Early or Late, Good Sleep is Great

digital artworkRestoration Drama

Give me dreams, but let me sleep,

In peaceful rest to lie—

Haul off the tossing, counting sheep,

The nightmares passing by—

Yes, make the most of forty winks,

A hundred, if I may;

Remove insomnia and keep

Harsh wakefulness at bay—

No more foul nights as hostage to

Psychosis’ nasty knife—

Now, make a truce and make it true,

Right through eternal life!

The Hooey Decimal System

photoWhen I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?

What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.

Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.photoMy many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.photoIn the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.photoWhere people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.

There are, you know, endless stories just waiting to be told.photo

Hot Flash Fiction 9: Shall We Table It for Now?

digital illustrationThe lovely lady Alexandra wears a perfect pair of gleaming white kid gloves; for tea, we all sit in perfect posture and pose with poise, making our astute and marvelous and dreamlike commentary, our remarks about seemingly innocuous and polite ideas and topics far above reproach; the lady Alexandra is so ideal and beautiful and perfectly correct and her kid gloves so white, her manner of nibbling on the fresh strawberries so flawless, her tea so perfectly hot and sweet, I’d like to lean across the lace tablecloth and smash her like a roach.

Dusk to Dawn

digital illustrationCoal & Diamonds

Strangely enough, the bond of sleep, that weight of Lethe sitting on my soul,

Reminds me constantly to keep from letting diamond days turn back to coal,

For stillness rejuvenates bone and blood and sinew strong enough to bring me on,

And sleep is a portal through which a flood of musings sweep me forward to the dawn,

So rest is essential, and there I lie, seeming immobile while I dance at speed,

Or mounting on magical wings to the sky, to soar as sweetly high as I should need

To see in sleep, in my mind’s eye, new ways to spring from dark to day’s desire,

To find in the darkness of night what I love most amid the constellations’ fire

And planets and comets’ tails’ dross and stone what I can reinvent as suns for day,

My own coal-diamonds, blood and bone and sinew turned to chasing night away.digital illustration

Friendly Dragons

photo montageLight Armor

Not everything that’s fierce is cause for fear,

for strength in a good cause is great indeed,

but not intended to make others bleed;

rather, to shield the weak and persevere

Against all odds, to seek the distant grail,

to lead the way when battle’s all around,

and when it’s won, to hold the conquered ground,

protecting treasures fragile, sweet and pale;

For guardian angels, pioneering, brave

adventurers and stalwart friends in stress,

must keep their fiercest watch and always dress

full-armored, so prepared to shield and save

Us humbler beings and what we hold dear;

Not everything that’s fierce is cause for fear!

digital illustration from a P&I drawing

See? I told you they show up unexpectedly; just after I gave you this messenger in another post, I got the idea for today’s sonnet.

My Relationships are an Open Book

photoA recent Wall Street Journal article about couples finding the re-jiggering of their relationships around retirement quite complex amused me a bit. The general theme of the article was that most modern retirees, those from in-home jobs and those from outside employment, come from a world where they have established fairly separate-but-equal lives and find it a challenge to spend so much more time directly with each other, doing things together. I’m so happy that my partner and I are not like most. In my book, there’s no need to be that different in retirement if you’re secure in your pre-retirement life. I’m pretty sure, in fact, that we won’t face nearly the same sorts of questions or find many of them nearly so daunting as this newspaper item intimates they could be. Despite a hectic daily life, we apparently live together like retirees already in some ways. After all, modern retirees are among the busiest, most active class of people I know.

