As If She were Our Blood
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Tag Archives: travel
I’ve Always Counted on Good Transportation
People have always remarked on the elegance of my carriage . . .
Road Tripping
On Friday I will hit the road by after-office evening light,
Hit it so hard it’ll snap up and roll like it’s a window shade,
Because a Friday evening is the sort of thing a road is made
For best—what else can put me in a frame of mind so near to right?—
And Saturday will likely see me tearing up the countryside
At speed, pretending I’ve no brakes except to let coyotes dash
Across (or ease me through the turns so I continue not to crash,
But rather, feel that sideways pull, the curve that makes my world so wide)—
And Sunday I’m still flying fast, and though turned homeward, yet a streak,
Because I must keep breathless joy searing my lungs, tearing my eyes,
Crowning my windy hair as though I’d won the biggest ever prize,
Since all this traveling is what will pull me through another week
. . . but what I had in mind was always a hot set of wheels . . .
Under the Influence
When I hear that phrase, of course I’m immediately reminded of its use to describe those persons, so much dimmer witted than a barnyard fowl, who drive or operate heavy machinery or otherwise behave inappropriately (and most likely, quite dangerously) because they are under the influence [UTI] of drink or drugs. Personally, I would go further, with my concept of UTI encompassing other, equally dangerous things like ignorant social, political, religious or philosophical views that give their disciples delusions of superiority, imperviousness, entitlement, and so forth.
But it behooves all of us to remember that the phrase isn’t inherently negative, for one can be under positive influences as well. Even better if one can manage to be a positive influence. It’s notable enough in a long and active life if one succeeds in generally doing no serious harm (intentional or otherwise, and to be in fact benevolent and able to enact good and fine things, why, that’s remarkable and admirable stuff indeed. I know people who can do so right here in the blogiverse, teaching and leading us all to do and be better versions of ourselves, and doing so not only by sharing their stories but by being living examples of what they teach. My years of classroom teaching proved to me that I was better suited to being a student than a leader, yet tutorial and mentoring settings gave me a much greater level of comfort in that they allowed me to operate as a fellow learner and thus engage more deeply and without as great a fear of steering anyone (myself included) astray.
The bloggers I most admire, immensely entertaining and humorous and dramatic and artistic in ever so many ways, are always, at heart, teaching, whether it’s overtly and with carefully designed pedagogy and prescriptions or it is so inherent in their natures that it comes fully interwoven in the fabric of their posts. These favorites include, but are not limited to, logophilic, ecological, travel-oriented, cuisinal, community-building, arts-centric, historical, and in many cases, wildly multitasking blogs. Some bloggers are small fry like me, known only to a cozy circle of great friends who come by to read and sometimes comment, and some of those I greatly admire are large-scale bloggers, people with lots of published work elsewhere or major accomplishments in their fields (whether related to their blogging topics or not!); a few have multiple blogs and the amount, whether on one blog or many, of posts published varies from one every few weeks to daily. There may, in fact–given electronic media of all kinds nowadays–be people putting up posts every few minutes, but I haven’t the time and energy to keep visiting such volcanic sources and tend to keep to my group of favorites with an occasional foray outward.
So who are my influences among bloggers? Friends who give us invitations to visit them at places like The Bard on the Hill, Spanish-English Word Connections, and Year-Struck, Just a Smidgen, The Valentine 4, David Reid Art, and The Complete Cookbook, like Bardess DM Denton, The Kitchens Garden; like the blogs Cooking-Spree, O’Canada, Nitzus, Peach Farm Studio, and Bishop’s Backyard Farm, like Blue Jelly Beans, One Good Thing by Jillee, Road Tripping Europe, My Little Corner of Rhode Island, Promenade Plantings, L Scott Poetry, Poetic Licensee, and Gingerfightback, and blogs like From the Bartolini Kitchens, Rumpydog and The Human Picture. There are many more I enjoy and admire, but each of these, whether longtime blogging friends or a site new to me, have proven to be influential and inspirational for me in many ways, both as bloggers themselves and often as encouraging and educational commenters here at my own place. We don’t always agree, which is part of what’s so powerful: the diversity of the world and its ideas and passions and hopes and loves, this potent brew is what makes the fellowship of bloggers such a joy.
