Tag Archives: digital art

Sometimes No News is Just…No News

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I’m not here a second time today to announce I’ve discovered the cure for halitosis, let alone cancer. But I’m back simply to share a link with you because another blogger’s words for today had such a thought-provoking effect on me and I figured you might find them equally intriguing. Jen, the smart and compassionate translator/interpreter for her charming and handsome malamute Rumpy over at Rumpydog, is a committed animal activist. My friends, you know that it’s more likely I should be committed [IYKWIM] than true that I am disciplined, self-confident or wise enough to be an active advocate for much of anything. But today Jen addressed a topic that’s long been nagging at me, to the extent that I know I’ve actually mentioned it to you: it’s not that we as humans are incapable of caring about things enough, too stupid to figure out some solutions, or unwilling to do the hard work to enact them–it’s that we are too self-centered to do so together with anyone who fails to think and care about, and approach, those problems in precisely the way we personally approve.

I’m absolutely certain that no matter how much I liked or admired Jen it would be impossible for me to agree 100% with her on everything, or her with me. But I’m also sure that I do deeply respect her commitment and willingness to act on it and speak her mind. So I encourage you to go and visit her to read her most sensible, cogent piece I’ve seen in ages about what does and doesn’t work in discussing, promoting, advocating for or acting in *any* good cause. I don’t know a solution, because I suspect it’s such a universal ill among humans that it would require Nobel Peace Prize brilliance *plus*. But if we gather around the conference table determined to listen, learn and share the best of ourselves, there just might be some hope for us. The very thought cheers me.Happy days to all of you, and many thanks to Jen for sharing. (Click on the word ‘sharing’ to go to her blog.)digital artwork from a photo

A [Mostly] Black & White Photoessay from the Road

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digital photo art montage

Farm Frames.
I loved the sweet repetition of gorgeous farms of all sorts, in parts of every state.

Some of the images yielded by five weeks and six thousand miles’ worth of rambling cross-country seemed to want expression in my old favorite black and white imagery. And, not coincidentally, this set particularly showcases my obsessions with seeing patterns, repetition and commonalities.

digital photo art montage

Towers
Monolithic bare trees and sculptural bridges seemingly imitate each other.

digital photo art montage

Twisted Trees
Driftwood. A helical trunk amid Douglas-fir and vine maple companions.

digital photo art montage

AmeriCars the Beautiful
Car culture in the US may have long grown old, but it hasn’t stopped being a classic.

digital photo art montage

Boarded Up
Fruit growers’ packing crates. A burned house.

digital photo art montage

Shake Your Tailfeathers
Hawk? Maybe. Mallard, definitely.

digital photo art montage

Sunday School
The old shed behind the parsonage, the inner workings of a portative organ, and a vintage church.

digital photo art montage

God is in the Details
Small stuff, large impact.

digital photo art montage

Radii
Spokes that speak for themselves.

digital photo art montage

Elephants
An older model pachyderm and an older model Packard? (Nah, I think it was a Rolls.)

digital photo art montage

Strange Geometries
The wonder of a weird homemade aerial and the magic of a zebra.

 

It’s a Doggone Shame If You don’t Live It Up

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I suppose it’s incumbent upon me to state clearly that I do understand that a lazy and fearful person like me is unlikely to plunge into newness and adventure, no matter how alluring the topic or event. Not that you didn’t already know this about me from any number of previous confessions and revelations in a related vein. Yet while my lack of courage and spirit will undoubtedly hound me for the rest of my days, I’m happy to report that I still manage to grow and change over time, if perhaps more slowly and accidentally than others do so.graphite drawingThe ancient adage that ‘you can’t teach an old dog new tricks’ is ridiculously pessimistic, if you ask me. I’ve known plenty of senior citizens to avidly pursue and conquer all sorts of new skills and knowledge, and I’m working my way toward being a bit of a Grandma Moses myself, being ever hopeful that at least by the time I hit my eighties I might also hit my stride in whatever turns out to be my life’s calling. But beyond vocation or avocation, that tired and cynical aphorism also assumes that we can’t just continue to better ourselves once we hit a mythical age barrier. What an unpleasant and unproductive idea!digital illustrationI much prefer the concept of discovering what we are capable of learning, accomplishing and enjoying for the first time (or anew) and embracing it at whatever pace suits us. While others are busy jumping through hoops of flame and running obstacle courses and playing catch with other dogged devotees of the disc, if all I can do is learn to Sit Up and Beg, then at least I’ll get some handouts from wiser, more talented and skilled beings. Could be downright fun, and I’ll lap it right up I’m sure. It certainly beats sticking forever to the one trick I’ve known best since my youth, Rolling Over and Playing Dead.

