Full Speed Ahead—Facing Backwards?

Digital illo: Backward-ForwardJittery Janus

A slight, but real, absurdity is troubling my mind:

If something is in back of me, it’s fronting my behind—

Or is it backing up my front? It’s weakening my pride

That heads or tails I can’t make out, so coin flips must decide

Whether what’s aft is yet before, ahead or what’s astern,

Or I’m too turned around and backward-brained to ever learn

If what’s before my very eyes affronts my front or back;

Please, someone, sort it, or I think I’ll have a heart attack,

For hid behind this placid front, behind the back of me,

Yet also forward of my back, where, sadly, I can’t see,

This sad conundrum irritates and pesters me, alack,

For I’ve no way to know what’s going on behind my back.

Creeping Up Appearances

Image

Photo + text: Appearances can be Deceptive

What Went on in the Foundry on Founder’s Day

But none of the coppers on the scene would yell, “FREEZE!”

Drawing + text: Found Art

DIY Survivor

Do or Die

The ancient Archaeopteryx had never turned a wing

Or lifted her substantial claws to help with anything;

She wielded her impressive bill, but only to express

Disdain for any task but what advanced her happiness

Exclusively, for she believed herself the focal point

Of all existence on the earth; her nose got out of joint

When anyone would question her supremacy as Queen.

You’ll notice, now, that she’s extinct, and never since been seen.Digital illo: The Archaeopteryx's Mistake

Party Crashing Parson

At some point, romance is the catalyst of many a fall from grace. The higher the starting point, the more spectacular the tumble can be. Of course, some people on this goofy planet are just constitutionally unable to be graceful, no matter what the circumstances. Me, for example. But being sympathetic doesn’t mean I’ll let anyone else off the hook over it. Good material for silly stories don’t grow on trees, you know.Digital illo + text: Slippery Slope

Wiggle & Giggle

Welcome to another episode of “All Words, No Meaning.”

I just get these strange, tickly tics at times, you know.

And I was just thinking about my wonderful brother-in-law’s wonderful mother, who once upon a time delighted us by asking in her musically lilting Norwegian-tinged English to explain the weird word one of us had used: “What is ‘wiggle’?” It made us all laugh, not least of all dear Mor. The word itself is funny. The ingenuous way she asked it was so irresistibly adorable that it made the word all the more funny, and we fell all over ourselves snickering and writhing with laughter. “Vot iss viggle?” V words are often special anyhow, I think. They are vivid. Vital. Vigorous.

Violently Verbose Vapidity

Voluminous in velveteen and vivid in velour,

That Venus eating Vindaloo, in the vernacular,

Was very villainous, it’s said, vermillion in her faults,

But veiled in verisimilitude, her vices hid in vaults,

Vile vortices of vermin, varmints, vipers, vexing pains,

And vigorously vinegary vapors in her veins,

Yet always, these vituperative and vast, voracious ills

Veered, voicelessly averted, by her villa’s windowsills;

So virtuous seemed all in view from vane to vestibule,

From valance to verandah, I’d avow that, as a rule,

Veracity had lost its vim, a victim to her vibe

Of viscous, vain verbosity in every diatribe,

And via Violet’s vertiginous, vindictive lies,

Her vow of victory o’er all, valid and otherwise,

Would void the verve of every nerve, veritable or vexed,

And vanquish, make it valueless, in this vale and the next.

Her viands—vermicelli and Vidalias and veal

And vegetables with Vegemite were her most voguish meal—

At last revealed her venomously covert, vile inside,

When Vi’s vast vessel of vermouth rendered her vitrified,

Made vitreous her venal guts, visiting visibly

Those virulent and vengeful, vulgar bits, for all to see.

Vast vanity and venom may vouchsafe the dark crevasse,

But even vampires are revealed, converted into glass.Digital illo: Violet & Vermilion

Always Wear Clean Ones in Case of an Accident

Photo: Ghost in the Machine 1Ghost in the [Washing] Machine

While rushing through the underbrush in rustling underwear,

Ermina realized she’d run from Things that Were Not There—

She paused to contemplate with rue what might appear insane—

By when her sense returned in full, They’d captured her again.

The moral of this story, if there is one to be had,

Is: when you feel Things closing in, at least you can be glad,

No matter if They’re real or not, or if you’re caught anon,

At least to be returned to sense with underpants still on.Photo: Ghost in the Machine 2

And Look out for the Piranhas

Digital illo: Mr. Tough Guy

You may call me *Mister* Tough Guy, if Yes, Sir! isn’t satisfactory.

So you’re a big shot, eh! Not everyone is as impressed with your highfalutin pedigree and your cosmopolitan veneer as you might hope.

Small Pond, Small Fry

Some clown came to town from the city

But he didn’t know everything, did he?