That we can share it with so many, most of whom we know only in and through this forum, is a great gift indeed. Also shared among fellow bloggers: awards and recognitions. Some accept them and participate with great alacrity in sharing them, and others are happy to be complimented thus but have no interest in or simply no time for such things. All quite acceptable responses. This post, in fact, is in response to my having been ‘tapped’ by the gracious and yes, influential blogger Samina Iqbal, whose Forum for police support is a notable effort by one passionate blogger to garner greater recognition and appreciation for those who serve and protect the populace as members of the police force–indeed, a job few of us would dare or relish, yet most have great reason to be grateful that there are the admirable folk who do so on our behalf. She was named a Most Influential Blogger and has passed the torch here.
While I think she is over-generous in her estimation of what happens here at my blog, I am happy to carry out the task of sharing the aforementioned blogs and their authors with you, because they really do deserve the attention and I hope you’ll visit as many of their sites as you’re able; you, too, will find many things to influence you: ideas and passions, skills and arts, love and human drama and many a good belly laugh in the mix. Best of all, under the influence of these luminaries you will likely pose no additional danger to the general public if you should, say, get behind the wheel of a car. With the possible exception of the belly laughs, which could cause you to steer right into the ditch. But at least you’d be guffawing all the way to the emergency room, possibly accompanied by some helpful police officers. And don’t blame me!
Places, Beginners
Whether it’s only on my mind as a continuation of its recent theatrical theme is debatable, but I do think a great deal about location. More likely, perhaps, because whatever minute remnant of my Viking heritage remains in me is expressed in waves of desire to go, to be at or in, other places. It needn’t be out of dissatisfaction with my present; I’m simply aware at one level or another of how much great magic is Out There everywhere, luring me.
In any case, one of those relatively few things that will often set my heart racing is the image of a setting for some new act on my part. It may be quite specific–the upper room, reached by improbable set of impractical stairs, in an old clapboard chapel where I used to sneak away to daydream in the dust-glittering beams of attic light, perhaps. Other times, it might be more general, like that vague yet insistent itch to be at some glorious outdoor place defined more by its unsullied native air, free of any human-made flaw and full instead of the intimate stirrings of the natural world. Sometimes my soul inclines toward places known, and others, to something that may not yet even exist.
Perhaps the latter is my cue to see that there are places I myself should be inventing and shaping. Mayhap there is a scene–is an entire tale–yet to be writ, precisely so that I can be the first actor on its stage. Do you suppose that this is how we must address Life to fully inhabit it?
Places, everyone!
A Beautiful Sun-Baked Land
Bread for the morning came from five-o’clock ovens fired with passion and streaked with musky, pungent olive oil; the steam rolled out of those great clay caves and up the terraced resin scented hills of vineyards’ cool and shadowed kiss. Inside the chalk-white walls with their gauzy curtains strewn and the brick brown pavers all around worn by pacing wiry dogs and treading cats, the whole countryside slept, immobile, somewhat far retreated in their beds before the wavy rays of fourteen-karat sun-baked into turquoise heat our ceiling of sky.
Worlds Apart
On Not being Quite Specific Enough
An Athabascan lady and a young Mauritian man
Met on the bus while shuttling to the airport in Japan
And planned a summer get-together in the town of Dent,
But didn’t think of all details—yet still, one day they went
To meet each other in that little place—the town so small
They didn’t guess there would be need for detailed plans at all—
Sadly, the lady was in Minnesota, with no clue
Her friend was off in Cumbria, the Dent of English hue,
Completely unaware as well that continents away
His lady-friend awaited him, unknowing, that same day—
And so they never met again, each sad the other failed
To know how much they’d hoped to meet, and what it had entailed
To reach their distant rendezvous and keep their destined date,
And neither learned there were two towns named Dent until too late.
My Baroque Gesture
The first time I heard Early Music performed in period-appropriate style I experienced, not surprisingly I suppose, a full mixture of amusement, bemusement, mild horror and deep curiosity. It was in a performance of Claudio Monteverdi’s seminal opera Orfeo at the English National Opera; I was a mere college stripling who had probably not even heard the phrase Early Music at the time let alone known what it might mean, and ‘performance practice’ was in something of a time of transition. Anthony Rolfe Johnson sang the title role with, if I remember properly, a rather nice overall sound, but a straight-tone and senza vibrato style and a strangely stuttering kind of ornamentation that might well have been an authentic recollection of the opera’s original character and an accurate and historically informed version of the way it would have been presented by its composer and first performers. I, having never been taught such things, merely heard sounds quite foreign not only to my ear but to my concept of skilled and artful performance, let alone prettiness. I do remember thinking that either this was all far over my head (entirely possible) or it was a pointless and poor imitation of what the ENO imagined the average amateurish opera company of Monteverdi’s day must have been capable of doing (less likely), or poor Mr. Johnson, who later went on to receive his OBE, just plain wasn’t up to the job despite a naturally pleasant voice.
