‘Work in Progress’ is a Lifetime Commitment

I think of myself, as many people do I suppose, as a Work in Progress. What started out as a small, wiggly, colicky mass of spittle-covered humanity just over a half century ago is progressing, ever so gradually, into something like Iteration No. 10,000,022 or so, and will (if all goes as hoped) continue in the same unpredictable path until death do me part. I like it like that, if you want to know. I have no idea where I’ll be, what I’ll be doing, who I’ll be, a mere matter of months from now let alone in years yet to come, and that seems perfectly okay with me. Life continues to be a big adventure, and I’ll take it as it happens.

As a visual artist, I can say pretty much the same thing. Some works take their own sweet time to develop. Some take their own tangents and I just hang on for dear life and hope I can keep up with where they’re headed. I don’t always know what I intend to make when I begin a project, and I almost never know what I will make, given that art things sometimes cooperate and turn out similar to my imaginings and more often than not, they assuredly don’t. Sometimes the uncooperative piece ends up being much better than I could have conceived of it or even than I thought I could accomplish. A lot of the time, the end result of my artistic machinations ends in my being pretty surprised. Whatever happens in my life and my world, I’m pretty sure I’ll die surprised. Not a bad way to go, eh!

Just as an illustration, I thought I’d share a glimpse of ‘process’ that spans a fair amount of time and a couple of widely separated playtime brainstorms. Thanks to my exceedingly slow-simmering artistic processes, this piece incorporates a color background I scribbled a few days ago in colored pencil on paper and digitally melds it with an organ pipeshade design I did a few years ago (designed for Martin Pasi‘s pipe organ, an instrument made for Winnetka Congregational Church in Illinois, 2007), photographed as it was executed on wood panel in graphite and markers to prepare it for cutting and carving. Bit by bit and frame by frame, two rather disparate art projects merged into one, and that’s how it all went. This time.

colored pencil on paper

A simple abstraction in colored pencil, scanned from the sketch paper.

digital painting from a drawn original

Taking the original colored pencil drawing through a few painterly paces via Photoshop, I got a more cohesive background ‘starter’.

digital painting, new proportions

Rearranging the proportions of the digital artwork makes it a better fit for the mash-up I now have in mind.

graphite and marker on wood panel

The cartoon on wood panel, waiting for cutting and carving, was done in graphite and marker on the raw wood, crisp but not the look I had in mind for this use–more of a pen-and-ink appearance for now.

digitally converted 'pen & ink' look for

Photoshop to the rescue! Now we’ve gone back to black and white version and it looks more inked–almost tattooed, perhaps.

digital artwork from two original drawings, merged

So now, I can smash together the two images–the pipeshade design and the colored backdrop. I think I’m almost there . . .

digital artwork from the original Winnetka panel + colored backdrop

. . . ahhh, that’s better. Now instead of looking like the sun is underwater, I have a sense of sunrise or sunset. Now we’ll see if I can think of a *reason* for this image. Oh, who cares. I just like to Make Stuff when I get in the mood for it. So sue me. But if you can think of any reason for it besides personal entertainment, feel free to enjoy that concept!

 

 

 

 

 

 

Someone to Watch *All* Over Me

[In a Really Creepy & Inappropriate Way]

Thought I was your stalker, violent,

Sneaking on you, ninja-silent,

Pervert peering in your casement,

Clear from attic to the basement,

With my satellite trained on you

All the way from where you’ve gone to

From my distant lair? I’ve got you

Hid from trouble while I watch you–

Baby, you’re not scared now, are you?

I’m just trying to watch out for you;

If I didn’t, who could keep you

Safe and sane, awake, asleep–Who?

I’m your hero, watching closely

So you won’t become morosely

Sad and spooked at all; to

Keep you safe and sound; I call you

In the morning and way later

Just to keep away the hater

That might try to nab your collar,

Take your keys, your watch, your dollar,

Keep you sleepless, full of sorrow–

Sleep tight, Babe! See you tomorrow.

P&I + digital

What, *me* scary???

Mirage sur la Mer

P&I drawingSummer Phantasy

One day in my car when I was a-glide

and watching the highway (mostly),

I stopped for a fellow who thumbed a ride

to go farther west, more coast-ly–

After all, the sun was high in the sky

and the temperature creeping northward,

so it seemed a mercy to take the guy

and deliver him farther forth-ward–

He was pleasant, and smiled, and tipped his hat,

but I’d hardly call him talkative,

which I took as caused by the reason that

in the heat he’d been too walk-ative–

So we rode along, Silent Sam and I,

toward the coast and the broad blue sea,

’til I blinked in the glare of the sun to spy

his hat lying next to me–

No sign of the smiling, silent bloke;

what a startled twitch I made!