Perspectives on Age and Maturity

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We’re well-practiced when it comes to assigning labels and categories to others, even to ourselves, and very often without great regard for fit and specificity. All of the young are immature or energetic or bratty or happy-go-lucky simply by virtue of their calendar age; all of those older than us are instantly deemed wise or experienced, crotchety, inflexible, low in energy, mellowed or whatever our personal biases tell us are characteristic of aging. And all of these generalizations or assumptions tend to be made as snap judgements from which we tend to be loath to move once set.digital artworkMost of us, truth be told, tend to match every one of those descriptors at one time or another in our lives, but very few stay in any of those states perpetually, let alone remain limited to them. We are ever so much more varied and colorful, generally speaking. One day, gentle as a lamb, and the next, rambunctious.digital artworkNot only is there nothing wrong with exploring the differences between us and other people, it’s useful and often highly desirable to get to know the range of characteristics and variations that we ourselves are capable of embodying. And it’s certainly a portal to an endless world of new vistas and horizons, meetings with unexpectedly wonderful others, and times spent learning inspiring marvels and unraveling mysteries when we embrace new encounters without prejudice.digital artworkWhile I am often a little too timid in approaching and meeting new friends and going new places and experiencing new things, I do know that my sheepishness can be overcome occasionally, with effort. And I know very well that what may have seemed quite formidable often becomes a treasured part of my life and loves once I’ve taken up the challenge. If I can’t quite handle ramming speed, I certainly hope I will always try to ramble forward with an open attitude, no matter which phase of character I’m in myself.

Keeping an Eye on Things

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digital illustrationAn Unsentimental Sentinel

For vigilance that no one can surpass,

No guarantee I make to you, alas,

Yet I can promise still, for what it’s worth,

No danger to one who has left this earth,

So if you want protection from some dread

Predation, fine! (As long as you are dead.)

For if you want this cat to feel at home

As guardian, put me in a cat-acomb.

Housekeeping with a Flamethrower

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Why should I do anything on too small a scale, with too little passion? If I’m going to go to any trouble at all for any sort of reason, why shouldn’t I just take it to the greatest extreme I can manage? Anything worth doing, as my father has assured his children all of our lives, is worth overdoing. This, of course, is the same man who told us that ‘they put low dosages on these’ before taking double or triple the prescribed quantity of medication, and who when sent out to prune the trees left something that to his loving spouse resembled less a suburban backyard than a moonscape. Still, he’s managed to live a pretty healthy life and hold down very respectable jobs and raise happy daughters and all of that sort of thing, so he can’t have been all that far off the mark.graphite drawing with digital highlightsAnd, truth to tell, I think that engaging our full strength and will and enthusiasm whenever we can is a pretty good strategy for living altogether. Even though I’m an admitted loafer and a lollygagging lout at heart, I do believe that if I’m going to go to any effort, it might as well be to do something to the best of my ability and, if I’m dedicated and lucky enough in the process, something of value. And I can either thank or blame Dad for my belief in that. (I guess it means that you can, too.) Why, when I got old enough and lucky enough to attach a second Dad, my father in law, to the family, I quickly learned that he has a similar attitude about doing things with complete dedication and raising kids who show that same kind of committed involvement, so I can say that in my experience of fathers in general, they have a remarkable aptitude for living life to the fullest. And really, isn’t it that fine idea after all? I know it inspires me!

Happy Father’s Day to two standouts in the field!

Stained Glass & Malachite

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Being beautiful is such an ephemeral thing, to be sure. Making art that is beautiful is possibly even more so–after all, the same piece that appeals to one might hardly appeal equally to all, any more than the attractions of any one person might strike any others in precisely the same way. And our own tastes and interests and circles of friendship and acquaintance change so much over time that it’s a miracle if we even maintain contact, let alone a closeness or deep appreciation of each other and our various works and features over any period of time.digital illustrationCase in point: my playful attempts to learn the use of some digital tools for artwork, combined with the way that I tend to recycle my sketches and drawings, has altered both my perception of what I would keep, revise and/or rethink my own pieces to a pretty radical extent in the last few years. I believe that my overall style or the signature character of my art has remained fairly steady and therefore recognizable since it began to emerge some years back, but the tools and techniques with which it’s expressed have mutated enough to bring out some entirely different aspects of texture, complexity and even subject matter. The eccentric character in today’s illustration, for example, started out as a rather typical (if not stereotypical) caricature of a semi-human man who differed little in form from the sort of goofy fantasy creatures and people I’ve drawn for years just to entertain myself, but suddenly when I was playing with the sketch, coloring it in digitally as though I were a little kid with a digital coloring-book, he started to become something entirely different and new, a creation slightly unlike all that have come before him.

