Tag Archives: art

Haunted Youth

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digital illustration from a photoThat House on Our Street

The doorway was a toothy maw, the casement was an eye,

and all the children crept in awe each time they must pass by,

regardless what they heard or saw; they knew that they would die

if anything at all should draw them in, no matter why,

For bogeys, fiends and ghastly ghouls inhabited the place,

entrapping and devouring fools, and set on them apace;

those children who had left their schools and homes without a trace

now lay decaying in deep pools as dark as outer space,

Dug in the basement deep below, a catacomb of holes

filled up with youth who’d tried to go into this cage of souls

and found, not fun adventures, no, but rather, evil moles

of spirit-kind hid here–and so, for them the town bell tolls;

Lost children wail twixt yonder walls at night while moonlight creeps,

and roam like mists down endless halls while all around them sleeps;

no knowing parent ever calls again; the mansion keeps

its secrets tight, and silence falls, far as the deepest deeps;

At least, the children’s fears said so; the legend kept in thrall

the children thereabouts, who’d go timidly past it all

at anxious speed along the row, lest they lose their recall

to safety. As grownups all know: life’s scary when you’re small!

Something Fishy about That Girl

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digital illustrationThe Return of Dorinda Beecher

Restless sailors far from shore seek in the stars, and furthermore,

In deepest seas, hoping to sight some change to break the endless night,

The ceaseless day, the infinite long year’s dull drone, for what’s in it

To charm the man who’s been abroad and has forgot his native sod,

Who knows no home and has no friend, just sailing, sailing to the end

Of Earth, the seven seas, the Known? Yet one such sailor, one alone,

Found in the foamy waves that dream the others sought, caught in a beam

Of phosphorescent, moonlit flash: the slightest bubbling roll and splash

Betrayed the presence of a maid; he started, would have leapt to aid

Her but that she was smiling wide, dolphin and otter at her side

Bearing her up in playful bounding swoops. He did not make a sound,

But smiled back, struck by her grace; and when she saw this on his face,

She beckoned gently, drew him on. Another splash! The sailor’d gone

And dived into the depths to meet this mystery, so grand, so sweet.

Could he? Would she? He fell in love, quite literally, from above

Her water empire, and he went full willingly, no accident

Of fate or fearsome, deathly wish: he’d rather fade among the fish

Than risk to lose this chance he’d seen to meet and mate his mermaid queen.

Once in the water, swift he sank, quite full of joy, and glad to thank

His lucky stars; he saw her swim in swiftest darts to rescue him;

She laid a soft hand on his brow–he thought it felt quite different now–

And gazed on him, and in her eyes, he saw reflected, with surprise,

That he’d become an otter, too. Yet not affronted with this view,

He thought their states a pleasant match; his mermaid queen was quite a catch.

Off, then, they swam, mermaid and men, her willing slaves not seen again.digital illustration x2This post is especially for Lindy Lee, who requested on Dorinda’s first appearance here long ago [see the link in the post title] that she might revisit us sometime.

Angels of Mercy

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graphite line drawingThere are a lot of distinguishing features that we associate with Goodness, in the general sense of that construct. There are the usual ethical and even moral qualities we impute to a person or action or event in our humanist or religious ways: honesty, justice, kindness, compassion, hospitality, wisdom, patience and other such characteristics are almost universally recognized as positive and admirable. And while we can sometimes recognize these things in our fellow mortals, many of us find it easier to represent them in our minds’ eyes as some kind of super-beings that transcend human limitations, because it’s hard to imagine much of this happening or being sustainable in the hands or lives of mere people.

So we have our superheroes and our faeries, our special agents and goddesses, avatars and angels. But we’re still either too limited in our mental vocabularies or perhaps simply a little bit too insecure and egocentric to imagine or depict much that is Good without giving it a recognizable hint or ten of humanness. We make our gods in our own image, unable to picture them as truly different enough from ourselves to be genuinely Other and unique. We need to feel a concrete connection if we’re to make any sense of our own ideals.

