I, like the mighty John Fall-staff, may fall, the butt of others’ laugh,
If I heed not the warning signs, and slip in traps, believe the lines
Yarned by slick liars, kind and not, that tie me in knots I’ve dumbly wrought
Myself; if I would puff and preen, I’ll skid and splat upon the green
In front of wiser fools in stocks, caught up in the snares of my own locks.
Like old Sir John, I’ll meet my doom
If I think me the smartest in the room.
I have a little confession to make. My book-publishing debut has a noticeable flaw. It’s not huge enough that the editorial filters of the publisher, or even my own oft-repeated scrutiny, caught it in the preview and proofing processes, but I noticed it, and I’d like to make it better. See, in the hard-copy and digital proofs that I checked before giving the go-ahead to publish, I didn’t manage to spot how low the contrast was between text and background on one of the two-page layouts, and it’s not nearly legible enough for my taste in the final print, even with my relatively eagle-sharp eyes.
So I’ve made a revised version of that page duo and a couple of other pages that were quite acceptable but I thought deserved a boost of readability as well as long as I was at it, and I have requested that the publisher allow an after-publication change. Those of you who have already purchased and received the book (I’m looking at you: family members; Mira, Diane, Gracie, Christine, etc, and a handful of others that I know of thus far) will probably know which typography I’m describing. It’s readable, but it’s an effort, I admit. Those of you who haven’t bought the book yet, I certainly hope you will do so but maybe, just maybe, I’ll be able to give you an even more polished product if you wait until I give the thumbs-up to a tiny revision in a week or so. Now, at least you know the whole story of my neophyte adventure.
If you’d rather hang on to the original version of the book as it stands anyhow, I promise you that all but the one poem—all 165 or so of the others—are entirely readable as the book stands, and while I can’t in any way promise that this, my first foray into unintentional-humor publication (to be fair, the rest of the book is supposed to be amusing) will be my last, let alone likely to accrue the sort of megabucks value given the famous upside-down airplane stamp of my post title, I do hope that when I croak, you might be able to get a bonus by selling off the short run of mistake-inclusive prints to crazed collectors. So if you paid, say, ten or twelve dollars this week (and I see they’re already reducing the price on Amazon, so bargains can already be had) you may be able to sell the book in a couple of decades for thirty-six cents extra. Talk about a fantastic investment! Don’t say I never gave you anything exciting.
But seriously, I hope that you will think buying a book from me is a reasonable investment not only in my happiness and well-being but in your own good spirits, because that’s what the book was intended for in the first place: playful entertainment for semi-grownups in the form of my whimsical-to-wacky drawings and poems. With your patience and a little perseverance on my part, we ought to be able to conjure up such an interlude together one way or another, no? I thank you for your good humor and support. Have a lovely day, y’all, and I promise I’ll keep you posted on my progress.
Of course, since I’ve already made the revision of my “oops page” to submit, now I’ll be getting started with the conversion of the (reedited) book file to prepare it for a Kindle edition, and will need to decide which of the many other books I’ve got on various ‘back burners’ will be next on my agenda for what will hopefully be mistake-free from the moment of its publication. That’s the plan, my friends.
How Beauty Contributes to Survival of the Species
A longhorn with a handsome set of horns as curly as they get
Was slightly cowed by what he saw when shown the Long Arm of the Law;
He’d had some hope he was exempt from need to keep his long horns kempt
And polished to a shiny sheen like pearl, his hooves polished to keen,
Dark, perfect handsomeness, the ring hooked in his nose, and everything
In fashion, grand in every way; turns out, he’d missed his class the day
The rules were set out in his youth, and so he lacked this simple truth.
So he was startled when the fuzz pulled him aside and said because
He’d failed to keep in such fine style, he’d have to go to jail awhile.
You, also, may not know these rules, if you too missed time in your school’s
Important seminars, so here I share them with you; do not fear
That cops will catch you; do not dread, but spiff your hooves and horns instead,
And you’ll be free to roam and graze in any pasture, all your days.
Why do I share this? Cattle, kine, or beeves all ought to look as fine
As stud bulls, just in case they meet random policemen on the street,
For at the least—or, maybe, most—they won’t then end up as a roast.
…when we should be agents of change. We wish for rescue when we should be out seeking ways to aid others. We huddle fearfully in the late summer, already conscious that the autumn ahead will lead inevitably to winter’s dormancy or killing frost, when what we could be doing is plotting the way to make use of the transition to position ourselves to take fuller advantage of the ripening and plenitude ahead.
We are, after all, only human. But the exemplary people of generations past have proved, and those of our own time are still showing, that as long as we exist to worry about them the ages and seasons, the events and goings-on do indeed go on, cycle and change, and that if we choose to do so—if we determine to do so and act on it—we can make the changes better and the growth so much the more meaningful and joyful. If we wait for change, it will happen, all right, but it will happen however and whenever the universe or others in it decide. Ours is the calling to engage in the world, no matter how intimidating it is, and move toward what we desire. It may seem like plowing on foot through chin-deep snow, but trusting that there’s a thaw ahead and behind it, renewal, we can stay the course.
