Little Things

The tiniest detail can determine the depth and intensity of a memory. It’s that faint fragrance wafting from the corner of the flowerbed at my first home that I remember most about playing in its front yard, and that in turn, reminds me—every time I get a whiff of the same scent—of living in that cozy brick house with its backyard apple trees to climb, the slope from fence to sidewalk where we slid down the grass on a cardboard magic carpet, and the narrow muddy track behind the back wall where we played at exploration.

My grandmother gave me a little locket, once, that had been her father’s watch fob, and I made a little drawing of the monogram on its front, HDB for Hans Daniel Bolstad. When I look at the drawing now, the locket itself long gone somewhere else after multiple moves of residence, I remember the small weight of it in my hand, the warm burnished shine of its pale yellow metal, and the feel of the engraved curves in the monogram bitten well into the gold-plated finish on it. I also remember, thanks to the tiny little hole where the drawing is black at the bottom center of the drawing, hearing the story of how the space between the engraved lines there were caved in by a different kind of bite, that of Great-Grandpa’s tiny daughter when she teethed on the locket a little fiercely.Drawing: Memento

What will I remember when my memory is further faded by time and age? Impossible to know. But my guess is that it’ll be seemingly insignificant, minute motes, and not the grand arc of history, that’ll remain intact and prod me to recall unexpected things from time to time. I may not hang onto much of importance, but some dust-sized fleck of a sensory clue that will likely trigger a cascade of reminiscence when the moment comes.

The Strangest Kind of Strangers on a Train

The old tale of complete strangers meeting in transit, discovering they have identical problems, and “solving” the problems by trading crimes to eliminate the people they see as the root of their unhappiness, makes for a striking mystery drama, in fiction. Ask Patricia Highsmith and Alfred Hitchcock fans! But I was reminded recently that we give too little credit to our commonalities as a positive solution to our problems, and end up missing crucial opportunities as a result.

The filmic version takes as its thesis that the two strangers who meet can find not other, or at least no better, solution to the problem of having bad relationships with inconveniently incompatible people than to murder them, and by ‘exchanging’ murders with each other they hope to escape detection by each having no apparent connection to, or a motive for killing, the other’s nemesis.

While this makes for startling and even compelling imagined mystery, it’s horrific if imagined in real terms. Yet we do similar things all the time in this world, don’t we? Because I tend to agree with a particular point of view in general, say, a specific philosophy or political party’s policies, or my country’s traditions, does that mean it’s wise or humane or practical or generous to follow along without question, no matter what my group, party or nation says and does? We mortals are remarkably good at noticing and magnifying our differences, as genuine and large as they may be. But we’re frighteningly weak, in opposing measure, when it comes to recognizing, focusing on, and building upon our true kinship. This, I believe, easily outweighs in both quantity and importance, our separating characteristics. Digital illustration from a photo: Opening Doors

The recent train outing in Sweden that reminded me so pointedly of this also confirmed my belief that it’s an area where youth is wiser than experience. In a railcar where a young father, not a local or a native speaker of the language, was keeping his fifteen-month-old daughter occupied and contented during the trip by helping her practice her tipsy walking, she made her way with his help to where another family, also foreign but not of the same culture as father and daughter, was sitting together. That group was of two adult sisters and their four or five school-age children. The toddler was naturally attracted to the friendly and spirited older children, and as soon as they saw her, they too were enchanted. What followed was perhaps twenty minutes of delighted interaction between them all, with occasional balance aid from Papa and photo-taking by the Mamas. And barely a word was spoken, much less understood by any of the participants, during the entire episode.

The greatest among the many beauties of this endearing one-act was that the conversation essentially began, continued and ended with the kids reaching toward one another with open hands, waving and gesturing and generally putting on an elaborate pantomime together, and above all, giggling and chortling with peals and squeals of ecstatic laughter.

Needless to say, all of us adults in the railcar grinned, giggled, chortled and otherwise became happy kids right along with them. Resistance was an impossibility and a pointless attempt, at that. And isn’t that an excellent lesson for all? Adults are too busy being territorial and fearful and downright feral to remember that the open hand of welcome and sharing is as quickly reciprocated as any gesture, and a smile of greeting and acceptance is contagious beyond any language, age, or cultural barriers. We can nurse our terrors of the unknown as supposed adults, or we can choose to laugh together like children.Digital illustration from a photo: As If in a Mirror

Better Put the Best Face I Can on It

Acrylic on paper: Silliness as Substitute BeautyComing up empty? Never! Well, okay: sometimes. That’s closer to the truth. I’ve managed to put up three years’ worth of daily blog posts thus far without missing too many beats, but do I have the occasional day of blanking on what I think would be of interest for me to write about, draw or photograph, and post. Outright brilliance would be a stretch for me on the best of days, and on many, it’s just good old showing-up-and-working that gets the job done.

