Category Archives: Aging

Regaining My Memory

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photoAntique Finishes

The lovely grain of quartersawn oak

With age’s silk patina glows

And hints of many-storied lives

And past events nobody knows;

The ghosts and gossips of days gone

Are whispered in the cupboards’ glassed

Door fronts; the table’s curving legs

Bespeak its long, mysterious past;

In the looking-glass, the passage

Of the hours and years is blurred

By antiquity’s sweet singing

All the stories ever heard,

By the voices of the missing,

Of the dead departed wealth

That once filled these halls with magic,

Now reached only late, by stealth.

If antiquity should call me,

Siren-like, to take a look,

Once more in my soul I’ll draw it

From the pages of a book . . .photo

Super Chicken

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mixed media artworkMy superpower, if I could be said to have any, is being supremely ordinary. Yeah, I’m really, really good at that. Now, you may think it’s not impressive that I’m good at being so-so, and you could be forgiven for thinking it. And yet . . .

Besides that it requires massive numbers of us mid-range sorts to keep nature in a sort of balance with the various human outliers at the top (and bottom) of the spectrum, there’s also the comfort and safety of being able to travel under the radar of scrutiny and pressure to which both kinds of exceptional people are exposed.

What on earth does this mean I am good at doing, at being? Why, I do what’s expected. I go to sleep; I wake up. I eat and I walk and I get dressed and undressed, and the world carries right on around me. And though I don’t at the moment have employment outside of our home, my current occupation being Homemaker, I spend myself and my efforts, rather, on doing the small and yet significant things that might not be essential to keeping the world operational but grease the gears, instead. And keeping the cogs working relatively smoothly is as useful in its own way as being the driver, the engineer or a cog myself. I go to meetings and do Projects, too, to be sure, but mostly what I do nowadays is fix a meal, repair a door-jamb, ferry my spouse and a student to a rehearsal. I do laundry; I prune the plantings near the window. Glamorous? Just exactly enough.

Because the luster of the day comes not from being admired and lauded but from being appreciated, even if it’s hardly necessary to hear that announced constantly–after all, the proof of its value is in plain view if the needful things get done. Any reward lies in the belief that I make life that one tiny iota smoother and pleasanter for that one brief instant, even if only for this one other person. It’s borne on the smile of relief worn by him whose sheaf of office paperwork got filed at last when he couldn’t get to it himself, or whose old slippers have been mended by the time he gets home from the office at the end of the day. It’s in the neighbor being glad to have the excess garden supplies or box of art materials I’ve collected to send to school with her. It’s with me when I arrange the chairs alongside the singers before a rehearsal when I come by to listen to their work. It’s mostly in knowing that the stuff needed to keep quotidian action on course is being looked after, bit by little bit. And that I’m the person for the job.

I don’t do this selflessly, of course, because I would hardly keep it up for long if it weren’t so simply and inherently rewarding. And it certainly bespeaks no genius or courage on my part that I do it, for clearly it takes greater skill and ingenuity and bravery to do all of the shiny, showy things for which I provide my atoms of encouragement from the periphery. Maybe a jot of courage only to admit to being a homemaker and loving it. So many who haven’t the privilege of the life seem to disdain it and misconstrue its meaning, especially if it doesn’t have either children or wealth as part of the equation. I am far more fearful of having no sense of purpose than of being thought unimportant by anyone else; I care more about feeling my own worth than having it validated by any outside agents.

So if I seem to anyone to be afraid of taking a larger role in the Real World as they see it, I suppose I ought to admit that in one sense I am. I know that having this Job for a few years has given me new strength and the ability to go out in the wider world for a so-called Real one again when the time comes, yet I do dread leaving this role that has given me a feeling of vocation more than anything else I’ve ever done and risking the dimming of any of the self-worth I’ve garnered or the value I’ve learned to impute to the tasks of being normal and simple and everyday, which I’ve learned to see as so much deeper and richer than they’d seemed until I tried on the role of their custodian myself. I do, at the end of it, think that if I’m a dull, bland or unimportant grease-monkey to the cogs of the world, I’m a damn good one, and if I’m scared of giving up that high honor, then I at least credit myself with being a superior variety of chicken.