And there’s nothing wrong with that, to my mind. How can I talk about the sweetness of a ripe pear with someone who has no sense of smell or taste? What it feels like to stand mid-stream in an icy creek with someone who has no legs or is a lifelong quadriplegic? How could I hope to discuss a complex topic with a deaf person from another country? We have to have some little commonalities, at least ones that we perceive as such, for us to have any kind of relationship, including the philosophical or emotional or spiritual.

So we, thankfully, have our Helpers, our unseen supporters and caretakers and watchers and guides, and we give them features that help us to understand and trust them. The other day when I was drawing I was thinking of a friend who, as I write this, is undergoing cancer treatment. Many friends and relatives and acquaintances have done so in times past, and many will yet again, and I think of them in their times of need and send, in my own way, my love and hope and concern, but most of them cannot use anything tangible that I have to offer. I think for cancer patients, my versions of angels would most certainly be beautifully smooth-headed creatures.

I am no surgeon, healer, scientist, caregiver or therapist of any sort. If you live close enough you might get some homemade chicken soup from me, or an armful of flowers from my home meadow, or a little note, but I have no cure to offer, have not even enough encouraging wisdom of my own to get you through the day better. What I do have is my own vision of what I would hope to have at my bedside or hovering around me as I tread any dangerous paths, a sort of gracious, singing, laughing and–when I need a modest and quiet companion who understands the sorrow of it all–gently embracing angel of mercy. And my particular versions of such beings work in force, and also make house calls, so I will gladly send regiments of them in all their shining, vaguely human, terribly purposeful Goodness to watch over all.digital illustration

It’s Early Yet

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graphite line drawingBeing an inveterate late riser, and a crabby one when forced to get up before I’m ready, no matter what the hour, I am flummoxed for the most part by those who tout the glories of the break of day. I say, for the most part, because even I have been known to admire the sunrise, and even in my worst and most heel-dragging, snarling moments can see how incredibly pretty and magical the beginning of the day can be. In fact, I can outright admire and relish the whole thing if I know I get to watch the show and go instantly to bed again until I’ve had my requisite number of hours abed.

I’ve a fairly wide variety of reasons for not having children, too, not least among them my aforementioned monstrosity in the beginnings of the day, a time when babies and young persons of all persuasions and personalities are apt to be chirping and squealing adorably and performing all manner of gymnastics and, just possibly, noisy and/or noisome bodily functions that would demand kind attentions from me. I am not that nice at the best of times, never mind any time before I’m willing to rise up and be Awake. You can imagine how the very prospect of pregnancy and its sleep disruptions, and those only leading precipitously to years more of the other sort, would seem to me, most particularly as I was already sliding off the back five of my fourth decade of life by the time I got married and thus would have had any hope of an ongoing partner in the proceedings.

You must know, however, that I think children are a very fine invention and well worth the trouble, and also that I have nothing but the greatest admiration for that mystical marvel that occurs when the tiniest edge of the sun peers over the horizon and then in seeming seconds is blazing up the morning sky. It’s just that I am content to leave all of the heavy lifting in those categories to finer beings for as long as I can. My siblings and other relatives and friends have gifted me with an abundance of outstandingly beautiful, brilliant and engaging children to admire, cuddle, tease, flirt with, trade tall tales with or about, and otherwise delight in before handing them back to their parents just in time for any less scintillating activities to be addressed more expertly and semi-willingly than I would do. And dawn, well–that will likely become part of my repertoire when I hit that Certain Age incapable of sleeping massive amounts any longer, but until then, it belongs to others, except in my imaginings or when I am dragged out of repose by duty or airport hours or some other sort of the unavoidably morning-oriented difficulties life presents.

