A [Mostly] Black & White Photoessay from the Road

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Farm Frames.
I loved the sweet repetition of gorgeous farms of all sorts, in parts of every state.

Some of the images yielded by five weeks and six thousand miles’ worth of rambling cross-country seemed to want expression in my old favorite black and white imagery. And, not coincidentally, this set particularly showcases my obsessions with seeing patterns, repetition and commonalities.

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Towers
Monolithic bare trees and sculptural bridges seemingly imitate each other.

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Twisted Trees
Driftwood. A helical trunk amid Douglas-fir and vine maple companions.

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AmeriCars the Beautiful
Car culture in the US may have long grown old, but it hasn’t stopped being a classic.

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Boarded Up
Fruit growers’ packing crates. A burned house.

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Shake Your Tailfeathers
Hawk? Maybe. Mallard, definitely.

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Sunday School
The old shed behind the parsonage, the inner workings of a portative organ, and a vintage church.

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God is in the Details
Small stuff, large impact.

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Radii
Spokes that speak for themselves.

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Elephants
An older model pachyderm and an older model Packard? (Nah, I think it was a Rolls.)

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Strange Geometries
The wonder of a weird homemade aerial and the magic of a zebra.

 

Wonder

 

photoThose things that I can see even with my eyes quite tightly closed are objects of reverence and awe. No matter how much I admire the visible world for its quirks and art and prettiness, I cannot always navigate it with precision. I often can’t recognize faces out of their expected contexts. I miss obvious details that people around me have noted with nonchalance. I fail to see the marvel in many a beautiful everyday thing.photoSo when the attractions of anything are so intense that they live, beyond existing in the visible world, within the depths of my mind’s eye, I accord them special significance. They become icons of a sort, or waking dreams. I can carry with me those images that hold their places in my soul with something stronger than mere physical presence can ever begin to attain.

Unfinished in Perpetuity

digital artworkWork Forever in Progress

Hundreds of lines later,

I have nothing to show

except if you count

a sense of accomplishment in having

been faithful to a commitment, in having

persisted steadily in the face of the

unseen and unknown, in being

somewhat soothed by the simple

process of having given a little

heart and soul to something

simply because I could.

However I came to exist,

I think I might be a little bit

the same kind of puzzle myself,

imperfect and utterly incomplete,

but nicely so, for all of that–

nicely, because,

after all, I am working my way

toward being something at last,

and whether I have

an encompassing purpose or not,

I have at least

begun to Be . . .digital artwork

A Concert with a Wedding Attached

Seventeen years ago today I got married. And as all of you who have visited this blog with any regularity know, when I got together with the man who became my husband, spouse, best friend, partner and daily companion, I gained a world of music. Of course, music was a big part of my life already and distinctly a contributing factor in our getting together in the first place; I worked in the university art building, right next door to the music building, and spent plenty of quality time there going to concerts, meeting with friends and all of that sort of happy thing, and when the nice Director of Choral Activities asked me if I’d be willing to help spiff up the aging auditorium for the annual Christmas concert festivities I gladly said yes. That was only the first time I made banners for an occasion of collaborative fun with that nice DCA man. Less than eight months later I was making bunches of banners to fill up a church nave for our wedding.scanNo surprise that, since under friendly pressure from them we gave up on the attractive idea of eloping and just having a party with our family and friends on our return, we decided that the best alternative was to have a celebration with lots of music and just party all the way through the event. Turned out it was easy to do so.scanAssembling our wedding’s participants was easy-peasy. Relatives and friends from work, home life and church lined up and pitched in as planners, greeters, acolytes, reception hosts and much more. Clergy? Well, as the daughter of a bishop I didn’t have far to go to hunt up someone to marry us. The church’s lead pastor presided and Dad officiated, and a dear sweet retired pastor friend served as lector. Witnesses? Having three sisters, I had no problem lining up a team; Richard’s backup was easy to arrange as well: his sole brother, our mutual beloved friend Jim, and Richard’s colleague and partner in choral crime, also named Richard (Nance). Musicians were easiest of all for us to arrange, unsurprisingly.scanWe had an outstanding pickup choir of students and members of Richard’s choirs, past and present, and friend-colleagues playing horn and singing the processional solo. Jim, getting in some exercise during the service, was organist as well as standing up for us. That, as well as having helped us plan the whole service and choose its music, and set one of my texts to music for our congregational hymn. Richard N, besides joining the altar party, pitched in (no pun intended) musically as well, conducting the choir for us in a lovely collection of pieces capped by the premiere of the exquisite anthem he composed for the occasion (now a best seller for Walton Music!).scanYes, this is a brag post. Happily, all true.photoHappy Anniversary, my Love.

