So I’m not that Impressive–but I’m not above Pretending, either

Our Own Heroics

Our history is riddled with the tangled lines of man and myth,

Lines blurred by our conception of ourselves and powers that are with

All spirits, in our being; juxtaposed with this our creeping sense

That maybe, possibly, there might be Something greater, more immense–line drawingThe whole idea, if we be honest, sets a chill on every skin

That makes each want to change the balance, name himself the paladin,

The master, royalty, creator of all good in this our sphere,

So we can worship our fine selves in glorious beauty without fear–

digital artworkEvery culture, every era, each community has shown

That we wish inside, mere humans, that what’s fancied and what’s known

Were no grander than our smallness, so we’ve always tried to make

Ourselves the gods, the overmasters, even if it’s clearly fake–

digital artworkPretty masks and big stone statues, crown and crypt, elixir, spell;

We’ll try anything we think can make us kings of heaven, hell,

Or earthly realm–but here’s the problem: it looks great, but just a touch

Too great–it turns out we’re grand, but not for long, and not so much.

Natural Antipathies

digital imageFrenemies

When cat and dog and sheep and goat, yea, fox and hen and hog and stoat

Befriend each other, work and play like boon companions, night and day,

It’s time to question if the world as we have known it is unfurled,

Unraveled, undefined, undone–if we should pack our bags and run–

For such behavior’s a disgrace and flies in Mother Nature’s face.

So, be alert! The fox and hen, sheep and the goats, like gods and men,

Belong apart; the stoat and hog must not be friends, nor cat and dog.graphite drawing

Rancho Romantico

digital painting from a photoIn a Sentimental Mooed

Oh, pretty little heifer cow, I think you’re cute but know not how

Appreciation paid in full to such sweet charm could seem but dull

Poor compensation for my plain bland bullishness; am I a drain

Upon your dewy calf-eyed ways; am I so silly in my craze

For you, adorable and fine, that I’m a fool to wish you mine?

Nay, let us frolic and cavort and caper ’round for joy and sport,

Let us delight in being calves and neither shrink from fun by halves

Nor ever find we’re short of hay in pasture, or get sent away,

Or be penned up, for these things, too, would make a poor calf cry Moo Hoo!

No tragedy besmirch our wooing and leave us sadly this way mooing;

Let us, instead, just take a vow to stay together, bull and cow.

Trouble in Texas

photoDangers Just out of View

Do not pursue the missing sock,

The partner to your single shoe;

Though losing either one may rock

Your sense of balance, don’t pursue,

Unduly, missing treasures: wide

Their unwed wanderings may flee,

And you might quite unsettled be

To see on capture what’s inside.

Remember as you, hunting, run,

That warmth and dark like boot or sock

Is favored as a sun-baked rock

By spider, snake or scorpion.photo

The Fantastical & the Fleeting

Stuff is ephemeral; imagination is what endures.graphite drawingReal life has enough elements of adventure, romance and mystery to sustain us–indeed, to astonish and entertain quite endlessly–but if we don’t record and celebrate such magic parts of our history they are lost. If we fail to study our chronicles and journals of such marvels, they are but dust.

So the sages among us keep what documents they can and teach us as much as we’re able to learn. What, though, becomes of all this if we are ourselves not so sage? Those of us for whom history is mostly data, steeped and stopped in the past, rely on fantasy to renew in us a sense of the remarkable. The fictional, metaphorical and colorful characters, creatures and cataclysmic events we create in our arts give us vehicles for understanding the true mystical powers in our real lives. Types and archetypes remain because they represent not Things so much as Experiences, not acquisitions but states of being. Through these avatars and our vicarious living of all the extremes that we can imagine, we revisit–and can even revere–the lives that have gone before us.

Through these imaginings, we are best moved to become greater than our small natural selves. In our better selves we have hope of living out lives that might, in turn, outlive us to inspire later generations to dream beyond, to imagine greatness and loveliness not yet known. Dream on, my friends, dream on.

Uniquely Me

graphite drawingBe Not Ill at Ease

Around my sprockets and my spleen lurk what no doctor’s ever seen,

a plethora of arcane ills impossible to treat with pills

or pessaries, with tinctures, teas, or magic potions for disease–

not curable by overhaul of engine, tune-up, electrol-

ysis, electric shock–it’s thought by some I will infect them; not

true, though, for what seems to be feared is not contagious–

I’m just weird.

Airy-Fairy

graphite drawingPossibilities

I think I have a hankering for things both rich and strange

To the degree that anything I love requires a change

From normalcy into a state you might consider odd

Or simply having no real weight upon the native sod

Of humankind–that is, not kin to mortals and their sort–

And if you find my life herein just makes you give a snort

Of disbelief (maybe disdain), I’ll not call it affront,

But pity you the sad refrain of living such a blunt

And circumscribed existence as mere ‘normalcy’ implies,

While I, adorned in fairy dust, take to the endless skies.

 

Tiny Terror

digital artwork from a photoHummingbird Unmasked

My beak’s a single fang I sink in artery or vein

And none suspect me of this drink but clinically insane

And paranoid-type fantasists whom no one else believes

When they accuse the pretty bird that flits in flowers and leaves.

Though tiny as a bumblebee, I may grow round and bloated;

The nectar of your heart is how I keep my Ruby-Throated

Good looks and family heritage (and, not the least, my name),

My shapely belly and my speed of flying fast as flame.

It’s not that I’m nefarious, invidious or rude,

But merely that I have a taste for human blood as food,

And do not fear: I’d never kill you outright when I dine—

Far rather sip and savor you as vintage claret wine.digital artwork from a photo

 

Aloft & Alighting

graphite drawingAngels in the Aviary

Of winged and wondrous beings shall I tell,

Whose incandescence fills the deepest wood,

With brilliance, dazzling, pretty as it’s good,

And singing lays clear as a silver bell–

Take wing, you also, soaring wide abroad,

To sing elated tales of what is seen

From over oceans, forests rich with green

And storied mountains–palisades of God–

Let each take flight, to race the sands of time;

To see along the universe’s rim

All future iterations growing dim,

As at such speeds our eyes glaze up with rime–

Of angels such as these I tell my tale

And bid you join their swiftest ranks to fly

Above the oceans, forest, land and sky

To loveliness beside which all falls pale–

And cry, sweet birds, for happiness that we

Are joined in such angelic company.

Aria

graphite drawingLa Chanteuse

This melody that lilts, lifts us to light

Like incense rising, or like hope aloft,

Like spring’s sweet perfume and like down-soft

New blooms, the lovely song eclipses night–

Brings sun and starlight and a shining flame

To paint the darkness into blazing day,

To chase all sorrow and all gloom away

Or give them luster as the marks of Fame–

The singing sinuous and smooth as glass,

As stillest water or a spotless sky,

And yet the singer never stops to sigh

Except when breathing lets a moment pass–

Because the music brings such passion, clear

Expressive, infinite and full of grace,

Poured out in rivulets and with a trace

Of magic only those with love can hear–

One aria can change the flow of time

And raise us all from simple to sublimegraphite drawing