Youth in Springtime

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photoFew pleasures can compare to children’s when they are allowed untrammeled playtime in nature’s kind and pretty places. We should all be so fortunate in Springtime, especially in the springtime of our lives.photoBy Babylon Creek

Babylon Creek

used to make the

children laugh as it ran

tickling fingers up

their summer-heated shins

and the older folk

chuckle shamefacedly

at its puns and the way

its hilarious licking made

them squirm like

dog-loved kids themselvesphoto

But I can Still Count All of My Toes (Through the Holes in My Socks)

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graphite drawingTraveling at Speed

When I was just a little tad

And full of zest and vim

I never thought the day would come

When eyesight could grow dim

And hair fall out, and memories

Impossible to keep,

Or that my middle would go soft

Or I would fall asleep

Just trying to sit through the news,

But couldn’t sleep at night,

Get creaky and arthritic

And develop underbite,

But, over and above these things,

No way would I have guessed

The day would pounce so suddenly,

So early. I’m depressed!

Places, Beginners

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photoWhether it’s only on my mind as a continuation of its recent theatrical theme is debatable, but I do think a great deal about location. More likely, perhaps, because whatever minute remnant of my Viking heritage remains in me is expressed in waves of desire to go, to be at or in, other places. It needn’t be out of dissatisfaction with my present; I’m simply aware at one level or another of how much great magic is Out There everywhere, luring me.

In any case, one of those relatively few things that will often set my heart racing is the image of a setting for some new act on my part. It may be quite specific–the upper room, reached by improbable set of impractical stairs, in an old clapboard chapel where I used to sneak away to daydream in the dust-glittering beams of attic light, perhaps. Other times, it might be more general, like that vague yet insistent itch to be at some glorious outdoor place defined more by its unsullied native air, free of any human-made flaw and full instead of the intimate stirrings of the natural world. Sometimes my soul inclines toward places known, and others, to something that may not yet even exist.

Perhaps the latter is my cue to see that there are places I myself should be inventing and shaping. Mayhap there is a scene–is an entire tale–yet to be writ, precisely so that I can be the first actor on its stage. Do you suppose that this is how we must address Life to fully inhabit it?

Places, everyone!photo

How Quickly We Learn

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Even when we’re young we pick up clues pretty swiftly regarding what sort of behavior and attitude is expected of us in our interactions with others. As a child, I learned ever so quickly that I am not the boss of anyone else and practically everyone else is the boss of me, and not much has ever changed in that department. Whether happily or unfortunately, depending entirely on your point of view, I also figured out as speedily as most kids do that as long as I behaved in the expected manner when anyone was watching I could get away with a fair amount of far more self-indulgent–if not subversive–ways. Sure does simplify my life!graphite drawingShow of Proper Respect

The Mistress in her jewelry and finery and furs

Thinks everyone should bow and kiss the ground—that’s also hers—

And genuflect before her grand tiara and her mace,

So that is what we tend to do—at least do to her face.digital illustration from a graphite drawingAll frivolous jocularity on the topic aside, however, getting trained by our elders and betters, in particular our mothers, is both more complicated and more happily meaningful for those of us who are blessed with great moms. Me, I’ve got two. The mother who gave birth to me and raised me from my days as an only mildly subversive little sprout into the silly but exceedingly happy big kid you see before you today is worthy of recognition as one of the great teachers not only for giving me a framework on which to hang my sense of right and wrong and general grasp of manners but also the education and freedom and knowledge of being unconditionally loved that enabled me to choose how to build on those foundations as I grew. My second Mom, brought to me courtesy of (her son) my beloved husband, gets credit for instilling the same curiosity and drive in her children and, in turn, for reinforcing in me through her example what it means to be a lively and lovely person who is good company, an active part of the household and community at every turn, and a tireless learner and adventurer who earns her place in those settings with remarkable grace. Whether I can live up to the standards set by either of my Moms remains to be seen, but they certainly give me the tools that should make it possible if anything can.

If it can’t, I guess I’ll have to fall back on my naturally ridiculous ways and just pretend to be better than I am for as long as I can keep up the front. Those of you who are looking for reliably good, sound company, go see Mom W and Mom S. And also my sisters and my sister-in-law, great mothers to their children, and all of those other mothers, who by birth, adoption, random acquisition and teaching, raise better people, who in turn make the world a better place altogether. All of whom I thank profusely not only on Mother’s Day but every day for being such great examples even for those of us who are a little too childish to be motherly examples ourselves. Go ahead, you can say it right in front of me. I’ve learned that much, at least!

