside of them at all, most of the best relationships I’ve seen or known happen because they comprise two actual individuals, with all of their own unique characteristics, their daily existence intertwining intimately without losing the color and clarity of those individual souls shaped by their distinct thoughts, actions, experiences and inspirations. A true partnership, with all the challenges of give-and-take, beats cloning any day.

That popular book-and-movie of my younger days, Erich Segal‘s ‘Love Story‘, may by now be better remembered for its tagline ‘Love means never having to say you’re sorry‘ than for its actual story of an opposites-attract kind of couple barging and charming their way through thick and thin, plucky and witty and utterly devoted to each other [because of course his haughty family has disowned him for linking up with One of Them, not of Us], until she dies–but very prettily, mind you–of leukemia and her grieving spouse is reunited with his estranged father. The whole story I could take reasonably well, but that one phrase really stuck in my craw, negating all of the negotiations it took to get the fictional couple from their meeting to the bittersweet end of their partnership at her death. Never mind that Segal himself seems to have had a great marriage that defied the glossy sentimentality of such a thing, it always struck me as cheapening the very joy of learning each other’s ways and enriching each other by simply being flawed and odd yet willing to figure out how to fit the two brands of strangeness together well. If I interpret the slogan as regarding regrets rather than apologies, it’s less distasteful to me, though I still think if there’s no risk of hurt, there’s little chance of reward either. The ultimate hurt, in this case, being not death (the old inevitable, despite the dramatic awfulness of its being untimely and painful in this heroine’s case) but the possibility of the relationship failing or being destroyed.

I guess it boils down to this: if a so-called love is so flimsy and flighty it can’t withstand mistakes and the necessary if clumsy duct tape and chewing gum sort of repairs we make on it, how can it be worthy of the name love at all? I much prefer the sort where feathers do get ruffled occasionally but the draw of true companionship and care and hilarity and comfort and adventure all together makes it well worth smoothing them back down.digital illustration from a photoMore than anybody else I know, I have been lucky in love.

I have never suffered through ill-treatment, being dumped or neglected or abused or any of that terrible stuff. I was raised by kind, loving, enjoyable parents–who still seem to think I’m worth keeping around–and have three wonderful sisters who have also kept my coffers filled with affection and excellent companionship. I’ve had a raft of kind friends who have been constant in their warm and encouraging presence throughout my days. Even the teachers, co-workers, postal carriers and shopkeepers peopling my life’s paths have generally been of a goodly sort. Best of all, I am lucky to know just how lucky I have been. And am.

No, that’s not exactly right: the true pinnacle of all this is that I found a best friend I could love, and be loved by, in the truest sense, for the rest of my life. It’s his birthday today, and I can’t help but be reminded how wildly blessed and fortunate I am in having him as my partner and daily companion as well as my great love. Being the best of friends makes all of the rest of it possible, the love and joy and kindness and life challenges faced together. We are birds of a feather, my love and I, and I wish him a long and marvelous series of birthdays yet to come. And a deeply happy one today, to get the rest of them started.

See you back at the ol’ nest by evening, my Sweet.photo montage

A Faraway Look

Looking inward requires the most thoughtful, clear, exacting kind of sight. It requires both the power to see great distances through any number of intervening obstacles or distractions and the will to pay attention to and accept what’s seen. These interior distances can present the greatest challenges in our lives. And when they’re conquered, having presented the greatest risk, they can at last offer the greatest rewards. Braving this adventure into self is often frightening and intimidating far beyond the terrors offered by ordinary, real life adventures ‘on the outside’. May I always be willing to take the leap.digital illustrationI wrote that thought down some time ago, and while it’s often played out in my life in a vast number of ways and to differing degrees, it seems to have come to the fore once again in a particularly pointed way. Every time I reach the crossroads I have to decide: do I dare to do what I really think I need to do? Do I want to do what I need to do? I know that other people are always undergoing these same challenges, most of them deeper and more perilous than my own, but I also know that every one of us worries and struggles and imagines and aspires uniquely, and that no one person’s journey is truly untouched by any other’s. And the more other people that I know are affected–directly or indirectly–by my decisions, the more I will wrestle with the inner process.

All of the standard stresses of existence that plague those of us fortunate enough to be beyond the most basic survival questions of food and shelter will continue to try us as long as we do exist. Health, work, age, finances, relationships, memory, strength, purpose: how we do fret and fear and puzzle our way through them is the ongoing test of our self-worth and contentment, and in turn, of our ability to give to others. Will I come out of the day on the plus side of any or all of these valuables? What decides it? The only certainty, for me, is that the need to address such questions never ceases.

Now let me close my eyes and go to work.

