We were So Civilized

Digital collage: We were So CivilizedNo matter where I am on the Fourth of July I am likely to think about the country in which I was born and have lived all of my life thus far: the United States of America. The Fourth is the official birthday of the nation, though many of the current states joined the union long, long after that July in 1776 when it was established by its founders. Like so many nations around the world, this country and its history are a tremendously complicated and varied patchwork of fact and fiction, hope and fear, two steps forward and one step back. Over and over and over again.

Imagine this: a pack of refugees from religious persecution left their homeland and sailed into the unknown across an ocean of which they also knew very little except that their passage across it was dangerous and miserable and killed plenty of them before they hit the new shore. When they landed, to their surprise there were already plenty of other people living on that new turf, and did that stop the interlopers from moving in, too? Of course not. I don’t expect it ever occurred to them, to be honest, that there wasn’t room for everybody or that if they took a ton of the resources around them that might just mean there were fewer for the previous residents of the land, folk who had, indeed, already long established a very different relationship with the continent.

That the illnesses and diseases the newcomers brought with them from Home would endanger and kill many of their new unwitting and unwilling neighbors could never have entered these interlopers’ minds, when they were so preoccupied with not only their current survival but their escape from the hardships and sorrows back in their own homeland. That they themselves would suffer privation, fear, danger, loneliness, and the loss of their lifetime homes, belongings, families and friends across the vast ocean they had crossed was a stark enough reality that perhaps they willed themselves not to think too hard about all that they faced next also affecting the long-tenured native peoples across whose lands they moved like human bulldozers.

The establishment of this new home was far from smooth and easy too, as anyone could probably guess, though I wonder if any of them really considered that the goal as much as simple escape from what they’d known before. Still, none of those inhabitants of North America—invaders or original denizens—could possibly imagine at the time, I suspect, quite how vast the whole continent was and what that meant in terms of creating new colonies within it, let alone new nations. In the years that followed, the westward migration confirmed the existence of innumerable tribes and clans of people not before known to the new arrivals, but also of wild creatures unimagined, of terrain unlike any they had dreamed possible, of climates that had been the stuff of legend until then.

In those many decades of carving out new paths and territories, it was inevitable that, just as it had been with the foregoing generations of various indigenous peoples, there would be struggles over who had access to what, who could live where, and who belonged together with or as far as possible away from whom. No surprise that this led not only to separated towns and enclaves and ethnic, religious, political or philosophical communities but also, in turn, to a wild array of accents and ideas that might as well have been different languages and different species altogether.

Amazing that all of this could remotely possibly coalesce into what is known as the United States of America. Today’s states are still so diverse, even sometimes from county to county or one side of the railroad tracks to another, that it’s nearly laughable to call them United. We fight like pesky siblings with each other all the time; it’s a miracle, in my book, that the so-called Civil War, one of the most uncivilized events in the country’s history, hasn’t simply continued from its beginning to the present day. It does, perhaps, at subtler levels. Just because the invasion of the continent by a bunch of frightened Pilgrims who only thought themselves seeking freedom from tyranny didn’t destroy the whole land and kill every one of them off outright, and because the various internal skirmishes that led to, but were far from limited to, the Civil War didn’t complete that annihilation doesn’t mean we’re not still perfectly capable of incredible incivility at every turn. We try, we fail.

On the Fourth of July, I think of how astounding and—generally—good it is that this messy nation has managed to survive this long without self-destructing. But I can’t help also thinking this of most of the rest of the world. Humans just plain are messy. We form and break alliances; we argue over being Right instead of being compassionate or practical, let alone pursuing justice. We blunder around, hog resources, ascribe privileges and powers to ourselves and our chosen comrades that we willfully deny others, or just pretend the others don’t exist, and thanks to our weirdly, wonderfully diverse array of accents, when we do get around to discussing the least of these things, even those who ostensibly share a language can’t understand each other half of the time anyhow.

