
…and Don’t Forget, I Tell Myself, These *Other* Things…
10
The marvelous Diana of A Holistic Journey has been writing posts asking about the influences of race, culture, national origin, education, and so forth and the ways that they shape who we are and how we perceive ourselves. This series of hers is proving an outstanding eye-opening and thought-provoking exercise for me, too. I have spent most of my life living amid and being part of The Majority—middle-class, white, English speaking, native-born, educated, boringly predictable, etc, etc. There were a few touches of diversity around me here and there, of course, this country of the so-called United States being what it is, but those were relatively small and isolated, so mostly I grew up sheltered and unchallenged in nearly all ways.
Yet as an individual I came to know myself as being different in one way or another from most of what I thought of as the ‘norms’ of my own environs, and even learned over time that what I thought was my Majority milieu was mostly just my very narrow path through it in life. While a lot of my classmates, immediate neighbors and friends when I was a kid, for example, were also little pasty white critters like me, the friends I remember best as seeming most interesting to me were ones like Eha, the Estonian girl, or Karen, one of my few black classmates, or the Japanese friends who shared exotic treats from their lunches and who performed classical Japanese dance in a miniature celebration of the Cherry Blossom Festival at school. I have hardly any memories so suffused with longing as that of watching the girls flutter their fans, while dressed in exquisite kimonos and dancing their stately, courtly dance to the strains of the tune ‘Sakura’, which melody in turn still fills me with delicately melancholy love.
My ideals of human physical beauty, as my husband and I have often noted musingly, are nearly all attached to non-whites or mixed-race people, not something I think of as a conscious or intentional choice but a persistent reality for me ever since I can remember. My superficial list of Most Beautiful People would probably have a paucity of caucasian members among its top fifty. While I have never been either very adventurous or flexible in my choices and tastes and experiences, I suppose I have always been fascinated by what seemed different or even exotic to me. I am a fantasist and a romantic in the cheap, popular versions of those ideas, I guess.
I have even wondered, in a broader sense, if part of my very nature is simply to feel like an outsider for no very specific reason. I was always shy, and learned as an adult that this expressed not only a naturally introverted character on my part but also demonstrated lifelong social anxiety and probably the incipient state of my developing depression that didn’t come to full fruition until later. Those, along with undiagnosed dyslexia, tremors, the dysphonia that came into play in my forties, and who knows what other quirks of my unique persona and biological makeup, could perhaps explain why I never felt I fit in with any particular group or was especially central to its character. But I still can’t say I felt consciously sad or was overtly unhappy or removed or, certainly, ostracized for any of this.
What was odder was that as I reached adulthood and gradually began to find a more comfortable sense of self and direction, I have a feeling I may have chosen to put myself into groups where it was plain that I didn’t quite match the norm, specifically because, if I knew there was no possibility of my being an exemplar in its midst of the highest standard, I might unconsciously feel safe from being expected to be so by anyone else. This might be complete nonsense, but it gives me pause. In any event, I spend a great deal of my ‘quality time’ nowadays in the company of people who are immersed in and even expert at music, pedagogy, administration, and a number of other topics in which I have no training whatsoever and only a very little observational knowledge, and I am very happy in this environment.
Conversely, I tend to keep my company of good visual artists and writers and others with training or knowledge more likely to be similar to mine at the seemingly safer arm’s-length of cyberspace, and that probably doesn’t reflect well on my personal fortitude. I never did, at least, make any claims of being any better than a big ol’ chicken. Being a scaredy-pants is probably not race-specific. Or attached with any particularity to culture, social stratum, nationality, educational accomplishment, religion, language, income level, or anything else in question. Being a scaredy-pants is just part of being myself, and the unique combination of qualities and characteristics that make up the wonderfulness of Me.
On the other hand, being attracted to, frightened by or otherwise connected to or dissociated from people who are Not Like Me is a central consideration of understanding how the human species works. Or doesn’t. And there’s no doubt that all of those things influenced by proximity (physical or metaphorical), the aforementioned race, culture, social strata, and so forth, are very potent indicators and influencers of how we will experience the concept of Self and Other at any level.
So what does that ‘solve’ about me, about how I feel about those who are or seem in any way different from me? I’m still not at all sure. Perhaps the best I can say is that my feeling of being, in a value-neutral way, unlike those around me makes me unwilling to assume much about them, in turn. I would generally rather let personalities and individuality be revealed to me and my understanding of my surroundings at the moment unfold in their own sweet time than that I jump in and make any precipitous assumptions. I’m perfectly capable of finding lots of other ways of being wrong and making a fool of myself without constantly worrying over whether I’m being judged, rightly or wrongly, as a stereotype of either the majority or the minority on hand.
Most of my blogging friends and acquaintances are significantly different from me in nearly all of the aforementioned identifying categories, and yet I feel remarkably at home among you. So I’ll let you decide if sameness or difference affects how you see me. I feel at home, and that’s good enough for my part of the bargain.
There are lots of jokes and stories that capitalize on the idea that dogs, in their seemingly endless optimism and enthusiastic belief that practically every moment of their existence is the best of its kind. I’ve never lived with a dog as my consistent companion, but I’ve been around other people’s dogs, and seen the people owned by some additional dogs, and it all tends to confirm that quality of canine character. And frankly, that seems to me to be a perfect attitude to emulate, whether you belong to a dog or not.