My sunglasses flew right off and broke

as if put to shame by a shade–

Well, I got to the shore soon after that,

keeping watch on the highway (mostly),

and was glad for the shade of the shade’s broad hat,

if a shadowy gift, and ghostly.P&I drawing

Doodle Bug

pen & inkI would like to state for the record that I am not, nor have I ever been, to my knowledge, an actual doodlebug, either zoologically or as a rolling or flying vehicle, a dowsing rod, or a method of seismic activity tracking. Not that there’s anything wrong with any of those. And it’s probably safe to say that my garden and numerous dimly lit corners of my home are probably full of living and dead pill bugs (what we used to call potato bugs when I was growing up), and I confess to thinking it highly amusing that these creatures are in fact tiny crustaceans that live right in my house and look like–indeed, are scientifically named after–armadillos. House Armadillos or Domestic Crustaceans, either way kind of weirdly cool in my estimation.

But I digress.

What I am is one of the many humanoids prone to doodling. And that’s not a bad thing, either. Doodling (or randomly scribbling on whatever is handy, usually a cocktail serviette or textbook or office paperwork or top-secret legal document, depending upon one’s status and age and current supposed activities) often leads, though many a grade school teacher would vigorously deny it, to thinking. And on occasion at least, thinking is not an entirely bad thing.

Whenever I’m struggling to get a piece of writing, a drawing, or frankly, any other project underway, there are few motivational tools that compare with doodling. The serendipitous or random mark that merely records a purportedly thoughtless and pointless motion of the hand can sometimes come to resemble an actual Something, and well, Something almost always leads to Something Else. In drawing as in life, just getting in there and starting, whether I’m ready or not, is the best way to potentially get anything done. Who knew!

Today’s doodle is brought to you by my propensity for turning many of my scribbles and scrawls and squibs and squiggles into things that resemble simplified linear paisley patterns or rosemaling, or any number of other folk design traditions. Once I get going on them, I find it meditative to a degree just to follow the whimsical path of inserting repetitive forms and line treatments, geometries and organic outgrowths of the marks, until I’ve filled much of the available space. Many of these folk-like, repeating elements become almost a trademark doodling style that might be as identifiable to some as my handwriting. Though, hopefully, more legible. And while the doodles don’t necessarily lead to specific or pictorial drawings in and of themselves, they do lend themselves neatly to a more relaxed and receptive state of mind in which those more concrete thoughts and ideas can indeed begin to insert and assert themselves usefully. And that can lead to different sorts of drawing, whether more topical or more sophisticated or more directed. Or not! The inspiration is in the action.digital painting from a P&I drawing

Today I was led by the doodling, not to a different drawing entirely, but to scanning it and playing with it digitally, first layering colors all over the place, then digital textures, then altering the proportions of the image, and lastly, stitching the resulting mash-up into a larger grouping of four copies of the same image arranged in a pinwheel fashion and then stretched, skewed, cut-and-pasted, and electronically stamped into a fabric-like whole that uses the same idea of the initial doodles repetitions-with-evolutionary-changes so that the end product still seems to appear quite handmade, as it’s not symmetrical or fully even from side to side or top to bottom. Now, if I were to take that square and repeat it, even if I turned it 90 degrees each time, for example, it would finally become more machine-made in appearance as well as manufacture. But that’s just mental doodling right there, isn’t it, because I could further alter the combination every single time I ‘copied’ it.

Which illustrates exactly what I was talking about as characteristic of doodling. One thing does lead to another, as long as we bother to do the initial one thing.

That said, I suppose I should get up from my desk and go forth to do a few individual things that might lead to getting some other essential things done around here. Cheerio!digital image from a P&I drawing

Sunflowers

It’s too soon to find them in bloom. They’re mostly two feet tall at best, thus far, and not nearly ready to flower. And the sky is overcast today. Quite grey and a little bit dark. Any sunflowers would be hard pressed to find the sun and smile at it.