Pretty much the way life works everywhere, isn’t it.

I get up and brush my teeth and take a shower and get dressed, and there’s no guarantee I’ll look less like a goofy, sleepy person than I did a half hour earlier. Some days, it’s flat-out worse, especially if I have to be up before about 9:30 in the morning. But I’m still me. I’m still going on to have a day, to do my writing and picture-making, do my household tasks, go to events, whatever the calendar demands. I’m always planning to have a really good day, if at all possible.

So whatever the agenda, I choose to give it my best, pretend (if I have to) that all is swell in the world, and see if I can’t do something myself to make it as good a day as I’m wanting. We can’t all be pretty all of the time, so I like to let my imagination offer me some fun alternatives to perfection and prettiness, and then the day has a better chance of hitting the happy mark.Acrylic on paper: Sneaking Up on Greatness

Foodie Tuesday: Artful Eating

Another pleasure of travel—of getting out of my familiar paths and habits—is discovering not only new things to eat but new ways of preparing and presenting foods I might have known all along. Whether there’s some entirely unforeseen ingredient or the known ones are combined in a completely unfamiliar way or plated more exotically or beautifully than I’ve seen before, it’s all, well, food for thought. And a danged fine way to assuage the hunger pangs brought on by wandering and exploring in new territory.

The time we spent in Europe in July was yet another happy example of this truism. So much so that I’ll just give you a few tantalizing shots for your contemplation and not go further. You’ll be wanting to dash off for lunch before I have any time to go on further anyhow, don’t you know.Photos: Artful Eating (Series) 2014-08-05.2.artful-eating 2014-08-05.3.artful-eating 2014-08-05.4.artful-eating 2014-08-05.5.artful-eating 2014-08-05.6.artful-eating 2014-08-05.7.artful-eating 2014-08-05.8.artful-eating

A Certain Age

I’ve always been mystified by the people who are terribly age-conscious. When I was younger, I didn’t get the agonies my peers went through over longing to be old enough for this, that, and the other thing. Driving a car was never especially thrilling or compelling to me, alcohol had little allure as an illicit tipple when I could see how stupidly my peers (and many legal-age drinkers) behaved when drinking more than they could handle, and I’ve still not had the remotest interest in trying to smoke anything. I didn’t even care about R-rated movies any more than I do now; most of those are too violent, too rude, and or too loud for my usual taste.

When I got old enough to do all of the supposedly grownup-geared stuff, I became just as amazed and confounded by those who wish and try to be or appear younger than they are. If I want to lie about my age, I won’t pretend I’m some young thing I’m not; I’ll certainly tell everyone I’m much older than I really am so they’ll be impressed with how fit, alert, and fantastic I am compared to everyone else “my age”—but that’s too much effort for a silly joke on my part. I’m pretty content to be myself, whatever age I am, and let people love, respect, and admire me—or not—for the real me that they know. I’m happy to have accomplished what modest things I’ve learned or done, to covet the thin grey hairs and fine-lined wrinkles I’ve earned through years and experience, and to relish the freedom that comes with age.

Because as far as I’m concerned, the biggest and best goal of growing up (insofar as I’ll concede to attempting anything like that) is to be so at home in my own skin, however baggy and spotty and misshapen it might be, that I can like myself fine and expect the same respect from others without trying to be someone or something I am so obviously not. Here I am, 53-plus years of ordinary, thin-haired, not-so-fit, tacky happiness jammed into a humbly passable carcass, and I’m mighty glad of it.Ink drawing: A Certain Age

The Only Magical World

Digital illustration from a photo: Mythic MirrorThere’s only one plane of existence that is guaranteed to seem perfect and right to you at all times, and that’s the one in your dreaming heart. But the place in the real world that will come closest to that kind of mythic perfection is the one where you can dwell in the center of real, constant and generous love. On the third of August, every year of my life, I get to celebrate such a love because it’s the anniversary of my parents’ marriage.

Their love for each other has withstood many tests and trials over time, but because it was genuine and down-to-earth love from the beginning, the tests and trials have tended to be more externally made and less harsh, perhaps, than they might otherwise have been. And in its best and least challenged days, it shines the brighter because it feeds and is fed by a larger love—for life, for those articles of faith and those people they hold dear—and I, as one of their offspring, get to share in that care and affection, friendship, respect and kind generosity.

