A Whispering Medium

Silverpoint is relatively rarely seen nowadays, but it remains a delicate medium for drawing. Putting a point of real silver onto gessoed paper allows the same kind of fine detail and fragility to be expressed that are characteristic of harder graphite pencils’ work. The effect is of pale and careful imagery, a wisp of smoke, a mist, a whisper.Drawing: Silverpoint Apples

There’s an appealing air of the arcane to a medium that’s old and seldom used nowadays, and silverpoint qualifies on both counts. It’s also effective, as I found in my little experiments, on a black background to create gently ghostly drawings, but as ghosts seem wont to do, has a tendency to disappear at the slightest whiff of air, since oxidation darkens silver and it becomes less and less visible against the dark ground. Of course, that very ephemeral quality might be a further attraction, an encouragement to see the medium as a passing fancy best appreciated ‘fresh’ and gone in the blink of an eye.

Drawing: Silverpoint Blueberries

This is, after all, an age in which change comes at an ever-increasing speed and in growing quantities, and we become accustomed to nearly everything having the shelf life of a mayfly at best. We adapt, we move on. Yet we crave the sense of permanence and connection, so here I am marking in graphite over the top of the silverpoint as it fades, or scanning the images to enhance the contrast while it can still be seen. And while I still love the sense of tactile attachment and involvement that writing longhand, pencil on paper, gives me even when I’m up to my elbows in graphite dust, not to mention hoping that the neural connections such physical action reinforces better than keyboard manipulations will stay with me longer somehow, what do I do with my writings? Transcribe the scribbles to the electronic medium by sitting at my keyboard afterward anyway.

So passes our world; we labor with new tools to speed things up, revisit and relish the old methodology and tools to slow down and remember, and then run back to catch up with the new again. We, too, are ephemeral as faint images, as ghosts, and we feel our mortality even as we strive to make our marks on the world while passing through it. Our tiny voices and messages may be lost in the ether forever, and that, almost at the instant of their making, but the urge to tell our tales remains. Our little silver trails will fade, but we will have moved on elsewhere as well.

You can Lead Me to Water…

…but I can’t guarantee I’ll be smart or committed enough to take advantage of it. I may represent the truly average human in that, though it’s hardly cause for admiration or celebration. We’re just good at being too blind, stubborn, ignorant, lazy and foolish to make proper use of whatever riches are set in our way. It’s silly enough that I can sit at the brink of a well pouring out pure, cold, sweet water and die of thirst, but that I would fail to fill a cup for any of the other thirsty people waiting for my smallest effort becomes a much more significant omission. I should be better. I could be better.graphite drawingAnd I want to be better. The first step, surely, has got to be simply paying attention. Am I so accustomed to privilege that I have acquired wealth-blindness, forgetting how rich I am, or worse yet, have succumbed to that ugly disease, Entitlement? I must teach myself to renew my awe and wonder at what is good and great in my life. Then I must remember to make wise, generous, jubilant and extravagant use of it all. A whole new year lies ahead, a whole new series of opportunities for improvement. See you at the brink.

Mad Cat, Bad Cat

graphite drawing + digital mattingMurderous Mack

I prowl the alley on dark nights, looking for trouble spots and fights

And hissing, spitting, yowling, loud, my claws and fangs splitting the crowd,

So don’t be fooled if I look fine: wildfire is in my feline line–

My zoot suit is as cool as ice; my blood, though? Hot, not cool; not nice–

I’m fast, I’m fine, the cat that has searchlights for eyes, wild stripes for jazz,

A heart of iron, soul of steel, and toughness that’s dead deep, for real–

I’m fuzzy, but I warn you that I ain’t no prissy pussycat;

I’m lean and mean; I’m slick and sleek. But sweet? I’ll kick you to next week!

Get me riled up, it won’t be pretty–Bad Cat, yeah, but never Kitty–

All the same, at home a tub of cream is nice; a belly rub;

I’m tiger tough, to say the least, but hey! I ain’t no senseless beast–

Don’t cross me, ’cause I’m fierce, although I’m not an animal, you know!digital illustration

Flantasia

graphite drawingThe Warbling Flantical

Upon a promontory sat the Flantical, in coat and hat,

In curled toupee and beaded gloves (the sort his sort of person loves),

And sang a tune so bold and sweet, a choir gathered at his feet

And joined their voices, fine and strong, to this his pure and sacred song,

Admiring both his vocal fire and handsome mien in that attire,

And so anon, the Flantical and choir closed their canticle

And all dispersed, but all retained the melody that still remained

In head and heart; that is the story born upon that promontory,

And each Flantical now loves to sing it, wearing beaded gloves.digital illustration

Look What I’ve Done!

graphite drawingWhile I will readily admit to having laid an egg, and a prizewinner at that, many a time in my life, I have neither done so in physiological terms nor, as the bird in today’s illustration appears to have done, in the supernatural way that allows said egg to levitate spontaneously.