Seen There, been That

Here in the shade I need no shades. Every corner of the copse is cool and watery green, the shoots of grass streaking up toward those glints of sun that peep between leaves, sparkling without heat and calling me to rest. The world outside can keep tearing around like a cyclone, overheating and undermining calm and joy and peace of mind, but here in the clearing, in the sweet gloaming, I can ease back and close my eyes, and all that is, was and ever shall be washes over my memory and my soul. Shuttered thus from sight, events and people and places and gifts pour by like rivers, refreshing and kind, and in my mind I am rejoined with all that I have ever known and been. Accompanied by the delicate bubbling sound of their passing flow, I return to myself, my full self, whether with my eyes closed or open, glasses on or off–because everything I need to know is right here with me, here inside the deepest cool green shade.photoThe temperatures have returned to their normal just-this-side-of-hell Texan summer levels, the hot flashes are not cured, only moderated, and I shall just do my best to keep fending off the heat with a modicum of inner cool. It’s the only place any of us can hope to keep well in the shade anyway. Now shoo, go on, y’all, and let me chill down a bit.

Strange Birds & Iconoclasts

Nothing particularly wrong with being a strange bird.

Strangeness may be my only truly notable characteristic. I may not be particularly memorable to most people, what with being a mere mortal and all. Superpowers, I’ve none. Standout knowledge or skill or charisma? Nope. But being just a teensy bit weird, yeah, I’m all over that.

So I like to make art sometimes that is as pointlessly silly and eccentrically absurd as I am. I just feel I’m in a larger company of fringe characters than ever. And that, after all, is very probably exactly where I belong. I kind of like it on my perch. From here, the view is quite quirky and therefore strangely appealing. Come on over if and when you like, all you other odd birds out there.

digital illustrationRoom for Everyone

My friends, you are welcome to sit in my house,

admiring my other friends, family, spouse,

each one of us charming, delightful and sweet

as any convention of people you’ll meet,

as brainy and clever and heartwarming, too,

as anyone can be, and that includes you;

come in and enjoy the great company,

come in and be welcome, as welcome can be,

but please keep in mind, while you lounge in this spot:

compatible, yes, but the same we are not!digital illustration

A Moment for Contemplation

photoWorlds of Peace

In the sleepy little world where

kindness can prevail and thrive

The beasts and people live in peace,

all happy just to be alive

Their gracious ways, generous hearts,

their gentle speech and thought and will

Protect them all throughout the day,

and through the nighttime hold them still—

Would that this dreamy little world

could bloom and flourish here on earth

And that such hopeful tenderness

pursue us all straight on from birth

My wistful wishing is not vain;

this virtue could embrace us all,

For we do know how to be so,

if only we would heed the call

And so each morning as I rise

I make a small and silent prayer

That by the night’s new-darkened skies,

we’ll find ourselves all living there

photo

All This and an Open Floor Plan Too

photo

Lots of natural light, established yard, easy access to transportation (railroad across the street), air conditioning included.

I love a good ruin. While I understand the urgency of need for shelter among the homeless of the world and I generally don’t condone waste, the beauty of a derelict and decaying building speaks to me of history, mystery and longing. The reclamation of the ruin by nature, so astoundingly quick in geological terms, appears in the lifetime of a human to be perversely slow, creeping up and catching observers unawares. Deferred maintenance–a term that has taken on a modern oxymoronic twist I despise, given that such deferral is really deference to eventual wrack and ruin of a very irresponsible sort–becomes dire in what seems to have been the length of the watchman’s single circuit, and when we come back to the front door of the property we thought we’d only just circumambulated, it’s already hanging by one rusty hinge.

The character in and inherent fairytales posed by ancient ruins are naturally enhanced and perhaps exaggerated by their superior age, so a once-fine castle or cathedral, stone cottage or pillared temple has an advantage in terms of potential drama. But I am equally fond of a tumble-down shed or an industrial derelict, for nothing in its skeletal state lacks the piquant possibility of backstory as the mind attempts to re-flesh it with purpose and activity. Given half a chance, I might attempt to revive the corpse in the way that I went with cousins and undertook the rehabilitation of an abandoned cabin near our grandpa’s when we were young, because the romance of emptiness is that it’s always seemingly waiting for something special to happen. On the other hand, spending time in a ruin only to contemplate what did or might happen there can be just as alluring.

In this regard, I suppose I think of ruins as endlessly optimistic, though it may seem quite contradictory: the sense of their potential, whether for new life or for telling their stories of what has gone before, tends to outweigh the sense of sorrow that is in their current state of dishevelment and disrepute.

photo

I wonder, then, how I so often forget to see imperfect looking people in the same way.

Wonder

 

photoThose things that I can see even with my eyes quite tightly closed are objects of reverence and awe. No matter how much I admire the visible world for its quirks and art and prettiness, I cannot always navigate it with precision. I often can’t recognize faces out of their expected contexts. I miss obvious details that people around me have noted with nonchalance. I fail to see the marvel in many a beautiful everyday thing.photoSo when the attractions of anything are so intense that they live, beyond existing in the visible world, within the depths of my mind’s eye, I accord them special significance. They become icons of a sort, or waking dreams. I can carry with me those images that hold their places in my soul with something stronger than mere physical presence can ever begin to attain.