The result was so bad

That, alas, the poor lad

Was the first course we had, out of pity.

Digital illo: Uh-oh.

Suddenly I sense there’s another school of thought…

Death and Perfection

My friend said to me not long ago something that got me thinking about death, specifically about the way that love and other relationships are affected by it. What I was thinking about was, mainly, that until any of us dies, we not only cannot but perhaps should not be perfect; if it were possible, what would be the point of continuing? I hear people talking, often enough, about how there might be people alive today who will live to be 150 years old, perhaps even twice that, and my immediate reaction is Why?! Is there really so much important stuff any one of us is going to accomplish in two or three of our current life-spans that we ought to crave living several lifetimes?

I certainly have no desire to live extra long if it means that I will have to get another job or six in order to afford it, and retire, if I’m lucky, when I’m 215 years old. Or if it means that I outlive whole swaths of people I have liked or loved or admired and have to struggle to make friends over and over again. Or, most especially, if it means that my slow-aging compatriots and I live in a world full of people who can survive all sorts of diseases and previously life-threatening injuries, but not necessarily with a very desirable quality of life, or worse yet, we exist like crammed masses of crawling and buzzing insects in an ever-decreasing amount of space relative to our numbers, scrabbling and battling for resources that couldn’t possibly expand to enrich all of us, let alone with any sort of fair distribution or generosity. If the current chatter ever gets a whole lot more encouraging about the long-lifers spending equal attention and energy on making the world more peaceable and the people in it healthier, kinder, happier, more generous, and a whole lot wiser, then I might consider living “forever” of greater interest.

My friend’s comment also prodded me to think about how death has affected my own life and the relationships within it. To revisit the many what-ifs about whether I could be better than I am, had I cherished and understood my long-gone relatives and friends more wisely and profoundly. About whether I can still garner the strength and intelligence to improve if I pay attention to the lessons I did learn, or maybe can still learn, from them. Certainly, I have wondered enough times what my life’s sojourn, and I within it, would have looked like if various loved ones had lived longer, not to mention how different the whole world could have been. Something in me always eventually rebels at that thought, however sorrowfully, for there is a large part of me, too, that knows how easily I become fixed in my thinking about even living persons I know and forget to reevaluate our relationships, to renew my commitment to them. And I know very well that those who have died remain perpetually frozen ever after in the way that I perceived them and our living interactions. It’s so much easier to be a devil or a saint when you’ve ceased living and can never again do or be anything new to change the balance of the known and the imagined.

And this path of contemplation returns me, of course, to wondering whether it will matter especially to anyone else that I did exist. I have no children to carry on my genes in a direct line, for better or worse. Most of the people who fill my days, no matter how valued in the present time, will continue on their life paths and I on mine, and the majority of us will lose contact and even forget each other, and that is natural enough and no terrible thing, either. But when my dust rejoins the remaining carbon of this known planet, will it matter?

And will I live in memory as devil or saint, or simply and satisfyingly, as an ordinary mortal being, fixed, perhaps, in the amber of another person’s memory just as he or she knew me and never more or less? I can’t answer. I don’t need to answer. I’ll go the way of all living and dying things. I will mingle my dust with all of my fellows’, and with everyone who has gone before or after us, and if any spirit lingers on, may it be—for all of us—the best that is remembered, and the rest forgotten and trodden into our survivors’ own life paths, going wherever they, in turn, may go. If the mountains of our remains raise them up any higher, then so much the better that we both lived and died.Photo: Enfold Me in the Green

Enfold Me in the Green

Enfold me in the green breast of the earth

And gently speak my name with love once more,

Then turn and take your way to what’s before

You now, that all the world will know your worth

As I was blessed to know it in my time—

That hand, unstinting in its tender care,

The scent of rain around you everywhere,

Your slightest whisper in my ear sublime—

That now you’ll speak to other waiting ears.

For now I sleep; let earth be the embrace

To keep me kindly in my newer place

While yours will others bless in coming years.

I thank you, now I need no more the sun

That shall be yours until your day is done.

Darker than Dark

Digital illo from a photo: Black ButterflyEclipse

It all began with the erasure of

All memory, of thought and hope and care,

Of sight and sound and sense, and of the air,

Removal of all faint belief in love—

A chrysalis unsealed its crystal door,

Wherefrom emerged a brittle wingèd thing

That slowly pulsed the veining of its wing,

Searching for light and heat that came no more—

And, lastly, drew upon the black’ning sky

To fill its velvet wings, opaque, a most

Mysterious angel, butterfly, a ghost,

Then spread that inky cloak and sprang to fly—

And so was blotted out the sun and moon

And ev’ry ounce of life at highest noon.Digital illo from a photo: Black Wing