There’s No Pleasing That Woman

Digital illustrationSo Crotchety behind Her Crocheting

Does this seem troubling to you? All grans aren’t tiresome, it’s true,

But this old lady nurses ire as if she kept eternal fire

Cooking for gleeful roasting of all who would dare to fall in love,

To be successful, find delight in anything, morning to night,

That is not hers, and hers alone; she glowers as if from the throne

Of Empire, threatening with doom all who would dare challenge the gloom

With which she paints her own worldview; I find her hideous, don’t you?

The only worse soul, I should think, would be my own, if I would sink

To wishing others ill because they weren’t as awful as I was.

Ah, Poor, Ignorant Others

digital drawing

The Royal We

We wish the world would so improve as to fit with us in our groove,

But while we grandly sit and wait, and yammer and pontificate

On all the failings, all the fuss of people being unlike us,

So stupid and so retrograde as to be differently made

And to espouse another thought than the superb one that we’ve got—

How troublesome! Noses aloft, we deem them worthy to be scoffed

And cringe in horror that they’d dream of doubting that we are supreme—

All ills, in fact, could be foregone if others could be counted on

To shape right up and so improve as to fit into our great groove.

Don’t be So Beastly

Biting Remarks may be Rewarded in Kind

Do not call me a scaredy cat or other catty names;digital illustration

Don’t have a cow, but I refuse to buy into your gamesdigital illustration

Of calling me bull-headed, big fat cow, a silly goose,digital illustration

Or loosey-goosey, bird-brained, or a dumb sheep. What the deucedigital illustration

Do you think you are doing? For—sheepish as I may be—

I’m not so woolly-minded as your image is of me,

And once you’ve riled me up enough with childishness so tryin’,

I may just turn around and bite you hard, and I ain’t lion.digital illustration

Alive & Well

photoSing Now & Always

To celebrate at breaking of the dawn

Or close of evening, or the stroke of noon,

There is no sweeter pleasure than a tune

Well sung by everyone, an antiphon

To peace, to sorrow, or to happiness;

No matter what the poetry or text,

It truly matters most that what is next

Is choral concord to renew, redress,

Resound through all the unseen years ahead,

A clarion, an anthem or motet

Grander than any ear has heard as yet,

And run to distant history, a thread

Of melody and harmony so strong

That no one can resist joining in song

Filling in the Blanks

Like many of my compatriots here in Bloglandia, I chose to close my awards-acceptance shop after having been gifted with a generous helping of them. We all learn very quickly that this is an incredibly open-hearted and open-handed community, and the reassurance of being recognized in this way is a grand encouragement to keep working. It can also demand a fair amount of work and dedication just to go through the proper procedures each award requires for acceptance and the passing of the torch to other deserving souls, this on top of the way that the regular work of producing the blog not only continues but tends to increase if one wants to ‘grow’ the blog in any significant ways regarding its style, content, purpose, and so on ad infinitum. On top of that, there is the increase of comment correspondence that, in turn, inspires other changes and improvements along the way but also means one is devoting larger and larger amounts of time to the correspondence itself.

That is all good and great stuff. Really. Even if I were to quit blogging cold turkey this very moment I would say unabashedly that it has been wildly enriching, educational and happy work for the last nearly three years in ways that I couldn’t have imagined or replicated with any other kind of activity. I’m still almost entirely income-free in every way, though I’ll admit I’m starting for the first time to consider advertising here onsite for commercial partners in addition to the previous, occasional tiny plugs for my ArtSparks store at Zazzle.com or my book on Amazon or my Pinterest accounts, all of which combined make me an amount of money that I assume would send any self-respecting modern teenager into tizzies of fiery revolution if offered as their allowance. Again, not a complaint, as I am a happily kept woman whose partner willingly arranges his life to do the income earning while I blog, tend the household’s needs, and accompany him when I’m able. A surprising twist (to me) is that leaving a full-time job teaching at university and becoming a homemaker in a one-car family didn’t turn me into a hermit and a fearful little creature who hides in the hedgerows, but rather brought me out of my shell in developing and sharing what skills and arts I like to cultivate and in corresponding with and befriending a slew of people doing similar things all around the world.

digital drawing (BW)

Not a fearful little creature who hides in the hedgerows.

Whether this work of mine benefits anyone outside my household is a matter for all visitors to decide for themselves, but I know that I derive both pleasure and growth from working here, in one way and another. I think I lead a far more colorful and expressive life internally, and that has external ramifications that effect useful change and direction in what I do—and how and when and why and with whom.

So I was happy to be tagged in a recent round-robin writing meme that requires little labor I wouldn’t already be doing and offers in return an opportunity for thinking about what does happen hereabouts and for learning how that is similar to, and different from, what happens in others’ blogging territories. I thank the marvelous Rosemary, whose blog is full of constant delightful, piquant artworks, brain-stretching turns of phrase and ideas that get my gears turning each time I have a chance to stop by there, for inviting me to be another participant in these collective ruminations.