DIY Weddings are Easy When . . .

. . . you have a world of friendly resources at your beck and call. So, technically, it’s not DIY at all of course but rather Così fan tutte. [Ed: roughly translated, ‘Everybody’s doing it’.] It’s not, even then, for the faint of heart, because let’s face it, unless you’re having the always admirable super short, informal adventure of standing in front of a Justice of the Peace or of surprising your immediate family in the middle of dessert one weekend with a five-minute ceremony, there are a host of details that might need to be given eventual consideration. Beyond simply making sure that the two people who are getting married actually show up at the same time in the same place, there are a handful of legal elements that generally should be taken care of before the event, if it’s to have any official standing. And from there, the possibilities expand exponentially. I suppose it’s not wholly shocking that the process might lead to the development of a few dysfunctional bumps and bruises among family, friends and support staff along the way.photoBut I hate confrontation and stress, and the very idea of becoming such a parody-inspiring Marriage Monster appalls me. And when we decided to marry, I don’t doubt it occurred to me that my intended, Richard, might equally abhor the idea of a painful process and wedding day. So we were both very happy to treat the whole thing something like an elaborate concert performance, perhaps a cheery semi-staged operetta, and to act as artistic directors and performers, yes, but also to let a great slew of friends, relatives and acquaintances carry out as much of the heavy lifting as possible along the way. After all, though we intended to have a good time and hoped everyone else would too, the real point of the occasion was that at the end of the day we would be more married than we were at the beginning of it.

Being a visual artist, I had no shortage of ideas about how I wanted various things to look, from invitations and service bulletins and guest books to the floral arrangements, wedding party dress and church decor, to the tables and food at the reception. And I had pretty extravagant ideas, at that. But I didn’t have a huge quantity of money to invest in it (nor did my parents) and I deeply dislike the idea of spending ghastly sums on a single event that, while important and hopefully happily memorable, is still only one actual day of life. What, I should spend my life savings on a single party?

That’s where one’s personal fortune in community has so much more than monetary value, though I’ll readily grant you that ours, in sharing their talents and efforts with us for the occasion, saved us a ton of money. We married in the church across the street from the university where we both worked, since not only were we members there but it was so handily located for so many of our friends, students and colleagues who were also part of the university community. I had a fairly easy time imagining how to use and decorate the church, since a few years previously, I’d served on the committee that oversaw a massive renovation of the space, taking part in all elements of the design from seating arrangement to finishes, and designing the new altar, font, pulpit, rail, crosses and incidental furnishings that were built for it.photoSo I opted to fill the space with a different kind of design, making a couple dozen banners to hang on walls, fly from the light boxes in the ceilings, display on stands in the narthex and chancel, and be carried in procession by fine young friends strolling in en route (to light candles) and out (to the reception hall) along with the wedding party. Already a banner maker for church and event commissions, I had lots of material and experience, so I sewed, painted and otherwise assembled the banners myself (from the flying ones at about 36 inches in length to the main chancel banner that was about 26 feet), and I got good help with putting together the stands and hanging mechanisms and installing them all at the last minute when we could get into the nave to do the work.photo montageThat’s a constant with weddings and parties in all sorts of venues other than Home: no access for prep and installation and other setup work until the last minute. So because I am a control freak, a design nut and also someone who really wanted to just have fun and enjoy my actual wedding day, I plotted and planned and prepped everything I could, along with my Intended and a slew of family, friends and other helpful conspirators. First, of course, it was essential to get all the actors on board and ‘synchronize our watches’, since it’s a busy crew and driven by a multitude of crazy calendar iterations. Once that was established, the work of service and reception planning commenced.

The earliest necessity, since I didn’t want predictable or expensive floral arrangements but love flowers, was to plant and tend flowers in Mom’s garden and that of our good friend Claudia, next door to her. By the time our July wedding rolled around, I had gathered the ribbon and wire and other essentials and been offered by the lovely Linda, a friend who was chief florist for the university’s official events, that if I handed over the materials she would provide us with her gorgeous bouquets and boutonnieres and corsages for all and sundry, so all I needed to do at the last minute was go a-gathering in their yards with my two beloved garden-gnome ladies and then give buckets full of fresh beauty to Linda on the day.