So I am quite content to enjoy a made-up version of sunrise, even making a picture of it with a very slightly baby-shaped mother-to-be washed in its dainty light as she lingers in some little secret garden. I am not designed either for motherhood or for getting up at the first whisper of dawn, but that needn’t prevent my admiring them both from a safe distance. I can assume my odds of conceiving a child at this advanced age have shrunk to a manageable nothingness by now, and I will count on the passage of my hours, days and years to prepare me for that unthinkable morning when I might willingly resurrect my carcass from the pleasant dead-of-bed state before daybreak. Meanwhile, my fancies are large enough to amuse and amaze me, and I thank the rest of you who have so kindly practiced and reported on either of the foregoing astonishing activities and reported back to me for my edification and vicarious enjoyment. I may get back to you with my own first-daylight infatuations someday, but it’s early for that yet.digital illustration

Memento Quod Vivitis

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The longtime artistic tradition of the ‘memento mori‘ has always appealed to me. I think it’s valuable to recognize our mortality and the limitations of our time on this plane to devote to earthly enjoyments, the better to value them fully. Not to mention that I love skeletons and a lot of that stuff so often used symbolically in these works. I’m not disheartened, horrified, or unsettled by death and the subjects surrounding it, under everyday circumstances, in the way that some people are.digital illustration from a photoThe main thing is, I think it’s even more important to (as my guesswork-Latin post title suggests) remember that you’re alive. It’s not enough motivation to live a full, meaningful, rich, purposeful life just to know that you’re going to kick the bucket one day; everybody knows that, and it’s probably not even a majority of our kind that actually give serious thought to being fully present in their lives and making the most of their life spans. I know for certain that I haven’t always been especially good at such things.photoSo I’m rather happy to have an eye-opening, soul-tweaking glimpse of my little collection of death-defying totems, kept in view around my home and work spaces, at any moment when they happen to some into my field of vision. Not a bad way to refocus me and make me feel especially alive.

Röda tråden (The Red Thread)

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Röda tråden is the Swedish phrase for connectivity. I learned it from my husband, who in turn learned it during his dissertation studies on modern Swedish choral history, and in a way it’s the perfect encapsulation of what his research revealed: that the astonishingly deep and broad influence of such a small country, in such a short time, on such a large field as Western choir singing and music came about primarily because of the remarkable and unique confluence and joining together of a huge number of events, people, ideas and resources in that little land at the end of the Second World War. As unimaginably terrible as war is on any scale, it’s all the more a testament to connectedness that at the end of one of the largest we’ve known, such good and meaningful and positive elements were all drawn into one significant, beautiful growth spurt in the art of singing together.digital illustrationAs a miniature of String Theory in the arts, this surge of the choral art in Sweden is notable (no musical pun intended) not only because it posits a reasonably substantial explanation for the larger choral sector’s modern expansive development amid the general devastation and struggle following the end of WWII, but also because in doing so it illustrates wonderfully how the intertwining of all sorts of seemingly disparate elements such as safe havens from political unrest and postwar reevaluation of norms, personal and professional relationships and experimentation with new media could come into contact and interact to create a new mode of thinking, acting, composing, teaching and singing. In turn, this is a striking model of how people from distinct cultures, educational backgrounds, economic resources and political systems and of widely varying personalities, unified by the one tiny thread of choral music, could be pulled together into a complicated system that, though still colorfully messy and imperfect, led to a potent common end that has had lasting and marvelous influence for long and fruitful decades since.

I am, of course, grateful on a personal level because this Swedish postwar influence on Western choral culture has not only enriched my husband’s professional and artistic endeavors–not to mention was the basis for his award-winning doctoral dissertation that in turn opened a lot of friendly doors to us both in Sweden–but because it produced so much spectacular music and inspiration for so much more.

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Röda Tråden is the Swedish version of the idea that–indeed literally–fascinates so many of us: the connecting thread–that which binds one thing to another. I can think of nothing greater than to spend life seeking the Red Thread that shows us our commonalities and binds all people together as well.

Further, though, I am grateful that such an otherwise inexplicable event as the ‘Swedish Choral Miracle‘ seems to me ample proof that all things and people really are connected. And that through recognizing and making good use of those connections, however, odd or tenuous they may appear, there is hope for new and better songs to be sung everywhere.