Just possibly, our life form may have been civilized at a few choice moments. There is plenty of potential in this odd species of ours, I like to think. Even we Americans aren’t entirely irredeemable; we keep bothering and beating up on each other like so many brothers and sisters, and yet most of us still manage eventually to just agree to disagree and, in moments of precious lucidity, even to see each other’s point of view and operate in an environment of respect and hope. As rotten as we can be to each other, we care enough to wrestle it out and try to find ways to go forward. Together, even. If that isn’t a family worth saving, I guess I don’t know what one is. Happy birthday, USA. Go forth and get a little more civilized, if you can.

Spaceships, Time Machines, Bicycles

Photo: One for the RoadWhen I think about it, I’m amazed at how many modes of transport exist. Contrary to the fantasies popular in the middle of the past century, we’re not all traveling in levitating cars and being atomized and reassembled on opposite sides of the world. But it’s still fiction-worthy stuff that emerges when I realize we’re within reach of fully self-driven cars and can already travel at light speed, drive under the sea, and fly to the moon and, yes—more importantly—back again.

Fiction, however, has always outstripped real-world progress, as well it should. If we don’t imagine it first, how can we build it? If we didn’t travel thus in dreams, what chance would there be of our ever doing so in life?

I have invented an item or two in my time, but my ingenious machinations have never yet been realized in concrete form, at least those unrelated to my art. Still, I hold dear the idea that ideation is the necessary precedent of exciting discoveries and meaningful inventions. As silly as they may seem, then, I’m unlikely to quit developing my odd creations of the imaginary sort.

Who knows what journeys might someday spring from them?Digital illustration from photos: Time Machines

Let’s Just Hug It Out

The Cuddlesome Kraken

You think that I’m all hands, my love,

Controlling, holding tightly so?

Don’t wriggle, struggle, push and shove;

This is the only way I know!Digital illustration: Cool Kraken

I love you, darling, s’truth I do,

So let’s just cut right to the chase—

Let me wrap all my arms ’round you—

Embrace, embrace, embrace, embrace!Digital illustration: Kraken is Warm for Your Form

Filling in the Blanks

Like many of my compatriots here in Bloglandia, I chose to close my awards-acceptance shop after having been gifted with a generous helping of them. We all learn very quickly that this is an incredibly open-hearted and open-handed community, and the reassurance of being recognized in this way is a grand encouragement to keep working. It can also demand a fair amount of work and dedication just to go through the proper procedures each award requires for acceptance and the passing of the torch to other deserving souls, this on top of the way that the regular work of producing the blog not only continues but tends to increase if one wants to ‘grow’ the blog in any significant ways regarding its style, content, purpose, and so on ad infinitum. On top of that, there is the increase of comment correspondence that, in turn, inspires other changes and improvements along the way but also means one is devoting larger and larger amounts of time to the correspondence itself.

That is all good and great stuff. Really. Even if I were to quit blogging cold turkey this very moment I would say unabashedly that it has been wildly enriching, educational and happy work for the last nearly three years in ways that I couldn’t have imagined or replicated with any other kind of activity. I’m still almost entirely income-free in every way, though I’ll admit I’m starting for the first time to consider advertising here onsite for commercial partners in addition to the previous, occasional tiny plugs for my ArtSparks store at Zazzle.com or my book on Amazon or my Pinterest accounts, all of which combined make me an amount of money that I assume would send any self-respecting modern teenager into tizzies of fiery revolution if offered as their allowance. Again, not a complaint, as I am a happily kept woman whose partner willingly arranges his life to do the income earning while I blog, tend the household’s needs, and accompany him when I’m able. A surprising twist (to me) is that leaving a full-time job teaching at university and becoming a homemaker in a one-car family didn’t turn me into a hermit and a fearful little creature who hides in the hedgerows, but rather brought me out of my shell in developing and sharing what skills and arts I like to cultivate and in corresponding with and befriending a slew of people doing similar things all around the world.

digital drawing (BW)

Not a fearful little creature who hides in the hedgerows.

