Fools & Their Followers

I will never pretend that I am neither gullible nor misinformed. I am one or both of those on a very consistent basis, if not constantly. All I can say in defense of myself, with all of these lacks and lapses, is that I continue to ask questions, try to learn, and hope for the patience and kindness of my teachers. And for the ability to accept new knowledge and make the changes it requires, accordingly.

Photo + text: Fools & Their FollowersPower to the Precedent

Contradicting every rule

Is, sure, the hallmark of a fool

—Except in times and places where

The rules are stupid and unfair—

The problem, clearly: to define

Whose rules are foolish,

—yours

—or mine

Just My Cup of Tea

Image

Digital illustration + text: It's Never Merely a Sip or a Nip

Pessimism is Its Own Reward

—or recompense, at least!Digital illustration from photos: Gloom = Doom

Pessimism is Its Own Reward

The Miniaturist’s Challenge

When my family and friends were conscripted to help install the artwork for my master’s thesis exhibition, they could not help but note that it would have been a kindness on my part to specialize in something a little more manageable, say, postage stamp illustration. Hanging murals of up to nine by thirty feet in dimensions is admittedly more unwieldy than mounting a bunch of tidy little framed life-sized insect portraits or installing a series of elfin sculptures made from shirt buttons and walnut shells. Alas, though I did segue into much more portable forms in later years, it was not soon enough for my loved ones’ sakes.

My verbosity is a similar burden on my circle of acquaintance, as I am not famous for knowing when to shut up any more than I am known for limiting my opinion to those who have actually asked for it. But just as I have learned to appreciate and work at smaller and less physically demanding visual media along with my enjoyment of massive and messy kinds of art, I have a fondness for smaller and less epic essays and poems, too, and have been known to craft these with similar avidity. While scale in no way guarantees quality or lack thereof in any medium I know, it is sometimes a relief to me as much as to my friendly audiences when I get my kicks by producing petite expressions of my inventive urges.Graphite drawing + text: Movements in Miniature

I Love You Like Crazy

Acrylic mural: Tongue-in-Cheek, after Élisabeth Vigée-Lebrun It’s probably inaccurate in more than just the politically correct sense to say that I love my husband like crazy, because it would imply that my affections are only similar to complete madness, and we all know I’m much closer than that in reality. While I flatter myself that I maintain a reasonably plausible façade of normalcy, everybody knows that I’m pretty nutty about my spouse. And those who know him don’t blame me.

He really is a lovable guy.

But aside from the stuff that is evident to the general public, that part about him being a thoughtful colleague, a committed and skilled teacher, a nuanced and inspired conductor of singers and instrumentalists, and all that other excellent and admirable kind of thing, he is smart and curious and kind as a person. I know that when we are together, I matter as much to him as he does to me; that he is a safe retreat from both the minor perturbations of the day and the greater dangers of the wide world when I am in need. And I have in him the great friend with whom I would rather while away the hours either in intensive work or fully at play than with anyone else on earth.

Most of all, I know he not only understands my particular brand of craziness but shares in it as well. Each day, each year, is a surprise package of a kind, and every one of them is somehow richer than all of the foregoing ones as more than the sum of their many parts. Love and admiration and respect and support are all well and good, but if they don’t have the kind of holy hilarity that life with my partner has, they can never be enough.

With that, I wish my beloved the happiest of birthdays, and many more of them yet to come, each in succession with new and astonishing delights.

Better Put the Best Face I Can on It

Acrylic on paper: Silliness as Substitute BeautyComing up empty? Never! Well, okay: sometimes. That’s closer to the truth. I’ve managed to put up three years’ worth of daily blog posts thus far without missing too many beats, but do I have the occasional day of blanking on what I think would be of interest for me to write about, draw or photograph, and post. Outright brilliance would be a stretch for me on the best of days, and on many, it’s just good old showing-up-and-working that gets the job done.

Pretty much the way life works everywhere, isn’t it.

I get up and brush my teeth and take a shower and get dressed, and there’s no guarantee I’ll look less like a goofy, sleepy person than I did a half hour earlier. Some days, it’s flat-out worse, especially if I have to be up before about 9:30 in the morning. But I’m still me. I’m still going on to have a day, to do my writing and picture-making, do my household tasks, go to events, whatever the calendar demands. I’m always planning to have a really good day, if at all possible.

So whatever the agenda, I choose to give it my best, pretend (if I have to) that all is swell in the world, and see if I can’t do something myself to make it as good a day as I’m wanting. We can’t all be pretty all of the time, so I like to let my imagination offer me some fun alternatives to perfection and prettiness, and then the day has a better chance of hitting the happy mark.Acrylic on paper: Sneaking Up on Greatness

A Certain Age

I’ve always been mystified by the people who are terribly age-conscious. When I was younger, I didn’t get the agonies my peers went through over longing to be old enough for this, that, and the other thing. Driving a car was never especially thrilling or compelling to me, alcohol had little allure as an illicit tipple when I could see how stupidly my peers (and many legal-age drinkers) behaved when drinking more than they could handle, and I’ve still not had the remotest interest in trying to smoke anything. I didn’t even care about R-rated movies any more than I do now; most of those are too violent, too rude, and or too loud for my usual taste.