Meanwhile, much brainstorming and list-making was underway with the able assistance of others, so that everything essential would be pre-arranged too and not worrisome. All of the print materials derived from a combination of my photos of iris leaves, text typeset by one of my sisters in fonts I’d chosen, getting printing done by the local quick printers (with whom I’d done many work projects) on their green ink printing day of the week and then doing all of the black ink stuff on copiers and folding/collating things myself while I was calligraphing the invitation envelopes, closing them with an inexpensive gold seal and a swash of purply interference paint and a rubber stamp message noting that the music would begin a full half hour before the service. We did, after all, know that there would be lots of my fiance’s fellow musicians both participating and attending.

Clergy? That was about the easiest part to decide, since as a cleric’s daughter I could just tap Dad. So the church’s lead pastor presided, Dad officiated, and a sweet retired pastor friend served as lector. Since Dad was robing up for the pastoral gig, I decided to have one of my uncles sashay down the aisle with me, and he kindly acquiesced to my request for an escort. Our organist, our great friend Jim, was also standing up for us, so he did a bit of trotting up and down the aisle, but in great Jim style. As one of four sisters, I had the easiest time choosing three attendants, but it was simple for my groom to line up the perfect support team, too, between his one brother and Jim and another of our close friends who happened to be Richard’s choral conducting partner at the university as well. Friends from various places rounded out the team, serving as greeters, acolytes, and our wonderfully hospitable reception hosts. One of our brothers in law was chief photographer, taking a batch of group wedding party photos just before the church began to fill, and all of the rest of the pictures came from a combination of photos friends sent us and the box full of disposable cameras we’d distributed on the reception tables and collected for development at the end of the day. This proved a serendipity because it both gave us some fun candids from the kids’ point of view and kept some of the younger partiers entertained during the reception as well.

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I designed and made stoles for Dad and the presiding minister, too.

My sisters readily agreed to help pick out simple black dresses they’d actually have a hope of wanting to wear again later, and we managed to find a great deal on them and choose a design that, happily, was made of a very stretchy fabric, since it turned out that one sister was curvaceously pregnant by the time our wedding day rolled around (no pun intended). I sewed a violet voile shawl edged in emerald green for each of them, and a scarf of the same to tie back my hair rather than having a veil, something that would anyway have looked a bit odd since I didn’t want to wear a white gown. Besides that I tend to look a little too much like a corpse when wearing white, I too wanted to have a dress with reuse potential, especially if I was investing a couple hundred dollars in all of the fabrics, so I made my shawl from iridescent emerald voile, the same fabric that I lined with dark emerald taffeta for the body of my skirt and bodice. The bodice, made in a sort of weskit shape, I stitched with self-colored silk soutache. While I cut and serged all of the pieces of my layered fabric for the dress and made my underskirt, my mother generously did all of the finish sewing on the top and skirt. Designing and sewing just the soutache provided enough adventure for this semi-skilled seamstress. I did, however, go dress shopping with both of our moms, and we found one a perfect-condition consignment dress for a great price and the other, a clearance two piece dress/jacket combination for $10. The guys wore rented tuxes, mainly because the groom owned a white tie and tails conducting getup and nothing like a plain black suit, and I figured if I was going to have a wedding more formal than a zippy elopement, I still did want to get all spiffed up. Not averse to having fun, and all that jazz.

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[Ed: No, we weren’t all pretending to be The Dread Pirate Roberts–I’m just providing a dash of privacy for family and friends.]

The fabrics and ribbons left over from manufacturing banners and dresses and shawls got trimmed and saved up for dressing the reception tables, along with a multitude of candlesticks from home that I loaded up and lit. To keep reception food fuss to a relative minimum, we opted to have the party in the fellowship hall at the church. That way, also, there was no monkeying around with additional travel, hall-finding and parking issues, party setup in a separate venue, or the time required for all of those add-ons. And we figured the social aspect was the primary reason for having a reception at all, not fussy edibles meant mostly to impress people, so we went to our favorite farmers’ market and bought a bunch of lovely fresh fruits to complement the array of nuts, chocolates and home-baked cookies that were the main bites. Friends and relatives gifted us with many of the cookies, and the baked centerpiece was a traditional Norwegian kransekake (more a stack of crisp-chewy almond meringue biscuit rings than cake) made by our Norwegian brother-in-law and my mother. As it turned out, yet another set of friends surprised us with a second lovely kransekake, so we were all in cookie heaven. A very fine place, indeed, and not only on a wedding day.photo

