Restoration Drama
Give me dreams, but let me sleep,
In peaceful rest to lie—
Haul off the tossing, counting sheep,
The nightmares passing by—
Yes, make the most of forty winks,
A hundred, if I may;
Remove insomnia and keep
Harsh wakefulness at bay—
No more foul nights as hostage to
Psychosis’ nasty knife—
Now, make a truce and make it true,
Right through eternal life!
When I sort and edit photos, it helps if I can create categories and subcategories that will help me to find and use them after the fact. If an event or occasion is short and simple in the relative sense of such things, the name of the event or occasion itself may suffice as filing ID, but what of things like our summer road trip that encompass 5 weeks, 6000 miles, a dozen states, 2 countries, 3 music conferences, a dozen members of the immediate family, a half-dozen motels and hotels, and ever so much more?
What I tend to do is create an all-encompassing title that all photos will bear, identifying them as part of the larger expedition, and then putting them into files and sub-files that clarify the who-what-when-where-why-&-how of them. This helps me have at least a slight hope of locating any single shot or group of shots from among the multitude that remains even after I’ve culled a multitude more. It also reminds me of what things became, either because of my continuing interest in them or by natural default of recurrence on the way, thematic in the event.
Not surprising, then, that this extended road trip would have obvious and substantial files of many very familiar subjects. To be sure, there are a quantity of such old favorites of mine that any moderately frequent or attentive visitor to this blog could easily guess. Given my blog header, I can start with my fondness for rusty, rustic old things (like me, naturally), mechanical bits and industrial loveliness. There are hints in that image, as well, of my magpie adoration of all things shiny-metal, glass, water, jewels, plastic and any other thing that glints to catch my avid eye.
My many obsessions also appear in nature: flora, fauna, sea, sky and stone. If there’s a noticeable cloud formation or special kind of light I am lured to admiration of it. Insects draw me like, well, the proverbial flame-drawn moth. I’m an ignorant admirer of all sorts of vehicles that strike me as different or novel when it comes to my everyday experience, so there are always photos in my stash of cars and trucks, boats and trains, heavy equipment and the slightest, lightest personal transport other than feet. Feet, for that matter, can make perfectly entertaining objects of my camera’s affections, since people in general are also on my list, and character-full feet or quirkily clad ones or ones that by position tell a story ought to make marvelous image sources any time.
In the case of human subjects, I do have something of a restrictive love, however. When I know the subjects of my documentation, I’d usually rather be interacting with them, so often, the camera sits idle and forgotten unless I have some sort of mandate to shoot. If I don’t know the people, I am bound by respect for their privacy almost as much as by my shyness not to photograph them at all. So aside from crowd shots and unidentifiably altered distant views, I’m not likely to include too many people in my panoply of for-art photographs.
Where people congregate or what people have left behind, that’s all fodder for my imagination, though. I love buildings–the older or odder, the better–and their endless details, and whether they are homes or hospitals, offices or auditoriums, farm sheds or factories, they all have stories to tell. Ultimately, I suppose, that’s the overarching guide to my photographic peregrinations just as much as to my poetry and essays and drawing and every other expressive form of art I attempt: I am trying to discern, guess, or invent the stories behind those things I’ve seen.
There are, you know, endless stories just waiting to be told.
Our summer road trip afforded me a few good opportunities for one of my favorite activities: listening during great music rehearsals while drawing and writing. Part of me is fully engaged in the music-making, wanting not to miss a single note or nuance even when it’s truly a working bash through sort of session for the musicians. I learn so much about the pieces in hand, their histories, contexts, technical challenges and all that sort of thing as well as what to expect and what might happen in performance that I always enjoy concerts more deeply after hearing them being developed for the performances. At the same time, if the work in hand is sans text or in a language so unknown to me that I can’t get wrapped up in that aspect beyond whether the ensembles’ vowels and consonants, attacks and diminuendos and cutoffs are, well, ensemble, then I can focus my language centers on writing, sometimes blog post essays and sometimes poetry.
When the text is too enthralling or at least too present in my attentions, I can still indulge in drawing. Either way, it’s not so much dividing my attention as letting one kind of artistry inspire and guide another one. One enriches the other. Especially when the music rolling around me is as rich as, say, that being prepared for performances at the Vancouver Early Music Festival in August. I only wish that the products of my sessions were always as inspired as the music undergirding their inception. But my only chance of getting any better is to keep practicing, isn’t it. And I’m lucky that I like the process more and more as I go along, and yes, the better the music is, the more I enjoy my learning curve. That’s inspiring enough.
From cavernous frog-hollow bogs and willow darkened border ponds, from spiky sun tied down in strands of those explosive irises so wild that they spread right over the water as unharmed as magic fire; from restive ducks and cat-sprung goldfinches among the blackberry vines and the easement’s stripling trees and soughing weeds; from these—from all—comes in the dawn a rustling, chuckling dance and clatter, and a call to come to morning, to rise up, come and fly: Move out! Move on!