Now, because I am both unscientific and forgetful when I am immersed in amusing myself with art, I will probably never be able to replicate precisely the process that led to his looking like a hybrid of a stone-inlay project and a leaded window made of art glass. And though I like the effect and hope I can do something similar again if I work hard enough–especially if I want to make what in my own estimation is a sufficiently prettier character to warrant such a highfalutin treatment–it will hardly be the end of the world if he ends up being my only-ever stained glass and malachite creation. Being unusual and a little bit strange is just something we’ll have in common.

Presenting . . .

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My life sometimes seems like a synopsis. Or maybe it’s one of those TV shows shot with a rapidly moving handheld camera, interrupted at frequent intervals by commercials so snipped into quick-cut bits as to become nearly stop-motion animation. Just when I think I know what’s happening, the scenery shifts and the action swerves in an entirely new and different direction. I can seldom sense what’s ten minutes ahead, let alone ten weeks or ten years.

This is no complaint, mind. I realize that such unpredictable chaos is likely closer to the norm than otherwise in this weird and wonderful world. And no one can have great adventures, joyful or otherwise, without a touch of that good old element of surprise–maybe even the slightest frisson of danger. The degree of risk often determines the possible breadth and depth of reward. Still, there are moments when I hunger for a sense of safety and stability, if not quite stasis. We all long for the familiar and comfortable from time to time.

But this is the tragicomedy we live, loaded with unnamed characters making entrances and exits that were never foreshadowed, doing unscripted deeds and introducing plot twists never imagined on this our stage. All we can do, each of us, is to find our own character, commit to it, and keep working on its subtleties and vagaries no matter what scene changes get sprung on us. I, for one, will always wonder what new or mysterious acts remain ahead for me, and hope I can make the required costume changes and keep up with the action as long as the story unfolds toward the final curtain.digital artwork

Hot Flash Fiction 6

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Once Upon a Time in a Shaving Mirrordigital illustration from a photoMartin was a great gentleman. The man he saw in his dusty and slightly foxed mirror every morning was the man inside, and this was the same man he was to all others at all times. A gentleman, Martin, but his exactitude and propriety were also devoted to things quite other than mere manners. Behind his clear and guileless face was a world of fathomless seas and lacy cobwebs, untranslatable illuminated manuscripts full of spells, and the cries of birds never seen on this side of the stars.digital illustration from a photoMartin was punctilious, generous, carefully correct, guileless, and surprisingly simple, all things considered. Behind his shaving mirror, as behind the unruffled perfection of his face, lay surprising things. In the medicine cabinet, it was tinctures and potions, a collection of oddments that might please an old-time apothecary or perhaps, equally, a fine magister–a romantic necromancer, if you will. Martin, pure of heart and innocent as only a strangely experienced elder man of the world could be, had no inkling that mere proximity to this particular concatenation of goods made his inner being as wild and unpredictable as the outward man was clean and Ordinary.digital illustration from a photoThe truly remarkable thing in all of this is that anyone at all was even mildly taken aback when, one particular and strangely normal morning, the man behind emerged. No one will ever really know whether it was the workings of that alchemist’s secret-recipe hidden in the medicine cabinet upon him, or that the being in existence already right behind Martin’s mask of perfect humanity simply came into its own just as it was always going to do.digital illustration from a photoThen again, perhaps the most remarkable element of the case was really that what emerged, this inner Martin, was even better than the original. The true remaining problem was just how the rest of the world was supposed to handle the new man. Especially and particularly, how his physician Dr. Telemachrius, who had prescribed a uniquely heinous combination of the potions and tinctures expressly to turn the exceedingly unremarkable Martin into a bizarre and deadly living puppet for his own purposes, was supposed to respond. What an unfortunate turn of events for Telemachrius, after all. Health was such a precarious thing, even in those early days of rapidly improving modern medicine.

Sleeping Angels, All

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drawingThe assertion that ‘if it bleeds, it leads’ is cynical in its assumption not only that bad things will happen and that people will do bad things, but that this is where our greatest interest lies as well. To a certain degree, I will concede it.

And yet.

There is a part of me too that believes in the other having equal weight: the kind and good, the innocent and the pure. Our every moment of disaster, whether natural or human-made, brings out this good in force. It is the sleeping angel inside that emerges on call to offer aid to the suffering, comfort to the weary and food to the starving. I think that maybe, despite all appearances, it’s goodness that is actually the one inexhaustible resource.

I certainly hope so; in this is the promise that our history is not quite at an end.graphite drawing