At the other end of it is potential that surpasses even our fondest, wildest imaginings, if we dare to move instead of lying waiting.
It’s interesting to me that I wrote the foregoing portions of this post a few weeks ago and set it aside for this very date, not knowing that it would follow immediately on the heels of my publishing my first book, something I’ve longed to do for years but never had the nerve until now. Funny how we sometimes put things in motion without even realizing what we’ve done; it’s a saving grace of our race, I think. O happy day, when we stumble into our dreams because we kept seeking them despite all sense!
My friends, I’m happy to announce that after many years of working toward it and blurting out to people all over the place that I was going to do so, I’ve finally published my first book. It’s on Amazon and can probably be purchased worldwide already, since my youngest sister, the one who lives in Norway, bought a copy earlier today. My first sale, for which I am of course immensely grateful. If you are interested in laying hands on a print copy of this collection of my art and poetry (aimed mostly at childlike grownups, but most of it will amuse clever children too, and hopefully even the occasional clever adult), please head over to amazon.com to purchase, and I’d be delighted if you’ll review it as well so that it will live higher in the Amazon promotional rotation than otherwise.
In any case, I feel a little like a proud parent, even knowing that my offspring will go forth and do ridiculous things once out of my sight, as all good children do.
I thank my regular readers and blog visitors and friends most deeply and sincerely for your gracious and constant encouragement, which along with that of my family gave me the courage and patience to make this first attempt. I should probably warn you that there are a number of follow-up books in the Sparks pipeline (some serious and many decidedly not) that will, if all goes well, make appearances at regular intervals after this. I will of course explore publishing my full-color work soon, but thought a taste of my longtime favorite style of working in black and white, mostly drawings, would be an appropriate way to make my debut. The cover is in color, if that helps.
I realize that all of us living creatures are scientifically explainable up to a point. We are generally parts of the natural world and therefore part of what scientists study and attempt to suss out and, in some wonderful instances, they do manage to make great discoveries about just what we are and what makes us tick. But me, I don’t really get any of it.
How is it, for example, that I have all of the parts required for me to be athletic, and yet I have never become anything remotely like it despite any school-required or even occasionally, self-imposed, practices? I’ve seen incredible athleticism in people with far fewer obvious tools for the task, not to mention having a visibly smaller inventory of raw materials in the way of the commonly used senses—blind or hearing-impaired athletes, for example—or functional limbs: any Paralympic athlete could clearly trounce my trousers in a trice.
How come, with all of my commendable efforts at garnering a real school-based education and my various attempts as an autodidact, I’ve still got an ordinary intellect and not the mega brain I see in some who appear to have been born to create shade for my dim thoughts?
I say this not to complain but, surprisingly, because it impresses and even sometimes thrills me, this magical, miraculous existence that we have. It’s actually exciting to me to think that there is so much around me and about me that I can’t begin to explain or understand. It may drive me a little batty at times to realize, as I do increasingly with the passing of said time, how little I will or even can ever comprehend about who I am and how I fit into the universe, but then I catch one more glimpse of a star—human or celestial—and remember how fabulous, how inexplicably yet palpably rich, this life can be. And I am both humbled and exalted.
It’s good that fiction has not entirely neglected the intelligence of the porcine race. There are such admirable figures as the marvelous Wilbur, saved in E. B. White’s superb story by that great media campaign waged by the arachnid heroine of ‘Charlotte’s Web‘; the stalwart Babe of Dick King-Smith’s ‘The Sheep-Pig‘, famous for being Farmer Hoggett’s eventual go-to pig for sheep herding and assorted acts of clever heroism; there’s the not so brilliant but ever so endearing Porky Pig, he of the stammering charm and accidental accomplishments. There are Snowball and Napoleon, who use their canny piggy wits in a dystopian world to prove that some pigs are more equal than others, a less sweet and engaging use of porcine wit and intelligence than some might like, but they are still outnumbered in the literary pen by Miss Potter’s little creature Pigling Bland and his far less bland but equally stimulating porker, Mr. Wodehouse’s Empress of Blandings.
All of these, of course owe a certain debt to their famous forebears (or forepigs) who were Little in size and Three in number. The Three Little Pigs, not all of them geniuses, I grant you, manage eventually to outwit the beastly Wolf. They’re so good at it, in fact, that their cleverness has continued to be immortalized for ages since their first appearance and they star in everything from many classic-styled re-tellings to a wide range of variants like Jon Scieszka and Lane Smith’s delightful ‘True Story‘ and even the Ninjas in Corey Rosen Schwartz’s version.
And still there are so many real, live pigs with even more impressive mental acuity than all of those little pretend ones put together; just ask any pig person (farmer or veterinarian or person with a companion animal). Ask Celi over at thekitchensgarden about Sheila’s exploits and the adventures and discoveries of the plonkers (the half-grown young pigs); go over there and Search her site for Sheila posts, and you too will grow wiser.