This is the sort of beauty and distinction that transcends fairytale happiness and is, instead, steady and sure. Better than supposed Magic and miracles, it is so dependable that even when the sun isn’t shining quite right or the cogs of the world aren’t turning exactly as one might wish they would, it’s possible and natural to have assurance that what needs to be will return; goodness will prevail, and we will all get back to the constant and comforting business of loving and being loved by one another. It’s a potent blend of companionship and  concern and hope that aren’t dependent on spells and manipulations but reside in the everyday promise, and every third of August I get to celebrate it anew because my parents taught me what this kind of love can be.

Happy anniversary, Mom and Dad.

Imperfect Pitch or Just Another Baseball Blunder?

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Digital illustration from a photo + text: So Nearly Perfect

Pare a Pair of Pears, Please

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Digital illustration + text: Paranormality

Just Press this Button and Be Amazed!

I’ve told you that I am enamored of digital photography. How could a person who loves taking pictures—but is too confused by the functions and uses of a ‘real’ camera, and far too lazy to do anything like the intensive study required to become skilled with said functions and uses, let alone learn how to process photos afterward—how could I not love digital cameras and photo processing?

One of the bonuses of the ability to revise and improve my photos digitally is the element of surprise that comes when I’ve taken very dark photos (at night or in poorly lit places), open up what looks like an entirely black image in one of my favorite editing programs, brighten it and change the contrast, and voila! there’s that thing I was looking at and had entirely forgotten by then. Sometimes the photo turns out to be something I had no idea I’d shot, too, but even those pictures can be interesting in their own ways.Photo: Gnats 1

Take this particular black rectangle from our recent time in Prague. I knew I’d taken photos on a couple of evenings when we were out and about with our compatriots, but couldn’t necessarily say exactly what the subject of them had been. A little tweaking brought the memory out of the dark.Photo: Element of Surprise 1

Gnats! There was a flurry of gnats flitting around a lamppost and making a tiny but lovely little display of sparkling fireworks, and when I took the photos I had no clue whether they would actually show anything at all, given the intensity of the surrounding darkness. But my hopes were rewarded, if not with a magnificent set of photos, at least with a welcome memory of that beautiful evening that even a clueless picture-taker like me could enjoy.Photo: Element of Surprise 2

Coming in for a Landing

Travel! When the opportunity arises, it’s such a joy. And one of the pleasures is that first glimpse of Destination from the plane as it’s approaching the airport. On the recent trip, that was Hungary. Well, Frankfurt first, for the layover and change of planes, because Budapest is, inconveniently, not a direct flight from Dallas-Fort Worth International by means of any airlines that wanted to haul 100 wonderful yet mildly wacky choristers and choir groupies like us over there.Photo: Wing Watching

But then there was the arrival in Hungarian airspace, the gradual coasting down below the thirty thousand foot level, the passing through a thick padding of cloud, and the gradual appearance, between shreds of the last clouds, of lovely farmland and countryside, soon followed by equally tantalizing sightings of increasingly suburban and urban zones. As the craft eases toward the runway, there’s that little tickle at the back of the brain that says, This is Finally Real! After weeks and months of planning and imagining and arranging the possibilities, thinking the adventure infinitely far away, suddenly one is looking out a plane window at trees and roads and buildings of a place-that-is-not-home, and it feels quite lovely, even if one is groggy from a long day or night (or more) of travel to get there.Photo: Aerial Patchwork

Returning home after travel can have something of the same effect, of course, since even when it’s awful to have the holiday or away-time end and worse, there are chores and jobs and catch-up of all sorts to attend as soon as the wheels touch the tarmac, there’s still that bit of gladness welling up at the sight of familiar yet unfamiliar land below, stuff not normally seen from such an elevated angle. And it also says that the known comforts of home are not far off after a long day or night (or more) of travel to return.Photo: Signs of the City

So I’ve now had both versions of the experience anew, more than once each as it happens, in a recent journey and, rather than dulling the pleasure, it reminds me afresh of what appeals and beckons about flying off to distant places. And about winging back to home turf, too. Flying from Dallas to Frankfurt, Frankfurt to Budapest, riding in massive coaches with the choir from Budapest to Vienna to Prague; flying again from Prague to Stockholm, then Stockholm to Frankfurt to Dallas—and all the while, looking out windows for signs between the buildings, the trees, and the clouds to say that some new sort of excellence lies just ahead—this is a journey worth all of the weeks and months of labor and dreaming, plotting and packing, and one that only makes me hungry for more.Photo: Over Budapest