Stained Glass & Malachite

Being beautiful is such an ephemeral thing, to be sure. Making art that is beautiful is possibly even more so–after all, the same piece that appeals to one might hardly appeal equally to all, any more than the attractions of any one person might strike any others in precisely the same way. And our own tastes and interests and circles of friendship and acquaintance change so much over time that it’s a miracle if we even maintain contact, let alone a closeness or deep appreciation of each other and our various works and features over any period of time.digital illustrationCase in point: my playful attempts to learn the use of some digital tools for artwork, combined with the way that I tend to recycle my sketches and drawings, has altered both my perception of what I would keep, revise and/or rethink my own pieces to a pretty radical extent in the last few years. I believe that my overall style or the signature character of my art has remained fairly steady and therefore recognizable since it began to emerge some years back, but the tools and techniques with which it’s expressed have mutated enough to bring out some entirely different aspects of texture, complexity and even subject matter. The eccentric character in today’s illustration, for example, started out as a rather typical (if not stereotypical) caricature of a semi-human man who differed little in form from the sort of goofy fantasy creatures and people I’ve drawn for years just to entertain myself, but suddenly when I was playing with the sketch, coloring it in digitally as though I were a little kid with a digital coloring-book, he started to become something entirely different and new, a creation slightly unlike all that have come before him.

Now, because I am both unscientific and forgetful when I am immersed in amusing myself with art, I will probably never be able to replicate precisely the process that led to his looking like a hybrid of a stone-inlay project and a leaded window made of art glass. And though I like the effect and hope I can do something similar again if I work hard enough–especially if I want to make what in my own estimation is a sufficiently prettier character to warrant such a highfalutin treatment–it will hardly be the end of the world if he ends up being my only-ever stained glass and malachite creation. Being unusual and a little bit strange is just something we’ll have in common.

Keeping Watch

Now that everyone seems to have the technology to make cheap watches (which I must designate in my heart mere instruments for marking time, not timepieces), I get to wondering whether the beauty of true clockworks will always be preserved or will only serve as curiosities and fodder for art. That precision we take so nonchalantly to be ours is a museum of measurement and the poetry of a mechanism we should keenly regret to lose if we value something more than the rigid math of time, the seamless meeting of Doing and Deadline.

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It’s Good to Set a Poor Example

photosI’ve been looking through a batch of old photos, ones taken at the home where my partner and I lived in our first years together, and find it quite striking how time changes my attitudes. Yes, of course, my tastes change dramatically as time goes by, like everyone else’s, and sometimes when I look at old photos (of house, hair, habit–) I am mortified, sometimes I’m mystified, and much of the time I’m just too busy falling all over myself laughing at my ridiculousness to worry much about it all. This time, however, as I looked at my pictures I was struck rather pointedly by another aspect of surprise in revisiting what had once been familiar almost to the edge of invisibility.photosThe photos looked remarkably foreign. It felt a little odd that I’d forgotten so much so completely in a relatively small number of years; is my personal fad-of-the-moment so shallow that it’s obliterated from my memory the instant it’s not in front of me anymore? Well, yes, probably so. I know when we downsized significantly to move from that place we sold or gave away tons, including beloved antique and heirloom items that I feared I’d regret losing, yet in truth hardly ever even thought about again afterward. But the stronger effect was that I am amazed to remember now, on seeing this former home of ours, how much of its DIY character and even the design choices I made were directed and colored by the modesty of our income. Just as I had never clued in when growing up that my family wasn’t rich because I wanted for nothing truly important (thanks, Mom and Dad, for the choices you made!), I never thought of it in those terms either when my husband and I lived in our first together-house–au contraire! I was happy that not only did we live in a place that reflected our tastes and comfort level and our own labors but our friends and family seemed to enjoy visiting there, feel at ease there too, and even admire it as a nice place. No one would ever have mistaken it for upscale, palatial or a showplace, but its humble charms seemed to be more than enough for us to feel glad of it.photosPeople even hired me to do design (interior, objects, exterior and garden) projects based on what they liked of my work in, at and on our home. I was asked to allow a garden club to tour our yard the year after I had it bulldozed and reinvented it to my own tastes. I got hired to redecorate and consult on homes and offices and churches. Was it the swanky air of chic pouring out over every windowsill and sprouting in every flowerbed of our home, the hipness of our up-to-the-minute styling? Certainly not. But would I ever hesitate to invite any trustworthy person who came to the door to come in and make him- or herself at home or fear that I would be unkindly judged or seem uncool? No, even in my shyest and most anxiety-ridden moments, my insecurity never moved outside of my own being: I have always been confident of the niceness of my nests.photosThing is, I was most taken aback by recognizing in these old pictures a home happily occupied by a couple of people getting by on teachers’ incomes and setting up our grand estate on the masses of free time afforded by our having two full-time teaching jobs, his having two additional ‘outside’ choir gigs and my doing extracurricular commissioned design and art projects. As an adjunct faculty member I was in the familiar position of working over a decade full-time before getting to the pay level of the New Kid who came into the department that year straight out of grad school into an assistant professorial position (and I got to argue plenty for a huge percentage raise in my paycheck just to scrape up to that point)–those of you who have worked in higher education know full well what I’m talking about and also why teachers rarely work ‘only’ the fabled nine-month year of the academic calendar without having to supplement by taking side and summer jobs. Still, we were most certainly affluent compared to many, just not in that fairytale way of Having Money to Throw Around.photosSo the intriguing thing I saw in these photos was that much of my fanciful decorator achievements were then, as now, created by use of the designer’s equivalent of sleight of hand, smoke and mirrors. DIY. And lots of throws, slipcovers, repurposed and recycled and upcycled goodies of every sort. All of this to say that, far from being ashamed at the obvious poverty of my resources, I was and am proud of finding ways to make whatever I do have the best it can be and making my surroundings better with what I can manage. Nowadays I tend to think in those terms less because I actually can’t afford the more extravagant approach and more because I’d rather do it in a way that conserves and respects the resources more fully. And because I’m enough of a snob to know by now that what rich people consider Simplifying or Conservatism or Mindfulness is a far cry from the poor person’s point of view. The beauty of Home lies far less in decorative statements than in clean, secure shelter, in warm hospitality and kind hearts. If being impecunious can be motivational, then why indeed not do it well!photos