If I needed further proof of this, last night’s concert gave it amply. My spouse conducted the combined forces of the Chancel Choir of the church where he’s currently interim choirmaster plus their excellent hired pro orchestra in performing Haydn and Dvorak’s two settings of the Te Deum text as the concert opening and closing, respectively, bookending the extraordinarily lovely and moving Missa Brevis of Kodaly. I came in to sit for the concert among strangers and acquaintances from the church and discovered a friend from another parish sitting across the aisle from me, then learned from one of the choir administrators that a friend of hers in attendance turned out to be a long-ago colleague of my husband’s from another state, and finally went up to greet my guy after the concert and found him speaking with a group of ladies in the front row, one of whom was the wife of a former US president. What brought all of us divergent people together in this moment? Music. Beautiful singing and playing. Chance, kismet, divine intervention. Call it what you will, the slender but unbreakable thread that connects us all drew us into one place for a time of basking in the inscrutably beautiful harmony that is beyond craft, beyond art. That is a concert without peer.

Rising above It All

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digital collagePhoenix in Plainclothes

I’m not afraid, though storm clouds menace me,

obscuring all the known, the safe and sweet,

though lightning slashes through the dark and sleet

to make its fury all that I can see–

For under it, still in the garden’s bed,

lie roses, graceful guardians of peace,

to shelter me until the storm should cease,

and blue convolvulus, whose trumpets said–

The rain announces plenty, growth and life,

and nothing terrible amid its fires

can conquer me, so strong are my desires

and will, that they defeat such earthly strife–

And I will spread my wings and rise, remade,

for though storms menace me, I’m not afraid.digital collage

Huntin’ ‘n’ Fission

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I’m told that it’s both fun and useful to have hobbies. There are certainly plenty of books, magazines, news articles, classes, clubs and social organizations devoted to leisure-time pursuits, all of them trumpeting the value of such avocations. Some of them are decidedly age-specific: I haven’t seen a large number of free solo rock climbing promotions aimed at senior citizens, for example. There are hobbies considered preferable to persons of certain economic strata, fitness levels, sexes, nationalities and any number of other identifying categories, some active and some quite passive or spectatorial, some of them expensive to learn and requiring extensive training and practice and others free and simple to master. Regional favorites abound, like, say, noodling (catching catfish by hand), which would be hard to enjoy in desert climates unless you happened to be both a big fan of the sport and dedicated enough to stock your own evaporation-protected pond. Some of the more intellectually stimulating hobbies, like competitively designing robotics for cage fights or nuclear plants for home use, are highly entertaining to their practitioners but utterly escape the attentions of us more modest-brained folk as either too highfalutin or just plain incomprehensible. Sudoku, popular with millions of people cleverer than I am, falls into that too-challenging category for me since I’m so mathematically unfit, but I do like some kinds of word puzzles reasonably well if I’m in that rare mood.

Should I take up golf, having decided to move (when my spouse gets around to retiring) to a place on a golf course partly for its–surprise!–affordability and its location in a great town in a great part of the country, and in no small part as well for its great view into the green and leafy first fairway of the course? That would require my learning which end of the club is the grip and which the head, not to mention a whole bunch of other stuff, and on top of that, paying dearly for the privilege.photoWhile I’m still living in Texas I’d certainly be in a logical place to take up hunting, but that doesn’t appeal to me at all, unless it’s with a camera. For that matter, I’m more inclined to practice target shooting with a longbow, something I’ve enjoyed briefly in the distant past, than with a gun as well, being mighty skittish about those things. Being on the fast track to old age, I could probably pick up something more sedentary like knitting and crocheting if I had the patience. My single brief fishing moment post-childhood actually garnered me a cute little throw-back bass (as a kid I never caught anything but one big scary looking White Sucker that even my older boy cousins wouldn’t touch) and was enjoyed in good company while sipping a fine Texas brew; maybe that should inspire me to get busy with fishing.photoThat’s the thing, though: I just don’t enjoy games and sports, puzzles and pastimes much at all. Whether this arose or was reinforced by my longtime social phobias, perfectionistic fear of being seen as incompetent, dyslexic inability to keep anything I’m doing on a standard track, hilariously hideous sporting skills or any combination thereof is probably irrelevant. You see, there’s no separation of church and state in my life. I spend my days and evenings doing the very things that lots of folk can only do on an occasional basis and to fill their free time.