When I got old enough to do all of the supposedly grownup-geared stuff, I became just as amazed and confounded by those who wish and try to be or appear younger than they are. If I want to lie about my age, I won’t pretend I’m some young thing I’m not; I’ll certainly tell everyone I’m much older than I really am so they’ll be impressed with how fit, alert, and fantastic I am compared to everyone else “my age”—but that’s too much effort for a silly joke on my part. I’m pretty content to be myself, whatever age I am, and let people love, respect, and admire me—or not—for the real me that they know. I’m happy to have accomplished what modest things I’ve learned or done, to covet the thin grey hairs and fine-lined wrinkles I’ve earned through years and experience, and to relish the freedom that comes with age.

Because as far as I’m concerned, the biggest and best goal of growing up (insofar as I’ll concede to attempting anything like that) is to be so at home in my own skin, however baggy and spotty and misshapen it might be, that I can like myself fine and expect the same respect from others without trying to be someone or something I am so obviously not. Here I am, 53-plus years of ordinary, thin-haired, not-so-fit, tacky happiness jammed into a humbly passable carcass, and I’m mighty glad of it.Ink drawing: A Certain Age

Tick Talk

Photo: Shoulda

Photo: Tick Talk

When You Come to a Fork in the Road…

…as the old joke goes, ‘take it!’ Silly and facetious, yes, but that’s about as close to decision-making as most of us can get when it comes to choosing between two or more equally excellent, terrible and/or unknown paths. We often dither so long before even reaching an intersection, just worrying about when and what it might be, that by the time we’re there we’re no closer to real and reasoned decisions and end up tripping all over ourselves while we fumble onto one branch of the road or another, sometimes even going so far as to get scared enough to back up to the fork and try another route instead. Which rarely tells us any more than utterly random movement what would’ve been the genuinely best choice. Just another of life’s unfair conundrums, after all.

Mixed media: So Many Forks in the Road, So Little Time

So Many Forks in the Road, So Little Time. Detail from a mixed media sculpted window valance in a vaguely neo-Baroque style. Fun, pointless, and well worth the making.

In art-making, thankfully, the results of such choices needn’t be either so clear-cut or so exclusive. Art is one of the environments most hospitable to a constantly changing mind or, barring the ability to decide at all, a good mash-up where the chosen option is ‘All of the Above.’ So I happily pot around making mixed media works, assemblages and a veritable multitude of artworks that are nothing in the least like what I thought I was planning to make when I started them. I love being allowed to not make up my mind, or sometimes to let my art make my mine up for me. This is undoubtedly a contributing factor in my perpetual inability to make anything remotely resembling a commercial success with any of my art, this indecisive character of mine. But it sure makes for fun playtime in the studio, and that at least is a sure distraction from any unpleasant paths life threatens to lead me down, so I guess I can’t really complain.

Changing Directions

Digital illustration: Changing Directions

Do I move at the whim of the slightest breeze? Often enough, I suppose. But what really changes my direction in life? Chance? Passion? Accident? Will?

I’d say it’s been one or another of all of those at various times, and perhaps occasionally a combination of elements. What I would say most definitely and commonly is that I have rarely known very far in advance what direction my life would be taking, let alone exactly when. Living with uncertainty is at the heart of the human condition. We can’t know (nor would I wish to know) much of what lies ahead for us. Being an artist, and married to an artist, I have made some choices that guaranteed perhaps an even deeper and more frequent susceptibility to wondering what comes next. While both of us have taught at times, an occupation that has a degree of predictability and dependability absent in most other employment that involves our artistic skills and training, it never prevented the question from arising in other ways.

For me, as a longtime adjunct at the university, it meant that though I’d been there for nearly seventeen years (most of those, full-time) before I stopped teaching, I never had a contract in hand for more than a year at a time, nor was my class load or schedule in any way predestined; I taught what I was asked to teach, when I was asked to teach it. For my spouse, a tenured full professor and director of his division, he still had questions about how he might change and grow as a teacher, never mind whether to apply for or take any of the other positions on offer at other places from time to time.

We are, I think, pretty much the ordinary pair when it comes to that sort of thing. Even now, after many years of doing particular kinds of work at specific places and getting plenty of satisfaction from those various tasks, it doesn’t in any way stop us from asking, What next? Will we continue on the present path exactly as we are just now? Do we opt to  make any kinds of transitions, either changing the way we do what we do or the venue for doing it, or does something entirely new entice and draw our interest? If it does, is it attainable? Is there some utterly unimagined thing lurking just around an unsuspected corner, waiting to draw us in?

At times, it can make me feel as though I can never quite catch my breath or my balance. I tire of asking myself all of these whys, hows and what-ifs, yet I can’t resist scratching at the questions the minute I thought I’d put them to rest for a while. Even when I’m most happy and fulfilled and contented, I always wonder what lies ahead.

And that, of course, is the very heart of that human condition. We know that change is inevitable. We know that some of it will be by our choice, and much of it will be thrust upon us or sneak up subtly and surprise us all the same. And we know that, in some ways, the only guarantee we have is that we will all die wondering. It’s what we do, and it’s who we are.