Speaking as a person whose sense of direction can barely get me from my own front door to the kitchen and back without assistance, I have a certain empathy for even the fictional characters who lose their ways in the world. Not so much so that I don’t laugh up my sleeves just a little at their plight all the same, since they are, after all, make-believe…
I get the impression that some people treat non-work times as the only times when they’re allowed to be happy. I do understand the need for income that can drive one to spend time in a job that doesn’t fulfill any other need or desire in life, and many of those are in the least-compensated positions at low-paying employers’ as it is. Been there, done that.
But I can say, too, that the greatest misery in my work life was attitudinal, and the more I did to discover and avoid the things that made me unhappy in my work, the less miserable I was. The more I sought to learn what I enjoyed in work and chose ways to magnify that, the closer I got to contentment both at and out of the workplace.
I grew more cognizant, at the same time, of not wanting to waste precious time on work that challenged my inner playfulness or threatened my general sense of joy and purpose. I was given a great gift in being able recognize the longing and accept and pursue it by choosing a much lower-paying job (on paper, at least) with a great happiness-quotient. I’ve seen, over the years, that many of us are easily misled when we try to calculate what we think we need for our daily expenses, and how much it costs us to earn that. Yes, we get those paychecks, but if the job requires, say, clothes that we wouldn’t wear other than at work, child care, transportation, professional training and memberships, and that sort of thing, how much pay on an annual or monthly or hourly basis does it really cost to go beyond paying for those, at least far enough to keep a roof overhead and food on the table as well?
Nobody knows this awful kind of math better than the working poor. I’ve been in that category more than once in my life, but have always had safeguards others lacked—like friends or relatives from whom I could rent living space more cheaply than I could even a minuscule, run-down apartment in a scary part of town—so I also know that I am luckier than most. Now, when I am married to a person who is not only able to make enough income to support both of us but is willing to do so, I am among the most privileged and fortunate of creatures, and I know that, too.
But one of the best things I learned along the way when I was living on a very slender, sometimes sporadic, income, remains valuable to this day: if I spend so much time and energy on just ‘getting by’ in life and don’t put forth equal effort to enjoy, live, and love my life along the way, all of the pennies I earn are of little value at all. And while I can’t always afford the most thrilling and glamorous ways of keeping myself amused, especially when I do need to be working at any task or job, I had better find the simpler and cheaper ways and the most reliable ones to fill my life with happiness and contentment, I know by now that surrounding myself with people I love, admire, enjoy and respect is the very best solution. And if my job doesn’t allow for that kind of happiness and contentment, then it is costing me more than it pays, in the end.
My friends, I’m happy to announce that after many years of working toward it and blurting out to people all over the place that I was going to do so, I’ve finally published my first book. It’s on Amazon and can probably be purchased worldwide already, since my youngest sister, the one who lives in Norway, bought a copy earlier today. My first sale, for which I am of course immensely grateful. If you are interested in laying hands on a print copy of this collection of my art and poetry (aimed mostly at childlike grownups, but most of it will amuse clever children too, and hopefully even the occasional clever adult), please head over to amazon.com to purchase, and I’d be delighted if you’ll review it as well so that it will live higher in the Amazon promotional rotation than otherwise.
In any case, I feel a little like a proud parent, even knowing that my offspring will go forth and do ridiculous things once out of my sight, as all good children do.
I thank my regular readers and blog visitors and friends most deeply and sincerely for your gracious and constant encouragement, which along with that of my family gave me the courage and patience to make this first attempt. I should probably warn you that there are a number of follow-up books in the Sparks pipeline (some serious and many decidedly not) that will, if all goes well, make appearances at regular intervals after this. I will of course explore publishing my full-color work soon, but thought a taste of my longtime favorite style of working in black and white, mostly drawings, would be an appropriate way to make my debut. The cover is in color, if that helps.
When I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?
What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.
Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.
My many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.
In the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.
Where people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.
There are, you know, endless stories just waiting to be told.
Art-Colored Glasses 