If I took up drawing, concert-going, reading and writing, cooking, DIY projects, gardening, photography or collecting weird bits of Stuff as a so-called hobby, what would I do with my day job? The truth is simply that I’m a fully fledged frivolous person. If eccentric creative activities and ways of thinking are on the periphery of real life, then I am a bona fide fiction, an imaginary character myself. If on the other hand art is, as I’m convinced it should be, central to existence and well-being, why then I’m just ahead of the curve; I won’t need to retire to any old rocking chair or go in a desperate search for something to keep me occupied, because I already have too many fun and pleasing things to do. Either way, I’m keeping busy.

Defeating Nightmares

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graphite drawingNo matter how impressive and terrifying the monster, there’s always something that can defeat it. Most monsters have their own monsters, when it comes right down to it. Their tormentors may be superior powers, but in truth, it may well be the simplest and smallest, most innocuous detail that thwarts the fiercest monster.

It might even be me.

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Is it his own greed and hubris, or is it a clever prank I pulled that takes down the mighty monster? Not that it matters, as long as I win the day!

Kept at Bay

Greedy little nightmare,

You stole from me an hour

Of sleep that should have been repose

With twisted, dark and sour

Delirium and horror-shows

Of ghosts and ghouls and glee-

Filled monster tales and dragon-scales—

O! Set this captive free!

For if you deign to torture me

Incessant, sleepless grind,

I’ll out you in a rotten verse

And you will lose your mind.

Twists of Fate

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It shouldn’t surprise me, as little sense of direction as I have and as seldom as I have an inkling where my path is leading, that I end up in some weird and completely unpredictable spots at times. Take the time I was at a luncheon with the queen and king of Norway. It’s entirely safe to say that they forgot the occasion right about the minute their motorcade zipped off with its Secret Service escort to ship them back to the White House for their next performance. Having lunch with a bunch of foreign academics, even if it’s coupled with getting a doctoral degree (Queen Sonja was receiving an honorary doctorate for her humanitarian work) and having a permanent outdoor sculpture dedicated in your honor is so yesterday. Like that kind of stuff doesn’t happen to royals every day of the week. I, on the other hand, don’t have that sort of thing occur very regularly in my life and found the events of the day pretty memorable.

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(Left to Right: King Harald V and Queen Sonja of Norway; Pacific Lutheran University President Loren Anderson; Gene and Esther Grant, donors; the Rev. David Wold, Bishop and university board Chairman; li’l ol’ me, sculpture designer; David Keyes, professor and chief fabricator of the sculpture; Frank Jennings and other assorted faculty and board representatives. That’s the sculpture, Generations of Oak, behind me.)

It was amusing to take part in the bizarre hoopla that takes place when an assembled group of citizens in a country that takes itself far too seriously as being above such things as royal-worship (erm, Have you not looked into the mirror, O nation of celebrity-slavish fools?) gets a chance to suck up to the high and mighty of another nation. To experience the hilariously artificial and probably pointless stiltedness of security instruction from our friends the Feds; to shake hands with other humans who have been designated super-important and wonder why they would bother to shake hands with me–or, admittedly, I with them–and to hear all of the earnest speech-making and watch the well-meaning maneuvers; all of this was really educational indeed. That it was so for me in the context of the university where I taught was certainly not lost on me. I almost felt like I should get some undergraduate credit in sociology or anthropology for being involved in my little way.

But I’ll admit that most of all, it was entertaining to realize that through no particular virtue of my own I had once again stood in a spot that others might envy and reaped unearned rewards that would remain in my memory-book for a long time to come. Just call me Lucky.