Part of the meme process is to publish on the Monday after being tapped, and ask your nominees to do the same. I failed to get even close to the right timing, being on my own weird schedule as always. It didn’t, however, prevent my thinking further on the topic, so I’ll just pretend I was timely and wax philosophical when I’m good and ready, and if you need to, you can pretend it’s Monday the 28th of April all over again.

The rules of the process that I can follow merely require that I answer four questions about how I write and nominate three others. My nominees may well be no-award bloggers, too, (always or by now) but might find the questions worth asking themselves yet again, for these are questions we all ask or are asked often enough, those of us who write regularly whether for self alone or with wider purposes. Have fun with it, or if it doesn’t in fact offer that possibility to you, just ignore it while digging through the big basketful of thanks I’m sending your way for what your writing means to me.

What am I working on at the moment?

I’m working on blog posts, books, art commissions, planning for other posts-books-artworks, and doing what reading and research I need to inform and guide all of those things. The book of art and poetry I published in January used about a tenth of the content I’ve been creating and amassing over the last decade or so, leaving bunches of other books to be refined from the collection. I’m currently compiling sets of related, somewhat thematic poetry with which I intend to combine my visual art and texts as in the other books, but in these particular instances will collaborate with composers to set the texts to music. The art projects include a piece for a friend and former university colleague’s change of job celebration and a companion artwork for one of my graphite drawings that was bought at a fundraising auction. The latter won’t engage my writing skills, but the former is going to be a mixed-media piece that will allow me to play with textual content, another element I greatly enjoy incorporating quite often in my visual work. One feeds the other, always, just as my reading and correspondence inform what I do here.

How does my work differ from others of its genre?

I have no idea what genre my work actually fits. Seriously. This has been a problem as long as I can remember: it seems no one else knows how to classify me, either, and if I can’t be conveniently and recognizably enough pigeonholed, apparently no one can figure out any ways to market my work. I’ve posted about it before.

I roam down so many strange little byways every time I stop to write that if “genre” applies, I suppose I must move from one to another regularly. I consider myself an essayist, artist and short fiction enthusiast in what I typically do here; my self-selected projects, like book number one, virtually always have substantial overlap somewhere between those. Adding to the oddity is the spill-over from my personal blend of contented immaturity, constant rambling from piquancy to pathos and beauty to the bizarre. If I can figure out how to make a one-page piece that combines visual art with text and ranges from terrifying to hilarious, tenderly thought-provoking to ridiculously unexpected, then I am likely to be truly happy. And oh, so un-sellable. Blogging at least allows me to practice, enjoy, and air out whatever variety of my inclinations and artistic urges I choose, so it doesn’t merely stay bottled up, endlessly mouldering.

Why do I write what I do?

It may well be that I’m driven by forces far beyond my conscious choices. I’ve never embraced nonfiction much when choosing my reading; maybe that made it seem too much like work, like required reading, and you already know of my deep aversion to Effort. So no, I wouldn’t have chosen to write nonfiction any more than to read it. But of course, it could be argued that blog autobiography of the sort I practice, barring my being obviously delusional, is a generally factual forum in itself. Very much on the other hand, I have always loved goofing around with wild and outrageously unlikely fictional and fantastic ideas, subjects and stories. It’s so much fun to invent and flesh out my fantasies with all sorts of odd details and unexpected turns of phrase and plot and character development, the best of those in my practice being the ones that can develop in extremely short and shallow tales that fit into a single blog post or book page. I have a short attention span, so I prefer to treat even pretty sophisticated topics with this kiddies’-picture-book approach, quite often, knowing that it’s what will appeal to me first, and any somewhat like-minded reader after. If there are any such readers.

How does my writing process work?

I am, and have long been, a scribbler. Everywhere I’ve lived I’ve kept notebooks, scratch paper, and notepads stashed everywhere I’m likely to come to rest for even the shortest time: bedside, by my reading chair, on the kitchen counter nearest the table; next to the toilet, in the glove compartment of the car, on my desk. When the tiniest idea pops into my head, I’m likely to grab one of these and whatever pen or pencil I’ve put with it and scrawl as fast as I can. Story, drawing, list, note, sketch or poem? Maybe a combination of them. I might have my laptop or iPad handy and go directly to digital, but the medium matters less than grabbing hold of the idea while it lasts. I can always transcribe, scan, photograph or otherwise capture my paper scribbles, and those stashes of mine are much easier to access in most of the places where my day and night find me, so part of me is still very old school in this regard.