Outlets for Creativity

The bane of poorly placed or unattractive light switches, outlets, thermostats and other mechanicals is one of the great challenges to the average homeowner’s creating truly cohesive and attractive decor. Frankly, I’ve never understood what could be so hard about putting all of the functional and utilitarian elements of any building into very easily accessed and yet unobtrusive locations throughout, but that’s never happened in any building I’ve seen let alone in the houses where I’ve lived. Home design is generally pretty dimwitted in terms of simple practicality. But then, it offers a dandy problem-solving adventure to those of us who like such things.

So I say, if you can’t lose it, use it.photosExposed under-sink plumbing but not a lot of room for real cabinets? How about a half-height set of portable drawers and a counter skirt that fills the gap and hides the plumbing? It’s cheap, especially if you can use a ready-made window valance as I did in this instance, which also means that when your tastes change, changing the treatment won’t take a major investment either. A nasty old tile countertop that’s set in such hard concrete that it can’t be removed without demolishing half the room can be overlaid with a simple piece of laminate and a hardwood facing raised to be level with the edge of the top. Again, a cheaper fix than demo and new tile or stone, and easier to replace when the time comes even if you’ve still not saved up enough for the super-cool high-end stuff.

Another problem that’s pretty common in modest homes is a den (in this case the spare bedroom) where you want to be able to sit among your books and read but can hardly fit in your little old slipcovered sofa and still allow enough room for the adjacent door to clear, and then run out of space for the actual bookshelves. One fairly easy way to deal with this problem is to mount the bookcase on the aforementioned door. When I did this, I did install casters at the bottom of the case so the door hinges wouldn’t have to bear the weight of all the books as well, and ended up not only with handily located books for our cozy little reading nook but just a touch, however modest, of the secret thrill of a hidden doorway, even if this one only went to the attic. Add an old highboy dresser with some drawers removed for extra shelf storage, and for tucking away additional materials, there’s no end table or footrest like a stack of old trunks and suitcases. Voilà! A small and comfortable snug for reading, with a lot more stored in it than would seem probable or meets the eye.

