A Whispering Medium

Silverpoint is relatively rarely seen nowadays, but it remains a delicate medium for drawing. Putting a point of real silver onto gessoed paper allows the same kind of fine detail and fragility to be expressed that are characteristic of harder graphite pencils’ work. The effect is of pale and careful imagery, a wisp of smoke, a mist, a whisper.Drawing: Silverpoint Apples

There’s an appealing air of the arcane to a medium that’s old and seldom used nowadays, and silverpoint qualifies on both counts. It’s also effective, as I found in my little experiments, on a black background to create gently ghostly drawings, but as ghosts seem wont to do, has a tendency to disappear at the slightest whiff of air, since oxidation darkens silver and it becomes less and less visible against the dark ground. Of course, that very ephemeral quality might be a further attraction, an encouragement to see the medium as a passing fancy best appreciated ‘fresh’ and gone in the blink of an eye.

Drawing: Silverpoint Blueberries

This is, after all, an age in which change comes at an ever-increasing speed and in growing quantities, and we become accustomed to nearly everything having the shelf life of a mayfly at best. We adapt, we move on. Yet we crave the sense of permanence and connection, so here I am marking in graphite over the top of the silverpoint as it fades, or scanning the images to enhance the contrast while it can still be seen. And while I still love the sense of tactile attachment and involvement that writing longhand, pencil on paper, gives me even when I’m up to my elbows in graphite dust, not to mention hoping that the neural connections such physical action reinforces better than keyboard manipulations will stay with me longer somehow, what do I do with my writings? Transcribe the scribbles to the electronic medium by sitting at my keyboard afterward anyway.

So passes our world; we labor with new tools to speed things up, revisit and relish the old methodology and tools to slow down and remember, and then run back to catch up with the new again. We, too, are ephemeral as faint images, as ghosts, and we feel our mortality even as we strive to make our marks on the world while passing through it. Our tiny voices and messages may be lost in the ether forever, and that, almost at the instant of their making, but the urge to tell our tales remains. Our little silver trails will fade, but we will have moved on elsewhere as well.

Keeping My Eyes Open

Let’s not quibble about why I’m here; just show some respect for my dedication. I keep watch, I am the guardian, I stand undaunted at attention. I am a tireless protector. Never mind that I’m protecting what I hope might be my lunch, or at the least, my plaything for the while. I am a cat, and that is what the best of us cats do. It is nature and vocation.Digital illustration: In the Catbird Seat

The mouse living in there, well, he might have a slightly different point of view. But let’s be honest: his place in the natural scheme of things is as a cat’s toy or treat, isn’t it just. So I shall perch here and keep my patience, and never you mind criticizing my ways. That would be too—well, human of you. And you didn’t want to share your house with a mouse, now, did you! Just look away. I’m busy here.

Cautionary Tale

Years ago our family lived near a wooded area where all of the kids in the neighborhood loved to explore and build forts and play, but the youngest among us wasn’t permitted to go there alone, for obvious reasons. The training was attested to by the little girl from next door who announced quite solemnly to my mom one day that her “mother always told [her] never to go into The Forest.” This little ditty is for Micki.

Don’t Go into the Forest

From long ago, our elders cautioned us

That in the wood there lurked a dreadful beast

Whose fangs were fiercely fine, and for whose feast

A hearty haunch of whole rhinoceros

Was scarce an appetizer, and the main

Entrée, a village full of soldiers, knights

And heroes snapped up, each, in single bites,

Made more delicious by their screams of pain.

Our fear of this stayed abstract, since the hurt

Inflicted, terrible enough, was made

For full-grown animals and men, which stayed

The doom from us—but then we learned dessert

Was Children, and we changed our minds, for good,

About the lure of wand’ring in the wood!Digital illustration: Child, Mother, Monster

Let’s Just Hug It Out

The Cuddlesome Kraken

You think that I’m all hands, my love,

Controlling, holding tightly so?

Don’t wriggle, struggle, push and shove;

This is the only way I know!Digital illustration: Cool Kraken

I love you, darling, s’truth I do,

So let’s just cut right to the chase—

Let me wrap all my arms ’round you—

Embrace, embrace, embrace, embrace!Digital illustration: Kraken is Warm for Your Form

Fear Not, I’m Entirely as Silly as I Seem

Digital illustrationMission Soon Accomplished

If I should seem suspicious or you think me too reserved

To let my hair down and relax; if I make you unnerved,

Don’t get all nervous and afraid–don’t fall apart and cry–

It’s not your fault that I’m this way: I’m not a super-spy.