Seventeen years ago today I got married. And as all of you who have visited this blog with any regularity know, when I got together with the man who became my husband, spouse, best friend, partner and daily companion, I gained a world of music. Of course, music was a big part of my life already and distinctly a contributing factor in our getting together in the first place; I worked in the university art building, right next door to the music building, and spent plenty of quality time there going to concerts, meeting with friends and all of that sort of happy thing, and when the nice Director of Choral Activities asked me if I’d be willing to help spiff up the aging auditorium for the annual Christmas concert festivities I gladly said yes. That was only the first time I made banners for an occasion of collaborative fun with that nice DCA man. Less than eight months later I was making bunches of banners to fill up a church nave for our wedding.
No surprise that, since under friendly pressure from them we gave up on the attractive idea of eloping and just having a party with our family and friends on our return, we decided that the best alternative was to have a celebration with lots of music and just party all the way through the event. Turned out it was easy to do so.
Assembling our wedding’s participants was easy-peasy. Relatives and friends from work, home life and church lined up and pitched in as planners, greeters, acolytes, reception hosts and much more. Clergy? Well, as the daughter of a bishop I didn’t have far to go to hunt up someone to marry us. The church’s lead pastor presided and Dad officiated, and a dear sweet retired pastor friend served as lector. Witnesses? Having three sisters, I had no problem lining up a team; Richard’s backup was easy to arrange as well: his sole brother, our mutual beloved friend Jim, and Richard’s colleague and partner in choral crime, also named Richard (Nance). Musicians were easiest of all for us to arrange, unsurprisingly.
We had an outstanding pickup choir of students and members of Richard’s choirs, past and present, and friend-colleagues playing horn and singing the processional solo. Jim, getting in some exercise during the service, was organist as well as standing up for us. That, as well as having helped us plan the whole service and choose its music, and set one of my texts to music for our congregational hymn. Richard N, besides joining the altar party, pitched in (no pun intended) musically as well, conducting the choir for us in a lovely collection of pieces capped by the premiere of the exquisite anthem he composed for the occasion (now a best seller for Walton Music!).
Yes, this is a brag post. Happily, all true.
Happy Anniversary, my Love.
[Note: You should, however, skip the third frame if you’re arachnophobic.]
We two, when we were very small,
Walked hand in hand down avenues
Studded with poplars and long views
Of granite pavement, pale and tall
Sun-sprinkled shops, apartments set
Above them on whose balconies
Perched men like birds among the trees,
Eyeing our youth with vague regret—
How could we know, young as we were,
The brevity of these our strolls,
How every hour more swiftly tolls
Than the preceding? To be sure,
The marvel of our living lies
In sensing little of the thought
That what short summertime we’ve got
Measures in spans like butterflies’,
And realizing late in age
On balconies, as children pass,
Our tenure’s brief as leaves, as grass,
As words washed from the novel’s page
By tears dropped silently, this truth
Too hard to tell to little ones
Passing in hand-held joy, the sun’s
Brief rays alighting on their youth.
The ever-marvelous Celi, she of the sustainably-farmed wonders at The Kitchens Garden, challenged all of us to share what we see from our back porch, patio, stoop, door, window or patch of land, and the images pouring in have been a delight. Each so different, each from some other far-flung locale around the globe–but each seen from the home turf of a person joined together in this fantastic community of blogging and readership that makes the otherwise disparate styles and locations seem we are all next door neighbors. What a superb thing, to shrink the world down to a size that can easily fit into a single embrace!
So I give you a glimpse of what I see behind my home, too. Our house is situated on a city lot (about the typical suburban US standard of 50 x 100 feet), but it feels both less like a suburban place and much bigger because it backs on an easement, a small ravine for rain run-off and city/county service access. The ravine’s seldom wet (this is, after all, Texas) or used for services, so it’s mainly a tree-filled wild spot and a refuge for local birds, flora, insects, and an assortment of critters that have at various times included not only squirrels and raccoons but also rabbits, opossums, armadillos, deer, foxes, coyotes and bobcats. There have certainly been, along with the delightful bluejays and cardinals and wrens and chickadees, doves, grackles, hummingbirds and killdeers and all of those sorts of small-to mid-sized birds, plenty of hawks and vultures and, I suspect (since I know others not so far from here who have had visits from them) wild turkeys, though I’ve not seen the latter.
What I have seen recently that is infrequent if not rare, is some very welcome rain pouring down on us here, so I’m showing you slightly uncommon backyard views today. The second picture is taken from our raised patio, but the first is the view as I most commonly see it: through the kitchen window, where I can stand safely out of the lightning’s reach (as on the day shown) and more comfortably in air-conditioned splendor than in the 90-105ºF (32-40ºC) we experience so often here. Believe me when I tell you that the intense green of this scene as shown is rather unusual for this time of year, when we would more often have much more brown and bedraggled plants all around us. But we also have the luxury of a sprinkler system, so if the ravine begins to droop in dry hot weather, we’re generally protected from terrible fire danger and can still be an inviting spot for the local wildlife to take its ease. To that end, and because I generally prefer the beauties of the more native and wild kinds of landscapes to the glories of the manicured, I have my new wildflower swath in place and it’s just beginning to show a variety of the flowers and grasses I’ve planted there; seen to the left of the grey gravel path in the second picture, it stretches from the patio all the way back to the ravine.
ConservatoriesShells of glass to shield from winter
Leaf and flower, root and seed
Give the tender lives inside them
Shelter that they crave and need
In the warming arms of friendship
We in kind find safety, grace,
Shelter from the world’s hard trials
In that other shielding place
Art-Colored Glasses 