I hear a lot of people praising horses for being as intelligent as dogs and dogs, then, as smart as apes; apes, in their turn, for being as smart as their cousin humans—but I would be pretty flattered, myself, if anyone found me as clever as a pig.
I’m very much a child of the Sixties. I was born at the beginning of the decade that brought to a point of confluence such disparate events and ideas and people as space exploration and spaced-out hippies, the Beatles and the Batmobile, suburban composting and the Cold War. Every one of those might be said to have had at least a little influence on aspects of my self and my character, but one of those I particularly remember from preteen days is that the very little I knew of the politics of the day was that my classmates and I were trained in school drills to dive under our desks and cover our heads with our arms as protection against The Bomb. Because we all know that there’s nothing better than skinny little kid arms and a plywood desk to save us from nuclear holocaust.
A corollary of this perhaps, is that even as a shrimp I could recognize the futility and insane ridiculousness of what the world’s Superpowers liked to tell us was inevitable and what, conversely, was going to stave off such things, so I preferred to play the 60s’ iteration of the 50s’ cowboys-and-Indians, that being a game that, as far as I’ve been able to discern, was all about galloping around on invisible horses, making a lot of noise, chasing each other, and brandishing toy guns in ways that would’ve cleared the Old West in an instant by accidental and ‘friendly’ fire had they been loaded. Our upgrade for the sixties was Spies, because as it was utterly clear no politicians in ours or any other country was going to be sensible and deal in saving self and planet by means of either successfully waging a visible war or, even more remotely, by learning to sit at table and negotiate anything like Peace.
So we played Spies, the cowboys-and-Indians or Us vs. Them variant that swapped invisible pinto ponies and buckskins for invisible (or better yet, pedal car) sleek, speedy autos with magnificent tail fins, the ten-gallon hats for fedoras and the chases across the Western plains for slinking around our own houses to peer Unseen into the windows—the ones we could reach—and spying on our own parents who stood in for Commies. And only if we were really lucky maybe really were Communists, though I knew no one who would have said so openly in suburban America in those days. In point of fact, I had no goal of catching anything other than perhaps a glimpse of where Mom kept a box of candy hidden, and certainly no wish to fire my terrifyingly realistic plastic squirt gun at anyone with anything other than a zip of icy cold water, but it was all Terribly Exciting.
That, however, was pretty much the pinnacle of my career as anything racy or dangerous, and I’m quite content with that. But the memory of how thrilling the entirely artificial and manufactured world of child’s play was still charms me, and I still kind of like to revisit the image of self-as-desperado with a laugh and, yes, a tip of my broad-brimmed hat.
In Dash’s closet there was a very hard-to-reach spot at the very back of the top shelf, and he was quite happy that his younger sister Mattie couldn’t reach anywhere near it. There was a large jar there that he prized beyond any other thing he owned, even his pocket knife and the doll that he loved as long as his parents would only call it an Action Figure in front of any of his friends. The jar gave off a very faint blue glimmer that was even visible on the darkened closet ceiling after the bedroom light was switched off, and it pulsed comfortingly at young Dash as he lay across the room gazing on it while drifting off to sleep each night, dreaming eventually of the wonderful things that would happen when the creatures he kept in the jar finally came to their full maturity. He remained, as far as I know, blissfully unaware that they were beings of his little sister’s making and left for him to find and nurture. He may have begun to wonder what exactly was brewing when his Action Figure seemed to have moved to the far end of the shelf one morning of its own volition and then disappeared entirely until it resurfaced at the end of the week in the bathtub drain, one arm missing and covered with some kind of sticky corrosive ooze, but I imagine that he guessed Mattie might have had a hand in this trickery. The relocation of Dash’s pocket knife underneath the heavy jar was a harder to explain, more puzzling development.
I have a new toy! I’m not an early adopter when it comes to tech; in fact, I’m a slowpoke, and pretty much a big chicken, since learning new things intimidates the heck out of me. I know things come slowly to me, so it takes a while for me to even get up the nerve to try. But I have a new toy, and I’m liking the process of learning what I can do with this one.
It’s an iPad, my new toy, and I bought a stylus to use with it, and downloaded several drawing programs (freebies and super-cheap ones, of course), and I’m having a grand time fiddling around and trying to see what I can do with the new artistic tools I’ve gotten. No amount of technology can make me into what I’m not, but some of those things I can do with the things I’ve now got could help me to make myself, however gradually, into a better artist. And that’s a fun thing to the degree that it does a remarkable amount to overcome my normal reluctance to trying to learn anything new.
In times past I have managed to kill a lot of trees in pursuit of my artistic growth. In my heart I am a great big tree-hugging plant lover, but my instinctive urge to make art has often trumped my tree love, at least to the degree that I make many works on paper. It’s easier to use when making marks into drawings than other, non-flat surfaces. I’ve been happy to use recycled material when possible, but paper is paper and, well, finite too. I’m liking the option that electronic tools give me of deleting or, better yet, erasing, layering, and redoing all kinds of things over and over again without needing to go to print unless and until I’m good and ready to do it. Here goes!
Art-Colored Glasses 