. . . you have a world of friendly resources at your beck and call. So, technically, it’s not DIY at all of course but rather Così fan tutte. [Ed: roughly translated, ‘Everybody’s doing it’.] It’s not, even then, for the faint of heart, because let’s face it, unless you’re having the always admirable super short, informal adventure of standing in front of a Justice of the Peace or of surprising your immediate family in the middle of dessert one weekend with a five-minute ceremony, there are a host of details that might need to be given eventual consideration. Beyond simply making sure that the two people who are getting married actually show up at the same time in the same place, there are a handful of legal elements that generally should be taken care of before the event, if it’s to have any official standing. And from there, the possibilities expand exponentially. I suppose it’s not wholly shocking that the process might lead to the development of a few dysfunctional bumps and bruises among family, friends and support staff along the way.
But I hate confrontation and stress, and the very idea of becoming such a parody-inspiring Marriage Monster appalls me. And when we decided to marry, I don’t doubt it occurred to me that my intended, Richard, might equally abhor the idea of a painful process and wedding day. So we were both very happy to treat the whole thing something like an elaborate concert performance, perhaps a cheery semi-staged operetta, and to act as artistic directors and performers, yes, but also to let a great slew of friends, relatives and acquaintances carry out as much of the heavy lifting as possible along the way. After all, though we intended to have a good time and hoped everyone else would too, the real point of the occasion was that at the end of the day we would be more married than we were at the beginning of it.
Being a visual artist, I had no shortage of ideas about how I wanted various things to look, from invitations and service bulletins and guest books to the floral arrangements, wedding party dress and church decor, to the tables and food at the reception. And I had pretty extravagant ideas, at that. But I didn’t have a huge quantity of money to invest in it (nor did my parents) and I deeply dislike the idea of spending ghastly sums on a single event that, while important and hopefully happily memorable, is still only one actual day of life. What, I should spend my life savings on a single party?
That’s where one’s personal fortune in community has so much more than monetary value, though I’ll readily grant you that ours, in sharing their talents and efforts with us for the occasion, saved us a ton of money. We married in the church across the street from the university where we both worked, since not only were we members there but it was so handily located for so many of our friends, students and colleagues who were also part of the university community. I had a fairly easy time imagining how to use and decorate the church, since a few years previously, I’d served on the committee that oversaw a massive renovation of the space, taking part in all elements of the design from seating arrangement to finishes, and designing the new altar, font, pulpit, rail, crosses and incidental furnishings that were built for it.
So I opted to fill the space with a different kind of design, making a couple dozen banners to hang on walls, fly from the light boxes in the ceilings, display on stands in the narthex and chancel, and be carried in procession by fine young friends strolling in en route (to light candles) and out (to the reception hall) along with the wedding party. Already a banner maker for church and event commissions, I had lots of material and experience, so I sewed, painted and otherwise assembled the banners myself (from the flying ones at about 36 inches in length to the main chancel banner that was about 26 feet), and I got good help with putting together the stands and hanging mechanisms and installing them all at the last minute when we could get into the nave to do the work.
That’s a constant with weddings and parties in all sorts of venues other than Home: no access for prep and installation and other setup work until the last minute. So because I am a control freak, a design nut and also someone who really wanted to just have fun and enjoy my actual wedding day, I plotted and planned and prepped everything I could, along with my Intended and a slew of family, friends and other helpful conspirators. First, of course, it was essential to get all the actors on board and ‘synchronize our watches’, since it’s a busy crew and driven by a multitude of crazy calendar iterations. Once that was established, the work of service and reception planning commenced.
The earliest necessity, since I didn’t want predictable or expensive floral arrangements but love flowers, was to plant and tend flowers in Mom’s garden and that of our good friend Claudia, next door to her. By the time our July wedding rolled around, I had gathered the ribbon and wire and other essentials and been offered by the lovely Linda, a friend who was chief florist for the university’s official events, that if I handed over the materials she would provide us with her gorgeous bouquets and boutonnieres and corsages for all and sundry, so all I needed to do at the last minute was go a-gathering in their yards with my two beloved garden-gnome ladies and then give buckets full of fresh beauty to Linda on the day.
Meanwhile, much brainstorming and list-making was underway with the able assistance of others, so that everything essential would be pre-arranged too and not worrisome. All of the print materials derived from a combination of my photos of iris leaves, text typeset by one of my sisters in fonts I’d chosen, getting printing done by the local quick printers (with whom I’d done many work projects) on their green ink printing day of the week and then doing all of the black ink stuff on copiers and folding/collating things myself while I was calligraphing the invitation envelopes, closing them with an inexpensive gold seal and a swash of purply interference paint and a rubber stamp message noting that the music would begin a full half hour before the service. We did, after all, know that there would be lots of my fiance’s fellow musicians both participating and attending.
Clergy? That was about the easiest part to decide, since as a cleric’s daughter I could just tap Dad. So the church’s lead pastor presided, Dad officiated, and a sweet retired pastor friend served as lector. Since Dad was robing up for the pastoral gig, I decided to have one of my uncles sashay down the aisle with me, and he kindly acquiesced to my request for an escort. Our organist, our great friend Jim, was also standing up for us, so he did a bit of trotting up and down the aisle, but in great Jim style. As one of four sisters, I had the easiest time choosing three attendants, but it was simple for my groom to line up the perfect support team, too, between his one brother and Jim and another of our close friends who happened to be Richard’s choral conducting partner at the university as well. Friends from various places rounded out the team, serving as greeters, acolytes, and our wonderfully hospitable reception hosts. One of our brothers in law was chief photographer, taking a batch of group wedding party photos just before the church began to fill, and all of the rest of the pictures came from a combination of photos friends sent us and the box full of disposable cameras we’d distributed on the reception tables and collected for development at the end of the day. This proved a serendipity because it both gave us some fun candids from the kids’ point of view and kept some of the younger partiers entertained during the reception as well.
I designed and made stoles for Dad and the presiding minister, too.
My sisters readily agreed to help pick out simple black dresses they’d actually have a hope of wanting to wear again later, and we managed to find a great deal on them and choose a design that, happily, was made of a very stretchy fabric, since it turned out that one sister was curvaceously pregnant by the time our wedding day rolled around (no pun intended). I sewed a violet voile shawl edged in emerald green for each of them, and a scarf of the same to tie back my hair rather than having a veil, something that would anyway have looked a bit odd since I didn’t want to wear a white gown. Besides that I tend to look a little too much like a corpse when wearing white, I too wanted to have a dress with reuse potential, especially if I was investing a couple hundred dollars in all of the fabrics, so I made my shawl from iridescent emerald voile, the same fabric that I lined with dark emerald taffeta for the body of my skirt and bodice. The bodice, made in a sort of weskit shape, I stitched with self-colored silk soutache. While I cut and serged all of the pieces of my layered fabric for the dress and made my underskirt, my mother generously did all of the finish sewing on the top and skirt. Designing and sewing just the soutache provided enough adventure for this semi-skilled seamstress. I did, however, go dress shopping with both of our moms, and we found one a perfect-condition consignment dress for a great price and the other, a clearance two piece dress/jacket combination for $10. The guys wore rented tuxes, mainly because the groom owned a white tie and tails conducting getup and nothing like a plain black suit, and I figured if I was going to have a wedding more formal than a zippy elopement, I still did want to get all spiffed up. Not averse to having fun, and all that jazz.
[Ed: No, we weren’t all pretending to be The Dread Pirate Roberts–I’m just providing a dash of privacy for family and friends.]
Art-Colored Glasses 