Whether this work of mine benefits anyone outside my household is a matter for all visitors to decide for themselves, but I know that I derive both pleasure and growth from working here, in one way and another. I think I lead a far more colorful and expressive life internally, and that has external ramifications that effect useful change and direction in what I do—and how and when and why and with whom.

So I was happy to be tagged in a recent round-robin writing meme that requires little labor I wouldn’t already be doing and offers in return an opportunity for thinking about what does happen hereabouts and for learning how that is similar to, and different from, what happens in others’ blogging territories. I thank the marvelous Rosemary, whose blog is full of constant delightful, piquant artworks, brain-stretching turns of phrase and ideas that get my gears turning each time I have a chance to stop by there, for inviting me to be another participant in these collective ruminations.

Part of the meme process is to publish on the Monday after being tapped, and ask your nominees to do the same. I failed to get even close to the right timing, being on my own weird schedule as always. It didn’t, however, prevent my thinking further on the topic, so I’ll just pretend I was timely and wax philosophical when I’m good and ready, and if you need to, you can pretend it’s Monday the 28th of April all over again.

The rules of the process that I can follow merely require that I answer four questions about how I write and nominate three others. My nominees may well be no-award bloggers, too, (always or by now) but might find the questions worth asking themselves yet again, for these are questions we all ask or are asked often enough, those of us who write regularly whether for self alone or with wider purposes. Have fun with it, or if it doesn’t in fact offer that possibility to you, just ignore it while digging through the big basketful of thanks I’m sending your way for what your writing means to me.

What am I working on at the moment?

I’m working on blog posts, books, art commissions, planning for other posts-books-artworks, and doing what reading and research I need to inform and guide all of those things. The book of art and poetry I published in January used about a tenth of the content I’ve been creating and amassing over the last decade or so, leaving bunches of other books to be refined from the collection. I’m currently compiling sets of related, somewhat thematic poetry with which I intend to combine my visual art and texts as in the other books, but in these particular instances will collaborate with composers to set the texts to music. The art projects include a piece for a friend and former university colleague’s change of job celebration and a companion artwork for one of my graphite drawings that was bought at a fundraising auction. The latter won’t engage my writing skills, but the former is going to be a mixed-media piece that will allow me to play with textual content, another element I greatly enjoy incorporating quite often in my visual work. One feeds the other, always, just as my reading and correspondence inform what I do here.

How does my work differ from others of its genre?

I have no idea what genre my work actually fits. Seriously. This has been a problem as long as I can remember: it seems no one else knows how to classify me, either, and if I can’t be conveniently and recognizably enough pigeonholed, apparently no one can figure out any ways to market my work. I’ve posted about it before.

I roam down so many strange little byways every time I stop to write that if “genre” applies, I suppose I must move from one to another regularly. I consider myself an essayist, artist and short fiction enthusiast in what I typically do here; my self-selected projects, like book number one, virtually always have substantial overlap somewhere between those. Adding to the oddity is the spill-over from my personal blend of contented immaturity, constant rambling from piquancy to pathos and beauty to the bizarre. If I can figure out how to make a one-page piece that combines visual art with text and ranges from terrifying to hilarious, tenderly thought-provoking to ridiculously unexpected, then I am likely to be truly happy. And oh, so un-sellable. Blogging at least allows me to practice, enjoy, and air out whatever variety of my inclinations and artistic urges I choose, so it doesn’t merely stay bottled up, endlessly mouldering.

Why do I write what I do?

It may well be that I’m driven by forces far beyond my conscious choices. I’ve never embraced nonfiction much when choosing my reading; maybe that made it seem too much like work, like required reading, and you already know of my deep aversion to Effort. So no, I wouldn’t have chosen to write nonfiction any more than to read it. But of course, it could be argued that blog autobiography of the sort I practice, barring my being obviously delusional, is a generally factual forum in itself. Very much on the other hand, I have always loved goofing around with wild and outrageously unlikely fictional and fantastic ideas, subjects and stories. It’s so much fun to invent and flesh out my fantasies with all sorts of odd details and unexpected turns of phrase and plot and character development, the best of those in my practice being the ones that can develop in extremely short and shallow tales that fit into a single blog post or book page. I have a short attention span, so I prefer to treat even pretty sophisticated topics with this kiddies’-picture-book approach, quite often, knowing that it’s what will appeal to me first, and any somewhat like-minded reader after. If there are any such readers.