There’s nothing wrong or worrisome that you should fear from me;

No problem, nor is there a thing that’s not as it should be–

Unless, of course, you would include on such a list of crimes

That I lie here in wait for you, reciting silly rhymes.

My mission, I confess to you, is simply to drive mad

Each person passing near enough to hear, however bad,

Each silly and ridiculous and impish bit of verse

I can dream up and spout at you; they go from bad to worse.

The only point in all of it, and you can rest assured,

Is that my secret will get out: I’m totally absurd.

 

There’s No Pleasing That Woman

Digital illustrationSo Crotchety behind Her Crocheting

Does this seem troubling to you? All grans aren’t tiresome, it’s true,

But this old lady nurses ire as if she kept eternal fire

Cooking for gleeful roasting of all who would dare to fall in love,

To be successful, find delight in anything, morning to night,

That is not hers, and hers alone; she glowers as if from the throne

Of Empire, threatening with doom all who would dare challenge the gloom

With which she paints her own worldview; I find her hideous, don’t you?

The only worse soul, I should think, would be my own, if I would sink

To wishing others ill because they weren’t as awful as I was.

Don’t be So Beastly

Biting Remarks may be Rewarded in Kind

Do not call me a scaredy cat or other catty names;digital illustration

Don’t have a cow, but I refuse to buy into your gamesdigital illustration

Of calling me bull-headed, big fat cow, a silly goose,digital illustration

Or loosey-goosey, bird-brained, or a dumb sheep. What the deucedigital illustration

Do you think you are doing? For—sheepish as I may be—

I’m not so woolly-minded as your image is of me,

And once you’ve riled me up enough with childishness so tryin’,

I may just turn around and bite you hard, and I ain’t lion.digital illustration

The Menace Above

digital illustration

The Bird Gets the Last Word

You stay down there, and I’ll just sit

Up on my perch, whistle and chirp

And warble ’til you throw a fit

Because I’m being such a twerp—

I’ll flap and flutter, cheep and caw

And drive you right out of your tree

Until you want to break the law

And take a shot or two at me—

But I, no matter how you squirm,

Won’t quit my pestering; so far,

I’m winning, you poor lowly worm,

And soon I’ll also strafe your car.
digital illustration

 

A Mythical Beast

I love James Thurber’s deviously funny little modern fable The Unicorn in the Garden. His way of being so blandly subversive gets me every time. But I also admire the tale, as I always have, primarily because in it, the dreamer wins out over the hard-nosed pragmatist who thinks she can crush his foolishness and browbeat the fantasy out of him. I would far rather be the silly imaginative kid, the one who remains boldly hopeful when all signs point to apocalypse, than live in a grim real world. In fact, if I had my druthers, I might just be not only the frivolous guy seeing the unicorn in the garden but the unicorn itself.

What’s Fact, after all, when faced with the Fantastic?

digital illustration

Would-be debunkers can chase me around all they want, but they’ll find I am galloping ahead of them on the track more steadily than they think!

Hot Flash Fiction 12: The Marvelous Machine

People traveled for days to see it. The warm gleam of copper and brass on its mysterious curved reflected their own faces, if a little blearily, and they were mesmerized. The ticking and clicking of that machine and its workings’ purr and whirr drew whispered speculation and quietly fearful puzzlement and some observers began to contemplate whether they oughtn’t to summon the constable ‘just in case’ before the process was completed on the morrow. Yet so much study and work and testing had been reported before this debut of the machine that no one was fully prepared to admit so brazenly to such cowering mistrust. So at last, on the appointed Friday, six of the town’s leading citizens—with a few nervous titters and a little confused shuffling and tripping over each other—untied the network of cautionary tapes that had held back the crowds, and everyone surged up in a breathless wave for a closer look.
digital collage

There it was: coming forward on the slow conveyor belt from its central tank was a very small but perfect object of glowing copper and brass curves, ticking and clicking and purring and whirring just like its larger forerunner. It was followed, as the conveyor moved along, by ninety-nine other minutely perfect replicas.

And that is how the world had its first hint of what lay ahead.