With no space for a sewing room, I got a little creative finding a spot for that work, too. I found an inexpensive storage cabinet, the white laminate particle board kind, in about a 6’H x 2.5’W x 1.5’D configuration, at the local builder’s supply store, installed a hinged pull-down bench I could put my sewing machine on (or when it wasn’t in use, put behind it), added small weight-supporting posts in the middle of the shelves, and had a simple little sewing center that I used easily for quite some time. By setting my serger on the shelf adjacent to the pull-down bench, I had a comfortable corner where I could sit in my cheap swiveling office chair and go from one machine to another while I was working on my projects, reaching up to the stacked fabrics stored on the top shelf or underneath to the other tools and notions and sorting boxes on the bottom shelf. Finish work, push the sewing machine back in the cabinet and fold the bench up in front of it, latch that in place, and close the cabinet doors. No sign of Sewing Central in the guest bedroom until next time.photosThat house was more than big enough for the two of us, but in typical older-house style the space was divided oddly and not quite a perfect design for us as-is. What was not typical of the place’s vintage was that it had quite a high proportion of windows to wall space, a very nice thing but also a little limiting when it comes to placing furnishings and hanging art. That drove the placement of the antique china hutch (whose back side, happily, was finished in the same rustic style as its front) as a room divider to frame the dining room without overlapping either of its flanking windows. Having a wood-stove could have been a delight, but since the area where we lived had frequent burn bans because of the local microclimate, we hardly ever had the chance to play with it. Eventually I traded the stove to a friend and fellow artist in exchange for helping me redo the flooring and counters in the kitchen, but in the time while the stove crouched there using up real estate in the living room, it got a customized cover of lined taffeta (made at my little sewing station, of course) that made it into an extra end table with a hint of insulation. The living room itself was quite spacious for a house of that vintage, so with its location practically next door to the campus where we both worked, it was a handy post-concert gathering place for debriefing the concert over a glass of wine.

That meant we wanted to put as much seating as possible in the place without making it feel like one of those seedy recliner showrooms where salesmen lurk in the shadows and try to sell you chairs that look like poseable hippopotami. We already had a couple of heavy mid-eighties pieces of furniture that needed a little touch of camouflage for their portly nature (the white-draped tub of a chair on the left of the first photo above was later ‘darkened’ with multiple shades of purple into the equally chunky but less omnipresent chair on the right of the second photo, and its variety of textures and shades helped at least marginally to distract from the bulk of the whole. To get a slightly airier feel among the furniture occupants of the room, I took my grandparents’ old Jenny Lind double bed and made it into a little post-Victorian settee that kept us company for a goodly while after. That way the frame was virtually free (the seat slats were pickets salvaged from backyard fence repair) and all I spent was on the fabric and padding for upholstering the piece.

Still, I was irritated that the first wall anyone approached on coming through our front door was ‘decorated’ with an inconveniently placed thermostat. Never mind that the thermostat was located directly downwind of the only exterior door in the area, it was just plain an eyesore and a pest to hide. So I made it part of the art arrangement, ‘gilding’ it with metallic ink to match the background of the small icon and the frames of the larger artworks with which it was prominently grouped. It may still have been a pig, but I liked its looks better with the lipstick on it.

Now, I told you that I think virtually every place has some of these irksome ill-placed or hard to disguise quirks in its construction, and those I’ve dealt with were hardly limited to the one house. Our current place has them, too, and I’m working my way through them bit by bit, like the hideously ugly and out of date but perfectly functional doorbell box in the front hall that now lives behind a small basket that I think was originally meant to be an office Inbox but is mercifully less attention-getting than the egregious original bell cover. And it’s ‘breathable’, so there’s no worry about the sound being muffled or the mechanism overheating in a closed box.photoFurther episodes must wait for another day. The hunt for better, easier, more practical and attractive but less expensive solutions never ends. There will always be another touch of decorative deceit needed, as long as there are builders who don’t think through the way their buildings will actually look and work when, wonder of wonders, people live in them.

Best Hardware-Software Combo Ever

digital collageWhat? People. Easy-peasy. People, people. The most productive combination of ideas and imagination with the support structures to bring them to reality that was ever created. And hey, the human machine is able in turn to create further things. Yes, like hardware and software, among many-many-many others. What a strange invention is the human, the first ‘learning computer,’ yet so prone to errors and malfunctions and full of operational bugs that if we’d been a product, our inventor would’ve gone bankrupt in a cosmic instant.

Despite our messiness, though, we remain marvelous and surprisingly elegant machines. The thought of building structures that are not only composed entirely of living cells that, in health, constantly renew themselves and rebuild but are also able to contain and generate and synthesize and communicate intangibles like belief and imagination is quite astounding. That we creatures are able, as well, to imitate our own invention by being creative ourselves is nothing short of bizarre and miraculous.

How lucky we are, how blessed, to be–despite our fragile and somewhat freakish nature–able to be powerful and lovely in our creative ways too. How grand that we can appreciate this loveliness. And how rich and potent, above all, that we can still recognize how small and fleeting all of this goodness is in the greater scheme of invention that embraces us, our fellow living things, our world, our galaxy, our universe–and all the marvels that are yet unknown to us. We are tiny, we are mighty, and we should always be in humble awe.digital collage