How does my writing process work?

I am, and have long been, a scribbler. Everywhere I’ve lived I’ve kept notebooks, scratch paper, and notepads stashed everywhere I’m likely to come to rest for even the shortest time: bedside, by my reading chair, on the kitchen counter nearest the table; next to the toilet, in the glove compartment of the car, on my desk. When the tiniest idea pops into my head, I’m likely to grab one of these and whatever pen or pencil I’ve put with it and scrawl as fast as I can. Story, drawing, list, note, sketch or poem? Maybe a combination of them. I might have my laptop or iPad handy and go directly to digital, but the medium matters less than grabbing hold of the idea while it lasts. I can always transcribe, scan, photograph or otherwise capture my paper scribbles, and those stashes of mine are much easier to access in most of the places where my day and night find me, so part of me is still very old school in this regard.

PS—I know there’s a long and honorable tradition of early morning writing—really early morning writing, by my standards—being a great and grand way to produce fabulous stuff and have a lasting career and all of that. I am not in that tradition. When I write in the early morning hours, it’s because I’ve been writing late and am still at it at 3 a.m. I would rather sleep ten or eleven hours a night, every night, than be a great writer. If that’s what it takes. Until I have confirmation that early morning writing is the only path to artistic excellence and writerly happiness, I’ll keep writing in snatches and patches of day and night that leave me free to sleep when and as much as I want and need. That’s my process, for good or ill. So far, it keeps me mighty happy. And happy to be here.

And now, I nominate these three writers to participate in a Writing Process Blog Meme:

Diane @ http://bardessdmdenton.wordpress.com

Christine @ http://journeyintopoetry.wordpress.com

Jim @ http://gingerfightback.com

If you accept my nomination, you will write an article prompted by the following four questions and post it on your blog on Monday, April 28, 2014. Just like I did! Wink-wink. The four questions (just to jog your memory from the above bits):

What am I working on at the moment?
How does my work differ from others of its genre?
Why do I write what I do?
How does my writing process work?

I completely understand if this ‘isn’t your thing’. No obligation. Just having fun!

digital illustration

Even for a shy little goof like me, life can get pretty colorful when I plunge into writing wholeheartedly.

Hot Flash Fiction 12: The Marvelous Machine

People traveled for days to see it. The warm gleam of copper and brass on its mysterious curved reflected their own faces, if a little blearily, and they were mesmerized. The ticking and clicking of that machine and its workings’ purr and whirr drew whispered speculation and quietly fearful puzzlement and some observers began to contemplate whether they oughtn’t to summon the constable ‘just in case’ before the process was completed on the morrow. Yet so much study and work and testing had been reported before this debut of the machine that no one was fully prepared to admit so brazenly to such cowering mistrust. So at last, on the appointed Friday, six of the town’s leading citizens—with a few nervous titters and a little confused shuffling and tripping over each other—untied the network of cautionary tapes that had held back the crowds, and everyone surged up in a breathless wave for a closer look.
digital collage

There it was: coming forward on the slow conveyor belt from its central tank was a very small but perfect object of glowing copper and brass curves, ticking and clicking and purring and whirring just like its larger forerunner. It was followed, as the conveyor moved along, by ninety-nine other minutely perfect replicas.

And that is how the world had its first hint of what lay ahead.

Hot Flash Fiction 11: Undocumented Alien

digital illustrationThough we all saw our third grade teacher as a pretty lady and wonderfully good-natured, she was also quietly self-effacing and exceedingly proper, so when she was summarily carted off as an unregistered and presumably dangerous foreigner, everyone in the school, nay, in the entire town, was mightily surprised. Of course, when the government interrogation of her was deep in progress and her skin suddenly began to luminesce and the shoulders of her nice dress ripped at the seams as her wings unfurled from underneath, it turned out that nobody could be more surprised than the feds.digital illustration

Persimmon Persimmon Persimmon

digital illustration

[To my readers who are better educated than I am : Please pardon my humble attempt at kanji. It’s well-intentioned!]