PS—I know there’s a long and honorable tradition of early morning writing—really early morning writing, by my standards—being a great and grand way to produce fabulous stuff and have a lasting career and all of that. I am not in that tradition. When I write in the early morning hours, it’s because I’ve been writing late and am still at it at 3 a.m. I would rather sleep ten or eleven hours a night, every night, than be a great writer. If that’s what it takes. Until I have confirmation that early morning writing is the only path to artistic excellence and writerly happiness, I’ll keep writing in snatches and patches of day and night that leave me free to sleep when and as much as I want and need. That’s my process, for good or ill. So far, it keeps me mighty happy. And happy to be here.

And now, I nominate these three writers to participate in a Writing Process Blog Meme:

Diane @ http://bardessdmdenton.wordpress.com

Christine @ http://journeyintopoetry.wordpress.com

Jim @ http://gingerfightback.com

If you accept my nomination, you will write an article prompted by the following four questions and post it on your blog on Monday, April 28, 2014. Just like I did! Wink-wink. The four questions (just to jog your memory from the above bits):

What am I working on at the moment?
How does my work differ from others of its genre?
Why do I write what I do?
How does my writing process work?

I completely understand if this ‘isn’t your thing’. No obligation. Just having fun!

digital illustration

Even for a shy little goof like me, life can get pretty colorful when I plunge into writing wholeheartedly.

Gently into the Night

digital illustration from a photograph

Reparations

While the quiet of the evening draws its curtain on the noise

Day had clamored ’til its leaving, I will lie in calm and poise,

Gently as a bed of lilies bends in summer’s kindest breeze,

As the cat turns, curling, ’til he’s found his pose of greatest ease;

While the dusk falls, silent, deeper into night, my eyelids close

Heavily…I’m soon a sleeper in the stillest of repose…

Midnight finds me softly dreaming, all the day’s loud clatter gone,

‘Til birds chatter at the streaming light of the approaching dawn

While I lie in silent dozing where no sound comes breaking through,

All that shouted ceases, closing restive lips—and spirits, too,

Slip like shades and never flutter more than deepest sleeping sends

To the surface from the utter place of healing and amends;

I will rest here in the solace and the silence so supreme

It can quiet every call as I lie still and, gently, dream…digital illustration from a photograph

One in a Million

digital illustration

Homage to Popularity

My Distinction

If I should need some camouflage, should want to truly blend,

I’d better watch my persiflage and learn not to offend

By wearing last week’s trendy style, my hair too short or long,

Or failing, yet, to reconcile which Party’s Right (or wrong)

To run the government; which church is favored most by God,

How not to leave you in the lurch when I have been a clod,

Appalling with my social gaffes, faux pas and frightful fouls;

I may accept I’m built for laughs, but using the wrong towels

Or forks or traffic lanes, That Word in company unfit—

I hope I don’t seem too absurd as-is, but that’s just it:

My imperfections, my unique design as Me, are such

As might make me appear a freak if I am Me too much.

But, truth be told, while I may work to fit in with the rest,

I hope you won’t think me a jerk for liking myself best!

I will blend in, keep pace, behave, up to a point, to please,

But lest you think me fashion’s slave, I think it a dis-ease

To seek conformity and bow to other people’s rules

When I’m quite nifty anyhow, and others may be fools.

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Fingerprint Beats Homage

The Last Place on Earth

digital collageIn Profundum Maris

Deep in the ocean, fathoms far,

Beyond the reach of the brightest star,

In the abyss of the secret sea—

Seemingly past where life could be

Sustained—lies a billowing bed of kelp

That waves in the dark, where sleep, where help,

Where mystical mending music calls

As the tides turn back and the current falls,

As the storms above relent, abate,

Becalm, bring peace—it is not too late

To dive in the depths with delight, embark

On the garden path of the ocean’s dark,

Miraculous beauty, unseen, immense,

Suffusing the soul in every sense,

To lie in the rush as the seas roll by

And think it a joy too fine,

To die…digital collage

The Menace Above

digital illustration

The Bird Gets the Last Word

You stay down there, and I’ll just sit

Up on my perch, whistle and chirp

And warble ’til you throw a fit

Because I’m being such a twerp—

I’ll flap and flutter, cheep and caw

And drive you right out of your tree

Until you want to break the law

And take a shot or two at me—

But I, no matter how you squirm,

Won’t quit my pestering; so far,

I’m winning, you poor lowly worm,

And soon I’ll also strafe your car.
digital illustration

 

The Longed-for Sound

digital illustrationAwakening

Whose is the voice that speaks my name, Aloud or silently, the same,

In gentle speech or radiant song, Unspoken care, forgiving wrong?

Whose is the loving, laughing voice That makes my waiting heart rejoice,

That wakes my hope and lights the sky With stars, to which my sole reply

Is humble gratitude, delight That such a voice breaks through the night

To search me out, my heart in two, And make it whole?

Your voice. Yes, you.