On the other hand (or wing), I have managed to score a few modest accomplishments of my own, which, while hardly supernatural, at least impressed the heck out of me. And I rarely, in these cases, fail to make the bragging announcement.

The most remarkable thing about all of this is not that I have ever accomplished anything at all (let alone worthy of note)–though this is indeed impressive enough–it’s that I may have once or twice done something moderately grand and not felt compelled to trumpet self-aggrandisement.

Or did I just cancel out that small virtue by saying so? It’s just so hard to be humble.digital illustration

Abundance and Gratitude

graphite drawingAmong the essentials for a happy life, I consider the above named items some of the most meaningful. But I am often, rightly, reminded that these are as much matters of attitude as anything. Much easier, both of them, to qualify than to quantify.

Abundance, as experienced and demonstrated by many people I’ve known and seen who would be considered below a desirable economic level, is seen as having enough to survive, and just a touch to bring a guest to the table as well. That this means the main family’s subsistence is so much the sparser while a guest is on hand means little, except that the gift is commensurately so much the more generous.

For those of us with more considerable resources, I think the same attitude is worth the attempt. I should think through the difference between my actual needs and my wants, live within my means, and delight in the ability to share what I have with others. I’m not always nearly as good at this as I’d like, but think it a practice worth pursuing and improving over a lifetime.

Gratitude needn’t be limited to feeling I’m in the center of abundance, anyway. There’s no reason I shouldn’t be thankful for any and every good thing in my existence, even when the tenor of the times is set in a sparer and more trying mode. This, too, is simply a survival tactic on my part, as giving in to my dark instincts at bad times has no logical outcome but that I’d lie down and die. By choosing to actively and attentively seek out and recognize whatever kernels there are of goodness and light, I take away my focus from what lessens me and give myself a chance of relief. Better, I may see the glint of otherwise forgotten abundance, and that always makes me more grateful.digital illustration

It’s Still Life

Little is as desirable in day-to-day life as peace and quiet. Rest, respite, calm–I crave them. There’s so much invitation and welcome in the sweet marvels of time off, time out and down time that I never feel I have too much of, well, not-too-much.

But busyness is ever so much more common in our everyday existence in this century, certainly in this household. It’s no still life, to be sure; any silence found in this way of living is more of the deafening sort. But yes, it’s still life.

So I have to manufacture or steal my moments of rest and relaxation. Isn’t that how most of us end up finding our tiny increments of space and time and sanity anyway? I have to learn how to tune out the white noise, hide from the constant demands and burrow into hidden corners when and wherever I can, to choose deliberately to decompress and unwind. If I don’t make room for my own peace of mind, who’s going to give it to me? The world may rattle on around me at a furious and eardrum-shattering rate and all I know may change in the ten minutes I’ve stolen to renew myself, but I will return to those realities soon enough, and hadn’t I better do so in a fortified state than otherwise?

Better to sit down and tell myself soothing tales undergirded with lullabies, to draw myself a little old-fashioned still life arrangement in the calm unruffled grey of graphite, and breathe deeply without regard for the bustle and bash of the universe, if only for a moment or two.graphite drawing

Something Fishy about That Girl

digital illustrationThe Return of Dorinda Beecher

Restless sailors far from shore seek in the stars, and furthermore,

In deepest seas, hoping to sight some change to break the endless night,

The ceaseless day, the infinite long year’s dull drone, for what’s in it

To charm the man who’s been abroad and has forgot his native sod,

Who knows no home and has no friend, just sailing, sailing to the end

Of Earth, the seven seas, the Known? Yet one such sailor, one alone,

Found in the foamy waves that dream the others sought, caught in a beam

Of phosphorescent, moonlit flash: the slightest bubbling roll and splash

Betrayed the presence of a maid; he started, would have leapt to aid

Her but that she was smiling wide, dolphin and otter at her side

Bearing her up in playful bounding swoops. He did not make a sound,

But smiled back, struck by her grace; and when she saw this on his face,

She beckoned gently, drew him on. Another splash! The sailor’d gone

And dived into the depths to meet this mystery, so grand, so sweet.