There are a number of reasons I don’t worry about our transition. Working as we both have in art-related fields (and both of us in academia and elsewhere), where schedules and projects and income and venues and so much more have always been in flux, means that we’ve both dealt with fallow times, whether job-induced or voluntary, wherein we were responsible for directing ourselves and choosing what to pursue next and when. That means each of us has taken the lead occasionally in having the more fixed schedule, project, income or venue and left the other either more freedom or more angst about how to fill the void for the moment. We are both artists, yes, but of slightly different sorts (his the musical kind and mine the more visual/verbal); these don’t compete or conflict with each other, so no ego is at stake should either of us be hung up on that kind of thing, but rather our artistic views are complementary; both draw on similar resources of effort, inspiration, creativity and skill, so we can speak the same language even when the details differ widely. As it is, our core life-values are pretty similar, so we don’t have much reason to go far afield for purposeful or enjoyable conversation. We have a whole library of possibilities from which to choose.photoWe have, in fact, worked side by side. Not only did our relationship start when we taught in next-door buildings at university, but I was already good friends with and had even collaborated with some of his colleagues on combined recital/art show projects, a sort of classical-based performance art, perhaps. As members of the same faculty, my future partner and I ended up at plenty of the same meetings and events over time, while both still having our own tracks of need and interest. Since our pairing, I have had the privilege of collaborating with him artistically as well, and his music provides a great deal of the soundtrack, live and recorded, of my life, working or otherwise, while he lives at home and work surrounded by my art and reads my writing. We are lucky in simply relishing time together, whether to Do Things or do nothing at all in companionable silence.

But we are neither conjoined twins in tastes and wants and needs nor dependent on each other for a primary sense of identity. He inhales reads books as quickly and easily as though it were breathing, and I labor through them; his reading ranges from professional interests to serial mysteries and thrillers and more, and mine, when my dyslexia forbids the time and attention required for favorites like SJ Perelman with his dazzling wordplay, or Charles Dickens and Robertson Davies, is devoted more to blog articles and short-form works; I read and write fairly constantly, but it’s a slow-moving river indeed. My Foodie Tuesday posts here will tell you that our preferences in dining also differ widely, if not wildly. Sometimes it’s tricky finding a meal at home that will satisfy both of us equally, given the limitations of our common subset. As for movies, he’d happily be in a theatre watching the latest offerings on the big screen, but he opts to stay home with me where I’m not troubled by the overwhelming noise and the overpowering intensity of on-screen action that were intolerable to me in my anxiety-ridden days and remain somewhat unappealing even now. He still watches a lot of stuff that I have no interest in watching or even hearing, but then I’ve learned that an evening in front of our own big screen makes a great time for me to install a good pair of earplugs, rev up my trusty pencil to draw or my computer to work on blogging, photo editing, magazine proofreading and correspondence. I still get to spend time in his company and swap intermittent witticisms with my favorite companion, and we both get to do what’s more appealing to each of us.

I realized long ago that I have a different attitude about relationships in general than many others, and I know that my attitude differs greatly from my own when I was younger as well. Now that I have a number of years of marriage under my belt (no comments from the cheap seats about ‘love handles’!) I am even more baffled by the people who harp on about what constant hard work relationships and marriages are and how difficult it is to keep them operational. Seems to me that if they’re consistently hard work, they’re not really relationships other than perhaps in the form of a slave/master sort. If it’s really high maintenance, it’s a job, not a relationship. Any that are one-sided because of abuse or complete conformity or any other sort of enforced imbalance cease to be viable or valid in my eyes. Only when both parties have something to contribute that is genuinely respected and appreciated by the other does it seem purposeful and potentially joyful, and if neither of those aspects is in the equation for any length of time at all, it is based on something far different from a relationship in my book.

At the same time, if we thought in perfect synchrony and had no differences of opinion or thought or preferences, it seems to me there would be no point in the relationship either. It would be pretty much the equivalent of marrying oneself, and idea that is both ridiculous and more than a little creepy. Narcissism is inherently the inverse of relationship-ready.

Apropos of this: both my husband and I had spent a fair amount of our adult lives single (he, divorced and I, unmarried) when we first dated, and both of us were fairly certain that we would remain single for the rest of our lives–and most importantly, both of us were okay with that idea. We were whole, functioning, socially active, happy individuals with full lives and immersed in relationships with great companions of all sorts. We think it’s part of what made us ready to slide into a life partner, love relationship with very little adjustment at all. Our cosmic crash into each other was instead a landing beautifully cushioned and protected by the remarkable net of many of those other relationships of ours, almost as much as by our personal contentment, mutual attraction and shared interests. Seems to me entirely noteworthy that a strong and happy relationship was founded on and remains supported by a network of other relationships.