Years later, I may not be much smarter than the young squirt of those days, but I’m far more experienced and have heard worlds more music, both the great and the terrible and, of course, a massive quantity in between. And I’ve been taught a thing or two about the fine points of what is beautiful and magical when it comes to singing or playing with any amount of vibrato–or none–and the many elements that combine to create tone and color and variety and character in a performance. I’ve learned some useful stuff that changes how I perceive both the level of virtuosity in playing or singing and its aesthetic appeal, two aspects that do not always coincide in my ear, mind and heart but when they do, that combine to create a kind of joy that is virtually unattainable in any other way.
When my husband conducted a production of Orfeo over a quarter century after the first one I’d heard, I had a whole different understanding and appreciation for what the many performers were doing and why the stage director would expect them to do so both from a visual standpoint–training them, along with other coaches, in appropriate ways of moving and posing and gesturing as well as in those of vocal ornamentation, since she is a superb and well-trained Early Music singer herself–and an historically suited musical one. Just as there are countless styles and types of music known to us nowadays, which you can multiply by the number of individual teachers, performers and audience members to get a rough sense of the variety you’ll encounter, there were historical strictures and structures and stylistic trends and ideas that shaped earlier generations (centuries) of music and musicians and listeners, and while some have perhaps remained relatively unchanged since their inception, many more evolved over the ages. Our expectations of music have certainly changed, and our guesses as to how it was first conceived and perceived are only as good as the lines of scholarly inquiry and oral tradition can attempt to make them.
In all, it makes rich fodder indeed for both the ear and the imagination, and I for one am mightily pleased that I have had the opportunity to live a life immersed in all kinds of music and to learn along the way. I still like much of what I heard, whether ignorantly or not, in my younger days, and much of what I like now I learned to love along the way. While my form may be far from historically accurate or artistically impressive, I will still happily bow and curtsey to all the musicians who have shared their gifts with me in my life, and to all of those who work and are inspired to play more, to sing onward.
Ashore
Islands can bring out the hermit in people, as it seems–and conversely, the social butterfly. Some who go to islands voluntarily either do so out of the desire to cut themselves off, at least partly, from social pressures and demands or come to embrace the opportunity that appears when they’ve become islanders. But involuntary islanders, the marooned (whether by shipwreck or by job transfer), can often feel contact-deprived. Suddenly people who had no particular desire for company on a regular basis feel socially abandoned and hungry; who knew?
Me, I have never lived on an island. Certainly never been set adrift and stuck on one against my will. And I happen to have pretty serious hermitage skills when I want to haven them: I’m a master at finding the quietest, remotest, emptiest corner of any place when I sincerely desire it. So I don’t generally have to wrestle through either of those dire, trying situations mentioned above. And also, I don’t really expect to run into such a situation any time soon.
That means I rather like my visits to islands, which visits are thus far entirely intentional (unless you count wrong turns onto bridges leading to them), and I like aloneness enough to seek it. Even on an island, if need be. Truthfully, though, I’m quite happy to visit islands any time I can, for holidaying purposes. Whidbey Island, Molokai, Ireland, Vancouver Island, Puerto Rico . . . I will be glad to return to these and visit many another any time I might have the chance. Let me wander inland and explore the beauties beyond the islands’ perimeters. Perch me on a rock by the shore and I will be happy, no, delighted to spend my time in good company or solitude, either one.
The Wearin’ o’ the Green
There is, of course, one overriding, excellent reason that Ireland should celebrate the remembrance of her patron saint with a vivid display of everything-green. Ireland is the Emerald Isle. I’m not Irish, but I suppose I can pretend to a certain level of affinity on the strength of two excellent reasons of my own, the first being that my Viking ancestors (if any of my Norse forebears were actually so intrepid and aggressive) had a pretty good chance of crossing paths somewhere along the line with their counterparts in the British Isles, Norwegians having gone on various exploratory and marauding forays in that direction. My patronymic (Wold), after all, sounds suspiciously more Anglo than Nordic to me, no matter how many in Norway do share the name.