Could he? Would she? He fell in love, quite literally, from above

Her water empire, and he went full willingly, no accident

Of fate or fearsome, deathly wish: he’d rather fade among the fish

Than risk to lose this chance he’d seen to meet and mate his mermaid queen.

Once in the water, swift he sank, quite full of joy, and glad to thank

His lucky stars; he saw her swim in swiftest darts to rescue him;

She laid a soft hand on his brow–he thought it felt quite different now–

And gazed on him, and in her eyes, he saw reflected, with surprise,

That he’d become an otter, too. Yet not affronted with this view,

He thought their states a pleasant match; his mermaid queen was quite a catch.

Off, then, they swam, mermaid and men, her willing slaves not seen again.digital illustration x2This post is especially for Lindy Lee, who requested on Dorinda’s first appearance here long ago [see the link in the post title] that she might revisit us sometime.

Angels of Mercy

graphite line drawingThere are a lot of distinguishing features that we associate with Goodness, in the general sense of that construct. There are the usual ethical and even moral qualities we impute to a person or action or event in our humanist or religious ways: honesty, justice, kindness, compassion, hospitality, wisdom, patience and other such characteristics are almost universally recognized as positive and admirable. And while we can sometimes recognize these things in our fellow mortals, many of us find it easier to represent them in our minds’ eyes as some kind of super-beings that transcend human limitations, because it’s hard to imagine much of this happening or being sustainable in the hands or lives of mere people.

So we have our superheroes and our faeries, our special agents and goddesses, avatars and angels. But we’re still either too limited in our mental vocabularies or perhaps simply a little bit too insecure and egocentric to imagine or depict much that is Good without giving it a recognizable hint or ten of humanness. We make our gods in our own image, unable to picture them as truly different enough from ourselves to be genuinely Other and unique. We need to feel a concrete connection if we’re to make any sense of our own ideals.

And there’s nothing wrong with that, to my mind. How can I talk about the sweetness of a ripe pear with someone who has no sense of smell or taste? What it feels like to stand mid-stream in an icy creek with someone who has no legs or is a lifelong quadriplegic? How could I hope to discuss a complex topic with a deaf person from another country? We have to have some little commonalities, at least ones that we perceive as such, for us to have any kind of relationship, including the philosophical or emotional or spiritual.

So we, thankfully, have our Helpers, our unseen supporters and caretakers and watchers and guides, and we give them features that help us to understand and trust them. The other day when I was drawing I was thinking of a friend who, as I write this, is undergoing cancer treatment. Many friends and relatives and acquaintances have done so in times past, and many will yet again, and I think of them in their times of need and send, in my own way, my love and hope and concern, but most of them cannot use anything tangible that I have to offer. I think for cancer patients, my versions of angels would most certainly be beautifully smooth-headed creatures.

I am no surgeon, healer, scientist, caregiver or therapist of any sort. If you live close enough you might get some homemade chicken soup from me, or an armful of flowers from my home meadow, or a little note, but I have no cure to offer, have not even enough encouraging wisdom of my own to get you through the day better. What I do have is my own vision of what I would hope to have at my bedside or hovering around me as I tread any dangerous paths, a sort of gracious, singing, laughing and–when I need a modest and quiet companion who understands the sorrow of it all–gently embracing angel of mercy. And my particular versions of such beings work in force, and also make house calls, so I will gladly send regiments of them in all their shining, vaguely human, terribly purposeful Goodness to watch over all.digital illustration

Defeating Nightmares

graphite drawingNo matter how impressive and terrifying the monster, there’s always something that can defeat it. Most monsters have their own monsters, when it comes right down to it. Their tormentors may be superior powers, but in truth, it may well be the simplest and smallest, most innocuous detail that thwarts the fiercest monster.

It might even be me.

digital illustration

Is it his own greed and hubris, or is it a clever prank I pulled that takes down the mighty monster? Not that it matters, as long as I win the day!

Kept at Bay

Greedy little nightmare,

You stole from me an hour

Of sleep that should have been repose

With twisted, dark and sour

Delirium and horror-shows

Of ghosts and ghouls and glee-

Filled monster tales and dragon-scales—

O! Set this captive free!

For if you deign to torture me

Incessant, sleepless grind,

I’ll out you in a rotten verse

And you will lose your mind.