This, too, is significant in protecting us from the dangers of too much intermingling of lives in retirement. We already share a lot of time together that we really love. And we already share so many great friends and loved ones that it’s far from essential that all of the newly acquired ones be mutual. He knows and enjoys the company and support and good humor of plenty of friends and colleagues, many of whom I know only as names or email-senders or office acquaintances or voices on the phone, and I have my own contingent of blog friends, expedition companions, collaborators and mentors as well. If every part of life were spent together, what would we have to talk about at the end of the day?

There are so many aspects of our marriage that make it pretty easy for me to avoid worry about what-ifs when retirement comes, I almost feel guilty. But not! I appreciate that we like to do things together as often as we can, daily, hourly, and that we have a life that allows us to take advantage of it. When we worked in side-by-side buildings in years past, it meant we could meet for lunch or stop by each other’s offices or for any number of other excuses quite conveniently; now, when I’m homemaking and blogging, I have the flexibility of schedule to take the shuttle over to the campus where he now works and grab a quick supper somewhere nearby with him before a tightly scheduled evening recital or concert, or sit in on a rehearsal of one of his choirs, or tidy up his files before sitting down to write and draw while he studies a score for the next choral-orchestral extravaganza. If I’m able to get a job again, I’d like to make sure that it still allows space for our interaction, however different that will be, because we really do value time spent together, however it’s spent.

If that makes ours a little unlike the average relationship approaching retirement age, I’m just sorry for all of those out there making up the bulk of the average, let alone any who remain under the mark for any reason. I’d much rather be novel in this respect.photo

Messengers

I admire real journalists and documentarians. Now, I do think that they are a very rare breed among news-people, the rest of whom are too driven by their corporate sponsors’ and their own biases by a long shot, no matter where on the spectrum of politics, religion, personal philosophy or other conviction they fall, but there are those honest characters who, if they do consistently let their beliefs steer their messages, at least recognize those prejudices and are quite open about them and still manage to give air time to opposing or differing points of view.

Still, the ones I really find compelling are a different sort of message bearers. They are harder to recognize, because they can be quite ordinary seeming mortals or wholly incorporeal, quotidian or fantastical, intentional or entirely, serendipitously accidental in their delivery of important news in our lives. Are they strangers we meet by happenstance and happy crossing of paths, like the townspeople in Germany who saw my older sister and me debarking a train after dark and looking around to orient ourselves? The kind couple approached us, told us that Celle (however lovely) was a very small town indeed and that there were few places for visitors to stop overnight but they’d help us find one, gave us directions and set us on the path to a very cozy little bed and breakfast before disappearing into the dark like a mist.

Are the messengers those outstanding teachers who have acted not only as educators in our lives but also as inspiration, as mentors, counselors, guides and friends? Mrs. Willis, Mr. Cunningham, Prof. Keyes: I salute you! Teachers have done as much to bring light to my life as to the dim corners of my mind over the years, and I am grateful for the news and stories and messages they bring. Are there other beings among us able to protect and direct us without our even being aware of it? Of course there are. Some of them are simply gracious fellow humans whose good deeds and kindness will never be seen or fully known and recognized in our lifetimes, either because we are too dim-witted and self-involved to notice as we should or because they merely do their mitzvahs without fanfare, without expecting or needing any recognition and recompense. These we should imitate and their message should be spread further by our going out in turn to do kindnesses for others and requiring no attention or glory.