The second and far kindlier tie I feel to Ireland is because I was born in the Emerald City (Seattle’s nickname) in the Evergreen State (Washington’s), surrounded by every known flavor of green and a few yet undiscovered, and I think it was anything but coincidental that on my one visit to Ireland thus far I felt remarkably at home even in the middle of the winter, when the chill and snow still couldn’t entirely subdue the exquisite greenness of the land. It may not have hurt this sense of connection that some of the locals on that trip asked me what part of Ireland I came from, given that my accent apparently wasn’t heard by them as being wildly different from some in the UK. In any event, as green and growing things resonate so deeply in my heart and soul, I can’t help but celebrate the beauty of Green while millions are wearing, spending, planting and drinking it, and otherwise rejoicing in the character seen as protector of the great green land of Eire on this most Irish of days.
Here in this Emerald Land
Because there is no sapling in the earth
But that springs out when water wakes its seed
And sunlight calls it up in urgent need,
I think the rain and sun of equal worth–
Yet all the riches of a blooming world
No greater shine than that most humble weed
Whose leaf invites the passing deer to feed
Because its banners, sweetly green, unfurled–
No flower can surpass, exotic bloom
Outdo green’s living beauty or exceed
Its life-affirming sweetness when we heed
The subtler potency of its perfume–
And so I bow my head, ecstatic–sing
The joys of every green and living thing.
Much as I adore sunshine, I am willing, too, to be showered with the rain, for it slakes the thirsty earth and brings forth all of its green glories.
Signs of a Good Trip Ahead
That wonderful invention the GPS is generally a generous gift to a diva of disorientation like me. With my myriad forms of dyslexia all interlocking magically to make it virtually impossible for me to find my way practically anywhere past my own mailbox, it’s nice to have a personal assistant, albeit a computerized one, telling me how to get from Point A to Point B and beyond. And I do love a good road trip, when the opportunity arises.
You are Here, but There’s No Here Here
But even our GPS (sometimes fondly called Peggy Sue after the lady who first helped us find our way around our new home, town and state) in all her digital wisdom can’t find everything. Sometimes, as on the above-pictured occasion, she has no more clue where her driver and passengers are than they do. And you know, it’s kind of amusing to me. Not only does it amuse me to look at the GPS screen and see it telling me that I am a little red arrow flying through the air in the vastness of uncharted space, but it’s weirdly reassuring to me that my lack of omniscience is far from unique in this world. All the same, I do appreciate Peggy Sue’s selfless assistance when it’s needed and available.
On the other hand, there’s plenty to be said for going forward without knowing what comes next. In life, it’s just plain inevitable–prescience of any sort is in mighty short supply. On holiday, going with the flow is often the perfect way to have a rich and full adventure, and even the occasional mishaps stand a chance of being fodder for both present delight and reminiscent hilarity. On the pictured ‘flight’ across uncharted Texas territory, my spouse and I were so happily absorbed in relishing the sights along the unknown way that we both failed to notice one of our other digital auto-assistants signaling us that the supply of petrol was diminishing, until it was seriously questionable whether we’d make it to a gas station before the tank ran dry. We knew we were in the vicinity of Seguin (a place we’d been through a few weeks ago) and crossed our fingers that following the intermittent signs to town would get us to a refilled tank in time. Not only did we make it in time, we had a trip in a time machine on the strength of that refueling. The little bit we’ve seen of Seguin has a remarkably somnolent sense of being stuck in time, and not even strictly one single point in time but rather as though everyone in the whole town has dragged his or her weathered boots every step of the way through its history, and everyone in turn has stopped off at a different spot in the past before picking up speed and rejoining the flow of time. Past and present meander in and out of each other and the buildings and land around Seguin and beckon us, in our turn, to slow down and enjoy the oddity of being off the map and off the tow rope of time simultaneously.
We didn’t stop quite long enough to buy wrestling tickets, mind you, but the lure of the unique and the mystery of moving ahead without any inkling of what might lie ahead kept us rolling along all the happier when we were securely back on a full tank (once we found one of those vintage petrol pumps that was fully functional and deciphered the toothless ramblings of the guy sitting in his lawn chair ‘instructing’ us through our transaction from across the lot). If we hadn’t been to Seguin, we’d never have experienced its time-capsule marvels, potted around wondering how on earth a town that size could survive with so few gas stations, or gotten to see the World’s Largest Pecan, a sculpture on the lawn of City Hall that is probably really about the second or third largest representation of said nut in the US and possibly about the second or third least decorative sculpture (sorry, Seguin!) upon which any town proudly bases a promotional motto. Strange? A tad. Stuff I could easily have lived a long and healthy life without seeing or experiencing? Perhaps. But I’ve no regrets that our particular turns in the road took us there and led us to all of that fun, plenty entertaining even without wrestling tickets.
Art-Colored Glasses 