Being the Down-Home Sort of Fella that I am

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A Little Antsy Now

If I could do just as I wished and not a nickel more,

I’d not sit still just listening to any tiresome bore,

But I’m in well-bred company (I’m told), so I must stay,

Attempting to pretend it’s deep engrossment I convey—

Meanwhile, my nostril starts to itch and twitch, and I suppose

No one will take much notice if I subtly pick my nose.line drawingBumpkin’s Comfort

I am not wholly ignorant

Of what a fool I am

But if you’d keep me happy

Just give me a slice of ham

A piece of cheese a bit of bread

Some butter, if you will

And I’ll continue happy fool

Slumped up here by the still

Possibly in Your Best Interest

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The Kicking of Buckets, and How It is Done

In case a brown recluse spider should come to call on you and with her magical spells weave for you mystic sleep—

In the event that any sharks should smell your yummy blood and render you a permanent fixture of the deep—

Lest some great venerable tree should fall full upon your pointy head and leave you feeling just a little flat—

Or a once-dormant volcano barf its hot majestic load of smoking lava directly onto the brim of your jaunty hat—

Should any untoward or fearsome thing befall you or a tragedy untimely bump you off, I’d feel so sad and even a little guilty somehow

That in my concern for you and to prevent your facing any such future griefs, I feel it’s best that I help you to kick the bucket Now.pen & ink drawing

Keeping Watch

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Now that everyone seems to have the technology to make cheap watches (which I must designate in my heart mere instruments for marking time, not timepieces), I get to wondering whether the beauty of true clockworks will always be preserved or will only serve as curiosities and fodder for art. That precision we take so nonchalantly to be ours is a museum of measurement and the poetry of a mechanism we should keenly regret to lose if we value something more than the rigid math of time, the seamless meeting of Doing and Deadline.

digital illustration from a photo

My Baroque Gesture

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The first time I heard Early Music performed in period-appropriate style I experienced, not surprisingly I suppose, a full mixture of amusement, bemusement, mild horror and deep curiosity. It was in a performance of Claudio Monteverdi’s seminal opera Orfeo at the English National Opera; I was a mere college stripling who had probably not even heard the phrase Early Music at the time let alone known what it might mean, and ‘performance practice’ was in something of a time of transition. Anthony Rolfe Johnson sang the title role with, if I remember properly, a rather nice overall sound, but a straight-tone and senza vibrato style and a strangely stuttering kind of ornamentation that might well have been an authentic recollection of the opera’s original character and an accurate and historically informed version of the way it would have been presented by its composer and first performers. I, having never been taught such things, merely heard sounds quite foreign not only to my ear but to my concept of skilled and artful performance, let alone prettiness. I do remember thinking that either this was all far over my head (entirely possible) or it was a pointless and poor imitation of what the ENO imagined the average amateurish opera company of Monteverdi’s day must have been capable of doing (less likely), or poor Mr. Johnson, who later went on to receive his OBE, just plain wasn’t up to the job despite a naturally pleasant voice.

Years later, I may not be much smarter than the young squirt of those days, but I’m far more experienced and have heard worlds more music, both the great and the terrible and, of course, a massive quantity in between. And I’ve been taught a thing or two about the fine points of what is beautiful and magical when it comes to singing or playing with any amount of vibrato–or none–and the many elements that combine to create tone and color and variety and character in a performance. I’ve learned some useful stuff that changes how I perceive both the level of virtuosity in playing or singing and its aesthetic appeal, two aspects that do not always coincide in my ear, mind and heart but when they do, that combine to create a kind of joy that is virtually unattainable in any other way.

When my husband conducted a production of Orfeo over a quarter century after the first one I’d heard, I had a whole different understanding and appreciation for what the many performers were doing and why the stage director would expect them to do so both from a visual standpoint–training them, along with other coaches, in appropriate ways of moving and posing and gesturing as well as in those of vocal ornamentation, since she is a superb and well-trained Early Music singer herself–and an historically suited musical one. Just as there are countless styles and types of music known to us nowadays, which you can multiply by the number of individual teachers, performers and audience members to get a rough sense of the variety you’ll encounter, there were historical strictures and structures and stylistic trends and ideas that shaped earlier generations (centuries) of music and musicians and listeners, and while some have perhaps remained relatively unchanged since their inception, many more evolved over the ages. Our expectations of music have certainly changed, and our guesses as to how it was first conceived and perceived are only as good as the lines of scholarly inquiry and oral tradition can attempt to make them.

In all, it makes rich fodder indeed for both the ear and the imagination, and I for one am mightily pleased that I have had the opportunity to live a life immersed in all kinds of music and to learn along the way. I still like much of what I heard, whether ignorantly or not, in my younger days, and much of what I like now I learned to love along the way. While my form may be far from historically accurate or artistically impressive, I will still happily bow and curtsey to all the musicians who have shared their gifts with me in my life, and to all of those who work and are inspired to play more, to sing onward.graphite drawing