I may not have the sort of tail that lends itself to wagging with happiness at life’s goodness and I certainly am not the kind to show my appreciation for such things by jumping up to lick anybody on the ear, but I should at the very least state my admiration for what is fine and good and pleasing so that they can know how highly I esteem such gifts. Life, no matter how a dog might enthuse over it, isn’t perfect, and it has its flaws and less than ideal moments. So when the great and admirable happens, I should jolly well share the happiness and let others in on it. Short of barking and running around in circles dizzily, I think that can be appropriately expressed in ways that let other humans in on the secret.
Happiness, whether doggy or human, is best shared, after all. And from what I’ve seen, when dogs and humans can be happy all together, that can be quite the extravaganza of joy indeed. If you feel like it, go ahead and lean back and let out a nice little howl or two of celebration right along with me, and I’ll race you to the sidewalk and back!
It’s no secret that I’m ‘bad with faces’. I struggle with what I know is only the mildest of cases of Prosopagnosia, but even my minor jot of that pestilential face-recognition inability causes me occasional discomfiture. More importantly, it has occasioned a moment or two of awkwardness for others when they approach me, knowing that I know or have at least met them, and I fail to recognize them or even register that I saw them quite recently.
I went to a family wedding once and, seeing a cousin I’d not seen often in our adulthood but knew very well in our youth, effused to her on reconnecting. And then I proceeded to do exactly the same with exactly the same cousin at the reception, not an hour later. I knew that I knew her and that she was my cousin, thanks to the occasion and other basic clues, but literally could not see that she was the same person with whom I’d just rejoiced in renewing contact. Even in this obvious setting I failed to see what was as plain as the nose on my face, never mind the should-be-familiar one on hers. My own cousin.
I am enormously thankful that there are people whom I have little or no difficulty identifying and recognizing no matter when or where, but they are not necessarily in the majority. Remove whatever clues to identity my peculiar mind relies upon for identifying a person—that distinctive mustache (especially reliable in the case of a woman!), a man’s unique carriage when walking, that heirloom necklace someone has worn since she inherited it at age twelve—and I am meeting the face attached to that person for the very first time once again. I suppose there might be a touch of the humorous in such a ridiculous predicament, if the person I fail to recognize knows about the situation and isn’t insecure about any failings on my part, but I would rather not have to muddle through the struggle of bridging that synaptical gap, especially in instances when I would rather be friendly and welcoming.
Even the fully operational brain doesn’t always work perfectly in this regard, as witness the lovely and very bright friend I encountered in the grocery store recently. We both took our time staring and sizing up whether the approaching person was indeed known as well as our brains were urging us to know. I, with my Prosopagnostic niggling sense that I needed to place her in a different context to recognize her as a friend from church, school and work paths crossing, was puzzled by my failure to connect the facial proportions and eye color and such with her identity; she, as it turned out, didn’t realize who I was because after knowing me only with my 20-years-established short haircut, she couldn’t place my features now that they’re set in this chin-length swath of hair. So many reasons we might struggle, and it’s rather common after all, but we still rail against the frustration.
But isn’t that just the way life works in general? Whatever our flaws and shortcomings, however valiant and well-meaning our attempts to ameliorate them and better ourselves and at least appear to be improving with age, there are bound to be gaps and mishaps. All I can say is that I’m mighty glad people are generally so patient and forgiving with me no matter what the situation or occasion, and I—well, I will just have to keep trying to put the best face on it.
I’m having some new kinds of fun, y’all. Several of you have inquired about my media and techniques in some of the more recent illustrations and images here, and it’s technology that’s getting me revved up these days. Who knew? I’m so dull-witted in electronic terms and yet here I am having a heyday with my new techie toys.
My dearest bought me a an iPad Air in January. I uploaded a handful of free drawing/art programs right away and have been playing with them all since. It’s fun to see what each offers in terms of virtual tools and media and techniques, how I can use them individually, what can be done by moving an image from one program to another in order to further manipulate it and alter its dependence on the potential of the first program in which it was developed. If that makes sense.
I am a newbie at this stuff. It’s kind of amazing to think that some of the early adopters have been at least beta testing this kind of thing for several decades already; me, I’m nearly always well behind the curve. But I’m having a great time drawing curves and any other thing I can think of at the moment as I get underway and strive to catch up a little.
Certainly one of the aspects of this techno-approach to drawing, painting or whatever one ought to call it is its wonderful malleability. I love that I can not only delete and erase marks without too much fuss and mess with my virtual erasers but also by removing entire layers. Even better is the ability to trade the order and placement of layers, so that I can begin with the top, outlined image and, like a kid with a coloring book, fill in the shapes and blanks with all sorts of color and texture, then move the layers around until I go from the upside-down or inside-out look of such operations to something that is closer to my original intent.
Best of all is that I am finding that digital media are just as serendipitous and cagey as concrete media: I’m just as unlikely to know from the beginning what the end result of my noodling and doodling is going to look like or what the final image(s) will be as I ever was when sitting down with pencil and paper. I don’t expect I’ll give up concrete media either, for that matter, because sometimes one just has to get grubby with silvery-grey graphite dust from elbow to fingertips in order to feel that Art is being made, but it sure does make it fun to gallop around this new frontier of mine with stylus in hand, too.