And I think that–given how beautiful and rich life can be when we do pay attention–there must be others in our midst too; angels or aliens, I don’t much care what we name them, but there must be Love looking out for us to make even the tiniest good possible, let alone the many graces that fill our days if we only look. Their message, I suspect, is nothing more or less than that we are being well looked after, and our little lives recorded no matter how small they may seem to us.pen and ink

Signs & Portents

Every trip tends to have its unique interests, but they all share certain qualities, too. One, for me, is the abundance of intriguing, useful, surprising, puzzling, inviting and sometimes downright amazing signs of all sorts that mark the way. Our summer road trip was chock full of them, too; many whizzed by too quickly at highway speed to be commemorated by me with my trusty little camera, but some served well to mark a few of the highlights and oddities of our pilgrimage west and back.

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Some signs made me wonder if we’d suddenly gone far astray from our intended route, to another state, country or (occasionally) planet. [Remember to click on the images if you want to see them in greater detail.]

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A few signs were rather provocative, and many simply amused me greatly for one reason or another.

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Vintage signs often outlive their original purposes by being moved–or read–out of context. Unless, perhaps, the message has a more cosmic meaning…

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Some of the most welcome signs are those very familiar ones not seen in a very long time. It doesn’t matter so much that I’ve frequented the place or embraced the item as that the sentimental landmark each represents of other persons and places is called to mind.

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I’m especially fond, though, of those signs that seem to have lives of their own, through age and adventures unknown. I like to imagine what they denote beyond their mere artful decorations and texts.

On this particular escapade of ours, all signs pointed to a grand tour and many colorful memories. And led me, of course, to think ahead to all of the travels and signs yet to come in my life.

If the Muse Should Come to Visit

Our summer road trip afforded me a few good opportunities for one of my favorite activities: listening during great music rehearsals while drawing and writing. Part of me is fully engaged in the music-making, wanting not to miss a single note or nuance even when it’s truly a working bash through sort of session for the musicians. I learn so much about the pieces in hand, their histories, contexts, technical challenges and all that sort of thing as well as what to expect and what might happen in performance that I always enjoy concerts more deeply after hearing them being developed for the performances. At the same time, if the work in hand is sans text or in a language so unknown to me that I can’t get wrapped up in that aspect beyond whether the ensembles’ vowels and consonants, attacks and diminuendos and cutoffs are, well, ensemble, then I can focus my language centers on writing, sometimes blog post essays and sometimes poetry.

When the text is too enthralling or at least too present in my attentions, I can still indulge in drawing. Either way, it’s not so much dividing my attention as letting one kind of artistry inspire and guide another one. One enriches the other. Especially when the music rolling around me is as rich as, say, that being prepared for performances at the Vancouver Early Music Festival in August. I only wish that the products of my sessions were always as inspired as the music undergirding their inception. But my only chance of getting any better is to keep practicing, isn’t it. And I’m lucky that I like the process more and more as I go along, and yes, the better the music is, the more I enjoy my learning curve. That’s inspiring enough.graphite drawing

A [Mostly] Black & White Photoessay from the Road

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Farm Frames.
I loved the sweet repetition of gorgeous farms of all sorts, in parts of every state.

Some of the images yielded by five weeks and six thousand miles’ worth of rambling cross-country seemed to want expression in my old favorite black and white imagery. And, not coincidentally, this set particularly showcases my obsessions with seeing patterns, repetition and commonalities.

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Towers
Monolithic bare trees and sculptural bridges seemingly imitate each other.

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Twisted Trees
Driftwood. A helical trunk amid Douglas-fir and vine maple companions.

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AmeriCars the Beautiful
Car culture in the US may have long grown old, but it hasn’t stopped being a classic.

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Boarded Up
Fruit growers’ packing crates. A burned house.

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Shake Your Tailfeathers
Hawk? Maybe. Mallard, definitely.

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Sunday School
The old shed behind the parsonage, the inner workings of a portative organ, and a vintage church.

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God is in the Details
Small stuff, large impact.

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Radii
Spokes that speak for themselves.

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Elephants
An older model pachyderm and an older model Packard? (Nah, I think it was a Rolls.)

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Strange Geometries
The wonder of a weird homemade aerial and the magic of a zebra.