Some words are more delicious than others. It’s not simply that they represent something actually tasty, an edible something full of juice and jazz; the mere sound, even the thought, of these words just leaps up and dances and smacks you in the chops with irrepressible mirth.

I’m not terribly familiar with persimmons as food like those who grew up in its primary regions of growth, but Persimmon bounces as a word. I can’t really imagine a way in which that fruit could have much credibility as a subject for a tragic song, having such a sunny sound. Is it even possible to write a sad story about bananas, other than the gradual present decline of the world’s banana crops? Simply thinking the word Banana makes the corners of my mouth curve up in a silly parody of the fruit. It’s not hard to be Flabbergasted or Gobsmacked by any number of things in this day and age, but would I opt to describe myself with those words rather than Stunned or Mortified if I want a sympathetic audience? Could a pair of Galoshes or Gumboots with my Bumbershoot ever be as sober and somber as Wellingtons?

As anyone who writes with purpose knows, the choice of words is not always easy or obvious in crafting the proper atmosphere. But when the opportunity arises for play, why then there are a whole lovely mess of cantankerous and giggly, hyperbolic and incorrigible and snappy word delights just lying around in dusty corners waiting to be picked up and tickled back into action and it would be a pity to just say what is expected when we can chuckle out slobbery and salacious words that will startle readers right down to their anklebones. Great if I can feel a bit outlandish while thinking and writing it; better yet if someone reading what I wrote can garner a sense of the same otherworldliness too. Go ahead and bite.

Hot Flash Fiction 10: At the Very Back of the Shelf

In Dash’s closet there was a very hard-to-reach spot at the very back of the top shelf, and he was quite happy that his younger sister Mattie couldn’t reach anywhere near it. There was a large jar there that he prized beyond any other thing he owned, even his pocket knife and the doll that he loved as long as his parents would only call it an Action Figure in front of any of his friends. The jar gave off a very faint blue glimmer that was even visible on the darkened closet ceiling after the bedroom light was switched off, and it pulsed comfortingly at young Dash as he lay across the room gazing on it while drifting off to sleep each night, dreaming eventually of the wonderful things that would happen when the creatures he kept in the jar finally came to their full maturity. He remained, as far as I know, blissfully unaware that they were beings of his little sister’s making and left for him to find and nurture. He may have begun to wonder what exactly was brewing when his Action Figure seemed to have moved to the far end of the shelf one morning of its own volition and then disappeared entirely until it resurfaced at the end of the week in the bathtub drain, one arm missing and covered with some kind of sticky corrosive ooze, but I imagine that he guessed Mattie might have had a hand in this trickery. The relocation of Dash’s pocket knife underneath the heavy jar was a harder to explain, more puzzling development.digital collage

I Dance on Their Graves

digital illustration

Epic Epitaph

 

Let’s just keep this

Short and snappy:

Yes, I’m dead;

Some folks is happy.

Yes, I had

The plague. Ahem,

They’re all infected.

Joke’s on them.photo

Her Misbehavior, as Seen in a Slightly Foxed Mirror

Oops! I outfoxed myself. I was so distracted by the odd weather we’ve been having here lately and all of the ways it’s unexpectedly altered our calendar and our plans (though my birthday came today right on schedule, wink-wink) that I completely forgot last night to put up the day’s post. So I did it today. A two-fer. Just to remind all of you how much I love you. Thank you for your patience. I may be getting a little absent-minded in my old age, but I still think the world of y’all. Happy two-post day!

Vulpine

The vixen, when she deigns to leave her den,

May have designs on other vixens’ men,

For, little as I know the ways of foxes,

I know they don’t like being kept in boxes

But rather like the freedom just to roam

To any den, if it should look like home,

And any male they’d like to have as mate–

Beware the vixen’s wiles, ere it’s too late!digital illustration