The thing about sunflowers is, they believe in the sun even when it’s not visible. I do, too.pen & ink

What’s in Store

Sometimes even a partial notion will do!

mixed media painting

I told you recently that I was preparing to offer some of my work for sale online, and it’s time for the first revelation. I know that so many of you who read and converse with me here are also artists, writers and other creative people, and thus virtually by default are also (a) somewhat challenged by the technology and know-how of operating in businesslike fashion, promoting and marketing and selling your work; and (b) not exceedingly wealthy, as a result. So I did what I know a few of you, and many other people nowadays do, and turned to an existing, established production/marketing mechanism online and am going to let Zazzle help me with the ‘dirty work’. It means I’ve made a few business choices already, and I will share my thinking with you here because we really are all in this together!

First of all, this is far from a get-rich-quick scheme, not only because this is work I’ve spent most of my life learning to do and producing, but because as a business model it’s even less remunerative than the 30%-off-the-top commission that’s fairly typical among artist representing galleries and agents I’ve known in the past. But I am willing to take a very small amount (in many cases, the standard 10% royalty fee) from a company that will cover the grunt work I’m not willing or able to do myself. That is, of course, if they prove they can and will do it. I chose Zazzle because they have a certain established reputation and track record, easy to use interfaces, and while they are not high-end and going to capture for me any exclusive and wealthy clientele, they produce a decent quality range of products and so far have been very responsive in our interactions. This also makes me feel confident in their interactions with anyone who would come to view and buy my work, and that I can price the work as low as possible so that people like me (many being of the aforementioned impecunious creative sort) can choose from a variety of items that they might actually be able to afford without horrific trials.

I have begun posting my designs to the store fairly recently, but have made an effort to put up a reasonable representation from different sorts of my work: photography, drawing, painting and mixed-media images, and a fair range of topics from the abstract to absurdist, from factual to fantastical. There are a small few images with text (prose or poetry) on them, and many of those offered as prints can be purchased not only in different sizes but on different kinds of paper or even as stretched, ‘gallery style’ canvases, that is, with the image wrapping the sides so that the pieces can be framed but do not require a frame for hanging. I have offered a few of the designs as T-shirts, too, because it’s generally considered a good thing to wear clothes, and if we require clothes, then why not wear ones that aren’t terribly expensive? T-shirts are a pretty affordable option. But I’ve never been fond of wearing anything that advertised someone or some Thing (object or cause or concept)–if I want to promote a cause, I’d rather do it with my own words and my actions than with worn signage. So you will find very few slogans or words at all on the T-shirts, just pictures for the most part. I have made a number of them simple black-and-white images, often using my pen-and-ink line drawings, and I would encourage those who like color to consider getting a set of fabric coloring pens and having a good old time coloring the T-shirts like coloring book pages to suit taste and need. Might be a very fun thing to do with children, in fact, as the T-shirts can be ordered not only in a range of adult sizes and styles but many children’s ones as well.

I’ve configured most designs as the largest print version for which I think they’re suited, but most can be scaled smaller for your smaller space or to be more affordable. As it is, there are a great many prints under $20 a piece, and quite a few under $10, so I hope that a larger number of people can afford them without feeling a terrible pinch. There are a whole lot of other designers and artists represented in Zazzle stores, and a really wide array of objects and items that can be customized with your, my, or others’ designs and images, and I will see if and when I’m ready to branch out further with my own. For now, you should know that there is lots of work posted to Zazzle by someone under the name of ‘artspark’–pretty nice stuff, from the look of it–that’s not mine; I tried a huge number of store name options before finding one Zazzle accepted as not already in use, so I’ll just stick with this one even if it’s a bit close. I titled each of my designs KIW Sparks: [Title] to differentiate a little, hoping that helps.

ArtSparks

Even if you have no interest in–or money for–buying anything, I invite you to spend a little time visiting my work at Zazzle. It can serve, in part, as my online gallery for now, where you can see many of the works I’ve used to illustrate my blog posts, as well as a few artworks you’ve not seen here before, and I am eager to share them all with you. I hope that you, too, are finding the courage to ‘put yourself out there’ artistically and creatively because we have this fine forum among friends in the blog-world and online businesses, because even though it’s generally a tough way to make a living, financially speaking, it’s a glorious way to make a Life.

graphite drawing

I don't know if I can claim to have accomplished anything yet, but I'm at least underway in the process of taming the dragon that is my fear of the business side of the creative life. Hopefully, having chosen Zazzle as my squire, I'll figure out how to battle my way through the whole process more successfully over time!